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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata a tre
Non classifié
229
Piano & claviers
Piano seul
83
Orgue
7
Piano Facile
5
Instruments en Do
4
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
+ 3 instrumentations
Retracter
Guitares
Guitare
35
Guitare notes et tablatures
11
2 Guitares (duo)
1
2 Mandolines (duo)
1
Ukulele
1
Orchestre à Plectres
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 2 instrumentations
Retracter
Voix
Voix Baryton, Piano
2
Chorale SATB
2
Chorale SSAA
1
Chorale 2 parties
1
Chorale Unison
1
Vents
Ensemble de saxophones
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Flûte traversière et Piano
10
2 Flûtes traversières (duo)
7
Flûte à bec Alto, Basse continue
6
Ensemble de Clarinettes
5
Saxophone Alto et Piano
5
Clarinette
5
Clarinette et Piano
5
2 Flûte à bec (duo)
5
Quintette de Saxophone: 5 saxophones
5
Hautbois, Piano (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
Ensemble de Flûtes
3
Quatuor de Saxophones: 4 saxophones
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Flûtes : 4 flûtes
2
3 Saxophones (trio)
2
Saxophone Tenor et Piano
2
Flûte à Bec
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte à bec Alto, Piano
2
3 Clarinettes (trio)
2
Trio de Flûtes: 3 flûtes
2
3 Flûtes à bec (trio)
1
Flûte, Violon et Violoncelle
1
Flûte à bec Alto
1
Flûte, Violon
1
Saxophone Baryton, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette Basse, Piano
1
Flûte à bec Tenor
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Quintette de Flûte : 5 flûtes
1
Flûte traversière
1
2 Saxophones (duo)
1
+ 32 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Euphonium, Piano (duo)
5
Cor
4
Trompette
3
Trombone et Piano
3
Ensemble de Cors
3
Trompette, Trombone (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor et Piano
2
Ensemble de Trombones
2
Tuba et Piano
2
Ensemble de Trompettes
2
3 Cors (trio)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Piano
1
2 Cors (duo)
1
Trompette (partie séparée)
1
Quatuor de Cuivres
1
+ 14 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
11
2 Violoncelles (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
Violon et Piano
8
Violon, Violoncelle (duo)
7
Trio à Cordes: violon, alto, violoncelle
7
2 Violons (duo)
6
Violoncelle, Piano
6
Violon, Alto (duo)
6
Violoncelle
5
2 Altos (duo)
4
Violon
3
Alto, Piano
3
Alto seul
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à cordes: 3 violins
1
Violon, Basse continue
1
Ensemble d'Altos
1
Ensemble de Violons
1
Violoncelle, Basse continue
1
Contrebasse, Piano (duo)
1
Violoncelle , Guitare (duo)
1
Contre Basse
1
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
109
Orchestre
67
Orchestre de chambre
50
Orchestre d'harmonie
44
Ensemble de cuivres
4
Ensemble de Percussions
2
+ 1 instrumentations
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Autres
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
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Vous avez sélectionné:
Sonata a tre
Partitions à imprimer
952 partitions trouvées
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951
Leopold Mozart (Father): Sonata a Tre (1740) for 2 violins and basso. Full score and complete set of
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Trio à Cordes: 2 violons, violoncelle
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FACILE
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Leopold Mozart
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Zoltan Paulinyi (editor)
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Leopold Mozart
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Zoltan Paulinyi
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SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 2 - SKU: A0.966262 Composed by Leopold Mozart (the father). Arranged by Zoltan Paulinyi (editor). Conce...
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String Ensemble,String Trio Cello,Violin - Level 2 - SKU: A0.966262 Composed by Leopold Mozart (the father). Arranged by Zoltan Paulinyi (editor). Concert. Score and parts. 33 pages. Zoltan Paulinyi #6863363. Published by Zoltan Paulinyi (A0.966262). Leopold Mozart's Sonata a Tre (1740) for 2 violins and basso edited by Dr Zoltan Paulinyi.
$2.00
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Stand...
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String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
D.SCARLATTI Tempo di Ballo (Sonata K430) for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Domenico Scarlatti
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Ian Butterworth
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D.SCARLATTI Tempo di Ballo
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Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.963696 Composed by Domenico Scarlatti. Arranged by Ian Butterworth. Baroque,Wedding. Score and Parts. 9 pages. Ian ...
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String Orchestra - Level 3 - SKU: A0.963696 Composed by Domenico Scarlatti. Arranged by Ian Butterworth. Baroque,Wedding. Score and Parts. 9 pages. Ian Butterworth #5889417. Published by Ian Butterworth (A0.963696). One of Scarlatti's most well known sonatas - a lively dance. The double bass part is optional. Copying individual parts for sole use by the purchaser is permitted. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$8.99
Sonata A Minor
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Flûte à bec Alto, Basse continue
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Johann Christian Schickhardt
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Sonata A Minor
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Schott Music - Digital
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SheetMusicPlus
Treble recorder and basso continuo; cello/viola da gamba ad libitum - SKU: S9.Q5269 Composed by Johann Christian Schickhardt. This edition: Sheet music....
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Treble recorder and basso continuo; cello/viola da gamba ad libitum - SKU: S9.Q5269 Composed by Johann Christian Schickhardt. This edition: Sheet music. Original Music for Recorder. Downloadable. Op. 17/12. Schott Music - Digital #Q5269. Published by Schott Music - Digital (S9.Q5269). Key: A minor.
$15.99
Haydn's Sonata in E Minor
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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Haydn's Sonata in E Minor
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Fabio Dentello
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1152147 By Fabio Henrique Teles Martins. By Franz Joseph Haydn. Arranged by Fabio Henrique Teles Martins. Classical. ...
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Full Orchestra - Level 4 - SKU: A0.1152147 By Fabio Henrique Teles Martins. By Franz Joseph Haydn. Arranged by Fabio Henrique Teles Martins. Classical. Score and Parts. 104 pages. Fabio Dentello #752360. Published by Fabio Dentello (A0.1152147). Being one of his most elegant piano sonatas, the sonata in E minor (Hob. XVI: 34) can give us various feelings during its movements. It has a beautiful Adagio and a slight Molto Vivace as a Finale in Rondo form. This piece as said was thought of as a solo Piano Sonata, but the moment I heard it for the first time (on 12/18/2022, and yes, it was precisely on that day, because, I made the decision to start orchestrating it on the next day, the 19th) the idea of orchestrating it came to me because at least for me, it could sound like a beautiful symphony, even if it is very brief. I was extremely satisfied with the results, unfortunately with certain limitations of the VST I use (BBCSO pro) certain excerpts sound a little unrealistic, however, I have great esteem with the result. This orchestration/arrangement can be compared almost faithfully with the original, of course with several additions of voices and certain modifications to adapt it to the context of the orchestra, I tried to be as faithful as possible with Haydn's orchestral language, I am a great admirer of his vast work, and as I am also a classical/romantic composer, I learned a lot from him. I hope you enjoy this work as much as I enjoyed composing it!!
$150.00
Gentili - Two sonatas for violoncello and basso continuo (preface, score and parts in PDF)
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giorgio Gentili
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Snakewood Editions
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Gentili - Two sonatas for viol
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Sneakwood Editions
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.1266695 Composed by Giorgio Gentili. Arranged by Snakewood Editions. Baroque,Classical. Score. 25 pages. Sneakwood ...
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Cello Duet Cello - Level 4 - SKU: A0.1266695 Composed by Giorgio Gentili. Arranged by Snakewood Editions. Baroque,Classical. Score. 25 pages. Sneakwood Editions #859373. Published by Sneakwood Editions (A0.1266695). Giorgio Gentili was surely one of the most influential musicians in Venice at the beginning of the 18th century. In 1702, or even earlier, he was appointed maestro di instromenti at the prestigious Ospedale dei Mendicanti in Venice, where musicians such as Legrenzi, Biffi and Galuppi worked. In 1689 he became a violinist in the San Marco orchestra and shortly after, in 1691, he was appointed concertmaster. Under his direction he had musicians like Veracini or Giovanni Battista Vivaldi and Antonio Vivaldi. Surely this fact is related to the notable influence of Gentili's concerti on those of Antonio Vivaldi.Gentili's departure from the Ospedale dei Mendicanti in 1717 coincides with the departure to Dresden of other famous Venetian musicians such as Lotti, which gives rise to the suspicion that Gentili was also hired along with these musicians by the Elector of Saxony during his trip to Italy.Gentili was one of those rare musicians who only played instrumental music, at least as far as we know. Gentili published six volumes of music:Op. 1. Suonate a tre, 1701Op. 2. Concerti da camera a tre, 1702Op. 3. Capricci da camera a violino e violoncello o cimbalo, 1707Op. 4. Suonate a tre (lost)Op. 5. Concerti a quattro e cinque, 1708Op. 6. Concerti a quattro, 1716Apart from this work, we find two interesting manuscripts in the Library of the Benedetto Marcello Conservatory in Venice that contain the only two known sonatas for cello and basso continuo by Gentili.
$18.00
GIUSEPPE SAMMARTINI TRIO SONATA IN D Opus 1 No. 1for 2 flutes & basso
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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GIUSEPPE SAMMARTINI
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Edited by Pat Spence
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GIUSEPPE SAMMARTINI TRIO SONAT
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Flute,Oboe,Violin - Level 3 - SKU: A0.811712 Composed by GIUSEPPE SAMMARTINI (1695 - 1750). Arranged by Edited by Pat Spence. Bar...
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Small Ensemble Bassoon,Flute,Oboe,Violin - Level 3 - SKU: A0.811712 Composed by GIUSEPPE SAMMARTINI (1695 - 1750). Arranged by Edited by Pat Spence. Baroque,Concert. Score and parts. 24 pages. Piper Publications #4983087. Published by Piper Publications (A0.811712). This is the first of ‘VI SONATE A TRE Due Flauti col Basso’ by ‘Giuseppe San Martini Milanese’ published in Paris as his ‘Opera Prima’ (opus 1)* by Le Clerc and Boivin ‘avec privilege du Roi’ in 1736. Giuseppe’s surname varied progressively during his life from St. Martini via San Martini to Giuseppe Sammartini. The basso part would have been played on a cello or bassoon probably with the addition of a harpsichord filling out the harmony according to the figured bass. The trio works well with three players of intermediate ability or above. One or both flute parts can be played on oboe(s) or violin(s) and this would certainly have happened in the households of the wealthy amateurs who purchased the first edition.
$10.00
Sonata for Recorder and Piano - Dominic Irving (published 2023 by Moonhouse Music Ltd)
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Flûte à Bec
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AVANCÉ
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Dominic Irving
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Sonata for Recorder and Piano
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Masquerade Music
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SheetMusicPlus
Recorder Solo - Level 5 - SKU: A0.1247385 Composed by Dominic Irving. 21st Century,Chamber,Contemporary,Contest,Festival,Jazz. Individual part. 28 pages...
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Recorder Solo - Level 5 - SKU: A0.1247385 Composed by Dominic Irving. 21st Century,Chamber,Contemporary,Contest,Festival,Jazz. Individual part. 28 pages. Masquerade Music #842020. Published by Masquerade Music (A0.1247385). New for 2023 this delightful new recorder sonata by Dominic Irving (UK) is a real treat and a refreshing addition to recorder repertoire worldwide. The first two movements are performed on treble recorder (with piano accompaniment) and in the final movement the descant recorder takes centre stage. This exciting new Sonata is guaranteed to delight audiences and is therefore a great addition to any concert programme. The Sonata is aimed at advanced players (Grade 7 or 8+)The outer movements are extremely playful (movement one has a style guide of 'perky' and movement three 'fast and joyful') and the melodies are guaranteed to stick in your head for days! The middle movement is required to be delivered 'with great sorrow' and is a beautiful contract to the outer movements and enables the soloist to really display their expressive qualities.The Sonata is full of exquisite harmony with influences from many genres and was written by Dominic Irving (UK) - see more information about Dominic below and do check out his website here; https://dominicirving.comYou can hear all three movements of the Sonata in their entirety (with plenty of sheet music samples) here on Youtube; https://www.youtube.com/watch?v=yA6-z3UqEn8Included;PDF Recorder partPDF Piano accompaniment score.
$16.99
TRIO SONATA in Re minore: La Follia
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Classique
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Renato Tagliabue
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Renato Tagliabue
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TRIO SONATA in Re minore: La F
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Renato Tagliabue
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1208584 By Renato Tagliabue. By Antonio Vivaldi. Arranged by Renato Tagliabue. Baroque,Classical. 33 pages....
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String Trio Cello,Violin - Level 3 - SKU: A0.1208584 By Renato Tagliabue. By Antonio Vivaldi. Arranged by Renato Tagliabue. Baroque,Classical. 33 pages. Renato Tagliabue #806697. Published by Renato Tagliabue (A0.1208584). Da Suonate da camera a tre, due violini e violone, o cembalo op. 1, n. 12 [RV 63] (1705).
$12.90
A peu del "Picayo"
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Salvador Rojo Gamón
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A peu del "Picayo"
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Salvador Rojo-Gamon
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.962401 Composed by Salvador Rojo Gamón. Contemporary,Instructional,Multicultural,Standards,World. Score and Parts. 4...
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Concert Band - Level 3 - SKU: A0.962401 Composed by Salvador Rojo Gamón. Contemporary,Instructional,Multicultural,Standards,World. Score and Parts. 48 pages. Salvador Rojo-Gamon #4897799. Published by Salvador Rojo-Gamon (A0.962401). AGRADECIMIENTOSAntes de nada dar las gracias a la Unión Musical de Algimia por confiar en mi para componer una composición que conmemore el 30 aniversario.Al peu del Picayo está como casi todas mis composiciones inspiradas en hechos ya sea verÃdicos o ficticios. En este aspecto tengo que agradecer a Helios Borja Cortijo su gran contribución a mis conocimientos sobre la historia de Algimia. Mis composiciones nunca narran historias, se inspiran en ellas, en los sentimientos que de ellas extraemos, sentimos o transmitimos, Estas historias tan sólo nos facilitan la comprensión de la obra.ANÃLISISFormalmente la obra está compuesta en la forma sonata, con algunas licencias respecto a la que podrÃamos calificar –si es posible- Sonata Escolástica.INTRODUCCIÓN Inicio hasta compás 59.La introducción comienza con el acompañamiento de un clúster de cinco notas octatónicas. A partir del segundo compás va apareciendo –siempre de forma desfigurada- el tema principal de esta composición. Este no aparecerá claramente hasta el compás 62TEMA PRINCIPALCompás 60 hasta 101Alrededor de la tonalidad de LA se construye el tema principal que aparece en los graves de la banda, pasando a los agudos mientras los graves hacen un canon a la 4ª Justa.A nivel comprensivo y tan sólo como recomendación diré que la introducción y el tema principal corresponden históricamente a ALGIMIA MUDEJARTEMA SECUNDARIOCompás 102 a 136Esta parte inspirada en la ÉPOCA MORISCA de Algimia está formada por diferentes elementos siendo cuatro los más importantes.Al igual que la Introducción el tema segundario está iniciado por un Clúster, en éste caso el Clúster es cromático.El siguiente elemento en aparecer –Corno Inglés- es el propio nombre de Algimia en movimiento contrario, tomando el Abecedario como modelo y partiendo de la nota LALa inquisición está representada por las trompetas y los trombones.Estos elementos están acompañados de la simbologÃa mayormente personal del número once, representado por los cuartos y las once campanadas.En el compás 112 aparece el Elemento Cristiano de este Tema Secundario, este está en modo Dórico, también llamado Protus o Auténtico. Primero aparece en el registro grave de la banda y posteriormente en el registro grave de las maderas.DESARROLLOCompás 137 hasta el 217Basado en el Periodo de la ÉPOCA CRISTIANA MODERNA elabora los elementos presentados en la exposición con cambios a veces muy significativos.Lo primera sensación es que estamos reexponiendo los materiales, sin embargo, se está creando una falsa reexposición que en este caso nos lleva a SIb dándonos sensación de cadencia rota con un inesperado SIb.Después de un breve comentario del Tema Secundario –Tema cristiano- aparece muy desfigurado el Tema principal en oposición al Tema Cristiano, éste último en modo octatónico.Tema PrincipalTema CristianoA partir del 182 está inspirado en la expulsión de los Moriscos. Después de una breve introducción con elementos del Tema Principal y del tema Cristiano, compases 182 a 189, aparece el Tema Principal en forma de llamamiento a la guerra. Éste se repite tres veces, una pequeña coda de tres compases 214 al 217 da paso a la reexposición.REEXPOSICIÓN
$100.00
Moonlight Sonata
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Kevin Riley
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Moonlight Sonata
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1343863 Composed by Ludwig van Beethoven. Arranged by Kevin Riley. Classical,Romantic Period. 37 pages. Kevin Riley #...
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Full Orchestra - Level 4 - SKU: A0.1343863 Composed by Ludwig van Beethoven. Arranged by Kevin Riley. Classical,Romantic Period. 37 pages. Kevin Riley #929368. Published by Kevin Riley (A0.1343863). The Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonataby Ludwig van Beethoven. It was completed in 1801 and dedicated in 1802 to his pupil Countess Julie Giulietta Guicciardi. The name Moonlight Sonata (German: Mondscheinsonate) grew popular later, likely after Beethoven's death.The piece is one of Beethoven's most popular compositions for the piano, and it was a popular favourite even in his own day. Beethoven wrote the Moonlight Sonata in his early thirties, after he had finished with some commissioned work; there is no evidence that he was commissioned to write this sonata.This is an arrangement of the opening movement.
$70.00
GIUSEPPI SAMMARTINI THREE SONATAS FOR TWO FLUTES OPUS 1
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Giuseppi Sammartini
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Edited by Pat Spence
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2 have three movements, No
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GIUSEPPI SAMMARTINI THREE SONA
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Piper Publications
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.811711 Composed by Giuseppi Sammartini (1695 - 1750). Arranged by Edited by Pat Spence. Baroque,Concert,Instruction...
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Flute Duet Flute - Level 3 - SKU: A0.811711 Composed by Giuseppi Sammartini (1695 - 1750). Arranged by Edited by Pat Spence. Baroque,Concert,Instructional,Standards. Score. 20 pages. Piper Publications #4897105. Published by Piper Publications (A0.811711). These are the first three of Sammartini’s SIX SONATAS OR DUETS for two German flutes Compos’d for the Temple of Apollo published by James Oswald and sold at his music shop in St. Martin’s Church Yard in the Strand London shortly after October 1747. The title page is followed by a copy of the permission of George the Second King of Great Britain, France and Ireland to print and publish two operas of Vocal and Instrumental Music intitled (sic), The Temple of Apollo which he has composed and employed others to compose, for a period of fourteen years.Sonatas 1 & 2 have three movements, No. 3 has four: No. 1 in D major - Andante, Allegro & AllegroNo. 2 in E minor - Andante, Allegro & Minuet & TrioNo. 3 in A major - Spiritoso, Allegro, Andantino & MinuetThe parts are of equal difficulty and move independently. Players of intermediate ability and above will enjoy these. The format is a playing score with no page turns during the movements.N.B. These Sonatas are completely different sonatas from the VI SONATE A TRE for 2 flutes & basso published by Boivin in Paris in 1740 which, confusingly were also described as 'opera 1'.
$10.00
Variations on a Baroque Melody-solo cello part
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Joseph J
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Variations on a Baroque Melody
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Mountain Crest Music
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.947125 Composed by Joseph J. Phillips. Baroque. Score and parts. 2 pages. Mountain Crest Music #2005611. Published ...
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String Orchestra - Level 4 - SKU: A0.947125 Composed by Joseph J. Phillips. Baroque. Score and parts. 2 pages. Mountain Crest Music #2005611. Published by Mountain Crest Music (A0.947125). Feature any one of your string students as soloist on Variations on a Baroque Melody, as solo parts are included for each instrument. The theme is based on a movement from J.E. Galliard's Sonatas. A wide range of styles are featured in this work. Solo: Grade 5, Accompaniment: Grade 2.5 This is the solo cello part. You may chose either violin, viola, or cello to play the solo part.
$3.99
Variations on a Baroque Melody-solo viola part
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Joseph J
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Variations on a Baroque Melody
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Mountain Crest Music
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.947124 Composed by Joseph J. Phillips. Baroque. Score and parts. 2 pages. Mountain Crest Music #2005613. Published ...
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String Orchestra - Level 4 - SKU: A0.947124 Composed by Joseph J. Phillips. Baroque. Score and parts. 2 pages. Mountain Crest Music #2005613. Published by Mountain Crest Music (A0.947124). Feature any one of your string students as soloist on Variations on a Baroque Melody, as solo parts are included for each instrument. The theme is based on a movement from J.E. Galliard's Sonatas. A wide range of styles are featured in this work. Solo: Grade 5, Accompaniment: Grade 2.5 This is the solo viola part. You may chose either violin, viola, or cello to play the solo part.
$3.99
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festi...
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String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95
Rondo Alla Turca (MEDIUM PIANO) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart]
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Piano seul
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Darek
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Rondo Alla Turca
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Darek
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1258165 Composed by Wolfgang Amadeus Mozart. Arranged by Darek. Classical,March. Score. 1 pages. Darek #851411. Published...
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Piano Solo - Level 3 - SKU: A0.1258165 Composed by Wolfgang Amadeus Mozart. Arranged by Darek. Classical,March. Score. 1 pages. Darek #851411. Published by Darek (A0.1258165). Rondo Alla Turca (MEDIUM PIANO) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart]Intermediate arrangement for pianists of Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331 by Wolfgang Amadeus Mozart. Intermediate version / Intermadiate arrangement for pianists. Included: Fingering, Dynamics and video youtube tutorial. Â Immerse yourself in the captivating world of classical piano with our meticulously crafted sheet music for Mozart's Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331. Tailored for intermediate pianists, this sheet music edition presents a thrilling challenge that will elevate your skills and expand your repertoire. Experience the brilliance of Mozart as you navigate through this iconic composition from the Classical era. Our carefully annotated sheet music includes precise fingering instructions, providing you with expert guidance on hand placement and technique. With our comprehensive notation of dynamics, you'll be able to bring out the subtle nuances and expressive qualities that define this captivating piece. To enhance your learning experience, we offer an invaluable YouTube tutorial accompanying our sheet music. Delivered by a seasoned pianist, this video tutorial offers in-depth insights and techniques that will help you refine your interpretation and master the challenges presented by Rondo Alla Turca. Embrace the opportunity to explore the depths of Mozart's genius and immerse yourself in the rhythmic allure of this renowned composition. Our sheet music package is meticulously curated to cater specifically to intermediate pianists, striking the perfect balance between challenge and accessibility. Expand your musical horizons as you conquer the technical demands and interpretive choices within Rondo Alla Turca. Delve into the intricacies of Mozart's composition, honing your skills and experiencing the profound beauty of his music firsthand. Position yourself as an accomplished pianist by embracing the challenge of mastering Rondo Alla Turca at an intermediate level. With our exceptional sheet music, you'll embark on a fulfilling journey of growth and refinement, unlocking new dimensions of musical expression. Discover the joy of performing one of Mozart's most beloved compositions, carefully arranged for intermediate pianists. Our sheet music provides the ideal platform for you to showcase your skill and artistry, paying homage to the genius of Mozart and the timeless beauty of classical music. Don't miss the chance to elevate your piano playing to new heights. Embrace the complexity, the beauty, and the artistry of Mozart's Rondo Alla Turca with our expertly crafted sheet music package, complete with fingering, dynamics, and an enlightening YouTube tutorial. Start your musical journey today and unlock the hidden treasures of this extraordinary composition.
$2.00
Quantz, J. - Sonata in D (Mvt. 2) for Two Violins and Cello
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Trio à Cordes: 2 violons, violoncelle
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FACILE
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Classique
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J
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Linda M
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Quantz, J. - Sonata in D
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Linda M Scott
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SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 2 - SKU: A0.540523 Composed by J. Quantz. Arranged by Linda M. Scott. Baroque,Classical. Score and part...
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String Ensemble,String Trio Cello,Violin - Level 2 - SKU: A0.540523 Composed by J. Quantz. Arranged by Linda M. Scott. Baroque,Classical. Score and parts. 5 pages. Linda M Scott #4293725. Published by Linda M Scott (A0.540523). Johann Quantz (1697-1773) was a German flutist and composer, famous in his day for his playing. He composed many flute concerti and sonatas, and a treatise titled Playing the Flute . This lyrical movement is arranged as a trio for two violins and cello. Accessible to late beginners to early intermediate (with third position skills) and beyond.
$5.99
Quantz, J. - Sonata in D (Mvt. 2) for Violin, Viola and Cello
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Classique
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J
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Linda M
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Quantz, J. - Sonata in D
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Linda M Scott
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.540526 Composed by J. Quantz. Arranged by Linda M. Scott. Baroque,Classical. Score an...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.540526 Composed by J. Quantz. Arranged by Linda M. Scott. Baroque,Classical. Score and parts. 6 pages. Linda M Scott #4293731. Published by Linda M Scott (A0.540526). Johann Quantz (1697-1773) was a German flutist and composer, famous in his day for his playing. He composed many flute concerti and sonatas, and a treatise titled Playing the Flute . This lyrical movement is arranged as a trio for violin, viola and cello. Accessible to late beginners to early intermediate (with third position skills) and beyond.
$5.99
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Jazz Sonata
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Lucio Franco Amanti
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Jazz Sonata
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - SKU: S9.Q11661 Composed by Lucio Franco Amanti. This edition: Sheet music. Cello - Italy - Jazz. Cello Libr...
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Cello and piano - intermediate to advanced - SKU: S9.Q11661 Composed by Lucio Franco Amanti. This edition: Sheet music. Cello - Italy - Jazz. Cello Library. Downloadable. Duration 15 minutes. Schott Music - Digital #Q11661. Published by Schott Music - Digital (S9.Q11661). After 'Jazz Suite' for solo violoncello (Schott, CB 224), the Italian cellist and jazz musician Lucio Amanti explores the possibilities of jazz music on the cello in this sonata with piano accompaniment. He wants to offer new ways and styles to cellists coming from the classical tradition. This is why this piece is also based on his own improvisations united in form of a sonata. The result is an interesting crossover effect between jazz music and traditional sonata form, a rewarding concert piece with many different characters and ingredients: a bit of bebop, a touch of Latin and tango, some cool jazz, a hint of Stravinsky and much more. All these elements are treated equally and make this jazz sonata a suitable piece for the concert hall and the jazz club alike. An interesting addition to the repertoire for open-minded cellists.
$19.99
Sonata Bb major
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Flûte à bec Alto, Basse continue
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FACILE
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Benedetto Marcello
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Sonata Bb major
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Schott Music - Digital
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SheetMusicPlus
Treble recorder and basso continuo; cello ad libitum - easy to intermediate - SKU: S9.Q15848 Composed by Benedetto Marcello. This edition: Sheet music. ...
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Treble recorder and basso continuo; cello ad libitum - easy to intermediate - SKU: S9.Q15848 Composed by Benedetto Marcello. This edition: Sheet music. Original Music for Recorder. Downloadable. Op. 2/7. Schott Music - Digital #Q15848. Published by Schott Music - Digital (S9.Q15848). Key: B flat major.Benedetto Marcello (1686-1739) comes from an old patrician family in Venice. He received his musical education first at home from his father who gave him his first violin lessons, and later from Francesco Gasparini who taught at the Ospedale della Pietà in Venice. The 'nobile Veneto dilettante di contrappunto', as he called himself to point out that he did not regard music as his main profession, wrote and published a vast number of vocal and instrumental works. His flute sonatas, twelve well elaborated compositions, which make rewarding musical and technical demands on lovers of the flauto dolce, were printed several times during their creator's lifetime. This new edition contains the text of the clearly improved edition by E. Roger instead of the Venetian first edition.
$13.99
Sonata A minor
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2 Flûte à bec (duo)
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FACILE
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Jean-Baptiste Loeillet
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Hugo Ruf
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Sonata A minor
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Schott Music - Digital
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SheetMusicPlus
2 treble recorders - easy to intermediate - SKU: S9.Q20286 (Adagio - Allegro - Adagio - Giga Allegro). Composed by Jean-Baptiste Loeillet. Edited...
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2 treble recorders - easy to intermediate - SKU: S9.Q20286 (Adagio - Allegro - Adagio - Giga Allegro). Composed by Jean-Baptiste Loeillet. Edited by Elisabeth Kretschmann. Arranged by Hugo Ruf. This edition: performance score. Copyright 2014 Schott Music GmbH & Co. KG, Mainz. Downloadable. 8 pages. Schott Music - Digital #Q20286. Published by Schott Music - Digital (S9.Q20286). Key: A minor.Digital publication of the piece found in the following print music collection: Schott Recorder Library - The Finest Sonatas & Suites.
$3.99
Sonata Hymnica No. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Sonata Hymnica No. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
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