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Vous avez sélectionné:
Something She Has To Do
Partitions à imprimer
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Something She Has To Do
Small Ensemble - Level 3 - Digital Download SKU: A0.835895 Composed by Philip Glass…
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Small Ensemble - Level 3 - Digital Download SKU: A0.835895 Composed by Philip Glass. Arranged by Paul Burnell. Contemporary. Score and parts. 23 pages. Paul Burnell #6618019. Published by Paul Burnell (A0.835895). Something She Has To Do, Philip Glass, arranged by Paul Burnell for instruments in four partsDuration 3:10Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows: Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Play cue-sized notes in brackets where the main notes are out of range or inconvenient.Programme note:'Something She Has to Do' is part of the soundtrack composed by US composer Philip Glass for the 2002 film 'The Hours'. The film's score won the BAFTA Award for Best Film Music and was nominated for the Academy Award for Best Original Score, and the Golden Globe Award for Best Original Score. The film’s plot focuses on three women of different generations whose lives are interconnected by the 1925 novel 'Mrs Dalloway' by Virginia Woolf. 'Something She Has to Do' was also included on the soundtrack for the 2009 movie 'Watchmen'.
$12.99
11.88 €
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Philip Glass
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Paul Burnell
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Something She Has To Do
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Paul Burnell
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SheetMusicPlus
Arrival of the Queen of Sheba (Brass Band - Flugel & Horn Feature)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.805828 Composed by George Frideric Handel. Arranged by G L Harvey. Baroque,Contest,Festival,Instructional,Standards,Wedding. Brass Band. 46 pages. G L Harvey #4414649. Published by G L Harvey (A0.805828). This popular baroque work has been arranged as a feature for Flugel and Tenor Horn with Brass Band accompaniment (UK format). It has been carefully designed to work within the resources of most amateur bands and like all good arrangements it has something for everyone to do, including percussion. This piece is a favorite with players and audiences alike and will be an enjoyable addition to any concert performance or special occasion. The PDF is in A4 format (46 pages) and includes a full score and parts. Duration of the piece is just over 4 minutes.
$45.99
42.05 €
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George Frideric Handel
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G L Harvey
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Arrival of the Queen of Sheba
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G L Harvey
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SheetMusicPlus
Something She Has To Do from The Hours - Piano Solo
Piano seul
Philip Glass - Something She Has To Do Digital Sheetmusic - instantly downloadable sheet m…
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Philip Glass - Something She Has To Do Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 3 pages -- Classical~~Movie/TV~~Minimalism~~21st-Century~~Soundtrack
$5.50
5.03 €
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Piano seul
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Piano Solo
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Musicnotes
Philip Glass: Something She Has To Do (from The Hours) for piano solo
Piano seul
Instantly printable sheet music by Philip Glass for piano solo of MEDIUM skill level. / fi…
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Instantly printable sheet music by Philip Glass for piano solo of MEDIUM skill level. / film/tv,movies
$5.97
5.46 €
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Piano seul
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Philip Glass
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Virtualsheetmusic
Almost May Lead Sheet
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.73 €
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Instruments en Do
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
What do they matter? (for medium-high voice and harp)
Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by N…
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Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99
5.48 €
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Sea-Shells Waltz for Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Advanced Intermediate - Digital Download Composed by …
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Piano Accompaniment, Trombone - Advanced Intermediate - Digital Download Composed by Frederick N. Innes. Arranged by Chris Buckholz. 20th Century, Romantic Period, Patriotic, Old-time, Americana. Piano Reduction, Solo Part. 21 pages. Published by Cherry Classics Music
The Sea-Shells Waltz was written in 1880 as part of a musical challenge Innes posed to the great French cornetist, Jules Levy. They were both in New York performing as soloists with the legendary Gilmore band for some summer concerts. Levy would play a solo and Innes would follow with an even more elaborate one. One day Levy brought in a new solo in which he injected his own extemporaneous cadenza made up of everything he could do on the cornet. When his turn came to play, Innes also had something up his sleeve. He had written a brand new solo for the trombone, entitled The Sea-Shells Waltz with a minute and one-half cadenza.<br> <br> This legendary musical duel brought forth a delightful solo that has been rediscovered and edited by Trombonist Chris Buckholz. The solo is about 8-minutes in length for advanced performers.<br> <br> Below is a gorgeous sample of some of the concert band version of the work (soon to be published) beautifully performed by Chris Buckholz, from his double CD album Versatility.The Sea-Shells Waltz was written in 1880 as part of a musical challenge Innes posed to the great French cornetist, Jules Levy. They were both in New York performing as soloists with the legendary Gilmore band for some summer concerts. Levy would play a solo and Innes would follow with an even more elaborate one. One day Levy brought in a new solo in which he injected his own extemporaneous cadenza made up of everything he could do on the cornet. When his turn came to play, Innes also had something up his sleeve. He had written a brand new solo for the trombone, entitled The Sea-Shells Waltz with a minute and one-half cadenza.<br> <br> This legendary musical duel brought forth a delightful solo that has been rediscovered and edited by Trombonist Chris Buckholz. The solo is about 8-minutes in length for advanced performers.<br> <br> Below is a gorgeous sample of some of the concert band version of the work (soon to be published) beautifully performed by Chris Buckholz, from his double CD album Versatility.
$17.50
16 €
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Trombone et Piano
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Frederick N
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Chris Buckholz
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The Sea-Shells Waltz for Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
When The Party's Over for flute quintet or small flute ensemble
Quintette de Flûte : 5 flûtes
Flute, Woodwind Quintet, Woodwind Choir or Ensemble, Choir, Orff instruments, c flut…
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Flute, Woodwind Quintet, Woodwind Choir or Ensemble, Choir, Orff instruments, c flute 1, c flute 2, c flute 3, c flute 4, and alto flute in G - Intermediate - Digital Download By Billie Eilish. Arranged by a " do Ray me " flute studio production, Ray-Michael Kauffman. Individual Part, Lead Sheet, Octavo, Score, Set of Parts, Sheet Music Single, Solo Part. 29 pages. Published by a " do Ray me " flute studio production
When the Party's over for flute quintet or small flute ensemble<br> <br> https://youtu.be/-yE2CbZcCQg<br> <br> https://youtu.be/lP6zqU_irNg<br> <br> <br> <br> by billie eilish, and arranged by me, ray-michael kauffman.<br> this is part of my " Compositions that care" and all money this piece takes in, will be donated to a charity for recovery from addition.<br> When i first herd this song, for me this was painting a picture of someone who was an addict, where they seemed the life of the party , and was having such a good time, however , using to feel a certain way -whether that be normal, happy, to fit in, loved,.. how ever, addiction cripples those persons effected may truly feel lonely and empty .<br> I debated with myself if this is what cause i wanted to support and hopefully shed some light on, addiction and everything and every person this effects.It was the next day , i had learned a friend and former co-worker had committed suicide after a long struggle with addition. I knew then that this decision was the right one.<br> To purchase and support this cause, or " Compositions that care", please visit SheetMusicPlus.com or direct link to my music available ;<br> https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545<br> and check my website out, www.doRaymeflute.com<br> thank you for taking something so precious, as your time for me and this cause.When the Party's over for flute quintet or small flute ensemble<br> <br> https://youtu.be/-yE2CbZcCQg<br> <br> https://youtu.be/lP6zqU_irNg<br> <br> <br> <br> by billie eilish, and arranged by me, ray-michael kauffman.<br> this is part of my " Compositions that care" and all money this piece takes in, will be donated to a charity for recovery from addition.<br> When i first herd this song, for me this was painting a picture of someone who was an addict, where they seemed the life of the party , and was having such a good time, however , using to feel a certain way -whether that be normal, happy, to fit in, loved,.. how ever, addiction cripples those persons effected may truly feel lonely and empty .<br> I debated with myself if this is what cause i wanted to support and hopefully shed some light on, addiction and everything and every person this effects.It was the next day , i had learned a friend and former co-worker had committed suicide after a long struggle with addition. I knew then that this decision was the right one.<br> To purchase and support this cause, or " Compositions that care", please visit SheetMusicPlus.com or direct link to my music available ;<br> https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545<br> and check my website out, www.doRaymeflute.com<br> thank you for taking something so precious, as your time for me and this cause.
$13.99
12.79 €
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Quintette de Flûte : 5 flûtes
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Billie Eilish
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do Ray me "
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When The Party's Over for flute quintet or small flute ensemble
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a " do Ray me " flute studio production
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SheetMusicPlus
A Something in a Summer's Day
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1029547 Composed by Joshua…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1029547 Composed by Joshua Dawson. 20th Century,Contemporary. Octavo. 18 pages. Joshua Dawson #5030669. Published by Joshua Dawson (A0.1029547). This piece, written for SATB choir accompanied by piano four hands, was written as a tribute to Emily Dickinson and in an attempt to do justice to her wonderful poem, A Something in a Summer's Day, which is a prime example of Dickinson's deep, elliptical poetic style. The piano duet is unusually dominant in the piece, opening with a faint, distant single-line melody which begins to undulate and lilt once the second piano enters. The choral writing is largely homophonic, and the piece in general has some quite luscious modulations and impressionistic textures. Suitable for intermediate to advanced choirs and pianists.Duration c. 7 min.
$4.99
4.56 €
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Chorale SATB
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Joshua Dawson
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A Something in a Summer's Day
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Joshua Dawson
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SheetMusicPlus
So Far To Fall!
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1507049 By Andrew McD…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1507049 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Pop. Score. 8 pages. Andrew Mc Donald (Macka Records) #1082437. Published by Andrew Mc Donald (Macka Records) (A0.1507049). So Far To Fall is a song about being backslidden. Once there was a fire and an excitement in you. You had a hunger for God's word and the things of God. What happened? Sin has pierced your heart. Someone said something in church that hurt you! Now you do not wish to have anything to do with being a Christian. All of heaven weeps for you yearning for you to come back. It is so far to fall and many go by the wayside. This is the piano and vocal score.
$6.10
5.58 €
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Piano, Voix et Guitare
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Andrew McDonald
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Andrew McDonald
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So Far To Fall!
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Andrew Mc Donald
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SheetMusicPlus
Somebody To Love
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.759097
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.759097 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Tim Olt. Rock. Score and parts. 27 pages. Olt Music #4283177. Published by Olt Music (A0.759097). Queen remains one of the all-time greatest rock bands, transcending styles and genres. This tune is indicative of that transcendence. Everyone has something interesting to do, and the audience has a lot to listen to. This will definitely up your game.
$15.00
13.71 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Queen
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Tim Olt
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Somebody To Love
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Olt Music
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SheetMusicPlus
Do You Hear What I Hear
4 Guitares (Quatuor)
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797723 By Carrie Underw…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797723 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Derek Hasted. Christmas,Pop. Score and parts. 15 pages. Derek Hasted #3868249. Published by Derek Hasted (A0.797723). DO YOU HEAR WHAT I HEAR? - 4 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is a lovely piece for guitar quartet or for a larger ensemble. This arrangement starts off in the key of A, with a deep, dark tune (as you'll hear on the soundfile). As each of the 4 verses enters, the texture thickens a little, and between verses two and three there is a big and uplifting key change and the tune climbs over an octave higher. With lots of imitation and a gentle flowing rhythm, this piece has something for each of the players to make their own. In the final verse, big flowing Spanish-sounding chords generate a massive wall of sound and the piece concludes with a slowed down end to the tune.This arrangement has featured in concerts in the UK for many years and it's become a real favorite with the audiences.I hope you enjoy playing it!
$4.99
4.56 €
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4 Guitares (Quatuor)
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Carrie Underwood
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Derek Hasted
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Do You Hear What I Hear
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Derek Hasted
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SheetMusicPlus
O For a Thousand Tongues to Sing
Cloches
3, 4, or 5 octaves handbells - Level 4 - Digital Download SKU: C7.CGB205 Composed b…
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3, 4, or 5 octaves handbells - Level 4 - Digital Download SKU: C7.CGB205 Composed by Cathy Moklebust. General. Score. 8 pages. Chorister's Guild - Digital #CGB205. Published by Chorister's Guild - Digital (C7.CGB205). UPC: 749193005521.A familiar hymn tune is presented in a unique set of variations that employ delightful contrapuntal effects and handbell techniques (including optional mallets). Every player has something interesting and challenging to do, and the piece is usable in sacred or secular settings.
$4.50
4.11 €
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Cloches
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Cathy Moklebust
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O For a Thousand Tongues to Sing
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Chorister's Guild - Digital
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SheetMusicPlus
Something She Has To Do (from The Hours)
Piano seul
By Philip Glass. Film/TV. Piano. 3 pages. Published by Hal Leonard - Digital Sheet Music
By Philip Glass. Film/TV. Piano. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.56 €
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Piano seul
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Philip Glass
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Something She Has To Do
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Fly Me To The Moon (In Other Words)
Instruments en Do
C Instrument - Level 1 - Digital Download SKU: A0.1512163 By Tony Bennett. By Bart …
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C Instrument - Level 1 - Digital Download SKU: A0.1512163 By Tony Bennett. By Bart Howard. Arranged by Marcelo Borba. Broadway,Classical,Historic,Jazz,Musical/Show,Singer/Songwriter. Lead Sheet / Fake Book. 2 pages. Marcelo Borba #1087204. Published by Marcelo Borba (A0.1512163). **Fly Me to the Moon** (originally titled **In Other Words**) Fakebook is one of the most iconic songs of the 20th century, especially associated with jazz and pop, and made famous by various artists, including Frank Sinatra. The song was written in 1954 by composer and lyricist Bart Howard, and since then, it has become a classic.### Origin and CompositionBart Howard wrote the song intending to create something simpler and more direct, in contrast to the more complex songs popular at the time. Inspired by the style of Cole Porter, he crafted a romantic and engaging melody. Initially, the song’s title was **In Other Words**, and the phrase Fly me to the moon was just part of the lyrics, but over time, the phrase became so memorable that the title was informally changed to **Fly Me to the Moon**.### First Recording and SuccessThe song was first recorded in 1954 by singer Kaye Ballard, but it gained wider recognition when **Peggy Lee** performed it on a television show. Numerous artists recorded their versions over the years, but the most famous recording came in 1964, when **Frank Sinatra** included his version arranged by Quincy Jones on the album *It Might as Well Be Swing*, accompanied by the **Count Basie Orchestra**.### Connection to Space ExplorationInterestingly, the song’s popularity coincided with the space exploration era. Sinatra’s recording became particularly symbolic when NASA adopted the song during the Apollo program. Sinatra's version was played during the Apollo 10 mission and was also part of the Apollo 11 playlist, the first mission that took humans to the moon in 1969.### Cultural ImpactFly Me to the Moon is a timeless song, re-recorded by countless artists in various genres and styles, including jazz, bossa nova, and even pop. Its romantic lyrics and the theme of traveling to the moon captured the imagination of generations, connecting romance, adventure, and exploration into a single package.This song is a symbol of American popular culture and the optimism of the space race era, and it is constantly associated with Sinatra's legacy and classic jazz.
$3.99
3.65 €
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Instruments en Do
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Tony Bennett
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Marcelo Borba
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Fly Me To The Moon
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Marcelo Borba
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SheetMusicPlus
Game Of Thrones Theme - Viola Quartet
Quatuor à cordes : 4 altos
Viola, String Quartet, Viola Quartet - Advanced Intermediate - Digital Download By …
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Viola, String Quartet, Viola Quartet - Advanced Intermediate - Digital Download By Ramin Djawadi. Arranged by Alison Gillies. Score, Set of Parts. 8 pages. Published by quartetpad.com
Game Of Thrones Main Theme, by Ramin Djawadi, arranged for 4 violas by Alison Gillies.<br> <br> <br> Watch: https://youtu.be/XEUudVKfuWo<br> <br> This arrangement is exacty what it says on the tin: the main theme tune from the popular and award-winning HBO fantasy drama TV series. Everybody has a something to do in this quartet arrangement, and the structure remains true to the original. Instantly recognisable.<br> <br> For a full list of arrangements by Alison Gillies, please visit http://www.quartetpad.com/catalogue<br> <br> http://www.instagram.com/quartetpad_sheetmusic<br> http://www.facebook.com/quartetpad<br> http://www.twitter.com/quartetpad<br> http://www.linkedin.com/in/quartetpadGame Of Thrones Main Theme, by Ramin Djawadi, arranged for 4 violas by Alison Gillies.<br> <br> <br> Watch: https://youtu.be/XEUudVKfuWo<br> <br> This arrangement is exacty what it says on the tin: the main theme tune from the popular and award-winning HBO fantasy drama TV series. Everybody has a something to do in this quartet arrangement, and the structure remains true to the original. Instantly recognisable.<br> <br> For a full list of arrangements by Alison Gillies, please visit http://www.quartetpad.com/catalogue<br> <br> http://www.instagram.com/quartetpad_sheetmusic<br> http://www.facebook.com/quartetpad<br> http://www.twitter.com/quartetpad<br> http://www.linkedin.com/in/quartetpad
$12.99
11.88 €
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Quatuor à cordes : 4 altos
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Ramin Djawadi
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Alison Gillies
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Game Of Thrones Theme - Viola Quartet
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quartetpad.com
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SheetMusicPlus
Game Of Thrones Theme - Violin Quartet
Quatuor à cordes: 4 violons
Violin, Violin Quartet - Advanced Intermediate - Digital Download By Ramin Djawadi. A…
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Violin, Violin Quartet - Advanced Intermediate - Digital Download By Ramin Djawadi. Arranged by Alison Gillies. Score, Set of Parts. 7 pages. Published by quartetpad.com
Game Of Thrones Main Theme, by Ramin Djawadi, arranged for 4 violins by Alison Gillies.<br> <br> <br> Watch: https://youtu.be/o8kRrzILR68 <br> <br> This arrangement is exacty what it says on the tin: the main theme tune from the popular and award-winning HBO fantasy drama TV series. Everybody has a something to do in this quartet arrangement, and the structure remains true to the original. Instantly recognisable.<br> <br> For a full list of arrangements by Alison Gillies, please visit http://www.quartetpad.com/catalogue<br> <br> http://www.instagram.com/quartetpad_sheetmusic<br> http://www.facebook.com/quartetpad<br> http://www.twitter.com/quartetpad<br> http://www.linkedin.com/in/quartetpadGame Of Thrones Main Theme, by Ramin Djawadi, arranged for 4 violins by Alison Gillies.<br> <br> <br> Watch: https://youtu.be/o8kRrzILR68 <br> <br> This arrangement is exacty what it says on the tin: the main theme tune from the popular and award-winning HBO fantasy drama TV series. Everybody has a something to do in this quartet arrangement, and the structure remains true to the original. Instantly recognisable.<br> <br> For a full list of arrangements by Alison Gillies, please visit http://www.quartetpad.com/catalogue<br> <br> http://www.instagram.com/quartetpad_sheetmusic<br> http://www.facebook.com/quartetpad<br> http://www.twitter.com/quartetpad<br> http://www.linkedin.com/in/quartetpad
$12.99
11.88 €
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Quatuor à cordes: 4 violons
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Ramin Djawadi
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Alison Gillies
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Game Of Thrones Theme - Violin Quartet
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quartetpad.com
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SheetMusicPlus
25 jazz etudes
B-Flat instrument, Bass Clef Instrument, C Instrument, E- Flat Instrument, Instrumental…
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B-Flat instrument, Bass Clef Instrument, C Instrument, E- Flat Instrument, Instrumental Solo - Level 3 - Digital Download By Darren Lloyd. By Darren Lloyd. Arranged by Darren Lloyd. Jazz, Latin. Individual part. 110 pages. Darren Lloyd #843171. Published by Darren Lloyd
25 jazz etudes is a book aimed at intermediate jazz students wanting something authentic to play over well known jazz standards.<br> <br> It has long been recognised that to develop jazz vocabulary we should copy the masters of the music but what if our favourite player is simply too advanced for where we currently are in our musical development?<br> <br> The 25 jazz etudes have been created with limited tricky passages, no high sustained playing but still uses great, authentic vocabulary.<br> Check out the demo.<br> <br> You should also check out www.jazzetudes.net where if you subscribe to the newsletter you receive a bunch of free etudes to try along with the backing and demo tracks!<br> <br> The book has 25 etudes and each etude is in concert pitch, Bb. pitch, Eb pitch and bass clef.<br> <br> The etudes are - <br> <br> Alfie – 60 bpm<br> Almost like being in love – 135 bpm <br> Bye bye blackbird - 135 bpm<br> Caravan – 180 bpm<br> Doxy – 100 bpm<br> East of the sun – 135 bpm<br> Fascinating rhythm – 160 bpm<br> Fly me to the moon – 140 bpm<br> Four - 170bpm<br> Giant steps – 185 bpm<br> Have you met miss Jones? 135 bpm<br> How high the moon – 175 bpm<br> I remember you – 165 bpm<br> I'll close my eyes – 160 bpm<br> I'm coming Virginia – 131 bpm<br> I've got rhythm changes – 175 bpm<br> Line for Lyons – 140 bpm<br> Makin' whoopee – 90 bpm<br> Night in Tunisia – 170 bpm<br> Scrapple from the apple – 160 bpm<br> Song for my father – 135 bpm<br> Star eyes – 115 bpm<br> Summertime – 105 bpm<br> Tempus fugit – 200 bpm<br> There will never be another you – 160 bpm <br> If you would like the backing tracks and demo recordings (free) you need to go here - https://www.jazzetudes.net/demo-backing-tracks-free25 jazz etudes is a book aimed at intermediate jazz students wanting something authentic to play over well known jazz standards.<br> <br> It has long been recognised that to develop jazz vocabulary we should copy the masters of the music but what if our favourite player is simply too advanced for where we currently are in our musical development?<br> <br> The 25 jazz etudes have been created with limited tricky passages, no high sustained playing but still uses great, authentic vocabulary.<br> Check out the demo.<br> <br> You should also check out www.jazzetudes.net where if you subscribe to the newsletter you receive a bunch of free etudes to try along with the backing and demo tracks!<br> <br> The book has 25 etudes and each etude is in concert pitch, Bb. pitch, Eb pitch and bass clef.<br> <br> The etudes are - <br> <br> Alfie – 60 bpm<br> Almost like being in love – 135 bpm <br> Bye bye blackbird - 135 bpm<br> Caravan – 180 bpm<br> Doxy – 100 bpm<br> East of the sun – 135 bpm<br> Fascinating rhythm – 160 bpm<br> Fly me to the moon – 140 bpm<br> Four - 170bpm<br> Giant steps – 185 bpm<br> Have you met miss Jones? 135 bpm<br> How high the moon – 175 bpm<br> I remember you – 165 bpm<br> I'll close my eyes – 160 bpm<br> I'm coming Virginia – 131 bpm<br> I've got rhythm changes – 175 bpm<br> Line for Lyons – 140 bpm<br> Makin' whoopee – 90 bpm<br> Night in Tunisia – 170 bpm<br> Scrapple from the apple – 160 bpm<br> Song for my father – 135 bpm<br> Star eyes – 115 bpm<br> Summertime – 105 bpm<br> Tempus fugit – 200 bpm<br> There will never be another you – 160 bpm <br> If you would like the backing tracks and demo recordings (free) you need to go here - https://www.jazzetudes.net/demo-backing-tracks-free
$14.99
13.7 €
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Darren Lloyd
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Darren Lloyd
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25 jazz etudes
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Darren Lloyd
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SheetMusicPlus
O God, Beyond All Praising (Thaxted) (Bb) (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1 Bass) (Do
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813746 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813746 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. Score and parts. 9 pages. Regis Bookshar #6475097. Published by Regis Bookshar (A0.813746). O God, Beyond All Praising (Thaxted) (Bb) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of O God, Beyond All Praising, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass (which has the lead), he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O God, Beyond All Praising based on the Andante Maestoso section from Jupiter,.
$10.00
9.14 €
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Gustav Holst
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Regis Bookshar
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O God, Beyond All Praising
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Regis Bookshar
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SheetMusicPlus
Anything You Can Do . . . for violin and vibraphone
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU:…
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00
25.6 €
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Robert M
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Anything You Can Do . . . for violin and vibraphone
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Robert M. Greenberg
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SheetMusicPlus
Nimrod (from 'Enigma Variations', IX) for Piano Solo
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Edward Elgar (1857-1934). Ar…
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Piano Solo - Intermediate - Digital Download Composed by Edward Elgar (1857-1934). Arranged by Edward Elgar. Romantic Period, Funeral, Recital. Score. 8 pages. Published by Flavio Regis Cunha
Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.<br> <br> Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself.<br> <br> In naming his theme "Enigma" Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.<br> <br> The name of the variation IX (NIMROD) refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as "a mighty hunter before the Lord", Jäger being German for hunter.<br> <br> In 1904 Elgar told Dora Penny ("Dorabella") that this variation is not really a portrait, but "the story of something that happened". Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. "And that is what you must do", Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Pathétique. Elgar disclosed to Dora that the opening bars of "Nimrod" were made to suggest that theme. "Can't you hear it at the beginning? Only a hint, not a quotation."<br> <br> This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The “Nimrod” variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks.<br> <br> An adaptation of the piece appears at the ending of the 2017 film Dunkirk as part of the scoreEdward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.<br> <br> Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself.<br> <br> In naming his theme "Enigma" Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.<br> <br> The name of the variation IX (NIMROD) refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as "a mighty hunter before the Lord", Jäger being German for hunter.<br> <br> In 1904 Elgar told Dora Penny ("Dorabella") that this variation is not really a portrait, but "the story of something that happened". Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. "And that is what you must do", Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Pathétique. Elgar disclosed to Dora that the opening bars of "Nimrod" were made to suggest that theme. "Can't you hear it at the beginning? Only a hint, not a quotation."<br> <br> This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The “Nimrod” variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks.<br> <br> An adaptation of the piece appears at the ending of the 2017 film Dunkirk as part of the score
$4.99
4.56 €
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Piano seul
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Edward Elgar (1857-1934)
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Edward Elgar
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Nimrod
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Flavio Regis Cunha
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SheetMusicPlus
Nimrod (for Violin Solo and Piano)
Violon et Piano
Piano Solo, Violin - Intermediate - Digital Download Composed by Edward Elgar (1857…
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Piano Solo, Violin - Intermediate - Digital Download Composed by Edward Elgar (1857-1934). Arranged by Flavio Regis Cunha. Romantic Period, Easter, Wedding, Funeral, Recital. Score, Solo Part. 8 pages. Published by Flavio Regis Cunha
Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.<br> <br> Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself.<br> <br> In naming his theme "Enigma" Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.<br> <br> The name of the variation IX (NIMROD) refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as "a mighty hunter before the Lord", Jäger being German for hunter.<br> <br> In 1904 Elgar told Dora Penny ("Dorabella") that this variation is not really a portrait, but "the story of something that happened". Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. "And that is what you must do", Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Pathétique. Elgar disclosed to Dora that the opening bars of "Nimrod" were made to suggest that theme. "Can't you hear it at the beginning? Only a hint, not a quotation."<br> <br> This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The “Nimrod” variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks.<br> <br> An adaptation of the piece appears at the ending of the 2017 film Dunkirk as part of the scoreEdward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.<br> <br> Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself.<br> <br> In naming his theme "Enigma" Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.<br> <br> The name of the variation IX (NIMROD) refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as "a mighty hunter before the Lord", Jäger being German for hunter.<br> <br> In 1904 Elgar told Dora Penny ("Dorabella") that this variation is not really a portrait, but "the story of something that happened". Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. "And that is what you must do", Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Pathétique. Elgar disclosed to Dora that the opening bars of "Nimrod" were made to suggest that theme. "Can't you hear it at the beginning? Only a hint, not a quotation."<br> <br> This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The “Nimrod” variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks.<br> <br> An adaptation of the piece appears at the ending of the 2017 film Dunkirk as part of the score
$5.99
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Violon et Piano
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Edward Elgar (1857-1934)
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Flavio Regis Cunha
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Nimrod
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Flavio Regis Cunha
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SheetMusicPlus
Canção do Dia de Sempre
Instrumental Duet Guitar,High Voice,Instrumental Duet - Digital Download SKU: A0.962371…
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Instrumental Duet Guitar,High Voice,Instrumental Duet - Digital Download SKU: A0.962371 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score and parts. 27 pages. Sergio Roberto de Oliveira #6355603. Published by Sergio Roberto de Oliveira (A0.962371). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$18.69
17.09 €
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Sergio Roberto de Oliveira
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Canção do Dia de Sempre
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Sergio Roberto de Oliveira
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SheetMusicPlus
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