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TRI ET FILTRES
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
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FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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8830
PIANO & CLAVIERS
Piano seul
4755
Piano, Voix
2698
Piano Facile
1796
Piano, Voix et Guitare
1535
Orgue
685
Instruments en Do
653
Accompagnement Piano
212
Piano grosses notes
152
1 Piano, 4 mains
134
Piano Trio: piano, violon, violoncelle
101
2 Pianos, 4 mains
43
Piano Quatuor: piano, violon, alto, violoncelle
39
Accordéon
35
Piano Quatuor: piano, 2 violons, violoncelle
30
Piano Quintette: piano, 2 violons, alto, violoncelle
16
Clavecin
16
Orgue, Piano (duo)
11
Clavier
10
Piano (partie séparée)
10
Accordéon, Voix
9
Orgue, Trompette (duo)
7
2 Pianos, 8 mains
2
1 Piano, 6 mains
2
2 Accordéons
2
Instrument seul et Orgue
1
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Guitare notes et tablatures
530
Guitare
490
Basse electrique
281
Ligne De Mélodie, (Paroles) et Accords
221
Ukulele
190
Mandoline
120
Paroles et Accords
67
2 Guitares (duo)
62
Piano, Guitare (duo)
34
Dulcimer
26
Guitare (partie séparée)
15
Banjo
15
4 Guitares (Quatuor)
13
Mandoline, Guitare (duo)
10
Mandoline, Piano (duo)
6
3 Guitares (trio)
6
2 Ukuleles
4
Ensemble de guitares
3
2 Mandolines (duo)
3
Guitare, Violon, Violoncelle (trio)
3
Dobro
3
Basse électrique (partie séparée)
2
Partitions De Groupes
1
Orchestre à Plectres
1
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VOIX
Chorale SATB
2322
Chorale 3 parties
930
Chorale 2 parties
769
Chorale Unison
750
Chorale TTBB
489
Chorale SSAA
273
Voix duo, Piano
189
Voix duo
102
Voix Soprano, Piano
78
Chorale
60
Voix haute
50
Voix seule
40
Voix moyenne, Piano
32
Voix Tenor, Piano
29
Voix basse, Piano
26
Voix Alto, Piano
13
Voix Mezzo-Soprano, Piano
13
Voix Baryton, Piano
12
Chorale SSAATTBB
8
Voix basse
8
Chorale SSATB
7
Voix Soprano
7
Chorale SSATTB
5
Voix Tenor
4
Soli, choeur mixte et accompagnement
3
Voix, Guitare
3
Chorale SSAB, Piano
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1537
Flûte, Hautbois, Clarinette, Basson
1080
2 Saxophones (duo)
863
Flûte traversière et Piano
687
Quatuor de Saxophones: 4 saxophones
613
Saxophone (partie séparée)
505
Clarinette
498
Clarinette et Piano
470
Saxophone Alto et Piano
467
Flûte traversière
452
Hautbois, Piano (duo)
441
2 Clarinettes (duo)
427
2 Flûtes traversières (duo)
390
Saxophone Alto
375
Saxophone Tenor et Piano
364
Quintette de Saxophone: 5 saxophones
336
Quatuor de Clarinettes: 4 clarinettes
336
Saxophone Soprano et Piano
288
Saxophone, Clarinette (duo)
250
Hautbois, Basson (duo)
244
Hautbois (partie séparée)
229
3 Saxophones (trio)
204
Flûte, Clarinette (duo)
203
Clarinette, Violon (duo)
182
2 Hautbois (duo)
166
Saxophone Baryton, Piano
163
Quatuor de Flûtes : 4 flûtes
161
Clarinette, Trompette (duo)
152
3 Clarinettes (trio)
115
Hautbois, Clarinette (duo)
114
Ensemble de Clarinettes
110
2 Flûte à bec (duo)
106
Flûte, Violon
96
Clarinette, Basson (duo)
90
Clarinette et Alto
90
Flûte et Guitare
88
Ensemble de saxophones
87
Flûte, Saxophone (duo)
85
Flûte, Clarinette et Basson
84
Hautbois, Flûte
84
Cor anglais, Piano
82
Quintette de Clarinettes: 5 clarinettes
82
Ensemble de Flûtes
79
Trio de Flûtes: 3 flûtes
78
Flûte, Alto (duo)
72
Saxophone Tenor
71
Flûte, Trompette (duo)
69
Hautbois, Clarinette, Basson (trio d'anches)
64
Flûte à bec Soprano
60
Flûte, Hautbois, Clarinette (trio)
55
Hautbois
55
Clarinette (partie séparée)
50
Clarinette, Guitare (duo)
47
Flûte à Bec
47
Flûte, Hautbois, Basson
47
Saxophone Soprano
45
Clarinette Basse, Piano
42
Cor Anglais
34
Flûte à bec Alto
33
Quintette de Flûte : 5 flûtes
31
Quatuor de Flûtes à bec
27
Ensemble De Flûte à bec
26
Flûte, Hautbois (duo)
26
Flûte, Basson et Piano
24
Flûte, Clarinette, Cor, Basson (Quartet)
22
Saxophone Baryton
21
3 Hautbois
19
Flûte, Violon, Piano
19
Flute (partie séparée)
19
Flûte, Violoncelle
18
Cor anglais, Guitare (duo)
17
Clarinette, Violoncelle (duo)
16
Saxophone et Guitare
16
2 Flûtes traversières, Piano
15
Flûte, Violon et Violoncelle
15
Hautbois, Violoncelle
14
2 Clarinettes, Basson
13
Flûte à bec Soprano, Piano
13
2 Saxophones, Piano
12
Flûte à bec Tenor
12
Clarinette, Trombone (duo)
11
Hautbois, Guitare (duo)
10
Clarinette, Harpe (duo)
10
3 Flûtes à bec (trio)
10
Harmonica
10
Flûte à bec Alto, Piano
10
Hautbois, violon (duo)
9
Flûte, Clarinette, Piano (trio)
8
Flûte, Violon, Violoncelle et Piano
8
2 Clarinettes, Piano
8
Flute, harpe et violon
8
Saxophone et Orgue
8
Flûte à bec Alto, Basse continue
7
Piccolo
7
Clarinette Basse
7
Flûte, Violoncelle, Piano (trio)
6
Saxophone
6
Hautbois et alto (duo)
5
Flûte, Hautbois, Piano (trio)
5
Flûte, Trombone (duo)
5
Clarinette, Violoncelle, Piano (trio)
5
Saxophone, Basson (duo)
4
Flûte, Alto et Violoncelle
4
Piccolo, Piano
4
Flûte traversière, Orgue (duo)
3
Flûte à Bec, Piano
3
Hautbois, Harpe
3
Flûte irlandaise
3
Flûte et Trio à cordes
3
Flûte, Harpe et Violoncelle
3
5 Flûtes à bec
3
Clarinette, Basson, Piano (trio)
3
Flûte de Pan
3
Saxophone et Harpe
3
2 Cors Anglais Et Pianoforte
3
Ocarina
2
Flûte, Hautbois, Violon
2
4 Hautbois
2
Clarinette, Contrebasse (duo)
2
Ensemble à vent
2
Hautbois, Violon, Piano
2
Cornemuse
2
Flûte, Violoncelle, Guitare
2
Ensemble de Hautbois
2
Clarinette, Tuba
2
Clarinette, Alto et Piano (trio)
2
Flûte traversière, Basse continue
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte, Alto et Piano
2
Instruments en Mib
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Orgue
1
Flûte à bec, Harpe
1
Flûte, Tuba (duo)
1
Hautbois, trombone (duo)
1
Hautbois, Basson et Piano
1
2 Flûtes, Basse continue
1
Flûte, alto et harpe
1
Flûte à bec, Guitare (duo)
1
Saxophone et violoncelle
1
2 Hautbois, 2 Cors et 2 Bassons
1
Cor anglais et Harpe (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte traversière, Orchestre
1
Saxophone et Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, trombone et piano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
699
Trompette
518
Trombone et Piano
437
Trompette, Piano
386
Quatuor de Cuivres : 2 trompettes, trombone, tuba
376
Trombone
333
Cor et Piano
302
Cor
243
2 Trombones (duo)
214
2 Trompettes (duo)
210
Quatuor de Cuivres: 2 trompettes, Cor, trombone
192
Trompette, Saxophone (duo)
184
Tuba et Piano
176
Quatuor de Cuivres
159
Trompette, Trombone (duo)
152
Tuba
140
Euphonium, Piano (duo)
109
Trompette (partie séparée)
92
2 Cors (duo)
88
Trombone (partie séparée)
86
Quatuor de cuivres: 4 trombones
82
Cor anglais, Piano
82
Quatuor de cuivres: 4 cors
56
Ensemble de Trombones
49
Ensemble de Trompettes
45
Trompette, Cor (duo)
43
Cor (partie séparée)
35
Cor Anglais
34
2 Tubas (duo)
28
Tuba (partie séparée)
23
Trio de Cuivres
23
Euphonium
21
Cor anglais, Guitare (duo)
17
Quatuor de cuivres: 4 trompettes
16
2 Euphoniums (duo)
16
3 Trombones (trio)
15
Trompette, Basson (duo)
12
2 Euphoniums et 2 Tubas
11
Ensemble de Cors
8
Cor et Basson (duo)
8
3 Trompettes (trio)
8
Trompette, Trombone, Piano
8
Trombone basse et Piano
8
2 Trompettes, Clavier (piano ou orgue)
6
Trombone basse
6
Trompette, Violoncelle (duo)
6
Cor, Violoncelle (duo)
5
Tuba et Orgue
5
Bass Clef Instruments
5
4 Tubas
5
Trompette, violon (duo)
4
Trombone, Tuba (duo)
4
Trombone, Cor (duo)
4
Euphonium, Tuba (duo)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trompette et Guitare
3
Cor et Harpe
3
Trompette, Tuba (duo)
3
2 Cors Anglais Et Pianoforte
3
Trompette, Harpe
3
Trombone, Orgue
2
2 Trombones, Piano
2
Cor, Trompette, Trombone (trio)
2
3 Cors (trio)
2
Instruments en Sib
2
3 Tubas (trio)
2
Ensemble de Tubas
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Cor et Orgue
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
Trompette, Orchestre
1
Trombone et orchestre
1
Trombone, Violon (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1631
Violon et Piano
910
Violoncelle, Piano
622
Violon
611
Alto, Piano
549
Violon, Violoncelle (duo)
394
Harpe
353
2 Violons (duo)
341
Violoncelle (partie séparée)
338
Alto seul
278
2 Violoncelles (duo)
272
Trio à Cordes: violon, alto, violoncelle
235
2 Altos (duo)
226
Violon, Alto (duo)
215
Quintette à cordes: 2 violons, alto, violoncelle, basse
202
Trio à Cordes: 2 violons, violoncelle
169
Contrebasse, Piano (duo)
143
Violoncelle
141
Contre Basse
125
Alto (partie séparée)
96
4 Violoncelles
59
Piano Trio: Violon, Alto, Piano
55
Violon, Guitare (duo)
49
Violon (partie séparée)
46
Alto, Violoncelle (duo)
45
Violon, Basson (duo)
36
Trio à Cordes: 3 violoncelles
34
Violoncelle , Guitare (duo)
32
Contrebasse (partie séparée)
27
Trio à cordes: 3 violins
27
2 Contrebasses (duo)
26
2 Harpes (duo)
23
Harpe, Flûte (duo)
21
Alto et Basson
19
Alto, Guitare (duo)
19
Quatuor à cordes: 4 violons
18
Trio à cordes: 3 altos
15
Ensemble de Violons
14
Harpe, Voix
13
Ensemble d'Altos
11
Trio à Cordes: 2 violons, alto
10
Quatuor à cordes : 4 altos
10
Harpe, Violon (duo)
9
Violoncelle, Contrebasse (duo)
9
Alto et Harpe
8
Trio à cordes
8
Violon, Basse continue
7
2 Violons, Piano
7
Harpe, Violoncelle (duo)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Violoncelle, Orgue
5
Harpe, Violon, Violoncelle
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Violoncelles, Piano
3
Ensemble de Violoncelles
3
Harpe et mandoline
3
Violon, Orgue
3
Flûte, Contrebasse (duo)
2
Harpe et Piano
2
4 Contrebasses
2
Autoharp
2
Violon, Clarinette, Piano (trio)
2
Violoncelle, Basse continue
1
Violon, Tuba (duo)
1
Harpe (partie séparée)
1
Violon, Violoncelle, Clarinette
1
Alto, Orgue
1
Violoncelle, Orchestre
1
2 Violons et Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1399
Orchestre
530
Orchestre à Cordes
487
Cloches
349
Ensemble de cuivres
321
Ensemble Jazz
257
Orchestre de chambre
251
Fanfare
72
Batterie
49
Jazz combo
46
Ensemble de Percussions
43
Percussion (partie séparée)
40
Marimba
26
Batterie (partie séparée)
19
Xylophone
16
Vibraphone
16
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
14
Xylophone, Piano
12
Quintette à Vent
11
Ensemble d'École
8
Quintette de Cuivres: autres combinaisons
6
Percussion
4
Orchestre, Violon
4
Quatuor à Vent : 4 instruments à vents
2
Marimba, Piano (duo)
2
Instrumentation Flexible
2
2 Marimbas
1
Caisse Claire
1
Cajon
1
3 Marimbas
1
Timbales
1
Voix et Orchestre
1
Bongos
1
Conga
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
8
Théorie de la musique
1
Vous avez sélectionné:
Son of Man
Partitions à imprimer
65 049 partitions trouvées
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9976
How Firm a Foundation / Brahms "Sonntag" (High Voice)
Chorale Unison
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.945311 Composed by Johan…
(+)
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.945311 Composed by Johannes Brahms. Arranged by Deborah Burris Neilson. Christian,Romantic Period,Sacred. Octavo. 4 pages. Art Song Hymnal #5749373. Published by Art Song Hymnal (A0.945311). How Firm a Foundation -- a powerful Christian text -- set to music by Johannes Brahms. Sonntag is a well-known and well-loved art song. The original German text has been replaced with the Christian hymn text published in 1787 (attributed to K). The music and new text create a gentle, soothing affirmation of faith.For High Voice in G Major. Also available in Low Voice in Eb Major as part of the Art Song Hymnal. Contact arranger Deborah Burris Neilson at artsonghymnal@gmail.com.
$6.00
5.52 €
#
Chorale Unison
#
Johannes Brahms
#
Deborah Burris Neilson
#
How Firm a Foundation / Brahms "Sonntag"
#
Art Song Hymnal
#
SheetMusicPlus
How Firm a Foundation / Brahms "Sonntag" (Low Voice)
Chorale Unison
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.945309 Composed by Johan…
(+)
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.945309 Composed by Johannes Brahms. Arranged by Deborah Burris Neilson. Christian,Romantic Period,Sacred. Octavo. 4 pages. Art Song Hymnal #5749339. Published by Art Song Hymnal (A0.945309). How Firm a Foundation -- a powerful Christian text -- set to music by Johannes Brahms. Sonntag is a well-known and well-loved art song. The original German text has been replaced with the Christian hymn text published in 1787 (attributed to K). The music and new text create a gentle, soothing affirmation of faith.For Low Voice in Eb Major. Also available in High Voice in G Major as part of the Art Song Hymnal.Contact the arranger, Deborah Burris Neilson, at ArtSongHymnal@gmail.com
$6.00
5.52 €
#
Chorale Unison
#
Johannes Brahms
#
Deborah Burris Neilson
#
How Firm a Foundation / Brahms "Sonntag"
#
Art Song Hymnal
#
SheetMusicPlus
Suite in D Minor for Two Mandolins
Mandoline
Mandolin - Digital Download SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Cla…
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Mandolin - Digital Download SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Classical,Folk,World. Score. 16 pages. Gordon Jackson #6498403. Published by Gordon Jackson (A0.1017685). Suite in D MinorThe Baroque period in music lasted from approximately the end of the sixteenth century to about the middle of the eighteenth, culminating most famously in the works of Bach and Handel. The suite was a short collection of stylised dance tunes, sometimes (but not here) preceded by a prelude. The suite typically comprised the dances allemande, courante, sarabande, and gigue, to which others may be added. I have added a bourrée and a minuet. Although this is arranged for two mandolins, other instruments can of course be used. I have added a line of mandolin tablature for those who don’t read standard notation. (Actually, I don’t read tablature myself – I used my favourite notation program, Harmony Assistant, to write the score, and it very kindly created the tablature for me!)As a performer of mostly traditional folk tunes, I am driven first by melody, then rhythm, and only then by harmony. For each of these pieces, the melody came first, keeping to the strict rhythmic imperatives of each dance form. Only then were counterpoints added. In this score, the only dance to be repeated is the minuet. Here, the first time through is played on a single mandolin, with rather a lot of double stopping. On the second time through the first mandolin sticks to the basic melody, while the second mandolin plays a counterpoint. Some may recognise the opening bar of the bourrée; it was inspired by a tune by Turlough Ó Carolan (1670-1738) entitled The Princess Royal. The rest, however, is mine!
$6.99
6.44 €
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Mandoline
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Gordon Jackson
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Suite in D Minor for Two Mandolins
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Gordon Jackson
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SheetMusicPlus
Telemann for Two Mandolins
2 Mandolines (duo)
64 Compositions Chosen from the Works of Georg Philipp Telemann. Composed by John Go…
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64 Compositions Chosen from the Works of Georg Philipp Telemann. Composed by John Goodin. Solos and Duets. Style. E-book. Mel Bay Publications - Digital Sheet Music #30653EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119505.<br> <br> As one of the most productive composers in history, Georg Philipp Telemann endeavored to supply a steady stream of new music for both professional and amateur musicians. The 64 compositions in this collection fall into three categories: Sonatas for two treble-clef instruments without bass accompaniment. Pieces for solo instrument and bass. Movements from Telemannas many trio sonatas and overture-suites for two melody instruments and bass. Written in standard notation only for two mandolins, or mandolin with violin, flute, recorder, or any other instrument of similar range.
$19.99
18.41 €
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2 Mandolines (duo)
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John Goodin
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Telemann for Two Mandolins
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Downlo…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania. Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
$15.99
14.72 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bela Bartok (1881-1945)
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Ray Thompson
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Bartók: Rumanian Folk Dances Sz.56
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SheetMusicPlus
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-29E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Seasons of Song (6 songs to celebrate the seasons for Unison Choirs)
Chorale Unison
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.781401 Composed by Joann…
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.781401 Composed by Joanna Mills. Broadway,Children,Contemporary,Holiday,Instructional,Musical/Show. Octavo. 52 pages. Joanna Mills Music #6687495. Published by Joanna Mills Music (A0.781401). Celebrate all four seasons with your unison choir with this collection of six original songs by award-winning composer Joanna Mills and save more than 50% by purchasing this collection instead of individually! All pieces are set in accessible keys for young children and feature easy, short, optional echo/harmony parts for added interest and challenge. The piano parts support the melody to assist very young singers, and guitar/ukulele chords are included! Full scores and additional one-page lyric sheets are included for the following songs:Autumn Days (Late Summer/Fall): A dreamy melody accompanies an adaptation of the poems October and November by Helen Hunt Jackson. Butterflyin’ (Spring, Summer) : Inspired by the story of the Boy and the Butterfly, this lovely song tells the tale of a weary caterpillar who perseveres through many struggles, holds onto its dreams, and emerges a beautiful butterfly. First Snow (Late Fall/ Winter): This hauntingly beautiful original song celebrates the magic of winter's first snowfall! The Crocuses (Late Winter/Spring) : Set to a sweet, original melody, Frances Ellen Watkins Harper's poem The Crocuses has been adapted into a lovely song about the first flowers of spring and their love for Mother Earth. The Winding Creek (Late Spring/Summer) : This folk-style song evokes nostalgic summer memories of long hot days spent playing in a country creek. The World is a Rainbow (Spring/Summer/Fall):This fun and upbeat song teaches the colours of the rainbow by listing many red, orange, yellow, green, blue, indigo and violet items found in nature! Joanna Mills' passion is music and singing. From 1998 to 2018, she was the director of the Roncesvalles Gospel Choir and has written and directed many original children's musicals at Roncesvalles United Church. From 2011 to 2020 Joanna was the music director and head vocal teacher at Broadway Arts Centre. She performs frequently in local festivals and clubs with her six-voice folkgrass ensemble North of Queen and also sings with Toronto’s premiere rock choir newchoir. Joanna is an award-winning songwriter (Songdoor, Song of the Year, ISSA) and arranger and her works have been performed by choirs and bands all over the world. Trained formally in voice, piano, and oboe throughout her younger years, Joanna has sung in (and lead) various choirs, performed with the New Westminster Musical Theatre Guild, and teaches Musical Theatre, piano, and voice at her studio in Toronto, Ontario.
$4.99
4.59 €
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Chorale Unison
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Joanna Mills
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Seasons of Song
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Joanna Mills Music
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SheetMusicPlus
Every Man, Woman, and Child - Chant Version - Bb Major
Chorale Unison
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.940197 Composed by Merri…
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Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.940197 Composed by Merrill Collins. Children,Contemporary,Spiritual,World. Octavo. 1 pages. Merrill Collins Chausseblanche #4632459. Published by Merrill Collins Chausseblanche (A0.940197). Chant version from the original composition, Every Man, Woman, and Child. Composed by Merrill Collins (1950-). Chant version in key of B flat. Contemporary Classical; 21st Century; Children’s Music; Spiritual; World Music; Music Education. Published by Spiraling Music, Inc. This features the chant version of the original award winning composition of Every Man, Woman, and Child, which was originally composed in 1986 as a dedication to the United Nations Center for Human Rights by the brilliant female composer, Merrill Collins (1950-). This song has been performed at major civic events including the Human Rights Day (Dec 10th) at the United Nations in NYC in 1987, as well as in San Francisco over the past twenty years. The original song and chant version (which won the Global Peace Song Award in 2016), all related curriculum, and the new 2019 EDM, Hip Hop, Yoga & Meditation, West African Highlife versions have been created as a teaching tool for both children and adults to bring awareness to the Universal Declaration of Human Rights (UDHR), as well as to welcome participation from educators, musicians, and all people looking for projects fo the International Peace Day (September 21st). Music is ideal for ages 5-8, high school or college, and/or community choirs. A chorus sings the chant with hand motions, and during the musical break, each singer comes up and recites an article of the UDHR. Can be done with instrumental CD, piano accompaniment or a small orchestra. Visit www.spiralingmusic.com/peacedayt/index.htm
$2.99
2.75 €
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Chorale Unison
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Merrill Collins
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Contemporary Classical
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Every Man, Woman, and Child - Chant Version - Bb Major
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Merrill Collins Chausseblanche
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SheetMusicPlus
La donna è mobile. (Rigoletto - Main Theme) Mandolin sheet music and tablature.
Mandoline
Mandolin - Level 2 - Digital Download SKU: A0.877176 Composed by Giuseppe Verdi. Ar…
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Mandolin - Level 2 - Digital Download SKU: A0.877176 Composed by Giuseppe Verdi. Arranged by Ioannis Kalpakis www.mandolin.gr. Musical/Show,Opera,Romantic Period,Traditional,World. Score. 2 pages. Ioannis Kalpakis #6253535. Published by Ioannis Kalpakis (A0.877176). La donna è mobile is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. This is an arrangement for Mandolin. Tablature included.Mandolin tuning: E5 A4 D4 G3Mandolin fingerings, pick direction symbols are included.Also this arrangement can be played by many instruments which play music using the treble clef.Enjoy it. For students who would like to take advantage of internet technology, lessons are now available over the internet via Skype. Contact:giannismusic@gmail.comSkype username: mathimata
$5.99
5.52 €
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Mandoline
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Giuseppe Verdi
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Ioannis Kalpakis www
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La donna è mobile.
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Ioannis Kalpakis
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SheetMusicPlus
Sweet Hour of Prayer / Clara Schumann's "O Lust" (Low Voice)
Chorale Unison
Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.945316 Composed by Clara…
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Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.945316 Composed by Clara Wieck-Schumann. Arranged by Deborah Burris Neilson. Christian,Romantic Period,Sacred. Octavo. 4 pages. Art Song Hymnal #5749565. Published by Art Song Hymnal (A0.945316). The hymn text Sweet Hour of Prayer has been a beloved Christian song since the 1800s. Now paired with music by Clara Schumann, the new arrangement expresses passionate gratitude for prayer. Schumann's lesser-known art song with the beloved Protestant text is a wonderful new sacred piece for a confident singer with an excellent accompanist.For Low Voice in C Major. Also available for High Voice in Eb as part of the Art Song Hymnal.Contact arranger Deborah Burris Neilson at ArtSongHymnal@gmail.com.
$6.00
5.52 €
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Chorale Unison
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Clara Wieck-Schumann
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Deborah Burris Neilson
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Sweet Hour of Prayer / Clara Schumann's "O Lust"
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Art Song Hymnal
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SheetMusicPlus
Sweet Hour of Prayer / Clara Schumann's "O Lust" (High Voice)
Chorale Unison
Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.945315 Composed by Clara…
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Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.945315 Composed by Clara Wieck-Schumann. Arranged by Deborah Burris Neilson. Christian,Romantic Period,Sacred. Octavo. 4 pages. Art Song Hymnal #5749567. Published by Art Song Hymnal (A0.945315). The hymn text Sweet Hour of Prayer has been a beloved Christian song since the 1800s. Now paired with music by Clara Schumann, the new arrangement expresses passionate gratitude for prayer. Schumann's lesser-known art song with the beloved Protestant text is a wonderful new sacred piece for a confident singer with an excellent accompanist.For High Voice in Eb Major. Also available for Low Voice in C Major as part of the Art Song Hymnal.Contact arranger Deborah Burris Neilson at ArtSongHymnal@gmail.com.
$6.00
5.52 €
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Chorale Unison
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Clara Wieck-Schumann
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Deborah Burris Neilson
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Sweet Hour of Prayer / Clara Schumann's "O Lust"
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Art Song Hymnal
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SheetMusicPlus
The King of Love My Shepherd Is / Clara Schumann's "Liebeszauber" (Low Voice)
Chorale Unison
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.945317 Composed by Clara…
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Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.945317 Composed by Clara Wieck-Schumann. Arranged by Deborah Burris Neilson. Christian,Romantic Period,Sacred. Octavo. 4 pages. Art Song Hymnal #5749573. Published by Art Song Hymnal (A0.945317). The beloved hymn text The King of Love My Shepherd Is was written in 1868 as a paraphrase of Psalm 23. This arrangement pairs the text with a lesser-known art song by Clara Schumann, who was as equally an adept composer as her husband Robert. The new pairing is a lyrical song of devotion and praise to the Shepherd.For Low Voice in C Major. Also available for High Voice in Eb Major as part of the Art Song Hymnal.Contact arranger Deborah Burris Neilson at ArtSongHymnal@gmail.com
$6.00
5.52 €
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Chorale Unison
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Clara Wieck-Schumann
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Deborah Burris Neilson
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The King of Love My Shepherd Is / Clara Schumann's "Liebeszauber"
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Art Song Hymnal
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SheetMusicPlus
The King of Love My Shepherd Is / Clara Schumann's "Liebeszauber" (High Voice)
Chorale Unison
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.945318 Composed by Clara…
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Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.945318 Composed by Clara Wieck-Schumann. Arranged by Deborah Burris Neilson. Christian,Romantic Period,Sacred. Octavo. 4 pages. Art Song Hymnal #5749577. Published by Art Song Hymnal (A0.945318). The beloved hymn text The King of Love My Shepherd Is was written in 1868 as a paraphrase of Psalm 23. This arrangement pairs the text with a lesser-known art song by Clara Schumann, who was as equally an adept composer as her husband Robert. The new pairing is a lyrical song of devotion and praise to the Shepherd.For High Voice in Eb Major. Also available for Low Voice in C Major as part of the Art Song Hymnal.Contact arranger Deborah Burris Neilson at ArtSongHymnal@gmail.com.
$6.00
5.52 €
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Chorale Unison
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Clara Wieck-Schumann
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Deborah Burris Neilson
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The King of Love My Shepherd Is / Clara Schumann's "Liebeszauber"
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Art Song Hymnal
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SheetMusicPlus
Ludwig Van Beethoven: Sonatina in C minor for mandolin & piano
Mandoline, Piano (duo)
Instantly downloadable sheet music by Ludwig van Beethoven for mandolin & piano of MED…
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Instantly downloadable sheet music by Ludwig van Beethoven for mandolin & piano of MEDIUM skill level. Contents: sonata / classical,children
$2.99
2.75 €
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Mandoline, Piano (duo)
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Ludwig Van Beethoven
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Virtualsheetmusic
Ludwig Van Beethoven: Sonatina in C major for mandolin & piano
Mandoline, Piano (duo)
Instantly downloadable sheet music by Ludwig van Beethoven for mandolin & piano of MED…
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Instantly downloadable sheet music by Ludwig van Beethoven for mandolin & piano of MEDIUM skill level. Contents: sonata / classical,children
$2.99
2.75 €
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Mandoline, Piano (duo)
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Ludwig Van Beethoven
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Virtualsheetmusic
Jesu, Joy of Man's desiring for Mandolim (Tablature and Score)
Mandoline
Mandolin - Level 2 - Digital Download SKU: A0.1255918 By FERNANDO LUIZ NEVES. By Jo…
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Mandolin - Level 2 - Digital Download SKU: A0.1255918 By FERNANDO LUIZ NEVES. By Johann Sebastian Bach. Arranged by FERNANDO LUIZ NEVES. Baroque,Chamber,Christian,Christmas,Classical. Score. 2 pages. Fernando Neves #849391. Published by Fernando Neves (A0.1255918). Jesu, Joy of Man's Desiring by Johann Sebastian Bach is a beloved masterpiece that has transcended time and captivated audiences with its profound beauty. This enchanting arrangement of Jesu, Joy of Man's Desiring is suitable for a variety of performance settings. Its refined and introspective nature makes it a perfect choice for intimate chamber concerts, weddings, services, funerals receptions, and even background music for elegant social gatherings. This arrangements comprises a complete sheet music for solo mandolim (2 pages). The song is in the key of G and time signature 3/4.
$8.97
8.26 €
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Mandoline
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FERNANDO LUIZ NEVES
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FERNANDO LUIZ NEVES
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Jesu, Joy of Man's desiring for Mandolim
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Fernando Neves
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SheetMusicPlus
The Song of all songs
Mandoline
Mandolin - Level 3 - Digital Download SKU: A0.1400546 Composed by Stephen Foster. A…
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Mandolin - Level 3 - Digital Download SKU: A0.1400546 Composed by Stephen Foster. Arranged by Bettina Schipp. Country,Folk,Traditional. Score. 2 pages. Songbooks.info #983743. Published by songbooks.info (A0.1400546). Songs by Stephen C. Foster (1826-1864) - notated for the mandolin in classical musical notation as well as in the well-known tablature for string instruments. The song's recording was made at a slow tempo. We hope you enjoy making music...!Songs von Stephen C. Foster (1826-1864) - notiert für die Mandoline in klassischer Notenschrift sowie in der bekannten Tabulatur für Saiteninstrumente. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.49
2.29 €
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Mandoline
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Stephen Foster
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Bettina Schipp
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The Song of all songs
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songbooks.info
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SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-25E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
24 Favourite Songs of Ireland, for Mandolin Tab GDAE
Mandoline
Instrumental Solo,Mandolin - Level 2 - Digital Download SKU: A0.587936 Composed by …
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Instrumental Solo,Mandolin - Level 2 - Digital Download SKU: A0.587936 Composed by Traditional. Arranged by David McKeown. Celtic,Folk,Holiday,Irish,Multicultural,Patriotic,World. Individual part. 25 pages. David McKeown #5191359. Published by David McKeown (A0.587936). 24 Favourite Songs of Ireland for Mandolin Tab contains the best-loved and most-requested traditional Irish songs. They are arranged in simple keys in standard GDAE tuning for the Mandolin. The song melodies are presented as tab for Mandolin and the music also includes chord symbols. There are also full lyrics for singers who want to join the fun.24 Favourite Songs of Ireland for Mandolin Tab are ideal for playing and singing on St Patrick’s Day, or at any time of year, on stage or at home. Here is the full list of songs· Arthur McBride· The Black Velvet Band· A Bucketful of Mountain Dew· A Bunch of Thyme· Cockles and Mussels· Danny Boy, (The Londonderry Air)· Finnigan's Wake· The Harp that Once through Tara's Halls· I'll Tell Me Ma· The Jolly Beggarman· The Minstrel Boy· The Mountains of Mourne· The Nightingale· The Raggle Taggle Gypsy· The Rocky Road to Dublin· The Rose of Tralee· Rosin the Bow· Sally Gardens· The Sash· The Spanish Lady· The Star of County Down· Waxie's Dargle· Whiskey in the Jar· The Wild RoverI hope you enjoy this collection of songs and that it either brings back happy memories or opens a small window for you onto the Soul of Ireland.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
7.36 €
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Mandoline
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Traditional
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David McKeown
#
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24 Favourite Songs of Ireland, for Mandolin Tab GDAE
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David McKeown
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SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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