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Sonata No. 2 E minor a 2
Partitions à imprimer
70 partitions trouvées
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Sonata No. 2 E minor a 2
Violon (partie séparée)
Violin II - Digital Download SKU: S9.Q52889 Composed by Johann Rosenmueller. This e…
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Violin II - Digital Download SKU: S9.Q52889 Composed by Johann Rosenmueller. This edition: separate part. Downloadable, Individual part. Musikverlag Robert Lienau - Digital #Q52889. Published by Musikverlag Robert Lienau - Digital (S9.Q52889). Key: E minor. German • English • French.
$3.99
3.69 €
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Violon (partie séparée)
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Johann Rosenmueller
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Sonata No. 2 E minor a 2
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Sonata No. 2 E minor a 2
Violon (partie séparée)
Violin I - Digital Download SKU: S9.Q52888 Composed by Johann Rosenmueller. This ed…
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Violin I - Digital Download SKU: S9.Q52888 Composed by Johann Rosenmueller. This edition: separate part. Downloadable, Individual part. Musikverlag Robert Lienau - Digital #Q52888. Published by Musikverlag Robert Lienau - Digital (S9.Q52888). Key: E minor. German • English • French.
$3.99
3.69 €
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Violon (partie séparée)
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Johann Rosenmueller
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Sonata No. 2 E minor a 2
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Sonata No. 2 E minor a 2
Violoncello/double bass - Digital Download SKU: S9.Q52890 Composed by Johann Rosenm…
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Violoncello/double bass - Digital Download SKU: S9.Q52890 Composed by Johann Rosenmueller. This edition: separate part. Downloadable, Individual part. Musikverlag Robert Lienau - Digital #Q52890. Published by Musikverlag Robert Lienau - Digital (S9.Q52890). Key: E minor. German • English • French.
$3.99
3.69 €
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Johann Rosenmueller
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Sonata No. 2 E minor a 2
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
BOISMORTIER SONATAS FOR 2 FLUTES OPUS 8 Nos. 1 - 3
2 Flûtes traversières (duo)
Flute Duet Flute - Digital Download SKU: A0.811701 Composed by Joseph Bodin De Bois…
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Flute Duet Flute - Digital Download SKU: A0.811701 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited by Pat Spence. Concert,Instructional,Standards. Score. 44 pages. Piper Publications #4321469. Published by Piper Publications (A0.811701). SONATA No. 1 in A MAJOR SONATA No. 2 in E MINOR SONATA No. 3 in D MAJOR The six opus 8 sonatas were published in Paris in 1725 for ‘deux Flûtes-Transversiere sans Basse’. They were published ‘Avec Privilége du Roy.’ They were printed as a playing score preceeded by a title page which also gave details of where to obtain copies - L’Auter, Le Sr. Boivin & Le Sr. Le Clere. A copy of the Privilége du Roy. granted by King Louis on March 22nd 1724 was printed in full on the second page.Each sonata has 4 or 5 movements in the same key alternating slow and fast and is written for players of equal ability. Teachers will find them useful for developing independent part playing in players of intermediate ability.The sonatas are also suitable for pairs of oboes or violins - or possibly clarinets.
$15.00
13.87 €
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2 Flûtes traversières (duo)
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Joseph Bodin De Boismortier
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Edited by Pat Spence
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Le Sr. Le Clere.
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BOISMORTIER SONATAS FOR 2 FLUTES OPUS 8 Nos. 1 - 3
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Piper Publications
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SheetMusicPlus
BLAVET SONATA No. 1 IN E MINOR FOR 2 FLUTES
2 Flûtes traversières (duo)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.811687 Composed by MICHEL BLA…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.811687 Composed by MICHEL BLAVET (1700 - 1768. Arranged by Edited by Pat Spence. Baroque,Concert,Instructional,Standards. Score. 17 pages. Piper Publications #3884077. Published by Piper Publications (A0.811687). This sonata ‘Pour deux Flutes transversieres sans Basse’ is the first of a set of six published by Boivin in Paris in 1728 as Blavet’s ‘Premier Oeuvre’. They were dedicated ‘a Son Altesse Serenissime Monsieigneur LE PRINCE DE CARIGNAN Par Mr. Blavet ordinaire de la musique de S. A. S.’ on the suitably elaborate title page.The sonata is written for two equal players and has 4 movements, Adagio, Allegro, Affetuoso & Allegro assai. Players of Intermediate ability and above will enjoy the interplay between the parts. The sonatas were printed using the soprano G clef which places the G on the bottom line of the treble staff, a practice which was not uncommon at the time. Blavet was not only the best flautist in France but also an extremely good bassoon player so would have found this clef easier to read from as he was not a keyboard player. This edition has been transcribed to the now established treble clef with G on the second line. Trills shown in the original as + are shown in this edition as tr. The breath marks in bar/measures 36, 39 & 41 in the final movement are Blavet’s. This is the first instance of his practice of marking the breaths which he developed in his opus 2 set of sonatas for flute and which has proved so useful to today’s performers of music of this period. Curiously Blavet used a flat (b) to cancel a sharp instead of a natural.
$9.50
8.78 €
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2 Flûtes traversières (duo)
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MICHEL BLAVET
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Edited by Pat Spence
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Allegro assai
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BLAVET SONATA No. 1 IN E MINOR FOR 2 FLUTES
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Piper Publications
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SheetMusicPlus
BLAVET SONATA No. 1 in E minor for 2 flutes
2 Flûtes traversières (duo)
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.811696 Composed by MICHEL BL…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.811696 Composed by MICHEL BLAVET 1700 - 1768. Arranged by Edited by Pat Spence. Baroque,Concert,Instructional. 20 pages. Piper Publications #4282825. Published by Piper Publications (A0.811696). *The first of a set of 6 sonatas published in Paris by Boivin A Deux flutes transversiere sans Basse Par Mr. Handel. No manuscript has been found and there is no date of publication. Boivin was also Michel Blavet’s publisher and the flute duets and sonatas credited to Blavet have publication dates and opus numbers and his full name and the dedication details. The musical style of the 6 sonatas is characteristic of Blavet rather than Handel and none of the thematic material from these sonatas seems to have been re-used by Handel - whose borrowings from his own works are numerous and well documented. They are also suitable for pairs of oboes or clarinets or violins. They have been very lightly edited, obvious wrong notes have been corrected, a few dynamic and decorative suggestions added in parentheses ( ) missing slurs added in broken lines (- -). Players of Intermediate standard will enjoy this music written for 2 equal instruments. 4 movements - Larghetto, Allegro, Andante & Allegro.
$10.00
9.25 €
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2 Flûtes traversières (duo)
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MICHEL BLAVET 1700 - 1768
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Edited by Pat Spence
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BLAVET SONATA No. 1 in E minor for 2 flutes
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Piper Publications
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SheetMusicPlus
Vivaldi: Sonata No. 5 for Bassoon & Piano
2 Bassons (duo)
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.550505…
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.550505 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and parts. 21 pages. Jmsgu3 #4717003. Published by jmsgu3 (A0.550505). Sonata da Chiesa No. 5 in E Minor for Bassoon & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.47 €
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2 Bassons (duo)
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
String Quartet No. 2 ('Locomotion') - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1402959 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1402959 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 95 pages. Robert A. Howard #986178. Published by Robert A. Howard (A0.1402959). This Second String Quartet is in four movements, and runs to over 30 minutes long. The work uses the traditionally expected forms for each movement, as a framework or starting point for departure, but also uses a conceptual title for the work as a whole. In this case 'Locomotion', or the conveying of motion (especially with regards to train travel), was used as a compositional stimulus in creating extended pattern-based textures, as well as the development, or journey, of motifs and themes. Otherwise, there is no particular attempt to evoke the sound of particular modes of transportation, or certain landscapes or scenes. Such imagery is left at the discretion of the listener. Formally, the work begins with a loose sonata form first movement, based around E (modal minor). The second movement, on A, bears the hallmarks of a busy scherzo, while the sentimental slow movement in D minor that follows is based on ground basses, in a ternary form of two varied themes. The extended finale grows out of the previous movement, with a jig-like rondo theme on another ground bass. Contrasting episodes feature modulating material, as well as a secondary theme in C. The final section sees a cyclic return of the first movement's first theme, now at the finale's faster tempo, and in the closing key of G minor. The work as a whole sees much use of canonic, or heterophonic textures, within a broadly minimalist style.  Duration: 32 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$24.99
23.11 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Robert A
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String Quartet No. 2
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Robert A. Howard
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SheetMusicPlus
String Quartet No. 6 (Lochrian) (score)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938389 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss #6143. Published by Colin Bayliss (A0.938389). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$8.00
7.4 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Colin Bayliss
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String Quartet No. 6
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Colin Bayliss
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SheetMusicPlus
String Quartet No. 6 (Lochrian) (parts)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938391 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss #6145. Published by Colin Bayliss (A0.938391). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$10.00
9.25 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Colin Bayliss
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String Quartet No. 6
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Colin Bayliss
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SheetMusicPlus
GIUSEPPI SAMMARTINI THREE SONATAS FOR TWO FLUTES OPUS 1
2 Flûtes traversières (duo)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.811711 Composed by Giuseppi S…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.811711 Composed by Giuseppi Sammartini (1695 - 1750). Arranged by Edited by Pat Spence. Baroque,Concert,Instructional,Standards. Score. 20 pages. Piper Publications #4897105. Published by Piper Publications (A0.811711). These are the first three of Sammartini’s SIX SONATAS OR DUETS for two German flutes Compos’d for the Temple of Apollo published by James Oswald and sold at his music shop in St. Martin’s Church Yard in the Strand London shortly after October 1747. The title page is followed by a copy of the permission of George the Second King of Great Britain, France and Ireland to print and publish two operas of Vocal and Instrumental Music intitled (sic), The Temple of Apollo which he has composed and employed others to compose, for a period of fourteen years.Sonatas 1 & 2 have three movements, No. 3 has four: No. 1 in D major - Andante, Allegro & AllegroNo. 2 in E minor - Andante, Allegro & Minuet & TrioNo. 3 in A major - Spiritoso, Allegro, Andantino & MinuetThe parts are of equal difficulty and move independently. Players of intermediate ability and above will enjoy these. The format is a playing score with no page turns during the movements.N.B. These Sonatas are completely different sonatas from the VI SONATE A TRE for 2 flutes & basso published by Boivin in Paris in 1740 which, confusingly were also described as 'opera 1'.
$10.00
9.25 €
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2 Flûtes traversières (duo)
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Giuseppi Sammartini
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Edited by Pat Spence
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2 have three movements, No
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GIUSEPPI SAMMARTINI THREE SONATAS FOR TWO FLUTES OPUS 1
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Piper Publications
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SheetMusicPlus
Corelli Sonata opus 5 No 8 E minor for cello/violin & guitar/cello
String Ensemble - Level 3 - Digital Download SKU: A0.790879 Composed by Arcangelo C…
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String Ensemble - Level 3 - Digital Download SKU: A0.790879 Composed by Arcangelo Corelli. Arranged by Georg Mertens. Baroque,Concert,Standards,Wedding,World. Score and parts. 21 pages. Georg Mertens #3620533. Published by Georg Mertens (A0.790879). Corelli's Sonata opus 5 No 8 is originally written for violin. Title of the 12 Sonatas: 12 Suonati a violino o cimbalo meaning: 12 Sonatas for violin and cello or harpsichord.No 8 in E minor is my favourite Corelli Sonata. Original key, matching the original violin part. I have performed this Sonata with violin with both guitar and cello with the included parts (see video). Here is supplied: Cello melody, Cello accompaniment (continue bass), Guitar accompaniment (according to the figured bass - like the harpsichord part), Facsimile of the edition by Joseph Joachim (1888 - 1891). The first print (Rome on the 1st of January 1700) was quite messy, Joachim published a very neat edition of the same, which is here included. This edition includes violin and cello parts in Duo form. Bowing and ornament suggestions are added. Movements are: Preludio - Allemande - Sarabande - Gigue, and in brackets: Largo - Allegro - Largo - Allegro, marking the change of naming in the new century.Here a recording for violin and guitar (Sarabande only): https://youtu.be/LWGgBvrKFYwAnd a recording for 2 cellos (Sarabande): https://youtu.be/dTGFtwQuhFw
$9.99
9.24 €
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Arcangelo Corelli
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Georg Mertens
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Corelli Sonata opus 5 No 8 E minor for cello/violin & guitar/cello
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Georg Mertens
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SheetMusicPlus
Beethoven: Sonatas (Urtext), Volume II
Piano seul
Piano - Digital Download SKU: AX.00-PC-0005224 Sonata No. 17, Opus 31, No. 2, D …
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Piano - Digital Download SKU: AX.00-PC-0005224 Sonata No. 17, Opus 31, No. 2, D Minor. Composed by Ludwig van Beethoven. Classical. Part. 20 pages. Alfred Music - Digital Sheet Music #00-PC-0005224. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0005224). ISBN 9780769240435. UPC: 029156036831.Contents: No. 16 in G Major * No. 17 in D Minor * No. 18 in E-Flat Major * No. 19 in G Minor * No. 20 in G Major * No. 21 in C Major * No. 22 in F Major * No. 23 in F Minor * No. 24 in F-sharp Major * No. 25 in G Major * No. 26 in E-Flat Major * No. 27 in E Minor * No. 28 in A Major * No. 29 in B-Flat Major * No. 30 in E Major * No. 31 in A-Flat Major * No. 32 in C Minor.
$1.99
1.84 €
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Piano seul
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Ludwig van Beethoven
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Beethoven: Sonatas
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.25 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
Piano Sonata No. 2 in E Minor
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1029169 Composed by Hayden Roberts.…
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Piano Solo - Level 4 - Digital Download SKU: A0.1029169 Composed by Hayden Roberts. 20th Century,Contemporary. Score. 15 pages. Hayblood Estate Label #4730177. Published by Hayblood Estate Label (A0.1029169). HRW. 8Piano Sonata No. 2 in E Minor, also titled The Vigilante was composed by Hayden Roberts in 2019. At this time, he was only 15 years old, making this piece even more impressive.From the fast-paced twisting of the sonata form in the first movement to the jovial second movement to the introspective third movement, this piece is sure to pose a challenge
$4.99
4.61 €
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Piano seul
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Hayden Roberts
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Piano Sonata No. 2 in E Minor
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Hayblood Estate Label
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SheetMusicPlus
String Quartet No. 1, op. 12
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1004707 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1004707 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 132 pages. Adrian Gagiu #5038243. Published by Adrian Gagiu (A0.1004707). String Quartet No. 1 in A minor, op. 12 (1999), a cyclic composition in Neo-Classical style, partly influenced by Romanian folk music, Shostakovich and Bartok. Its compositional language, while not avant-garde and not exceedingly difficult, might help students with some aspects of modern music and liberties taken with classical forms. The first movement (Larghetto - Allegro non troppo) presents first dramatically and mysteriously the core motifs and themes of the entire composition, followed by a surprisingly relaxed sonata movement in the relative key of C major. The following Scherzo (Allegro assai), in E major, plays humorously and vigorously with derived motifs, and the third movement (Adagio assai), in F sharp minor, is treated in variations on the Romanian Christmas carol La Vitleem colo jos ('Down at Bethlehem'). The dramatic and expanding sonata form of the fourth movement (Allegro con brio - Larghetto) returns finally to the A minor of the introduction, then dissolving into the transcendent, slow coda. The mp3 audio clip is a recording of the finale. Total duration 26 min. Performing Rights Organization: SOCAN.
$27.95
25.85 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Adrian Gagiu
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String Quartet No. 1, op. 12
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Adrian Gagiu
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SheetMusicPlus
2nd Oboe Sonata
Ob. Pft. - Intermediate - Digital Download SKU: F2.FM490 Composed by Lenny Cavallar…
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Ob. Pft. - Intermediate - Digital Download SKU: F2.FM490 Composed by Lenny Cavallaro. Oboe and Piano. Score and part. 27 pages. Forton Music - Digital #FM490. Published by Forton Music - Digital (F2.FM490). ISBN 9790570483891.My Opus 2 - Sonata No. 2 in E minor for Oboe (or Flute) and Piano (or Harpsichord) is nother baroque style composition. Like the Op. 1 Sonata for the same instruments, it follows the familiar four movement structure common to the period. Unlike the earlier sonata, this work was conceived specifically for oboe, although one colleague has assured me it will work extremely well for flute, whilst another would like to try it with flauto traverso and harpsichord. Thus it retains the spirit of Bach, who frequently reset his works for other instrumentation. I have provided some dynamics and ornaments - certainly more than I have with my other baroque compostions. Nevertheless, I trust that performers, particularly those familiar with the baroque idiom, will not hesitate to embellish and improvise. By way of interpretive notes, I encourage performers to respect the metronomic suggestions for the second movement, which should probably not be attempted at too rapid a tempo. The third movement concludes molto ritardande, and by the final measure the two left-hand eighth notes should be played nearly twice as slowl as written (i.e. as quarter notes). Finally, the fugato in the last movement (upbeat to m. 83) should be performed in the baroque style, without overemphasis of the thematic entries.
$9.95
9.2 €
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way of interpretive notes, I encourage performers to respect the metronomic suggestions for the second movement, which should probably not be attempted at too rapid a tempo
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Lenny Cavallaro
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2nd Oboe Sonata
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Forton Music - Digital
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SheetMusicPlus
15 Concertos and Sonatas 'Book 1' for Viola and Piano - Scores and Part
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1297515 By Santino Cara. By Variou…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1297515 By Santino Cara. By Various. Arranged by Santino Cara. Baroque,Classical,Romantic Period. Score and part. 298 pages. Santino Cara #887557. Published by Santino Cara (A0.1297515). Complete scores and part of 15 Concertos and Sonata - BOOK 1  for Viola and Piano. Composed by: Bach C.P.E - H. Casadesus - J.W. Kallivoda - A. Rolla - R. Schumann. Transcribed in Rome over the years by Santino Cara.Transcriber's contact details: cara.santinocara.santino@gmail.com 1.   Viola Sonata in G minor H542.5 2.   Viola Sonata in G major H550 3.   Viola Sonata in E minor H551 4.   Viola Sonata in G major H564 5.   Handel-Casadesus - Viola Concerto in B minor 6.   JCBach-Casadesus - Viola Concerto in C minor 7.   Nocturne No.1 in A flat major Op.186 8.   Nocturne No.2 in C major Op.186 9.   Nocturne No.3 in F major Op.18610.   Nocturne No.4 in G major Op.18611.   Nocturne No.5 in E flat major Op.18612.   Nocturne No.6 in D minor Op.18613.   Divertimento in F major BI 33014.   Variazioni Brillanti in F major Op.1315.   Märchenbilder Op.113 - Four Pieces11 Concertos and Sonatas 'Book 2' for Viola and Piano - Scores and Part
$38.40
35.51 €
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Alto, Piano
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Santino Cara
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Santino Cara
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15 Concertos and Sonatas 'Book 1' for Viola and Piano - Scores and Part
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Santino Cara
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SheetMusicPlus
Moonlight Sonata
Violoncelle (partie séparée)
Cello Solo - Level 1 - Digital Download SKU: A0.1086928 Composed by Ludwig van Beet…
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Cello Solo - Level 1 - Digital Download SKU: A0.1086928 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. Classical,Romantic Period. Individual part. 7 pages. Rodrigo Faleiros #691118. Published by Rodrigo Faleiros (A0.1086928). A simplified and shorter version of the world famous Moonlight Sonata, composed by Ludwig van Beethoven. Just the theme of the 1st movement of the Sonata #14, op. 27, no. 2 in C# minor - here transposed to D minor, half step up, to an easier comprehension. The tuplets and the piece were converted to a 3/4 time to make it easier for students and amateurs to read and play - 1 bar of the original were transformed into 4 in this arragement. Here the melody is played by the violoncello and the accompainment by the piano.
$4.99
4.61 €
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Violoncelle (partie séparée)
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Ludwig van Beethoven
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Rodrigo Faleiros
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Moonlight Sonata
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Rodrigo Faleiros
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SheetMusicPlus
Anne-Louise Brillon de Jouy: 12 Sonatas, Vol. 2: Sonatas 5-8 for piano or harpsichord
Piano seul
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU:…
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534717 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 52 pages. Musik Fabrik Music Publishing #6359163. Published by Musik Fabrik Music Publishing (A0.534717). SONATA NO. 5 IN E FLAT MAJOR I. Allegro II. Presto ORLD PREMIÈRE RECORDINGCD 2SONATA NO. 6 IN D MINOR I. Cantabile II. Allegro SONATA NO. 7 IN B FLAT MAJOR I. Allegro II. Andante III. PrestoSONATA NO. 8 IN A MINOR I [Allegro]. II. Minuetto e Trio The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitumâ€, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.
$29.95
27.7 €
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Piano seul
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Anne-Louise Brillon de Jouy
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Anne-Louise Brillon de Jouy: 12 Sonatas, Vol. 2: Sonatas 5-8 for piano or harpsichord
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Musik Fabrik Music Publishing
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SheetMusicPlus
Seven Bach's Piano Sonatas - Complete scores
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.805391 By Santino Cara. By Johann S…
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Piano Solo - Level 4 - Digital Download SKU: A0.805391 By Santino Cara. By Johann Sebastian Bach. Arranged by Johann Sebastian Bach, Santino Cara. Baroque. Score. 98 pages. Santino Cara #412424. Published by Santino Cara (A0.805391). Complete scores of 7 Bach's Piano Sonatas Transcribed by Johann Sebastian Bach and Santino Cara. Sonatas: Sonata No.1 in D minor BWV 964 Sonata No.2 in A minor BWV 965 after Reincken Sonata No.3 in C major BWV 966 after Reincken Sonata No.4 in A minor BWV 967 Sonata No.5 (Partita) in B minor BWV 1002 Sonata No.6 (Partita) in E major BWV 1006 Sonata No.7 in C major BWV 1033.
$28.99
26.81 €
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Piano seul
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Santino Cara
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Seven Bach's Piano Sonatas - Complete scores
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Santino Cara
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SheetMusicPlus
J. S. Bach; The Six "Trio Sonatas", BWV 525-530, - SAB saxophone trio
3 Saxophones (trio)
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Leve…
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.534363 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Sacred,Standards. 179 pages. Musik Fabrik Music Publishing #3387883. Published by Musik Fabrik Music Publishing (A0.534363). The Six Trio Sonatas, BWV 525-530 were composed about 1727 during Bach’s period in Leipzig. They were not composed for organ, but (according to Forkel, Bach’s first biographer whose information came from Bach’s son Carl Philip Emmanuel Bach) for the pedal harpsichord as means of improiving the pedal technique of his son Wilhelm Friedemann Bach. This instrument, which requires a great deal of precision in performance, contains a normal harpsichord with two manuals attached to a pedal board which activates another harpsichord which is lower to the ground. Many of the movements in these Italian sonatas were used in other settings, in Bach’s Cantatas and in other instrumental works.Bach always tuned his own keyboards and confided his tuning system to his student Johann Kimberger (1721-1788) who used this information to devise several tuning schemes to create a well-tempered system according to Bach’s ideas. The main principal that Bach gave Kimberger was that all thirds should be tuned slightly sharp (...alle grossen Terzen scharf). The saxophone is an ideal instrument to experiment with this sort of tuning, given the possibilities for adjustment in the embouchure. Nothing can replace a good set of ears in the process and use of electronic tuning devices should be avoided, unless they can be specifically programmed to reflect these sorts of non-standard tunings.Sonata no. 1 in Eb major, BWV 525 Sonata no. 2 in c minor , BWV 526 Sonata no. 3 in d minor, BWV 527 Sonata no. 4 in e minor, BWV 528 Sonata no. 5 in C major, BWV 529 Sonata no. 6 in G major, BWV 530
$58.95
54.51 €
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3 Saxophones (trio)
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach; The Six "Trio Sonatas", BWV 525-530, - SAB saxophone trio
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Musik Fabrik Music Publishing
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SheetMusicPlus
Eugene Ysaye : Sonate pour violon n° 2 en la mineur, Opus 27, Jacques Thibaud - I. Prelude, «Obsession» : Poco vivace
Violon
Téléchargez la partition Violon Sonate pour violon n° 2 en la mineur, Op…
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Téléchargez la partition Violon Sonate pour violon n° 2 en la mineur, Opus 27, Jacques Thibaud - I. Prelude, «Obsession» : Poco vivace de Ysaÿe. Partition pour Violon seul -- Classique
3.99 €
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Violon
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Eugene Ysaye
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Sonate pour violon n° 2 en la
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Tomplay
Eugene Ysaye : Sonate pour violon n° 2 en la mineur, Opus 27, Jacques Thibaud - II. Malinconia : Poco Lento
Violon
Téléchargez la partition Violon Sonate pour violon n° 2 en la mineur, Op…
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Téléchargez la partition Violon Sonate pour violon n° 2 en la mineur, Opus 27, Jacques Thibaud - II. Malinconia : Poco Lento de Ysaÿe. Partition pour Violon seul -- Classique
3.99 €
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Violon
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Eugene Ysaye
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Sonate pour violon n° 2 en la
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Tomplay
Eugene Ysaye : Sonate pour violon n° 2 en la mineur, Opus 27, Jacques Thibaud - III. Sarabande «Danse des ombres» : Lento
Violon
Téléchargez la partition Violon Sonate pour violon n° 2 en la mineur, Op…
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Téléchargez la partition Violon Sonate pour violon n° 2 en la mineur, Opus 27, Jacques Thibaud - III. Sarabande «Danse des ombres» : Lento de Ysaÿe. Partition pour Violon seul -- Classique
3.99 €
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Violon
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Eugene Ysaye
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Sonate pour violon n° 2 en la
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Tomplay
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