Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata for Oboe
Non classifié
305
Piano & claviers
Piano seul
9
Accompagnement Piano
2
Instruments en Do
1
Guitares
2 Guitares (duo)
4
Guitare notes et tablatures
2
Guitare
1
Voix
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
95
Hautbois, Piano (duo)
93
Flûte, Hautbois, Clarinette (trio)
57
Flûte, Hautbois, Basson
50
Flûte, Hautbois, Clarinette, Basson
46
2 Hautbois (duo)
38
Hautbois, Clarinette, Basson (trio d'anches)
15
2 Flûtes traversières (duo)
14
3 Flûtes à bec (trio)
13
Hautbois, Basson (duo)
12
Hautbois (partie séparée)
9
Flûte et Guitare
7
3 Clarinettes (trio)
7
Hautbois
4
2 Flûte à bec (duo)
4
Trio de Flûtes: 3 flûtes
4
2 Saxophones (duo)
3
2 Clarinettes (duo)
3
Hautbois, Flûte
3
Flûte à bec Alto, Basse continue
3
Hautbois, Clarinette (duo)
3
Flûte traversière et Piano
2
Flûte traversière
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Violoncelle
2
Flûte, Violon
2
Saxophone
1
Clarinette
1
3 Saxophones (trio)
1
3 Hautbois
1
Flute, harpe et violon
1
4 Hautbois
1
Hautbois, violon (duo)
1
Hautbois, Harpe
1
2 Hautbois et Basson
1
Hautbois, Guitare (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Violon (duo)
1
Ensemble à vent
1
Flûte à bec Soprano
1
+ 35 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
3
2 Cors (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Tuba et Piano
1
2 Trompettes (duo)
1
Trompette, Piano
1
+ 2 instrumentations
Retracter
Cordes
Violon et Piano
9
Trio à Cordes: violon, alto, violoncelle
4
Violon
3
Violon, Alto (duo)
1
Alto, Piano
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Violoncelle, Piano
1
2 Violons (duo)
1
Alto seul
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
26
Orchestre
17
Orchestre d'harmonie
5
Ensemble de Percussions
2
Orchestre à Cordes
2
Ensemble de cuivres
2
Ensemble Jazz
1
+ 2 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
516
Partitions Numériques
927
Librairie Musicale
715
Matériel de Musique
1
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Sonata for Oboe
Partitions à imprimer
927 partitions trouvées
<
1
26
51
....
926
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standa...
(+)
Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
$24.95
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
Beethoven: Sonata Op. 49 No. 2
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,S...
(+)
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95
Four Forces (First movement) I. Strong Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructi...
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,...
(+)
Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Oboe Sonata
#
Phillip Rawle
#
Oboe Sonata
#
Forton Music - Digital
#
SheetMusicPlus
Ob. Pft - Intermediate-Advanced - SKU: F2.FM312 Composed by Phillip Rawle. Sonata for Oboe and Piano. Score and Parts. 24 pages. Forton Music - Digital ...
(+)
Ob. Pft - Intermediate-Advanced - SKU: F2.FM312 Composed by Phillip Rawle. Sonata for Oboe and Piano. Score and Parts. 24 pages. Forton Music - Digital #FM312. Published by Forton Music - Digital (F2.FM312). ISBN 9790570482115.In three movements - Allegro, Moderato, Allegro non troppo - this Sonata is a lovely addition to the oboe repertoire. One for more advanced players, this will require stamina and dexterity.
$10.95
Sonata for oboe and guitar
#
Hautbois, Guitare (duo)
#
AVANCÉ
#
Contemporain
#
Jeremiah Lawson
#
Sonata for oboe and guitar
#
Jeremiah Lawson
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Oboe - Level 5 - SKU: A0.985321 Composed by Jeremiah Lawson. Contemporary. Score and parts. 24 pages. Jeremia...
(+)
Instrumental Duet Guitar,Instrumental Duet,Oboe - Level 5 - SKU: A0.985321 Composed by Jeremiah Lawson. Contemporary. Score and parts. 24 pages. Jeremiah Lawson #5370915. Published by Jeremiah Lawson (A0.985321). Sonata for oboe and guitar is a roughly 18 work in four movements, book only, 24 pages long. The movements are as follows:I. Allegro (sonata)II. Larghetto (sonata)III. ScherzoIV. Presto (sonata-rondo)This work is in E major from start to finish and the overall style is like Haydn meets Thelonious Monk meets the band Rush. The guitar part is very demanding. There are a lot of meter changers and uptempo passages throughout but the forms are all very clear and simple 18th century type forms.
$10.00
Sonata for Three Flutes
#
James Hook
#
Robert Rainford
#
Sonata for Three Flutes
#
Forton Music - Digital
#
SheetMusicPlus
Oboe trio 3 oboes/ 2 oboes and 1 cor anglais - Intermediate - SKU: F2.FM016 Composed by James Hook. Arranged by Robert Rainford. Score and parts. 23 pag...
(+)
Oboe trio 3 oboes/ 2 oboes and 1 cor anglais - Intermediate - SKU: F2.FM016 Composed by James Hook. Arranged by Robert Rainford. Score and parts. 23 pages. Forton Music - Digital #FM016. Published by Forton Music - Digital (F2.FM016). ISBN 9790708085157.Oboe Trio 3 Oboes (optional Cor Anglais part replacing oboe 3) A charming work in three movements. Not technically demanding, but the first movement requires some stamina, and the second movement is in the more awkward key of F minor. Suitable for players of about grade 3-4 standard.
$10.95
Sonata for Oboe and Piano
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Hope
#
Sonata for Oboe and Piano
#
Forsyth Brothers Ltd
#
SheetMusicPlus
Composed by Peter Hope. Classical. Score and part. 56 pages. Forsyth Brothers Ltd #653209. Published by Forsyth Brothers Ltd ...
(+)
Composed by Peter Hope. Classical. Score and part. 56 pages. Forsyth Brothers Ltd #653209. Published by Forsyth Brothers Ltd
$14.99
BACH: Sonata in C Major BWV 1033 for Oboe & Piano
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James Guthrie, ASCAP
#
BACH: Sonata in C Major BWV 10
#
jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.551569 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Scor...
(+)
Oboe,Piano - Level 4 - SKU: A0.551569 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317561. Published by jmsgu3 (A0.551569). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
Oboe Sonata in F Major
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Paolo G
#
Don Werdick (1946 - )
#
Oboe Sonata in F Major
#
Chamber Ensemble of Minnesota, Inc.
#
SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.955175 Composed by Paolo G. Besozzi (1704-1778). Arranged by Don Werdick (1946 - ). Baroque. Score and part. 28 pages. Ch...
(+)
Oboe,Piano - Level 4 - SKU: A0.955175 Composed by Paolo G. Besozzi (1704-1778). Arranged by Don Werdick (1946 - ). Baroque. Score and part. 28 pages. Chamber Ensemble of Minnesota, Inc. #6325675. Published by Chamber Ensemble of Minnesota, Inc. (A0.955175). Oboe solo part, Piano accompaniment plus Oboe-Piano score of the Bassoon Sonata in Bb Major and String Ensemble, composed in 1735 by P. Besozzi, arranged for Oboe in F Major by D. Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 0 seconds During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2021 Chamber Ensemble of Minnesota, Inc. Publishing.
$8.75
Sonata for Oboe d'Amore and Piano
#
David Baker
#
Sonata for Oboe d'Amore and Pi
#
Forton Music - Digital
#
SheetMusicPlus
Ob D. Pft. - Advanced - SKU: F2.FM786 Composed by David Baker. Advanced three movement sonata for this neglected instrument. Score and Part. 28 pages. F...
(+)
Ob D. Pft. - Advanced - SKU: F2.FM786 Composed by David Baker. Advanced three movement sonata for this neglected instrument. Score and Part. 28 pages. Forton Music - Digital #FM786. Published by Forton Music - Digital (F2.FM786). ISBN 9790570486854.
$15.95
Telemann: Four Sonatas for Oboe & Piano
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Georg Philipp Telemann
#
James Guthrie, ASCAP
#
Telemann: Four Sonatas for Obo
#
jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.551680 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Sco...
(+)
Oboe,Piano - Level 3 - SKU: A0.551680 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 130 pages. Jmsgu3 #5330427. Published by jmsgu3 (A0.551680). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.
$49.95
Sonata for Oboe and Piano (2014)
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Contemporain
#
Alexander Kaloian
#
Sonata for Oboe and Piano
#
The Cloud Media Group
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.976050 Composed by Alexander Kaloian. Contemporary. Score and parts. 32 pages. The Cl...
(+)
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.976050 Composed by Alexander Kaloian. Contemporary. Score and parts. 32 pages. The Cloud Media Group #37093. Published by The Cloud Media Group (A0.976050). Sonata for Oboe and Piano (2014) in Four Movements - I. Prelude Chanson - II. Fugue - III. Larghetto - IV. Chorale - dedication reads for Sharlotte DeVere - Kaloian composed the Sonata in 2014 over the course of four days - written for the Pittsburgh based Oboist as a tribute to over 30 years of friendship dating back to their years in the US Marine Corps with the Fleet Marine Force Pacific Band, Pearl Harbor, Hawaii.
$10.00
Moonlight Sonata for Oboe + Piano (duet)
#
Hautbois, Piano (duo)
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ivan de Andrade
#
Moonlight Sonata for Oboe + Pi
#
Finesse Music
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano - Level 2 - SKU: A0.487315 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Classical...
(+)
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano - Level 2 - SKU: A0.487315 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Classical,Renaissance,Traditional,Wedding. Score and parts. 17 pages. Finesse Music #104889. Published by Finesse Music (A0.487315). First movement of Sonata 14 (Adagio Sostenuto). Formatted for A4 or tablet. Unique arrangement in the original key (C#m). Articulation, fingering and specific marking for each instrument are notated. Clean layout and proper page turns for better sight reading. Check out the video to see the entire arrangement + sheet music and leave a review!
$5.99
Concerto for Oboe and Bassoon in C minor.
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
George Frideric Handel
#
Arte Nova Music Lab
#
Concerto for Oboe and Bassoon
#
Arte Nova Music Lab
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score ...
(+)
String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00
TO GOD BE THE GLORY One Movement Hymn Sonata (for Oboe and Piano with Score/Part)
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Musique Sacrée
#
William H
#
Gary Lanier
#
TO GOD BE THE GLORY One Moveme
#
The Lanier Company
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.617731 Composed by William H. Doane, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 16 pages. The Lanier C...
(+)
Oboe,Piano - Level 3 - SKU: A0.617731 Composed by William H. Doane, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 16 pages. The Lanier Company #6039153. Published by The Lanier Company (A0.617731). TO GOD BE THE GLORY One Movement Hymn Sonata is a musical work by Gary Lanier for Oboe and Piano of one of our most cherished Hymns. The theme is one of God's love and the Christian's praise for Him in giving His Son that makes a way for us to life forever in His loving presence. The word, sonata is used by the composer/arranger because of the many ways the hymn tune is presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. TO GOD BE THE GLORY One Movement Hymn Sonata is perfect for Church services or any gatherings where hymns of the grace and love of God is desired. The score, including cover and instrumental part is 16 pages long.
$8.99
3 ONE MOVEMENT HYMN SONATAS (for Oboe and Piano with Score/Parts)
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Gary Lanier, Lowell Mason, Tra
#
Gary Lanier
#
3 ONE MOVEMENT HYMN SONATAS
#
The Lanier Company
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.617744 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier. Sacred. Score a...
(+)
Oboe,Piano - Level 3 - SKU: A0.617744 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier. Sacred. Score and part. 41 pages. The Lanier Company #6048897. Published by The Lanier Company (A0.617744). 3 ONE MOVEMENT HYMN SONATAS is a musical work created by Gary Lanier for Oboe and Piano. It includes three of our most cherished Hymns: (1) Amazing Grace, (2) Take My Life and Let It Be, and (3) To God Be the Glory. The theme is one of God's Grace, the Christian's response to what He has done for us, and God's Love, all seen through His Son, Jesus Christ. The word, sonata is used by the composer/arranger because of the many ways the hymn tunes are presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. 3 ONE MOVEMENT HYMN SONATAS is perfect for Church services, recitals or gatherings where hymns of God's grace, His love and our praise to Him is desired. The score, including cover and instrumental parts is 41 pages long. All three for the price of two.
$19.99
Moonlight Sonata for Oboe and Piano Accompaniment
#
Hautbois, Piano (duo)
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Valdir Maia
#
Moonlight Sonata for Oboe and
#
Valdir Maia
#
SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1437254 Composed by Ludwig van Beethoven. Arranged by Valdir Maia. 19th Century,Classical,Romantic Period,Traditional. Sc...
(+)
Oboe,Piano - Level 2 - SKU: A0.1437254 Composed by Ludwig van Beethoven. Arranged by Valdir Maia. 19th Century,Classical,Romantic Period,Traditional. Score and part. 7 pages. Valdir Maia #1017327. Published by Valdir Maia (A0.1437254). **Moonlight Sonata for Oboe and Piano**Embark on a captivating musical journey with our rendition of Moonlight Sonata for Oboe and Piano. Tailored for intermediate oboists, this arrangement beautifully blends the soulful tones of the oboe with the elegant accompaniment of the piano.Crafted with precision and care, our high-quality PDF ensures clarity in every note, while the included score and parts facilitate seamless ensemble performance. Perfect for musicians eager to explore the romantic era, this arrangement offers a captivating journey through Beethoven's musical genius.Key Features:- Impeccable PDF quality for enhanced readability.- Score and parts included for convenient ensemble playing.- Ideal for intermediate oboists seeking a rewarding challenge.- Experience the beauty of Moonlight Sonata on oboe and piano today.Unlock the magic of Moonlight Sonata and add a touch of romance to your repertoire. Seize the opportunity to bring Beethoven's timeless masterpiece to life – purchase your copy now and let the music inspire you.
$9.99
Camille Saint-Saens: Sonata in D major Op.166 instantly for oboe & piano
#
Hautbois, Piano (duo)
#
AVANCÉ
#
Classique
#
Camille Saint-Saens
#
Virtualsheetmusic
Instantly downloadable sheet music by Camille Saint-Saens for oboe & piano of HIGH skill level. Contents: opus 166, op. 166 / classical,french
Instantly downloadable sheet music by Camille Saint-Saens for oboe & piano of HIGH skill level. Contents: opus 166, op. 166 / classical,french
$5.99
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Oboe Duo
#
2 Hautbois (duo)
#
FACILE
#
Jean Baptiste Loeillet of Ghen
#
James M
#
Loeillet: Six Sonatas Op. 5 No
#
jmsgu3
#
SheetMusicPlus
Oboe Duet Oboe - Level 2 - SKU: A0.612837 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contes...
(+)
Oboe Duet Oboe - Level 2 - SKU: A0.612837 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score. 59 pages. Jmsgu3 #222027. Published by jmsgu3 (A0.612837). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Oboe d’Amore Duo
#
2 Hautbois (duo)
#
FACILE
#
Jean Baptiste Loeillet of Ghen
#
James M
#
Loeillet: Six Sonatas Op. 5 No
#
jmsgu3
#
SheetMusicPlus
Oboe Duet Oboe - Level 2 - SKU: A0.612838 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contes...
(+)
Oboe Duet Oboe - Level 2 - SKU: A0.612838 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score. 59 pages. Jmsgu3 #222034. Published by jmsgu3 (A0.612838). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95
2nd Oboe Sonata
#
way of interpretive notes, I e
#
Lenny Cavallaro
#
2nd Oboe Sonata
#
Forton Music - Digital
#
SheetMusicPlus
Ob. Pft. - Intermediate - SKU: F2.FM490 Composed by Lenny Cavallaro. Oboe and Piano. Score and part. 27 pages. Forton Music - Digital #FM490. Published ...
(+)
Ob. Pft. - Intermediate - SKU: F2.FM490 Composed by Lenny Cavallaro. Oboe and Piano. Score and part. 27 pages. Forton Music - Digital #FM490. Published by Forton Music - Digital (F2.FM490). ISBN 9790570483891.My Opus 2 - Sonata No. 2 in E minor for Oboe (or Flute) and Piano (or Harpsichord) is nother baroque style composition. Like the Op. 1 Sonata for the same instruments, it follows the familiar four movement structure common to the period. Unlike the earlier sonata, this work was conceived specifically for oboe, although one colleague has assured me it will work extremely well for flute, whilst another would like to try it with flauto traverso and harpsichord. Thus it retains the spirit of Bach, who frequently reset his works for other instrumentation. I have provided some dynamics and ornaments - certainly more than I have with my other baroque compostions. Nevertheless, I trust that performers, particularly those familiar with the baroque idiom, will not hesitate to embellish and improvise. By way of interpretive notes, I encourage performers to respect the metronomic suggestions for the second movement, which should probably not be attempted at too rapid a tempo. The third movement concludes molto ritardande, and by the final measure the two left-hand eighth notes should be played nearly twice as slowl as written (i.e. as quarter notes). Finally, the fugato in the last movement (upbeat to m. 83) should be performed in the baroque style, without overemphasis of the thematic entries.
$10.95
Vivaldi: Sonata No. 4 for Oboe & Piano
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 4 for Oboe
#
jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.550474 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and pa...
(+)
Oboe,Piano - Level 3 - SKU: A0.550474 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641315. Published by jmsgu3 (A0.550474). Sonata da Chiesa No. 4 in Bb Major for Oboe & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
<
1
26
51
....
926
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Sonata for Oboe 
