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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata for Four
Sheetmusicplus
Non classifié
167
Piano & claviers
Piano seul
74
1 Piano, 4 mains
11
2 Pianos, 4 mains
5
Piano Facile
5
Instruments en Do
4
Piano, Voix
3
Piano Trio: piano, violon, violoncelle
2
Orgue
1
Orgue, Piano (duo)
1
+ 4 instrumentations
Retracter
Guitares
Guitare
35
Guitare notes et tablatures
7
Piano, Guitare (duo)
6
Voix
Voix Baryton, Piano
2
Chorale SATB
1
Voix duo, Piano
1
Vents
Flûte traversière et Piano
25
Clarinette et Piano
18
Saxophone Soprano et Piano
14
Saxophone Alto et Piano
14
Saxophone Tenor et Piano
12
Saxophone Baryton, Piano
8
Hautbois, Piano (duo)
7
Flûte, Hautbois, Clarinette, Basson
7
Cor anglais, Piano
6
Quatuor de Saxophones: 4 saxophones
6
Hautbois, Basson (duo)
6
2 Clarinettes (duo)
5
Flûte, Violoncelle
5
Flûte, Alto (duo)
5
Clarinette Basse, Piano
5
Clarinette et Alto
5
3 Clarinettes (trio)
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Quatuor de Clarinettes: 4 clarinettes
4
Flûte, Hautbois, Clarinette (trio)
4
Quintette de Clarinettes: 5 clarinettes
3
2 Saxophones (duo)
3
Clarinette
3
2 Flûtes traversières (duo)
2
Trio de Flûtes: 3 flûtes
2
Quatuor de Flûtes : 4 flûtes
2
Piccolo, Piano
2
Flûte à bec Alto, Basse continue
2
Flûte et Guitare
2
Clarinette, Violoncelle (duo)
2
Flûte traversière
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Basson
1
Saxophone Alto
1
Flûte, alto et harpe
1
Clarinette, Violon (duo)
1
Quintette de Saxophone: 5 saxophones
1
Hautbois, Guitare (duo)
1
+ 33 instrumentations
Retracter
Cuivres
Euphonium, Piano (duo)
14
Trombone et Piano
13
Cor et Piano
9
Trompette, Piano
8
Cor anglais, Piano
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette
4
Trombone
2
Ensemble de Cors
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone basse et Piano
1
Trompette (partie séparée)
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
Tuba et Piano
1
2 Trombones (duo)
1
Cor
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 13 instrumentations
Retracter
Cordes
Violon et Piano
29
Alto, Piano
19
Violoncelle, Piano
18
Quatuor à cordes: 2 violons, alto, violoncelle
16
Violoncelle
11
Harpe
9
Violoncelle, Contrebasse (duo)
9
Violon, Violoncelle (duo)
9
Violon, Alto (duo)
6
Alto (partie séparée)
5
Flûte, Contrebasse (duo)
5
Violon
5
4 Violoncelles
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Violoncelle (duo)
3
2 Altos (duo)
2
Contrebasse (partie séparée)
1
2 Violons (duo)
1
Violon (partie séparée)
1
Trio à cordes: 3 violins
1
Alto seul
1
Violoncelle, Basse continue
1
2 Violoncelles (duo)
1
2 Contrebasses (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
13
Orchestre
11
Orchestre de chambre
7
Orchestre d'harmonie
3
Ensemble de cuivres
3
Ensemble de Percussions
2
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Autres
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ACCORDEON
ALTO
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
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LATIN - BOSSA - WORL…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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RAGTIME
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Note4Piano
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Crtitères actifs :
Sonata for Four
SheetMusicPlus
Partitions à imprimer
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801
Four Forces (First movement) I. Strong Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
The Fightin' 55th (for Brass Quintet & Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
#
Dr
#
The Fightin' 55th
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https://gildedmusicpress.com/
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Http...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
$24.95
2nd Oboe Sonata
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way of interpretive notes, I e
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Lenny Cavallaro
#
2nd Oboe Sonata
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Forton Music - Digital
#
SheetMusicPlus
Ob. Pft. - Intermediate - SKU: F2.FM490 Composed by Lenny Cavallaro. Oboe and Piano. Score and part. 27 pages. Forton Music - Digital #FM490. Published ...
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Ob. Pft. - Intermediate - SKU: F2.FM490 Composed by Lenny Cavallaro. Oboe and Piano. Score and part. 27 pages. Forton Music - Digital #FM490. Published by Forton Music - Digital (F2.FM490). ISBN 9790570483891.My Opus 2 - Sonata No. 2 in E minor for Oboe (or Flute) and Piano (or Harpsichord) is nother baroque style composition. Like the Op. 1 Sonata for the same instruments, it follows the familiar four movement structure common to the period. Unlike the earlier sonata, this work was conceived specifically for oboe, although one colleague has assured me it will work extremely well for flute, whilst another would like to try it with flauto traverso and harpsichord. Thus it retains the spirit of Bach, who frequently reset his works for other instrumentation. I have provided some dynamics and ornaments - certainly more than I have with my other baroque compostions. Nevertheless, I trust that performers, particularly those familiar with the baroque idiom, will not hesitate to embellish and improvise. By way of interpretive notes, I encourage performers to respect the metronomic suggestions for the second movement, which should probably not be attempted at too rapid a tempo. The third movement concludes molto ritardande, and by the final measure the two left-hand eighth notes should be played nearly twice as slowl as written (i.e. as quarter notes). Finally, the fugato in the last movement (upbeat to m. 83) should be performed in the baroque style, without overemphasis of the thematic entries.
$10.95
Sonata for Two Flutes and Piano in Four Movements
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2 Flûtes traversières, Piano
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INTERMÉDIAIRE
#
Emanuel Vahl
#
Sonata for Two Flutes and Pian
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Forton Music - Digital
#
SheetMusicPlus
2Fl. pft. - Intermediate-Advanced - SKU: F2.FM612 Composed by Emanuel Vahl. A sonata for 2 flutes and piano. Score and parts. 64 pages. Forton Music - D...
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2Fl. pft. - Intermediate-Advanced - SKU: F2.FM612 Composed by Emanuel Vahl. A sonata for 2 flutes and piano. Score and parts. 64 pages. Forton Music - Digital #FM612. Published by Forton Music - Digital (F2.FM612). ISBN 9790570485116.This is a bold new work for two flutes and piano, in a modern Russian style. The composer characterises the movements as follows: 1st movement - Dramatic, expresses the 'Russian fate', 2nd movement - A dance. Light, and a bit 'peppery', 3rd movement - A rustic Russian view, 4th movement - Belief in the great power of the Russian nation.
$14.95
Sonata for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
#
James Pickering
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Sonata for Clarinet and Piano
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Forton Music - Digital
#
SheetMusicPlus
Cl. Pft. - Intermediate-Advanced - SKU: F2.FM633 Composed by James Pickering. Sonata for Clarinet and Piano. Score and parts. 34 pages. Forton Music - D...
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Cl. Pft. - Intermediate-Advanced - SKU: F2.FM633 Composed by James Pickering. Sonata for Clarinet and Piano. Score and parts. 34 pages. Forton Music - Digital #FM633. Published by Forton Music - Digital (F2.FM633). ISBN 9790570485321.The Sonata for Clarinet in B flat and Piano comes from a relatively unsettled period. Much of the music is a reflection on the cyclic nature of negative thought, the recurring arpeggios at the opening give some indication of this. Breaking out of these patterns only seems to lead to further dissonance and uncertainty. It also explores the effect of lowering notes by a single semitone and how the smallest of intervals can have a significant impact on the harmony at any given moment. The work is in four movements: 1. Andante moderato. This movement features two main musical statements pivoting around a central dance like idea. 2. Largo. A movement exploring a sense of isolation and disconnect between the Clarinet and Piano. 3. Largo con moto. A moment of calm, featuring some of the melodic contours from the previous movement but treated as if heard with a different frame of mind. 4. Allegro con moto. A slightly mischievous finale, featuring moments where the instruments imitate each other in an almost mocking fashion.
$14.95
Sinfonietta No.1 (Transformations) for Orchestra
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Orchestre
#
INTERMÉDIAIRE
#
Scott Markle
#
Sinfonietta No.1
#
MarcoPolo Press
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1021047 Composed by Scott Markle. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 122 p...
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Full Orchestra - Level 3 - SKU: A0.1021047 Composed by Scott Markle. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 122 pages. MarcoPolo Press #5755357. Published by MarcoPolo Press (A0.1021047). Sinfonietta No.1 (Transformations) is an intermediate orchestral pieces in four movements that is almost 10 minutes (9:53) long. It is called a sinfonietta because, while it has the elements of a full symphony, it is shorter. The entire piece is based on the motif in the first bar of the first movement, and that motif get transformed (hence the subtitle Transformations) in many different ways. It is like how a person changes in various situations and in various stages of their life. The first movement (Allegretto) is in sonata form, the second (Andante Adagio) is in a quasi ABA form, the third (Scherzoish) is a Baroque-like quasi scherzo and trio with a modified scherzo at the end, and the fourth (Theme & Variations) is a theme with 3 variations, but elements of the first 3 movements are repeated at the end. .
$40.00
Sonatina for Flute and Piano
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Y...
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Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
Sonata for Violin & Harpsichord in D minor (VB 157)
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Classique
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Violin & Harpsi
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Artaria Editions
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SheetMusicPlus
Harpsichord,Instrumental Duet,Violin - Level 3 - SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 27 pages. Arta...
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Harpsichord,Instrumental Duet,Violin - Level 3 - SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 27 pages. Artaria Editions #1065691. Published by Artaria Editions (A0.1488837). Artaria Editions AE432Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano, and this work in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. It is not known for whom the work was written, but the extensive virtuosity makes it likely that it was intended either for Kraus himself or his brother Franz (1760-1790), an exceptional talent on the violin. The two-movement format is similar to Kraus's early string quartets (VB 178; Artaria Editions AE418), though in this case, the extensive sonata form first movement is followed by a through-composed one consisting of a slow pastorale (replete with bass drone in the violin) and an exotic faster section that includes material from the first movement. What makes this work interesting is the use of scordatura; the G string is to be tuned down to F, which makes it more useful from a harmonic standpoint in that the note can be used in the tonic, relative major, and all dominant-subdominant keys. The Basso part is completely figured—for this edition it has been realized by the editor - but given that Kraus specifically mentions only the keyboard instrument (clavicembalo), it is unlikely that it was performed as a continuo, i.e. with additional violoncello/contrabass, but rather was intended for harpsichord alone.Allan Badley.
$30.00
Sonata da Chiesa Op 1 nos 1-3
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Arcangelo Corelli
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Robert Rainford
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Sonata da Chiesa Op 1 nos 1-3
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Forton Music - Digital
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SheetMusicPlus
Mixed Wind Ensemble Double Reed Book - Intermediate - SKU: F2.FM070 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 79 page...
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Mixed Wind Ensemble Double Reed Book - Intermediate - SKU: F2.FM070 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 79 pages. Forton Music - Digital #FM070. Published by Forton Music - Digital (F2.FM070). ISBN 9790708085690.Double Reed Ensemble (part 1 oboe or bassoon, part 2 oboe or bassoon, part 3 oboe, cor or bassoon) - part of the Combined Wind Trio series. Corelli's first three Trio Sonatas make a great first step into ensemble music and the music of the baroque. Each sonata consists of four movements of varying lengths and difficulty, with equal interest in all parts. Oboe 1 goes up briefly to top F, but a lower ossia is given. If played as a bassoon trio, the top two bassoon parts spend most of the time in the tenor clef and are not for the faint hearted, but grade 8 players will be well rewarded. Parts may be mixed with the companion arrangements for flute, clarinet and sax ensembles.
$15.95
Sonata da Chiesa Op 1 nos 1-3
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Arcangelo Corelli
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Robert Rainford
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Sonata da Chiesa Op 1 nos 1-3
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Forton Music - Digital
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SheetMusicPlus
Mixed Wind Ensemble Clarinet Book - Intermediate - SKU: F2.FM068 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 58 pages. ...
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Mixed Wind Ensemble Clarinet Book - Intermediate - SKU: F2.FM068 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 58 pages. Forton Music - Digital #FM068. Published by Forton Music - Digital (F2.FM068). ISBN 9790708085676.Clarinet Trio (three Bb clarinets or two Bb clarinets and alto/bass clarinet) - part of the Combined Wind Trio series. Corelli's first three Trio Sonatas make a great first step into ensemble music and the music of the baroque. Each sonata consists of four movements of varying lengths and difficulty, with equal interest in all parts. Players of approximately grade 6 standard will enjoy the challenge these pieces present. Parts may be mixed with the companion arrangements for flutes, saxophones and double reeds.
$15.95
Sonata da Chiesa Op 1 nos 1-3
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Arcangelo Corelli
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Robert Rainford
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Sonata da Chiesa Op 1 nos 1-3
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Forton Music - Digital
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SheetMusicPlus
Mixed Wind Ensemble Flute Book - Intermediate - SKU: F2.FM067 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 50 pages. For...
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Mixed Wind Ensemble Flute Book - Intermediate - SKU: F2.FM067 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 50 pages. Forton Music - Digital #FM067. Published by Forton Music - Digital (F2.FM067). ISBN 9790708085669.Flute Trio - three flutes or two flutes and alto/bass flute. Part of the Combined Wind Trio series. Corelli's first three Trio Sonatas make a great first step into ensemble music and the music of the baroque. Each sonata consists of four movements of varying lengths and difficulty, with equal interest in all parts. Flautists of grade 4/5 standard will enjoy these pieces. Parts may be mixed with the companion arrangements for clarinet, saxophone and double reed ensembles.
$15.95
Sonata da Chiesa Op 1 nos 1-3
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Arcangelo Corelli
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Robert Rainford
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Sonata da Chiesa Op 1 nos 1-3
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Forton Music - Digital
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SheetMusicPlus
Mixed Wind Ensemble Saxophone Book - Intermediate - SKU: F2.FM071 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 76 pages....
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Mixed Wind Ensemble Saxophone Book - Intermediate - SKU: F2.FM071 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 76 pages. Forton Music - Digital #FM071. Published by Forton Music - Digital (F2.FM071). ISBN 9790708085706.Saxophone Trio (part 1 soprano or alto, part 2 soprano or alto, part 3 tenor or baritone) - part of the Combined Wind Trio series. Corelli's first three Trio Sonatas make a great first step into ensemble music and the music of the baroque. Each sonata consists of four movements of varying lengths and difficulty, with equal interest in all parts. Players of approximately grade 6 standard; will enjoy the challenge these pieces present. Parts may be mixed with the companion arrangements for flutes, clarinets and double reeds.
$15.95
BOISMORTIER SONATA IN G MINOR OPUS 34 No. 1 FOR FLUTE, OBOE, CLARINET & BASSOON
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Joseph Bodin De Boismortier
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Pat Spence
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BOISMORTIER SONATA IN G MINOR
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.811702 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arrange...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.811702 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Pat Spence. Baroque,Concert,Standards. 28 pages. Piper Publications #4320129. Published by Piper Publications (A0.811702). The first of six sonatas for four equal players published ‘avec Privilege du Roi’ in Paris in 1731. They were published as a set of parts for three transverse flutes or violins or other instruments ‘avec la Basse’. There are four movements, all in G minor, Adagio, Presto, Adagio & Allegro. The only dynamic marking is the ‘Piano’ marked at the end of the last movement. The ornaments - trills, mordants & grace notes - are all carefully included and further decoration of the parts was not expected in French music of this period unlike in Italian music. However, more experienced players should feel free to add a little more decoration at the final cadences of the slow movements. None of the movements have repeated sections and it is clear from the flow of the music that this is not an omission. Missing slurs have been added (dashed lines) along with a few phrasing suggestions. The arrangement includes a clarinet which would not have been available until over 30 years after publication but this arrangement is most likely to be played on modern instruments so it gives a modern woodwind quartet the opportunity to play music of this period in the appropriate style. Players of intermediate ability will enjoy this piece.
$15.00
Sonata for Fortepiano & Violin in C (VB 160)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Fortepiano & Vi
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Artaria Editions
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1488839 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 31 pages. Artaria Editions #1065693. P...
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Piano,Violin - Level 3 - SKU: A0.1488839 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 31 pages. Artaria Editions #1065693. Published by Artaria Editions (A0.1488839). Artaria Editions AE434Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano; a fifth sonata, in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. The date of the C major sonata, the earlier of two works in this key, is not known, although it was probably written during Kraus's first years in Stockholm; stylistic evidence strongly suggests that it, and its companion piece, the Sonata in D major (VB 159), date from the later part of that period 1780-1782. Kraus was a proficient performer on both instruments and his sonatas, which display all his usual musical ingenuity and technical finish, are highly attractive works.Allan Badley.
$30.00
Sonata for Fortepiano & Violin in D (VB 159)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Fortepiano & Vi
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Artaria Editions
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1488838 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 46 pages. Artaria Editions #1065692. P...
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Piano,Violin - Level 3 - SKU: A0.1488838 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 46 pages. Artaria Editions #1065692. Published by Artaria Editions (A0.1488838). Artaria Editions AE433Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano; a fifth sonata, in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. The date of the D major sonata is not known, although it was probably written during Kraus's first years in Stockholm; stylistic evidence strongly suggests that it, and its companion piece, the Sonata in C major (VB 160), date from the later part of that period 1780-1782. Kraus was a proficient performer on both instruments and his sonatas, which display all his usual musical ingenuity and technical finish, are highly attractive works.Allan Badley.
$30.00
Sonata da Chiesa nos 9-12
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Arcangelo Corelli
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Robert Rainford
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Sonata da Chiesa nos 9-12
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Forton Music - Digital
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SheetMusicPlus
Double Reed trio 2 oboes and 1 bassoon - Intermediate - SKU: F2.FM019 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 57 pa...
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Double Reed trio 2 oboes and 1 bassoon - Intermediate - SKU: F2.FM019 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 57 pages. Forton Music - Digital #FM019. Published by Forton Music - Digital (F2.FM019). ISBN 9790708085188.Double Reed Trio 2 oboes and 1 bassoon.Four Sonatas from Corelli's Op. 1. These charming pieces each contain a variety of movements and styles, featuring both contrapuntal and homophonic textures. Some movements are short, others are more extended (62 bars is the longest). Relatively straightforward yet still rewarding, players from Grade 3 upwards should find these a delight to play.
$15.95
Guitar Sonata No. 5 in G major (open G tuning)
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jerem...
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Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
Sonata for Four Guitars
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Contemporain
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Brett L
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Sonata for Four Guitars
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Sonata Grendel Publishing
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SheetMusicPlus
Guitar Ensemble Guitar - Level 5 - SKU: A0.837488 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 99 pages. Sonata Grende...
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Guitar Ensemble Guitar - Level 5 - SKU: A0.837488 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 99 pages. Sonata Grendel Publishing #5359221. Published by Sonata Grendel Publishing (A0.837488). The Sonata for Four Guitars was written for my friends, The Finger Lakes Guitar Quartet-Joel Brown, Brett Grigsby, Sten Isachsen, and Paul Quigley. These wonderful artists were kind enough to commission the work in 2015. It is a three-movement work in neoclassical style that explores the remarkably wide range of colors that can be achieved by four acoustic guitars. I. Allegro con brio II. Waltz and Solstice Tune III. Toccata
$27.95
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 9...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
"Pezzo in forma di Sonatina" from Serenade Op. 48 for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Classique
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P
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Diego Marani
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"Pezzo in forma di Sonati
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.744984 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.744984 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. 26 pages. Diego Marani #352979. Published by Diego Marani (A0.744984). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by AntonÃn Dvořák and Josef Suk. Cast in a classical four movement outlay, the work begins with a sonata form movement (Tchaikovsky calls it a sonatina, i.e. little sonata, though it is a rather robust form, replete with a slow introduction and full development). This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) reflects faithfully the original and is suitable for classroom, repertoire and recital.
$14.99
"Pezzo in forma di Sonatina" from Serenade Op. 48 for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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P
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Diego Marani
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"Pezzo in forma di Sonati
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.744361 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festiv...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.744361 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. 29 pages. Diego Marani #352485. Published by Diego Marani (A0.744361). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by AntonÃn Dvořák and Josef Suk. Cast in a classical four movement outlay, the work begins with a sonata form movement (Tchaikovsky calls it a sonatina, i.e. little sonata, though it is a rather robust form, replete with a slow introduction and full development). This arrangement for clarinet quartet (Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass clarinet) reflects faithfully the original and is suitable for classroom, repertoire and recital.
$14.99
"Pezzo in forma di Sonatina" from Serenade Op. 48 for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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P
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Diego Marani
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"Pezzo in forma di Sonati
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.742915 Composed by P. I. Tcha...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.742915 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. 23 pages. Diego Marani #351038. Published by Diego Marani (A0.742915). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by AntonÃn Dvořák and Josef Suk. Cast in a classical four movement outlay, the work begins with a sonata form movement (Tchaikovsky calls it a sonatina, i.e. little sonata, though it is a rather robust form, replete with a slow introduction and full development). This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) reflects faithfully the original and is suitable for classroom, repertoire and recital.
$14.99
"Pezzo in forma di Sonatina" from Serenade Op. 48 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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P
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Diego Marani
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"Pezzo in forma di Sonati
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Diego Marani
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.745312 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,F...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.745312 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and parts. 23 pages. Diego Marani #353325. Published by Diego Marani (A0.745312). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by AntonÃn Dvořák and Josef Suk. Cast in a classical four movement outlay, the work begins with a sonata form movement (Tchaikovsky calls it a sonatina, i.e. little sonata, though it is a rather robust form, replete with a slow introduction and full development). This arrangement for string quartet (Violin I, Violin II, Viola, Cello) reflects faithfully the original and is suitable for classroom, repertoire and recital.
$14.99
Guitar Sonata No. 4 in E minor
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 4 in E minor
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.985330 Composed by Jeremiah Lawson. Contemporary. Individual part. 11 pages. Jeremiah Lawson #6357829. Published by Jere...
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Solo Guitar - Level 4 - SKU: A0.985330 Composed by Jeremiah Lawson. Contemporary. Individual part. 11 pages. Jeremiah Lawson #6357829. Published by Jeremiah Lawson (A0.985330). This is a four-movement sonata. The opening sonata form and the finale are based on the inversion and prime forms of a single gesture which saturates the sonata overall in a variety of obvious and disguised forms. The tone and style is mainly Haydn by way of Beethoven's Op. 111 piano sonata with interrupting allusions to Nikita Koshkin and Portishead sneaking in at different points of the sonata. The four movements are as follows:I. Adagio-Andante agitatoII. ScherzoIII. AndanteIV. Largoa complete performance can be viewed herehttps://youtu.be/iQBCHkA6fyk
$9.95
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Sonata for Four