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--INSTRUMENTS--
ACCORDEON
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Something to Sleep To
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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CORNET
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Vous avez sélectionné:
Something to Sleep To
SheetMusicPlus
Partitions à imprimer
37 partitions trouvées
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Something There
Guitar,Voice - Level 3 - Digital Download SKU: A0.1374704 By The Candlelight Guitar…
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Guitar,Voice - Level 3 - Digital Download SKU: A0.1374704 By The Candlelight Guitarist. By Alan Menken and Howard Ashman. Arranged by Brad Powell. Broadway,Classical,Film/TV,Musical/Show,Pop,Wedding. Guitar Tab with Voice. 6 pages. Geofonica Artistworks #959258. Published by Geofonica Artistworks (A0.1374704). This is an instrumental solo arrangement of Something There created by Brad Powell for his performances in Disney's Princess Breakfast Adventure at the Disneyland Resort's Grand Californian hotel (Napa Rose restaurant), from 2019 to early 2024. It's an intermediate solo guitar arrangement, mixing jazz and classical techniques and chord voicings. You can hear the full arrangement performed in the YouTube link provided. NOTE: This instrumental arrangement is in standard notation with TAB (LYRICS are included for reference). It is also available as standard notation (without TAB).ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$4.99
4.6 €
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The Candlelight Guitarist
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Brad Powell
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Something There
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Geofonica Artistworks
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SheetMusicPlus
Something There
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1374708 Composed by Alan Menken an…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1374708 Composed by Alan Menken and Howard Ashman. Arranged by Brad Powell. Broadway,Classical,Film/TV,Musical/Show,Pop,Wedding. Individual part. 5 pages. Geofonica Artistworks #959262. Published by Geofonica Artistworks (A0.1374708). This is an instrumental solo arrangement of Something There created by Brad Powell for his performances in Disney's Princess Breakfast Adventure at the Disneyland Resort's Grand Californian hotel (Napa Rose restaurant), from 2019 to early 2024. It's an intermediate solo guitar arrangement, mixing jazz and classical techniques and chord voicings. You can hear the full arrangement performed in the YouTube link provided. NOTE: This instrumental arrangement is in standard notation (LYRICS are included for reference). It is also available as standard notation with TAB.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation â?? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$4.99
4.6 €
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Guitare
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Alan Menken and Howard Ashman
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Brad Powell
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Something There
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Geofonica Artistworks
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SheetMusicPlus
Something to Sleep To
Piano, Voix
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0005142 By Michelle Branch. By …
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0005142 By Michelle Branch. By Jennifer Hagio, John Shanks, and Michelle Branch. Pop/Rock. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0005142. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0005142).
$3.99
3.68 €
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Piano, Voix
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Michelle Branch
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Something to Sleep To
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Sleep for Mama (Icelandc Folk Song) as played by Víkingur Ólafsson
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1154500 By VÃkingur Ólafsson…
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Piano Solo - Level 2 - Digital Download SKU: A0.1154500 By VÃkingur Ólafsson. By Traditional Icelandc Folk Song. Arranged by Flavio Regis Cunha. Classical,Contemporary,Folk,Instructional,Wedding. Score. 4 pages. FRC Music #754785. Published by FRC Music (A0.1154500). Do you love classical music and wish to play it like a pro? Look no further - 'Sleep for Mama (Icelandic Folk Song) by Icelandic pianist VÃkingur Ólafsson is now available as sheet music! Perfectly notated and carefully transcribed, this sheet music will ensure you play this classic with the same finesse and beauty as the Icelandic pianist. Don't just take our word for it, listen to a preview of 'Sleep for Mama (Icelandic Folk Song)as it was meant to be heard - played by the amazing VÃkingur Ólafsson. Get the sheet music today and become the master pianist you always wanted to be!Easy Intermediate.Format: Concert, 9 x 12 inches.4 pages.NotesSleep for Mama, 'Farðu að sofa fyrir mig' (Icelandc Folk Song) as played by VÃkingur Ólafsson. Beautiful and gentle Arrangement of 'Farðu að sofa fyrir mig' Sleep for Mama (Icelandc Folk Song) as played by VÃkingur Ólafsson in his 2021 single for Deusche Grammophon. Introducing Winter Tales – a new seasonal album featuring music from some of the label’s star composers, who were invited to reimagine the music of Christmas and Chanukah, drawing inspiration from their childhoods and homelands. The album, which is due for release on 21 October, comprises 12 very personal responses to that creative challenge, all of which have something fresh and timely to say about winter’s promise of renewal and light’s power over darkness.
$5.99
5.52 €
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Piano seul
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VÃkingur Ólafsson
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Flavio Regis Cunha
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Sleep for Mama
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FRC Music
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SheetMusicPlus
Sleep for Mama, 'Farðu að sofa fyrir mig' (Icelandc Folk Song) as played by Víkingur Ólafsson
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1154476 By Snorri Sigfús Birgiss…
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Piano Solo - Level 2 - Digital Download SKU: A0.1154476 By Snorri Sigfús Birgisson and VÃkingur Ólafsson. By Traditional Icelandc Folk Song. Arranged by Flavio Regis Cunha. Classical,Folk,Instructional,Multicultural,Wedding,World. Score. 4 pages. Flavio Regis Cunha #754761. Published by Flavio Regis Cunha (A0.1154476). At last! Now you can play 'Sleep for Mama (Icelandic Folk Song) like a pro! The sheet music for this beautiful tune, as played famously by Icelandic pianist VÃkingur Ólafsson, is available now. This is an exceptional opportunity for students and professional pianists alike to gain an insight into the aesthetically-pleasing style of one of the best-known Icelandic pianists. Experience this heartfelt tune for yourself with 'Sleep for Mama (Icelandc Folk Song) as played by Icelandic pianist VÃkingur Ólafsson' – available now!Easy Intermediate.Format: Concert, 9 x 12 inches.4 pages.NotesBeautiful and gentle Arrangement of 'Farðu að sofa fyrir mig' Sleep for Mama (Icelandc Folk Song) as played by VÃkingur Ólafsson in his 2021 single for Deusche Grammophon. Introducing Winter Tales – a new seasonal album featuring music from some of the label’s star composers, who were invited to reimagine the music of Christmas and Chanukah, drawing inspiration from their childhoods and homelands. The album, which is due for release on 21 October, comprises 12 very personal responses to that creative challenge, all of which have something fresh and timely to say about winter’s promise of renewal and light’s power over darkness.
$5.99
5.52 €
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Piano seul
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Snorri Sigfús Birgisson and VÃkingur Ólafsson
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Flavio Regis Cunha
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Sleep for Mama, 'Farðu að sofa fyrir mig'
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Flavio Regis Cunha
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SheetMusicPlus
Sleepy Head (for solo piano)
Piano seul
Piano Solo - Digital Download SKU: A0.913547 Composed by Mike J.D. Roberts. Childre…
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Piano Solo - Digital Download SKU: A0.913547 Composed by Mike J.D. Roberts. Children,Contemporary. Score. 2 pages. Mike Roberts #4368702. Published by Mike Roberts (A0.913547). An arrangement of 'Sleepy Head' for solo piano - a ballad originally written for jazz quartet.The piece will work well for new players. The melody and chords are both very simple and it is in C major so there are minimal sharps and flats. It is a simplistic arrangement, but do not feel afraid to experiment with different harmonies in the right hand if you like!It’ll also work for any pianist who just fancies something nice to play (perhaps those with unruly children who need some relaxing music!).Please do feel free to get in touch with any comments or requests - michael.roberts@ucl.ac.uk
$1.99
1.83 €
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Piano seul
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Mike J
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Sleepy Head
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Mike Roberts
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SheetMusicPlus
The Lion Sleeps Tonight
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1453549 By The Tokens. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Sean Sullivan. 20th Century,Pop,Rock. 14 pages. Sean Sullivan #1032774. Published by Sean Sullivan (A0.1453549). Get ready to embark on a wild adventure with the rhythmic roar of 'The Lion Sleeps Tonight'! This iconic song, originally made famous by The Tokens, has been reimagined in a unique and thrilling arrangement for saxophone quintet. Imagine the warmth of the jungle sun beating down on your skin as you play the smooth, soulful lines of the saxophones. The sounds of the rainforest come alive in this arrangement, with intricate rhythms and harmonies that will transport you to the heart of the African savannah. This arrangement is perfect for saxophone enthusiasts looking to spice up their repertoire with something fresh and exciting. The five-part harmony adds depth and complexity to the music, making it a great choice for advanced players or groups looking to showcase their skills. Order now and get ready to make your performance stand out from the crowd!
$14.99
13.82 €
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Quintette de Saxophone: 5 saxophones
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The Tokens
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Sean Sullivan
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The Lion Sleeps Tonight
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Sean Sullivan
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SheetMusicPlus
Sleepwalker's Blues
Small Ensemble - Level 3 - Digital Download SKU: A0.995472 Composed by Sam Spear. B…
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Small Ensemble - Level 3 - Digital Download SKU: A0.995472 Composed by Sam Spear. Blues,Jazz. Score and parts. 53 pages. Sam Spear Music #5222453. Published by Sam Spear Music (A0.995472). An energetic, Basie-inspired blues tune. Great way to open or end a set with something that swings hard! (parts only).
$29.99
27.65 €
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Sam Spear
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Sleepwalker's Blues
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Sam Spear Music
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SheetMusicPlus
Sleepwalker's Blues
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.995471 Composed by Samantha …
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.995471 Composed by Samantha Spear. Blues,Jazz. Score and parts. 10 pages. Sam Spear Music #5222449. Published by Sam Spear Music (A0.995471). An energetic, Basie-inspired blues tune. Great way to open or end a set with something that swings hard! (score only).
$19.99
18.43 €
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Ensemble Jazz
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Samantha Spear
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Sleepwalker's Blues
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Sam Spear Music
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SheetMusicPlus
Just Listen to the Angels
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1023068 Composed by Paulin…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1023068 Composed by Pauline Boston. Christmas. Octavo. 5 pages. Pauline Boston #4628809. Published by Pauline Boston (A0.1023068). This song is something new for your Christmas program. Imagine that you are one of those people journeying to see the Christ Child. Imagine the cold, the dark, the Star, and the choir of angels singing over where the babe sleeps. Imagine the joy you feel in your heart. That is what you will feel singing this song. The underlying piano ostinato portrays the constant progress of the journey. All parts have a chance to sing the melody in this song, and a balanced SSA is especially important. Perfect for the last piece in a program. Performance time @ 3'15.
$2.50
2.3 €
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Chorale SATB
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Pauline Boston
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Just Listen to the Angels
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Pauline Boston
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SheetMusicPlus
Something to Sleep To
Guitare notes et tablatures
By Michelle Branch. By Michelle Branch, John Shanks, and Jennifer Hagio. Pop/Rock. 5 pages…
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By Michelle Branch. By Michelle Branch, John Shanks, and Jennifer Hagio. Pop/Rock. 5 pages. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0005141). - - Pop/Rock - Alfred Music - Digital Sheet Music
$2.99
2.76 €
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Guitare notes et tablatures
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Michelle Branch
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Something to Sleep To
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.63 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.63 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.63 €
#
Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.63 €
#
Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Musik Fabrik Music Publishing
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SheetMusicPlus
Lights
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.796760 By Ellie Go…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.796760 By Ellie Goulding. By Ashley Francis Howes, Elena Goulding, and Richard Stannard. Arranged by Gary D. Belshaw (ASCAP). Pop. Score. 43 pages. DR GARY D BELSHAW #5869803. Published by DR GARY D BELSHAW (A0.796760). Piano Quartet (2 Pianos 8 hands). Duration about 3:30. An arrangement of Ellie Goulding's hit single, Lights, for 2 pianos, 8 hands. This advanced intermediate level piano quartet is in the key of A-sharp Minor (no sharps or flats). Your audiences something to rock on about with this synth-pop hit, and it will inspire piano students by giving them something cool, yet substantial to work toward.Lights was released on Ellie's Bright Lights album. It spent 33 weeks on the charts, and peaked at #2 on the Billboard Hot 100. Some of your fans will no doubt be able to relate to the singers own inability to sleep with the light off. As a personal statement, the music of Lights then is intense, yet calming. Would make an excellent choice for various social functions, including fund-raisers for appropriate causes.
$12.99
11.98 €
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2 Pianos, 4 mains
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Ellie Goulding
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Gary D
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Lights
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DR GARY D BELSHAW
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SheetMusicPlus
Lights
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.796758 By Ellie Go…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.796758 By Ellie Goulding. By Ashley Francis Howes, Elena Goulding, and Richard Stannard. Arranged by Gary D. Belshaw (ASCAP). Pop. Score. 43 pages. DR GARY D BELSHAW #5869247. Published by DR GARY D BELSHAW (A0.796758). Piano Quartet (2 Pianos 8 hands). Duration about 3:30. An arrangement of Ellie Goulding's hit single, Lights, for 2 piano, 8 hands. This advanced level piano quartet is in the original key of G-sharp Minor (5 sharps). This synth-pop hit will give your audiences something to rock on about, and will inspire piano students by giving them something powerful to work toward.Lights was released on Ellie's Bright Lights album which spent 33 weeks on the charts, and peaked at #2 on the Billboard Hot 100. Many listeners will relate to the singers own inability to sleep with the light off. As a personal statement, the music of Lights then is intense, yet calming. Would make an excellent choice for various social functions, including fund-raisers for appropriate causes.
$13.99
12.9 €
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2 Pianos, 4 mains
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Ellie Goulding
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Gary D
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Lights
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DR GARY D BELSHAW
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SheetMusicPlus
Flute Trio - Fairy Tales
Trio de Flûtes: 3 flûtes
Woodwind Ensemble,Woodwind Trio Flute - Level 5 - Digital Download SKU: A0.767564 C…
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Woodwind Ensemble,Woodwind Trio Flute - Level 5 - Digital Download SKU: A0.767564 Composed by Mike Lyons. 20th Century,Children,Contemporary. 57 pages. Lyons Music Services #6035581. Published by Lyons Music Services (A0.767564). This is a highly programmatic piece for flute trio, loosely based around one of the Grimm Brothers’ Fairy Tales Hansel and Gretel. The first movement depicts the children wandering off into the dark forest, initially surrounded by twittering birds and sunlight, but as the movement progresses, the music becomes darker. As the light fades, the children strew breadcrumbs to guide their way out of the forest when they decide to return to the village. At letter C, the mysterious chords suggest something disturbing, perhaps trees with scare faces or giant spiderwebs. At D, the change to 3/4 time suggests the children are anxious and scurrying through the trees, feeling scared, with the use of flutter tonguing suggesting their shivers of fear. Finally, out of breath, they reach the dark clearing with the Gingerbread house. The second movement describes the witch’s Gingerbread house. The top line shows the house’s roof, the middle line shows the windows and the third line marks out the porch and the front door. The children wonder at the strange building and chatter to each other as they explore it, perhaps nibbling here and there. The motif that describes the shape of the house appears from time to time throughout this section as they explore it from different angles. At letter D, after the G.P., the children begin to sense that they are not alone in the house. The low trill on the third flute is meant to be a breathy whisper (it doesn’t matter if the notes fail in performance for this reason) as the witch mutters under her breath. She attempts to pounce on the children and force them into her oven, but they are too fast for her. They trick her into the oven and slam the door shut (Bar before F.) They run from the clearing, not caring if they are going in the right direction. They glance back - once catching sight of the Gingerbread house which has begun to collapse in on itself - before they finally stop for breath as night begins to fall and they find a safe place to sleep (Lento before G.) The third movement sees our young heroes looking for the trail of breadcrumbs to take them back to the village. They are plodding through the deep forest, accompanied once more by the birds. Occasionally they find a crumb or two, but the birds have eaten most of them. They eventually manage to backtrack to the village (the music reflects this as it’s a retrograde of some of the music from movement 1) and they finally reach the village where they are greeted with a party for having killed the witch and returned safely home. This music is in a ‘pastoral style (6/8) and fades away as …they all lived happily ever after.
$25.00
23.05 €
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Trio de Flûtes: 3 flûtes
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Mike Lyons
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Flute Trio - Fairy Tales
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Lyons Music Services
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SheetMusicPlus
Across The Universe
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.742…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.742494 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez. Contemporary. Score and parts. 13 pages. Arte Nova Music Lab #5298831. Published by Arte Nova Music Lab (A0.742494). Across the Universe is a song by the English rock band the Beatles. It was written by John Lennon and credited to Lennon–McCartney. The song first appeared on the 1969 various artists' charity compilation album No One's Gonna Change Our World and later, in a different form, on their 1970 album Let It Be, the group's final released album. One night in 1967, the phrase words are flowing out like endless rain into a paper cup came to Lennon after hearing his then-wife Cynthia, according to Lennon, going on and on about something. Later, after she'd gone to sleep – and I kept hearing these words over and over, flowing like an endless stream, Lennon went downstairs and turned it into a song. He began to write the rest of the lyrics and when he was done, he went to bed and forgot about them.
$40.00
36.88 €
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The Beatles
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Javier MartÃnez
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Across The Universe
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Arte Nova Music Lab
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SheetMusicPlus
Lullabye
TTB chorus a cappella - Digital Download SKU: IZ.VMW204 Composed by Tom Schnauber. …
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TTB chorus a cappella - Digital Download SKU: IZ.VMW204 Composed by Tom Schnauber. Score. 8 pages. Imagine Music - Digital #VMW204. Published by Imagine Music - Digital (IZ.VMW204). 8.5 x 11 in inches.When Country Mouse visits Town Mouse in the big city, the sounds of the streets scare her something fierce. So Town Mouse sings a calming lullaby to help Country Mouse get to sleep. From stage (The Town Mouse and the Country Mouse, a children's musical) to risers, this simple tune sung between friends is given new lyrics and fuller musical colors while still being, at its heart, a sweet and soothing song of warm blankets and dreams.
$2.05
1.89 €
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Tom Schnauber
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Lullabye
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Imagine Music - Digital
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SheetMusicPlus
Away in a Manger
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.839953 By Christopher Alexander. By…
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Piano Solo - Level 3 - Digital Download SKU: A0.839953 By Christopher Alexander. By James R. Murray. Arranged by Christopher Alexander. Christmas,Sacred. Score. 8 pages. Christopher Alexander #6456183. Published by Christopher Alexander (A0.839953). The famous James R. Murray melody is known worldwide. Still keeping its lullaby nature, this arrangement adds in a driving, yet subdued pulse to illustrate the restlessness one might have when you go to sleep but knowing something amazing will be there when you wake up.
$2.00
1.84 €
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Piano seul
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Christopher Alexander
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Christopher Alexander
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Away in a Manger
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Christopher Alexander
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
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