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--INSTRUMENTS--
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Song Rossini Intermediate
Partitions à imprimer
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1
Berceuse (Lullaby or Cradle Song) - Thalberg
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Sigismond Thalberg (1812-1871).…
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Piano Solo - Intermediate - Digital Download Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period, Repertoire, Recital. Score, Sheet Music Single. 5 pages. Published by James Keenan
Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques. Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote: 'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.' Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote: 'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'. Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end. In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this. 'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques.
Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote:
'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'
Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:
'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.
Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.
In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.
'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.
$1.99
1.83 €
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Piano seul
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Sigismond Thalberg
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Editions Melodia
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Berceuse
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James Keenan
#
SheetMusicPlus
Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221
Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,…
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Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,Tenor Saxophone,Viola,Violin - Digital Download SKU: A0.1255183 Composed by Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 45 pages. Last Resort Music Publishing #848746. Published by Last Resort Music Publishing (A0.1255183). Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more!  Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsTango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg)Andante from Symphony  #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony  #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) 52211 Part 1 Flute or Oboe or Violin52213 Part 1 Clarinet in Bb  52215 Part 1 Alto Sax in Eb  52221 Part 2 Flute or Oboe or Violin 52222 Part 2 Viola  52223 Part 2 Clarinet or Trumpet in Bb52225 Part 2 Tenor Sax in Bb52231 Part 3 Cello or Bassoon 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb52240 Keyboard or Guitar52299 Score (Parts 1-3 in C) Published by Last Resort Music www.lastresortmusic.com
$20.00
18.44 €
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Various
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Daniel Kelley
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Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221
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Last Resort Music Publishing
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SheetMusicPlus
Intermediate Music for Three, Volume 2, Part 3 Cello or Bassoon
Bassoon,Cello - Level 3 - Digital Download SKU: A0.1110212 By Daniel Kelley. By Var…
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Bassoon,Cello - Level 3 - Digital Download SKU: A0.1110212 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 46 pages. Last Resort Music Publishing #712547. Published by Last Resort Music Publishing (A0.1110212). 52231 Part 3 Cello or Bassoon Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more! Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of Contents Tango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg) Andante from Symphony #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) Create your own ensemble - List of Available Parts: 52211 Part 1 Flute or Oboe or Violin 52213 Part 1 Clarinet in Bb 52215 Part 1 Alto Sax in Eb 52221 Part 2 Flute or Oboe or Violin *DD 52222 Part 2 Viola 52223 Part 2 Clarinet or Trumpet in Bb 52225 Part 2 Tenor Sax in Bb 52231 Part 3 Cello or Bassoon *DD 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb 52240 Keyboard or Guitar 52299 Score (Parts 1-3 in C) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com.
$20.00
18.44 €
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Daniel Kelley
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Daniel Kelley
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Intermediate Music for Three, Volume 2, Part 3 Cello or Bassoon
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Last Resort Music Publishing
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SheetMusicPlus
Medley for Children's Orchestra - Rossini,Elgar etc.
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.874695 Composed by G.Rossini, E.E…
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Concert Band - Level 2 - Digital Download SKU: A0.874695 Composed by G.Rossini, E.Elgar. Arranged by Hyunsung Essie Lee. Children,Classical. Score and parts. 41 pages. Hyunsung Essie Lee #4836035. Published by Hyunsung Essie Lee (A0.874695). Discounted price on essie-music.com G.Rossini - William Tell Overture / E.Elgar - Pomp and Circumstance Op.39 / Korean Traditional Song - Arirang Medley for Children's Orchestra : 2nd Flute or Oboe can be substituted for Sop.Recorder. Viola can be substituted for 3rd Violin. Arranged for beginner to intermediate levels.
$5.50
5.07 €
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Orchestre d'harmonie
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G
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Hyunsung Essie Lee
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Medley for Children's Orchestra - Rossini,Elgar etc.
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Hyunsung Essie Lee
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SheetMusicPlus
Romance et étude (Romance and Etude), Op. 38 - Thalberg
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Sigismond Thalberg (1…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period, Etudes and Exercises, Technique Training, Recital. Score, Sheet Music Single. 14 pages. Published by James Keenan
Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques. Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote: 'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.' Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote: 'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'. Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end. In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this. 'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques.
Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote:
'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'
Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:
'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.
Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.
In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.
'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.
$1.99
1.83 €
#
Piano seul
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Sigismond Thalberg
#
Editions Melodia
#
Romance et étude
#
James Keenan
#
SheetMusicPlus
Rubank Advanced Method - E Flat Or BB Flat Vol.2
Tuba SKU: HL.4470470 Edited by H. Voxman and William Gower. Concert Band Method. Ru…
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Tuba SKU: HL.4470470 Edited by H. Voxman and William Gower. Concert Band Method. Rubank Advanced Method. Instruction. 96 pages. Rubank Publications #RUBL184. Published by Rubank Publications (HL.4470470). ISBN 9781540001306. UPC: 073999704709. 9.0x12.0x0.241 inches. Edited by Wm. Gower and H. Voxman.(Bass clef in C) An outlined course of study designed to follow the elementary and intermediate levels of any instructional method, the Rubank Advanced Methods are considered to be one of the gold standards of advanced instrumental study. The specially designed units provide a complete pedagogy: • Scales and Arpeggios All of the major and minor keys are covered in the complete two-book course • Melodic Interpretation Including 20+ contest level duets in each book • Solo Preparation Six contest level solos included • Articulation Studies Specialized for each instrument • Exercises in Fingering (woodwinds), Flexibility (brass) and Sticking (percussion) • Ornamentation All types are introduced Generations of musicians have been taught with Rubank methods – join the tradition!
Song List: Air Gai (Berlioz) Andante & Allegro (Clerisse) Elegie (Duquesne) Morceau De Concours (Alary) Prem.Solo De Concours (Maniet) Andante (Gostinelli) Andantino Grazioso (Dureau) Marcia (Kling) Allegro Moderato (Dureau) Allegro Moderato (Rodolphe) Maestoso (Dureau) Andante Espr.E Sost. (Borghi) Andante Con Moto (Kietzer) Allegro Moderato (Furkins) Moderato (Concone) Allegretto (Hohne) Allegretto Quasi And. (Dureau) Minuetto (Dureau) Bolero (Rossini) Andante (Muller) Andante (Kling) Allegretto (Kreutzer) Energico (Sidow) Allegro Ma Non Troppo (Dureau) Tempo Di Marcia (Gostinelli) Waltz (Kling) Moderato (Kling) Adagio (Kling) Lively (Hohne) Majestically (Pfleger) Andante (Westermann) Andante (Gallay) Cavatine (Demersseman) Adagio And Finale Concertpiece Andante And Allegro
Song List
: Air Gai (Berlioz) Andante & Allegro (Clerisse) Elegie (Duquesne) Morceau De Concours (Alary) Prem.Solo De Concours (Maniet) Andante (Gostinelli) Andantino Grazioso (Dureau) Marcia (Kling) Allegro Moderato (Dureau) Allegro Moderato (Rodolphe) Maestoso (Dureau) Andante Espr.E Sost. (Borghi) Andante Con Moto (Kietzer) Allegro Moderato (Furkins) Moderato (Concone) Allegretto (Hohne) Allegretto Quasi And. (Dureau) Minuetto (Dureau) Bolero (Rossini) Andante (Muller) Andante (Kling) Allegretto (Kreutzer) Energico (Sidow) Allegro Ma Non Troppo (Dureau) Tempo Di Marcia (Gostinelli) Waltz (Kling) Moderato (Kling) Adagio (Kling) Lively (Hohne) Majestically (Pfleger) Andante (Westermann) Andante (Gallay) Cavatine (Demersseman) Adagio And Finale Concertpiece Andante And Allegro
$9.99
9.21 €
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Rubank Advanced Method - E Flat Or BB Flat Vol.2
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Rubank Publications
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SheetMusicPlus
Wilhelm Tell
Ukulele
Ukulele - Level 3 - Digital Download SKU: A0.1298644 Composed by G. Rossini:. Arran…
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Ukulele - Level 3 - Digital Download SKU: A0.1298644 Composed by G. Rossini:. Arranged by Bettina Schipp. Chamber,Classical,Early Music. Score. 2 pages. Songbooks.info #888522. Published by songbooks.info (A0.1298644). The song is notated with tablature for fingerpicking, the arrangement is easy to medium difficulty - for slightly intermediate and advanced fans of the Ukulele.
$1.99
1.83 €
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Ukulele
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G
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Bettina Schipp
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Wilhelm Tell
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songbooks.info
#
SheetMusicPlus
Romance et Tarantelle
Violoncelle, Piano
Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q53294 Op.…
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Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q53294 Op. 23. Composed by Guillaume Paque. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 23. 15 pages. Schott Music - Digital #Q53294. Published by Schott Music - Digital (S9.Q53294). English • German.Belgian cellist Guillaume Paque was born in Brussels on 24.7.1825; he died in London on 2.3.1876. From 1835 onwards he studied with Francois de Munck at the Conservatoire in Brussels, where he went on to play cello in the royal theatre. After working in Barcelona for some time as a teacher and cellist at the Italian Opera he moved to London in 1850, where he played as principal cellist at the Theatre Royal and taught at the Royal Academy of Music. Paque published twenty-six works with Schott including salon music, virtuoso showpieces, cello arrangements of Schubert songs and operas by Mozart, Rossini and Verdi – and his well-known cello quartet ‘Souvenir de Curis’ (Schott CB 145). Romance et Tarantelle op. 23 is an effective concert piece that was published in 1874 (plate number 21153).
$3.99
3.68 €
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Violoncelle, Piano
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Guillaume Paque
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he died in London on 2
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Romance et Tarantelle
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Schott Music - Digital
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SheetMusicPlus
La Danza
Piano seul
Piano - intermediate to difficult - Digital Download SKU: S9.Q53312 Tarantella N…
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Piano - intermediate to difficult - Digital Download SKU: S9.Q53312 Tarantella Napoletana. Composed by Franz Liszt. Edited by Robert Schafer and Wilhelm Ohmen. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 11 pages. Schott Music - Digital #Q53312. Published by Schott Music - Digital (S9.Q53312). Franz Liszt’s first publications with Schott in 1838 were his piano transcriptions of the song cycle ‘Soirées musicales’ by Gioacchino Rossini. The ninth of these, ‘La Danza. Tarantella Napoletana’ (plate numbers 4967-9) is still very popular with virtuosos today. Later, in 1855, 1858 and 1883, amongst other works, Liszt’s three volumes ‘Années de pèlerinage’ (‘Years of Pilgrimage’), probably his most important collection of character pieces for piano, were also published by Schott.
$3.99
3.68 €
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Piano seul
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Franz Liszt
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La Danza
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Schott Music - Digital
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SheetMusicPlus
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Song Rossini Intermediate
