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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
CITHARE
CLAIRON
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Sonata Célèbre
Partitions à imprimer
20 partitions trouvées
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1
Sonata Célèbre
Flûte traversière et Piano
Flute and piano - Difficult - Digital Download SKU: MQ.9228-E Composed by Craig Boh…
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Flute and piano - Difficult - Digital Download SKU: MQ.9228-E Composed by Craig Bohmler. 47 pages. E. C. Schirmer Music Company - Digital #9228-E. Published by E. C. Schirmer Music Company - Digital (MQ.9228-E). Sonata Célebre was written in 1983 for Marilyn Mead who won the International Artist’s Competition in New York that year. She was granted a full recital in Carnegie Hall (Stern Auditorium) where it premiered to fine reviews. Following that, it was orchestrated for the International Symphony in San Diego as a concerto. With the Célebre, Marilyn won a Pompidou Fellowship to work with Pierre Boulez in Paris and a teaching position in Amsterdam.
$30.00
27.66 €
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Flûte traversière et Piano
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Craig Bohmler
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Sonata Célèbre
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.33 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Piano Sonata No. 1 in C
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.837479 Composed by Brett L. Wery. 2…
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Piano Solo - Level 4 - Digital Download SKU: A0.837479 Composed by Brett L. Wery. 20th Century. Score. 19 pages. Sonata Grendel Publishing #3114213. Published by Sonata Grendel Publishing (A0.837479). The Piano Sonata No. in C is a 20 minute neo-classical, four movement sonata influenced by Bernstein and Shostakovich but wholly original in tone and approach with moments of intense romantic beauty. It is accessible by audiences and suitable for professionals, college students and advanced performers. For further information about Brett L. Wery’s music visit: http://www.societyofcomposers.org/members/BrettL.Wery/ or visit: https://www.facebook.com/werymusic/
$18.99
17.51 €
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Piano seul
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Brett L
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Piano Sonata No. 1 in C
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Sonata Grendel Publishing
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SheetMusicPlus
Thérèse Brenet: Sonata for flute and piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet.…
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Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...
$16.95
15.63 €
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Flûte traversière et Piano
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Therese Brenet
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Thérèse Brenet: Sonata for flute and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sonata op. 40 no. 1 in C major for cello and basso
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.841350 Composed by Jean-Baptiste Br…
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Cello Solo - Level 1 - Digital Download SKU: A0.841350 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Baroque,Classical,Instructional,Standards. Individual part. 18 pages. Artistic Score Engraving di Galvagno Michele #5808627. Published by Artistic Score Engraving di Galvagno Michele (A0.841350). One of the most popular sonatas for beginner cellists, widely known thanks to the arrangement for cello and piano by Carl Schroeder (also found in the Fourth Book of the Suzuki Cello Method). Part of it has also been re-utilised by J. L. Feuillard in his made-up piece called Concertino no. 2 by J. B. Breval. The solo cello part contains fingering and bowing suggestions by Yuriy Leonovich.
$3.50
3.23 €
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Violoncelle
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Jean-Baptiste Breval
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Sonata op. 40 no. 1 in C major for cello and basso
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Jan Zach - Fugue in C Minor
Orgue
Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Men…
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Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
4.6 €
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Orgue
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early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
L'ABC de la Guitarra Vol1
Piano Facile
C Instrument - Level 1 - Digital Download SKU: A0.1414957 By Professor Mussol. By J…
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C Instrument - Level 1 - Digital Download SKU: A0.1414957 By Professor Mussol. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional,Traditional. Lead Sheet / Fake Book. 48 pages. José Lucas #996686. Published by José Lucas (A0.1414957). ABC for Guitar Beginners Vol.1 (Catalan Edition)Basic guide for guitar beginners with 38 songs.Methodically well-designed for kids from age 7 and up.- Learn how to read notes, chords, music theory and interaction with the teacher- Simple exercises to practice before the kids tackle the pieces/songs- Rules for how to train a difficult part- Learn to read left vs. right hand in music- Learn the differences between strings and ribbons- Famous children's songs from around the world- Visually appealing pages for kids- Famous pieces from classical music- DiplomaCONTENT- Mary had a little lamb (US)- The spring song (Hungary)- Playful dialogue (Germany)- Old MacDonald (US)- Björnen sover (Sweden)- Au clair de la lune (France)- Hänschen klein (Germany)- Andantino Op. 59 (Carcassi)- Russian theme (Russia)- Dog waltz (Germany)- Savez-vous planter les choux? ( France)- Sonata no.11 K331 (Mozart)- Brandenburg dance (Germany)- Gran vals (Tarrega)- Carnevale di Venezia (Italy)- Andantino (Küffner)- Go to sleep (Germany)- The silly song (Irland)- El Testament D’Amelia (Catalán)+ Thoughtfully crafted short musical interludes ensure seamless transitions between the songs listed above.This book isn't just for children; it's also perfect for adults who are serious about delving into the world of sheet music. So why wait? Press play and embark on a musical adventure like never before. Get ready to unleash your inner maestro!Q&AsWhy use names? So kids proudly claim, This is my song! — igniting their excitement and fuelling their passion for learning.Why larger scores? For better visibility, making learning a breeze for our young musicians.Why the abundance of illustrations and colors? Kids adore vibrant hues, keeping their interest ignited and enthusiasm soaring.Why the complex accompaniment?Many of us teachers, are classically trained guitarists aiming to preserve our hard-earned skills. The sophisticated accompaniment not only adds a professional touch for parents but also dazzles at closing concerts.Why chord notations? A chance for parents to bond with their children, sharing quality moments of musical exploration.Why begin with loose strings? For beginners, it eases them into rhythm and note lengths, gradually mastering each aspect before advancing to more challenging techniques.Why start with the A-note when using left hand? The G-string's flexibility is perfect for young fingers, and the second finger offers strength and ease for seven-year-olds.Why sprinkle music theory throughout? To ensure kids learn theory when its most relevant to their progress.Why feature songs from various countries? To preserve the rich tapestry of global folklores, cherishing our cultural heritage.Why not introduce eighth notes? Mastering whole, half, and quarter notes takes precedence, ensuring a strong foundation.Why provide audio? Empowering kids to practice independently at home, with parental guidance, fostering their musical journey.
$17.50
16.13 €
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Piano Facile
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Professor Mussol
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José Lucas
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L'ABC de la Guitarra Vol1
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José Lucas
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SheetMusicPlus
Jean Baptiste Breval : Sonate pour violoncelle n° 1 en do majeur, Opus 40 - I. Allegro
Violoncelle
Téléchargez la partition Violoncelle Sonate pour violoncelle n° 1 en do …
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Téléchargez la partition Violoncelle Sonate pour violoncelle n° 1 en do majeur, Opus 40 - I. Allegro de Bréval. Partition pour Duo -- Classique
5.99 €
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Violoncelle
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Jean Baptiste Breval
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Sonate pour violoncelle n° 1
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Tomplay
Jean Baptiste Breval : Sonate pour violoncelle n° 1 en do majeur, Opus 40 - II. Rondo Grazioso
Violoncelle
Téléchargez la partition Violoncelle Sonate pour violoncelle n° 1 en do …
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Téléchargez la partition Violoncelle Sonate pour violoncelle n° 1 en do majeur, Opus 40 - II. Rondo Grazioso de Bréval. Partition pour Duo -- Classique
5.99 €
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Violoncelle
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Jean Baptiste Breval
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Sonate pour violoncelle n° 1
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Tomplay
Jean Baptiste Breval : Sonate pour violoncelle n° 1 en do majeur, Opus 40 - I. Allegro
Piano seul
Téléchargez la partition Piano Sonate pour violoncelle n° 1 en do majeur…
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Téléchargez la partition Piano Sonate pour violoncelle n° 1 en do majeur, Opus 40 - I. Allegro de Bréval. Partition pour Duo -- Classique
5.99 €
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Piano seul
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Jean Baptiste Breval
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Sonate pour violoncelle n° 1
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Tomplay
Jean Baptiste Breval : Sonate pour violoncelle n° 1 en do majeur, Opus 40 - II. Rondo Grazioso
Piano seul
Téléchargez la partition Piano Sonate pour violoncelle n° 1 en do majeur…
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Téléchargez la partition Piano Sonate pour violoncelle n° 1 en do majeur, Opus 40 - II. Rondo Grazioso de Bréval. Partition pour Duo -- Classique
5.99 €
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Piano seul
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Jean Baptiste Breval
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Sonate pour violoncelle n° 1
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Tomplay
Mozart, Wolfgang Amadeus : Sonate KV 545 (Collection Anacrouse)
Piano seul
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Cette sonate dite facile ou « sonata semplice » est la plus célèbre de Mozart. Son sous-titre est trompeur car elle n’est pas aussi facile que l’on pourrait croire. En effet, la maîtrise pianistique et la science de Mozart échouent à révéler la réelle difficulté de cette sonate. Sa création date du 26 juin 1788, peu d’années avant la disparition du compositeur. La finalité de cette création serait mi-pédagogique, mi-commerciale d’où l’objet de son surnom. Cette pièce a trois mouvements : Allegro, Andante et Rondo-allegretto. Elle débute par un allegro sur un tempo assez allant avec une basse appelée basse d’Alberti en rythme de croche, se déployant tout au long du mouvement. La structure du premier mouvement est une forme sonate. La mélodie comporte deux sujets sur la tonique et à la réexposition se présente le thème sur la sous-dominante. La basse dAlberti exposée dans ce premier mouvement est développée d’une manière assez étendue en fluidité dans le deuxième mouvement, l’andante. Seul l’allegro est représenté dans cette partition, ce premier mouvement, très connu, ensorcelle de nombreux pianistes de tous niveaux grâce à la relative aisance de son interprétation et à l’enchantement et à la frivolité qui s’en dégage. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano seul
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Mozart, Wolfgang Amadeus
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Sonate KV 545
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Note4Piano
Stream Serenade
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1167844 By The Candlelight Guitar…
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C Instrument - Level 3 - Digital Download SKU: A0.1167844 By The Candlelight Guitarist. By Bradley Powell. Arranged by Bradley Powell. Classical,Folk,Jazz,New Age. Lead Sheet / Fake Book. 4 pages. Geofonica Artistworks #768176. Published by Geofonica Artistworks (A0.1167844). Detailed lead sheet for the piece Stream Serenade - composed by Bradley Powell (who records as The Candlelight Guitarist) from his album Music for Rest & Renewal (with nature sounds). Like other Candlelight Guitarist pieces, it blends classical, jazz, folk, blues and others styles. It is a simple piece, but with stylistic depth that can work well for players from early intermediate to advanced. This lead sheet is in standard notation, with the complete melody (including double stops, octaves and lead features), chord symbols, plus the key rhythm guitar intro pattern (also in standard notation).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Jana L. Perskie Ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Since 2019, Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland, providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, and Pocahontas) each morning!
$3.99
3.68 €
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Instruments en Do
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The Candlelight Guitarist
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Bradley Powell
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Renewal (with nature sounds)
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Stream Serenade
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Geofonica Artistworks
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SheetMusicPlus
Abel - 6 Harpsichord Trios, WK 117-122 ; Op.5
Small Ensemble Cello,Harpsichord,Violin - Digital Download SKU: A0.819758 Composed …
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Small Ensemble Cello,Harpsichord,Violin - Digital Download SKU: A0.819758 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 108 pages. J.G. Cuco Barber #6138797. Published by J.G. Cuco Barber (A0.819758). Work Title 6 Sonatas for HarpsichordAlternative Title Six Sonates pour le Clavecin avec l’accompagnement d’un Violon ou Flûte Traversière et d’un VioloncelleComposer Abel, Carl FriedrichOpus/Catalogue Number WK 117-122 ; Op.5Movements/Sections 6 sonatas of 2 movements eachTrio Sonata in B-flat major, WK 117Trio Sonata in G major, WK 118Trio Sonata in E major, WK 119Trio Sonata in C major, WK 120Trio Sonata in A major, WK 121Trio Sonata in F major, WK 122First Publication 1764 - London: ComposerDedication À sa Majesté Charlotte, Reine de Grande Bretagne (Queen Charlotte)Composer Time Period ClassicalPiece Style ClassicalInstrumentation violin (or flute), cello, harpsichord.
$28.00
25.81 €
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Carl Friedrich Abel
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J
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Op
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Abel - 6 Harpsichord Trios, WK 117-122 ; Op.5
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J.G. Cuco Barber
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SheetMusicPlus
Making the Darkness Conscious
Saxophone Tenor et Piano
Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download …
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Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493). Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire. The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts. One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured. One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular. C.G. Jung
$14.95
13.78 €
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Saxophone Tenor et Piano
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the end of the piece, the soloist’s character is transformed into something more ruthless and tortured
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Brett L
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Making the Darkness Conscious
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Sonata Grendel Publishing
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SheetMusicPlus
Beethoven, Ludwig Van : Clair de Lune Opus 27 n°2 (Collection Anacrouse)
Piano seul
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Beethoven composa sa deuxième « sonata quasi una fantasia » de l’opus 27 en 1801 entre sa première et sa seconde symphonie. Cette sonate fut rebaptisée « sonate de la Tonnelle » par ses contemporains. Ils imaginèrent le compositeur Beethoven composer cette œuvre à l’ombre d’une tonnelle. En 1832, plusieurs années après le décès du compositeur, le célèbre titre de clair de lune fut évoqué par le poète Ludwig Rallstab. Celui-ci percevait dans le premier mouvement de la sonate une promenade nocturne au Clair de lune, sur le lac des Quatre-Cantons à Lucerne en Suisse. Cette œuvre romantique est aujourd’hui universellement connue et restera un classique incontournable des pianistes. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano seul
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Beethoven, Ludwig Van
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Clair de Lune Opus 27 n°2
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Note4Piano
Hommages and Prelude No. 1
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
27.65 €
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Piano seul
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
June 1974, Cohoes (Wish List Fundraising)
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
7.37 €
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Voix Baryton, Piano
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Sonatina No. 1
Guitar - Digital Download SKU: ZZ.DZ-4272 Composed by Mark Anthony Cruz. Score. 16 …
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Guitar - Digital Download SKU: ZZ.DZ-4272 Composed by Mark Anthony Cruz. Score. 16 pages. Les Productions d'OZ - Digital #DZ 4272. Published by Les Productions d'OZ - Digital (ZZ.DZ-4272). En septembre 2018, le guitariste Toby McWilliams a commandé à Cruz l’écriture d’une pièce solo en trois mouvements après avoir entendu ses Five Pieces in C dans l’émission de radio internationale Classical Guitar Alive. McWilliams a demandé que le premier mouvement soit en forme sonate-allegro, suivi de deux autres pièces reflétant les choix de tempo d’une sonatine en trois mouvements typique. Comme c’est le cas pour la plupart des œuvres de Cruz, cette Sonatine a été achevée en tant que musique pure, sans programme sous-jacent. Cependant, dans sa quête de trouver des titres autres que des indications de tempo, Cruz a extrait trois mots de la correspondance entre lui-même et McWilliams qui, ensemble, ajoutent une touche personnelle à la collection tout en suggérant une progression des événements d’une journée imaginaire.Un point d’intérêt dans le premier mouvement, le thème A : Cruz commence sur l’accord IV et évite intentionnellement d’utiliser un accord I tout au long de la pièce. Bien que la section B commence dans la tonalité de dominante, elle se dirige rapidement vers un centre tonal de ré majeur.Festival (3ème mouvement) utilise un thème d’ouverture bitonal : mi majeur dans la voix supérieure tandis que la ligne de basse utilise mi mineur.In September of 2018, guitarist, Toby McWilliams commissioned Cruz to write a three-movement guitar solo after hearing his Five Pieces in C on the internationally syndicated radio show, Classical Guitar Alive. McWilliams requested the first movement to be in sonata-allegro form followed by two other pieces that reflect the tempo choices of a typical three-movement sonatina. As is the case with most of Cruz’s music, this Sonatina was completed as music written for music’s sake. However, in his quest to find titles other than tempo markings, Cruz plucked three words from the correspondence between himself and McWilliams that together, add a personal touch to the collection while suggesting a progression of an imaginary day’s events.A point of interest in the first movement, A theme: Cruz begins on the IV chord and intentionally avoids using a proper I chord throughout. While the B section does begin in the dominant key, it moves quickly towards a D major tonal center.Festival (3rd movement) uses a bitonal opening theme: E major in the top voice while the bass line uses E minor.
$9.95
9.17 €
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Mark Anthony Cruz
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Sonatina No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Easy Piano Classics (eBook)
Piano Facile
Composed by Bach, Mozart, Beethoven, Chopin, Liszt, Mendelssohn, Brahms, Saint- Saens, B…
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Composed by Bach, Mozart, Beethoven, Chopin, Liszt, Mendelssohn, Brahms, Saint- Saens, Bizet, Albeniz, Dvorak. Arranged by Music- holley. Romantic Period, Classical Period, Repertoire, European, Recital. Individual Part, Piano Reduction, Sheet Music Single, Solo Part. 50 pages. Published by music- holley
The book is a collection of 12 simplified classical music masterpieces. The purpose of easy arrangements is to make classical music accessible to everyone: if you are starting to play piano or if you want to play your favorite piece in a simple or relaxing way. Level: early intemediate Contents: Prelude in C (J. S. Bach) - Lacrimosa (W. A. Mozart) - Moonlight Sonata (L. V. Beethoven) - Pathétique (L. V. Beethoven) - Violin Concerto (F. Mendelssohn) - Nocturne Op.9 No.2 (F. Chopin) - La Campanella (F. Liszt) - Hungarian Dance No.5 (J. Brahms) - Danse Macabre (C. Saint-Saëns) - Habanera (G. Bizet) - Asturias (I. Albeniz) - Allegro con fuoco (A. Dvorák) The book is a collection of 12 simplified classical music masterpieces.
The purpose of easy arrangements is to make classical music accessible to everyone: if you are starting to play piano or if you want to play your favorite piece in a simple or relaxing way.
Level: early intemediate
Contents:
Prelude in C (J. S. Bach) - Lacrimosa (W. A. Mozart) - Moonlight Sonata (L. V. Beethoven) - Pathétique (L. V. Beethoven) - Violin Concerto (F. Mendelssohn) - Nocturne Op.9 No.2 (F. Chopin) - La Campanella (F. Liszt) - Hungarian Dance No.5 (J. Brahms) - Danse Macabre (C. Saint-Saëns) - Habanera (G. Bizet) - Asturias (I. Albeniz) - Allegro con fuoco (A. Dvorák)
$23.99
22.12 €
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Piano Facile
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Bach, Mozart, Beethoven, Chopin, Liszt, Mendelssohn, Brahms, Saint- Saens, Bizet, Albeniz, Dvorak
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Music- holley
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Easy Piano Classics
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music- holley
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SheetMusicPlus
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