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Something Simple in F major
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Vous avez sélectionné:
Something Simple in F major
Partitions à imprimer
15 partitions trouvées
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1
Something Simple in F major
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Piano seul
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FACILE
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Bryan Cook
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Something Simple in F major
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Bryan Cook Music
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1222918 Composed by Bryan Cook. Baroque,Classical,Contemporary,Instructional,Romantic Period. Score. 1 pages. Bryan Cook ...
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Piano Solo - Level 2 - SKU: A0.1222918 Composed by Bryan Cook. Baroque,Classical,Contemporary,Instructional,Romantic Period. Score. 1 pages. Bryan Cook Music #819120. Published by Bryan Cook Music (A0.1222918). Length 1:20, Piano. Wrote this as a simple study style classical music.
$2.00
Largo (from Xerxes) for horn in F and piano
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Cor et Piano
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FACILE
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G F Handel
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Colin Kirkpatrick
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Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1311533 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and par...
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French Horn,Piano - Level 2 - SKU: A0.1311533 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900540. Published by Colin Kirkpatrick Publications (A0.1311533). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for Horn in F (French horn) and piano is in B flat major. The lowest note in the horn part is the C just below the treble staff and the highest note is the F on the top line. The piano part has been kept as simple as possible. Â
$3.25
As We Leave (Choral Amen)
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Piano, Voix et Guitare
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DÉBUTANT
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Musique Sacrée
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Lisa Waites
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As We Leave
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.921767 Composed by Lisa Waites. Christian,Christmas,Easter,Praise & Worship,Sacred. Score. 1 pages. Servant...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.921767 Composed by Lisa Waites. Christian,Christmas,Easter,Praise & Worship,Sacred. Score. 1 pages. Servant Song Music and Ministry #6626013. Published by Servant Song Music and Ministry (A0.921767). I wrote As We Leave because I wanted my congregation to be able to sing an upbeat, justice-focused benedictory Amen with contemporary-sounding music and active lyrics that speak of God being with us out in the world, fuelling us for the work of loving people and restoring our beautiful, broken communities that God so loves. I don't know about your denomination or local church practices, but the section for Choral Amens in the hymnal I use is very limited. So, I composed five different versions of the lyrics, so that you can use this Amen throughout the whole year. The alternative lyrics begin with Advent, then provide words to sing together on Christmas Eve. Next, you can use the Epiphany lyrics throughout that season, and then return to the main lyric for Lent, switching to alternative lyrics for Holy Week, and then finally returning to the main lyric for Ordinary Time. If you are worshipping in a non-liturgical church, that's okay, too - use the standard lyrics all year, or switch things up by using one of the alternative lyrics whenever your Pastor is preaching on the themes mentioned in those verses! For $4.59 US, you are getting five different versions of the piece, and you'll be able to use As We Leave all year long, if you so choose. This is a great value for an Amen you can sing together Sunday after Sunday. The music is set in F Major and the accompaniment is simple enough for beginners and early intermediate accompanists. I've added guitar chords to the score as well as the piano accompaniment, for those who play by chord symbol. A YouTube video with embedded lyrics will also be added soon - so that congregations who are meeting digitally during the pandemic will have something to listen to and to watch as they sing along from home.
$4.59
Lost Boy
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Ruth B
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Brian Streckfus
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Lost Boy
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B...
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Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
$1.99
Handel: Largo (from Xerxes) for trumpet (or cornet) and piano
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Trompette, Piano
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FACILE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.1311223 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and ...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.1311223 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900215. Published by Colin Kirkpatrick Publications (A0.1311223). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for trumpet (or cornet) and piano is in concert E flat major (F major for solo part). In the transposed solo part, the lowest note is the C just below the treble staff and the highest note is the F on the top line of the staff. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore. Â
$4.95
JOY TO THE KING (beginner band - super easy - score, parts & license to copy - winter concert)
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Orchestre d'harmonie
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DÉBUTANT
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Biran Harris
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Winter Holiday concert
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JOY TO THE KING
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HMS Music
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1432650 Composed by Biran Harris. Christmas,Holiday,Instructional,Traditional. 26 pages. HMS Music #1013111. Published ...
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Concert Band - Level 1 - SKU: A0.1432650 Composed by Biran Harris. Christmas,Holiday,Instructional,Traditional. 26 pages. HMS Music #1013111. Published by HMS Music (A0.1432650). ______________________If you need something special for your beginners to play at their first Christmas concert, you've found it. JOY TO THE KING provides an easy and fun medley of the two popular tunes Ode to Joy and Good King Wenceslas. The entire piece uses only the first five notes of the B-flat concert scale.This is a great first concert piece the band will love to play. And since your school will be licensed to make legal photocopies of the parts year after year, you can let the kids keep their parts as a souvenir of their first performance!DIFFICULTY LEVEL: Very Easy (actually Super Easy)PROGRAMMING: first performance; Winter Holiday concert; Christmas concertFEATURES: melody distributed through all wind parts; key of B-flat major; simple percussion parts using only quarter-, half-, dotted-half, and whole notes; there are 2 one-measure occurrences of sixteenth-notes in Snare and Tenor Drum part.CHALLENGES: independence of the two lines (melody played over a simple bass accompaniment).RANGES: uses only the first five notes of the B-flat Concert scale; clarinets must also play low G.INSTRUMENTATION: includes Full Conductor Score (8 pages) and Parts (17 pages) for each instrument: Flute, Oboe, Bassoon, Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Trumpet, Horn (in F), Trombone/Euphonium, T.C. Euphonium, Tuba, Percussion 1 (Snare & Bass Drum), Percussion 2 (Crash Cymbals, Triangle, Finger Cymbals), Bells/Mallets (2 different parts included for range desired/learned by player).MINIMUM INSTRUMENTATION REQUIREMENTS: (A) Flute or Trumpet; (B) two Clarinets; (C) Bass Line (at least one: Bassoon, Bass Clarinet, any Saxophone, Horn, Trombone, Baritone, or Tuba); (D) Percussion.NOTE: this document is assembled with the Clarinet part appearing as page 1 so you may view it on the web site as you listen to the sound file. When you download/print the full document (25 pages, total), the first page to print will be the Clarinet part, followed by the FULL SCORE, then the remaining PARTS. (BcP-YB)- - - - - - - - - - - - - - - - - - COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels.___________________________Click here to view Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)___________________________.
$31.99
Handel: Largo (from Xerxes) for alto sax and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages...
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Alto Saxophone,Piano - Level 3 - SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6637671. Published by Colin Kirkpatrick Publications (A0.522293). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in E flat major concert (alto sax in C major) and the top note is the C above the treble clef and the piece generally requires the use of a long and sustained tone quality. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a recital. The audio sample was performed by Alastair Penman https://www.alastairpenman.co.uk
$7.95
Reflections on a German Folk Song
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Orchestre d'harmonie
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DÉBUTANT
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Daniel Jones
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Reflections on a German Folk S
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Beginning - SKU: IZ.CBS1615-S Composed by Daniel Jones. Score. 11 pages. Imagine Music - Digital #CBS1615-S. Published by Imagine Music -...
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Concert band - Beginning - SKU: IZ.CBS1615-S Composed by Daniel Jones. Score. 11 pages. Imagine Music - Digital #CBS1615-S. Published by Imagine Music - Digital (IZ.CBS1615-S). 9 x 12 in inches.Reflections on a German Folk Song is based on the traditional round Himmel und Erde, which directly translated meansHeaven and Earth, however the common English title is Music Alone Shall Live. While teaching music for SaydelCommunity School District in Des Moines, Iowa, I taught the round to elementary students and concluded that the folk tunewould lend itself well to young instrumentalists. Consequently, I set out to arrange the round for emerging band.After an introduction based on motives and rhythms of the round, the tune is initially played by an alto saxophone solo (oroboe). After a transition from the key of F Major to E-Flat Major, the band divides into three groups to play the three-voiceround. The entire round is repeated twice, exhibiting a lengthy crescendo and eventual diminuendo caused by the threeinstrument groupings ending their voices in the round.Having students perform a simple, yet lyrical round provides for a variety of educational opportunities. Similar to youngvocal ensembles, performing a round helps students to securely play with a group that is doing something different thanother sections of the ensemble, which ultimately assists in the transition to playing within a smaller, individual section orindependent part. Reflections on a German Folksong contains simplistic rhythms, which allows students to primarily focuson phrasing, articulation, tone quality and dynamics.
$8.00
Reflections on a German Folk Song
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Orchestre d'harmonie
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DÉBUTANT
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Daniel Jones
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Reflections on a German Folk S
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Beginning - SKU: IZ.CBS1615 Composed by Daniel Jones. Score and Parts. 31 pages. Imagine Music - Digital #CBS1615. Published by Imagine M...
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Concert band - Beginning - SKU: IZ.CBS1615 Composed by Daniel Jones. Score and Parts. 31 pages. Imagine Music - Digital #CBS1615. Published by Imagine Music - Digital (IZ.CBS1615). 9 x 12 in inches.Reflections on a German Folk Song is based on the traditional round Himmel und Erde, which directly translated meansHeaven and Earth, however the common English title is Music Alone Shall Live. While teaching music for SaydelCommunity School District in Des Moines, Iowa, I taught the round to elementary students and concluded that the folk tunewould lend itself well to young instrumentalists. Consequently, I set out to arrange the round for emerging band.After an introduction based on motives and rhythms of the round, the tune is initially played by an alto saxophone solo (oroboe). After a transition from the key of F Major to E-Flat Major, the band divides into three groups to play the three-voiceround. The entire round is repeated twice, exhibiting a lengthy crescendo and eventual diminuendo caused by the threeinstrument groupings ending their voices in the round.Having students perform a simple, yet lyrical round provides for a variety of educational opportunities. Similar to youngvocal ensembles, performing a round helps students to securely play with a group that is doing something different thanother sections of the ensemble, which ultimately assists in the transition to playing within a smaller, individual section orindependent part. Reflections on a German Folksong contains simplistic rhythms, which allows students to primarily focuson phrasing, articulation, tone quality and dynamics.
$40.00
Handel: Largo (from Xerxes) for cello and piano
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Violoncelle, Piano
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FACILE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.522291 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Easter,Holiday. Score and part. 6 pages. Colin Kir...
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Cello,Piano - Level 2 - SKU: A0.522291 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6632869. Published by Colin Kirkpatrick Publications (A0.522291). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in G major and the cello part is written in the bass clef throughout. The top note is the G above the bass clef (G4) and the piece generally requires the use of long and sustained bowing (indicted in the score), though the cello fingering has been omitted. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a cello recital.
$7.95
Handel: Largo (from Xerxes) for viola and piano
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Alto, Piano
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INTERMÉDIAIRE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.522292 Composed by G F Handel. Arranged by Colin Kirkpatrick. Easter,Holiday,Wedding. Score and part. 6 pages. Colin Kir...
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Piano,Viola - Level 3 - SKU: A0.522292 Composed by G F Handel. Arranged by Colin Kirkpatrick. Easter,Holiday,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #6637577. Published by Colin Kirkpatrick Publications (A0.522292). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in G major and the top note is the G above the alto clef (G5) and the piece generally requires the use of long and sustained bowing (indicted in the score), though the viola fingering has been omitted. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a viola recital.
$7.95
Handel: Largo (from Xerxes) for flute and piano
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Flûte traversière et Piano
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DÉBUTANT
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano,Soprano Flute - Level 1 - SKU: A0.1311257 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and p...
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Piano,Soprano Flute - Level 1 - SKU: A0.1311257 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900255. Published by Colin Kirkpatrick Publications (A0.1311257). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for flute and piano is in G major and uses the lower register of the instrument thus making the arrangement suitable for elementary players.  The lowest note is the D just below the treble staff and the highest note is the G just above the top line. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore. Â
$4.95
Handel: Largo (from Xerxes) for soprano (descant) recorder and piano
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Flûte à bec Soprano
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FACILE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.1311260 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. ...
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Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.1311260 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Individual part. 6 pages. Colin Kirkpatrick Publications #900258. Published by Colin Kirkpatrick Publications (A0.1311260). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for soprano (descant) recorder(s) and piano is in G major and uses the lower and middle register of the instrument.  It could be used with any number of descant recorders. The lowest note is the D just below the treble staff and the highest note is the G just above the top line. The piano part has been kept as simple as possible. Â
$3.95
Largo (from Xerxes) for B flat clarinet and piano
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Clarinette et Piano
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FACILE
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G F Handel
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Colin Kirkpatrick
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Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1313805 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1313805 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #902523. Published by Colin Kirkpatrick Publications (A0.1313805). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for clarinet in B flat and piano is in E flat major. The lowest note in the clarinet part is written C just below the treble staff and the highest note is written F on the top line. The piano part has been kept as simple as possible.
$3.25
Handel: Largo (from Xerxes) for bassoon and piano
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Basson, Piano (duo)
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INTERMÉDIAIRE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.1311222 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 8...
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Bassoon,Piano - Level 3 - SKU: A0.1311222 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 8 pages. Colin Kirkpatrick Publications #900214. Published by Colin Kirkpatrick Publications (A0.1311222). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for bassoon is in E flat major. In the solo part, the lowest note is the B flat on the second line of the bass clef and the highest note is the E flat just above the bass staff. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore. Â
$4.95
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