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Sonata Prima C major
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Sonata Prima C major
Flute (2. flute or violin ad libitum) - Digital Download SKU: S9.Q589394 Composed b…
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Flute (2. flute or violin ad libitum) - Digital Download SKU: S9.Q589394 Composed by Saverio Mercadante. Flute romantic virtuoso. Downloadable. Musikverlag Zimmermann - Digital #Q589394. Published by Musikverlag Zimmermann - Digital (S9.Q589394). Key: C major. German • English • French.Mercadante was highly respected by many composers of his time. As well as postulating the maxim that the effect of an entire orchestra should always be given priority over the effect of a single instrument, Mercadante's teachers at the Neapolitan school also showed great interest in chamber music. In contrast to Rossini, Bellini and Donizetti, Mercadante continued to compose instrumental music after finishing his musical training. By doing so, he gradually found his own musical language which combined the pleasures of musical lyricism and instrumental bravura while also enlarging his knowledge of individual instruments. Both the sonata presented here and the Fantasia (cf.ZZM 31140) for solo flute with ad libitum accompaniment of a second flute or violin reflect the vast instrumental knowledge which Mercadante acquired over the years.
$11.99
10.87 €
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doing so, he gradually found his own musical language which combined the pleasures of musical lyricism and instrumental bravura while also enlarging his knowledge of individual instruments
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Saverio Mercadante
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Sonata Prima C major
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
Violoncelle, Contrebasse (duo)
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU:…
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356). Jean-Baptiste Sebastien Bréval (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). Bréval was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacher’s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteau’s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as Bréval’s own Traité du violoncelle (where Bréval states that the bass and the cello are one and the same), as well as Romberg’s, Dotzauer’s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively. Our current publication presents student cellists with a beautifully engraved edition of Bréval’s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. Bréval composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich. Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys Bréval used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. Bréval explores more advanced bow techniques as well.
$24.95
22.62 €
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Violoncelle, Contrebasse (duo)
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Jean-Baptiste Breval
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Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
A Moment In The Present
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1084402 By Blaze Scheuerman. By Bla…
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Piano Solo - Level 3 - Digital Download SKU: A0.1084402 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Contest,Festival,Romantic Period. Score. 6 pages. Blaze Scheuerman #688577. Published by Blaze Scheuerman (A0.1084402). The second movement of Blaze's Piano Sonata in E Major No. 1, following A Look Into The Past, A Moment In The Present was primarily inspired by Beethoven’s Piano Sonata in F Minor No. 1 and Piano Sonata in C Minor No. 8 “Pathetiqueâ€. I gave it its name because I find it to be a very relaxing and dawdling piece. It reminds me of someone just lounging around and enjoying nothing but taking in the moment. The syncopated melody gives off the feeling that his thoughts are also jumbled together. He is not actively trying to achieve anything, but instead just letting anything come to him. It is supposed to contrast the first movement by being simpler and more relaxing (where the first is dominating and complex). I especially wanted a much more lyrical and monophonic (single voiced) piece to contrast with the polyphony (many voiced) and layers of the first.
$4.99
4.52 €
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Piano seul
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Blaze Scheuerman
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A Moment In The Present
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Blaze Scheuerman
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SheetMusicPlus
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