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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Song of the Express Men
Sheetmusicplus
Non classifié
581
Piano & claviers
Instruments en Do
293
Piano, Voix et Guitare
276
Piano seul
205
Piano Facile
54
Piano, Voix
42
Piano Trio: piano, violon, violoncelle
10
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue
4
1 Piano, 4 mains
3
Orgue, Piano (duo)
3
Accordéon
2
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
46
Guitare
30
Ukulele
9
Guitare notes et tablatures
6
2 Guitares (duo)
4
Banjo
3
Mandoline
3
2 Ukuleles
2
Dulcimer
2
Ensemble de guitares
1
+ 5 instrumentations
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Voix
Chorale SATB
95
Chorale 3 parties
32
Chorale TTBB
15
Chorale 2 parties
10
Chorale SSAA
10
Chorale Unison
8
Voix Soprano, Piano
5
Voix duo
2
Voix haute
1
Chorale SSAATTBB
1
Soli, choeur mixte et accompagnement
1
Chorale
1
Chorale SSATB
1
+ 8 instrumentations
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Vents
2 Saxophones (duo)
87
Hautbois, Piano (duo)
56
Saxophone, Clarinette (duo)
52
Clarinette et Piano
48
Flûte traversière et Piano
46
Saxophone Alto
41
Saxophone Alto et Piano
41
Flûte traversière
37
Clarinette, Violon (duo)
35
Flûte, Violon, Piano
32
Clarinette
30
Saxophone Soprano et Piano
28
Flûte, Clarinette (duo)
27
Hautbois, Basson (duo)
27
2 Flûtes traversières (duo)
24
Clarinette, Trompette (duo)
23
2 Clarinettes (duo)
23
Saxophone Tenor et Piano
22
Clarinette et Alto
21
Hautbois, Clarinette (duo)
21
Saxophone (partie séparée)
20
Saxophone Baryton, Piano
20
Quatuor de Saxophones: 4 saxophones
19
Hautbois (partie séparée)
19
Hautbois, Flûte
18
Saxophone Tenor
18
Flûte, Violon
18
Quintette de Saxophone: 5 saxophones
18
Saxophone
17
Flûte, Hautbois, Clarinette, Basson
17
Flûte, Saxophone (duo)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Flûte, Alto (duo)
14
Flûte à bec Soprano
14
Clarinette, Violoncelle (duo)
10
2 Hautbois (duo)
10
Flûte, Trompette (duo)
10
Hautbois, Violoncelle
9
Flûte, Violoncelle
9
Hautbois
9
Quintette de Clarinettes: 5 clarinettes
8
Saxophone Baryton
7
2 Flûte à bec (duo)
7
Saxophone Soprano
7
Cor Anglais
6
Flûte, Hautbois, Clarinette (trio)
5
Quatuor de Clarinettes: 4 clarinettes
5
Flûte à Bec
4
Hautbois, Clarinette, Basson (trio d'anches)
4
3 Saxophones (trio)
4
3 Clarinettes (trio)
4
Flûte à bec Tenor
4
Flûte à bec Alto
4
Clarinette, Basson (duo)
4
Ensemble de Clarinettes
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Basson et Piano
3
Hautbois et alto (duo)
3
Saxophone et Orgue
2
Trio de Flûtes: 3 flûtes
2
Flute, harpe et violon
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Violon, Piano
2
Hautbois, violon (duo)
2
Ensemble de saxophones
2
Flûte, Harpe et Violoncelle
2
Clarinette Basse, Piano
2
Cor anglais, Piano
2
Flûte, Trombone (duo)
1
Ensemble de Flûtes
1
Flûte, Violoncelle, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Hautbois (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Flûtes à bec
1
Flûte traversière, Orgue (duo)
1
Cornemuse
1
5 Flûtes à bec
1
Clarinette, Orgue
1
Piccolo
1
Flûte, Alto et Piano
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Basson
1
Flûte et Guitare
1
+ 81 instrumentations
Retracter
Cuivres
Trombone et Piano
46
Cor et Piano
45
Trompette, Saxophone (duo)
38
Trompette
30
Trompette, Piano
29
Trombone
28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Tuba et Piano
26
Tuba
23
Trompette, Trombone (duo)
21
Cor
21
2 Trombones (duo)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
6
2 Tubas (duo)
6
Cor Anglais
6
Quatuor de Cuivres
5
Trompette (partie séparée)
4
Euphonium
4
Cor, Violoncelle (duo)
3
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trombones
2
Trompette, Cor (duo)
2
Cor anglais, Piano
2
Trombone, Orgue
1
Trompette et Guitare
1
Cor anglais et Harpe (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
3 Trombones (trio)
1
Trio de Cuivres
1
Ensemble de Trompettes
1
Tuba et Orgue
1
Ensemble de Cors
1
+ 28 instrumentations
Retracter
Cordes
Violon et Piano
71
Violoncelle, Piano
63
Alto, Piano
63
Violon, Violoncelle (duo)
52
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violoncelle
36
Violon
34
Alto seul
32
Violon, Alto (duo)
24
Contrebasse, Piano (duo)
22
Contre Basse
21
2 Violons (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
2 Violoncelles (duo)
12
Alto (partie séparée)
9
Violon, Basson (duo)
8
2 Contrebasses (duo)
8
Harpe
7
Trio à Cordes: violon, alto, violoncelle
7
Alto, Violoncelle (duo)
6
Piano Trio: Violon, Alto, Piano
5
2 Altos (duo)
5
Violon, Guitare (duo)
5
Violon (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto et Basson
3
Harpe, Violon, Violoncelle
2
Violon, Clarinette, Piano (trio)
2
Harpe, Flûte (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto, Orgue
1
Violoncelle, Orgue
1
Harpe, Voix
1
Violoncelle, Contrebasse (duo)
1
2 Harpes (duo)
1
Autoharp
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Basse continue
1
Flûte, Contrebasse (duo)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
32
Orchestre à Cordes
12
Orchestre
11
Ensemble de cuivres
10
Orchestre de chambre
8
Ensemble de Percussions
4
Ensemble Jazz
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Jazz combo
1
Xylophone
1
Fanfare
1
+ 6 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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LATIN - BOSSA - WORL…
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OPERA
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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RAGTIME
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Vous avez sélectionné:
Song of the Express Men
SheetMusicPlus
Partitions à imprimer
4 091 partitions trouvées
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Song of the Express Men (Air Maryland! my Maryland!)
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Piano, Voix
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Song of the Express Men
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.23048 Civil War--Union, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Librari...
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Piano and voice - SKU: LV.23048 Civil War--Union, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23048). Song of the Express Men (Air Maryland! my Maryland!. Written by Miss A.D. Woodbridge (of Stockbridge, Mass.. Published [n.d.] by William Hall & Son, 543 Broadway in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Patriotism. First line reads We hail thee now, our native land! Native land, our native land!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
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Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
I Write The Songs
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Instruments en Do
#
INTERMÉDIAIRE/AVANCÉ
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Barry Manilow
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arr
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I Write The Songs
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John Fries
#
SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1034385 By Barry Manilow. By Bruce Johnston. Arranged by arr. by John Fries. 20th Century,Jazz,Pop,Standards. Lead Shee...
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C Instrument - Level 4 - SKU: A0.1034385 By Barry Manilow. By Bruce Johnston. Arranged by arr. by John Fries. 20th Century,Jazz,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #639734. Published by John Fries (A0.1034385). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Johnston has stated that, for him, the I in the song is God. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.
$3.99
I Write The Songs
#
Instruments en Do
#
INTERMÉDIAIRE/AVANCÉ
#
Barry Manilow
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John Fries
#
I Write The Songs
#
John Fries
#
SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1205933 By Barry Manilow. By Bruce Johnston. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book...
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C Instrument - Level 4 - SKU: A0.1205933 By Barry Manilow. By Bruce Johnston. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #804125. Published by John Fries (A0.1205933). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Johnston has stated that, for him, the I in the song is God. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.
$3.99
(put Another Nickel In) Music! Music! Music!
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Instruments en Do
#
INTERMÉDIAIRE/AVANCÉ
#
Bernie Baum and Stephan Weiss
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John Fries
#
(put Another Nickel In) Music!
#
John Fries
#
SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1173985 Composed by Bernie Baum and Stephan Weiss. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fak...
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C Instrument - Level 4 - SKU: A0.1173985 Composed by Bernie Baum and Stephan Weiss. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 3 pages. John Fries #774144. Published by John Fries (A0.1173985). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The first recording of the song was by Etienne Paree with Eddie Piano Miller, released by Rainbow Records in 1949 in the United States, titled Put Another Nickel In - Music, Music, Music (The Nickelodeon Song). The biggest-selling version of the song was recorded by Teresa Brewer with the Dixieland All Stars on 20 December 1949. It was also recorded by many artists on various labels and other hit versions in 1950 were by Carmen Cavallaro (reached No. 5), Freddy Martin (No. 5), Ames Brothers (No. 14), Hugo Winterhalter (No. 17) and Mickey Katz (No. 18). Some radio stations refused to play the record because of the thought that the lyric I'd do anything for you/Anything you'd want me to might be construed as indecent.
$4.99
(put Another Nickel In) Music! Music! Music!
#
Instruments en Do
#
INTERMÉDIAIRE
#
Bernie Baum and Stephan Weiss
#
John Fries
#
(put Another Nickel In) Music!
#
John Fries
#
SheetMusicPlus
C Instrument - Level 3 - SKU: A0.517933 Composed by Bernie Baum and Stephan Weiss. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake...
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C Instrument - Level 3 - SKU: A0.517933 Composed by Bernie Baum and Stephan Weiss. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #128659. Published by John Fries (A0.517933). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The first recording of the song was by Etienne Paree with Eddie Piano Miller, released by Rainbow Records in 1949 in the United States, titled Put Another Nickel In - Music, Music, Music (The Nickelodeon Song). The biggest-selling version of the song was recorded by Teresa Brewer with the Dixieland All Stars on 20 December 1949. It was also recorded by many artists on various labels and other hit versions in 1950 were by Carmen Cavallaro (reached No. 5), Freddy Martin (No. 5), Ames Brothers (No. 14), Hugo Winterhalter (No. 17) and Mickey Katz (No. 18). Some radio stations refused to play the record because of the thought that the lyric I'd do anything for you/Anything you'd want me to might be construed as indecent.
$3.99
Singing In The Rain
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
#
Lennie Hayton
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John Fries
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Singing In The Rain
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John Fries
#
SheetMusicPlus
C Instrument - Level 4 - SKU: A0.998224 Composed by Lennie Hayton. Arranged by John Fries. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Lead Sh...
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C Instrument - Level 4 - SKU: A0.998224 Composed by Lennie Hayton. Arranged by John Fries. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #603878. Published by John Fries (A0.998224). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. The musical film of the same name, Singin' in the Rain (1952), was suggested by the song. The performance by Gene Kelly dancing through puddles in a rainstorm garnered the song the third spot on the American Film Institute ranking of 100 Years...100 Songs. The song was incorporated by Michael Kamen into his score for the 1988 film Die Hard, where it is most closely associated with the character of Theo. Diana Krall included it on her 2020 album This Dream of You.
$3.99
The Shadow Of Your Smile
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Jazz
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Johnny Mandel and Paul Francis
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John Fries
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The Shadow Of Your Smile
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.500088 Composed by Johnny Mandel and Paul Francis Webster. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. L...
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C Instrument - Level 4 - SKU: A0.500088 Composed by Johnny Mandel and Paul Francis Webster. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113287. Published by John Fries (A0.500088). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The Shadow of Your Smile, also known as Love Theme from The Sandpiper, is a popular song. The song was introduced in the 1965 film The Sandpiper, with a trumpet solo by Jack Sheldon and later became a minor hit for Tony Bennett (Johnny Mandel arranged and conducted his version as well). It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song. In 2004 the song finished at number 77 in AFI's 100 Years.
$3.99
Somewhere Out There
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Linda Ronstadt & James Ingram
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John Fries
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Somewhere Out There
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.500288 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged by John Fries. 20th Ce...
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C Instrument - Level 4 - SKU: A0.500288 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #113471. Published by John Fries (A0.500288). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  This popular duet was written for the Steven Spielberg-produced animated film An American Tail. Film composer James Horner teamed up with songwriting duo Barry Mann & Cynthia Weil to write the tune. Horner and Mann composed the music, while Weil wrote the lyrics. The song won two Grammy awards at the 1988 ceremony: Song of the Year and Best Song Written Specifically for a Motion Picture or Television.
$3.99
I Wished On The Moon
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Instruments en Do
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INTERMÉDIAIRE
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Bill Perkins
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John Fries
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I Wished On The Moon
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John Fries
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.499581 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Lead ...
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C Instrument - Level 3 - SKU: A0.499581 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112878. Published by John Fries (A0.499581). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Crosby recorded the song on August 14, 1935 with The Dorsey Brothers Orchestra and it reached the charts of the day peaking at No. 2 during a seven-week stay. At the end of the long recording session, Crosby decided to sing only a single chorus of the song in the middle of an orchestral version instead of the full ballad treatment used in the film. This led to a long argument between the singer and producer Jack Kapp. Eventually Crosby prevailed.
$3.99
Schubert: Moment Musicaux for Baritone Horn & Piano
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sac...
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Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Schubert: Moment Musicaux for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standard...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Schubert: Moment Musicaux for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Stan...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Colonial Song
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George Percy Aldridge Grainger
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Colonial Song
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor and piano or piano alone - SKU: S9.Q6181 Version for two voices and piano or piano alone. Composed by George Percy Aldridge Graing...
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Soprano, tenor and piano or piano alone - SKU: S9.Q6181 Version for two voices and piano or piano alone. Composed by George Percy Aldridge Grainger. This edition: score. Downloadable, Score. Duration 6 minutes. Schott Music - Digital #Q6181. Published by Schott Music - Digital (S9.Q6181). Vocalises.No traditional tunes of any kind are made use of in this piece, in which I have wished to express my personal feelings about my own country (Australia) and people, and also to voice a certain kind of emotion that seems to me not untypical of native-born Colonials in general.Perhaps it is not unnatural that people living more or less lonelily in vast virgin countries and struggling against natural and climatic hardships (rather than against the more actively and dramaticly exciting counter wills of their fellow men, as in more thickly populated lands) should run largely to that patiently yearning, inactive sentimental wistfulness that we find so touchingly expressed in much American art; for instance in Mark Twains Huckleberry Finn, and Stephen C. Foster's adorable songs, My Old Kentucky Home, Old Folks at Home, etc. I have also noticed curious, almost Italian-like, musical tendencies in brass band performances and ways of singing in Australia (such as a preference for richness and intensity of tone and soulful breadth of phrasing over more subtly and sensitively varied delicacies of expression) which are also reflected here.Percy Aldridge Grainger.
$11.99
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
Choral - "O Give Thanks to the Lord" with children's vocal part (children's choir)
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Chorale 2 parties
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Musique Sacrée
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Dan Cutchen
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Choral - "O Give Thanks t
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (2-Part) - SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0...
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Choral Choir (2-Part) - SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0.844330). Easy to learn but fun to sing! For 2-part women/men choir with piano accompaniment and optional children's melody.The presence of children in a choir presentation can be quite charming and encouraging for the congregation. These kind of experiences for children can prepare them for a love of choral and exposure to singing with the big choir. Plus, as Psalm 8:2 informs us, children can have a ministry that silences the negative influence of the enemy and bring strength and encouragement to all who hear them sing praise!The children's part in this piece of music is a simple counter melody, no parts. You do not need an established children's choir, only a few good singers will do nicely.-------------------------------------------------------------------------------------------------------------This is a wonderful expression of praise based on an amazing story in the Bible.In II Chronicles 20, word comes to King Jehoshaphat that three nations are coming to attack Jerusalem and the people of Judah. After prayer, the Lord reveals to them what to do: Don’t be afraid and don’t panic because of this huge army! For the battle is not yours, but God’s...You will not fight in this battle. Take your positions, stand, and watch the Lord deliver you, O Judah and Jerusalem. Don’t be afraid and don’t panic! Tomorrow march out toward them; the Lord is with you!The people marched out the next day with choir of ministers leading the way ahead of the warriors. This is the song they sang, Give thanks to the Lord, for his loyal love endures.God caused the enemy to attack each other in confusion and they destroyed each other. The Israelites just picked up the plunder!The Scriptures tell us in II Chronicles 20, 22 When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated. 23 The Ammonites and Moabites attacked the men from Mount Seir and annihilated them. When they had finished off the men of Seir, they attacked and destroyed one another. 24 When the men of Judah arrived at the observation post overlooking the desert and looked at the huge army, they saw dead bodies on the ground; there were no survivors! 25 Jehoshaphat and his men went to gather the plunder; they found a huge amount of supplies, clothing, and valuable items. They carried away everything they could. There was so much plunder, it took them three days to haul it off.
$1.99
Of That So Sweet Imprisonment (Downloadable)
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Juliana Hall
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Of That So Sweet Imprisonment
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-3E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
Love Will Keep Us Together
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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The Captain & Tennille
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John Fries
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Love Will Keep Us Together
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1175007 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by John Fries. 20th Century,Pop,Rock,...
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C Instrument - Level 4 - SKU: A0.1175007 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #775138. Published by John Fries (A0.1175007). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. It was first recorded by Sedaka in 1973. American pop duo Captain & Tennille covered the song in 1975, with instrumental backing almost entirely by “Captain†Daryl Dragon. Sedaka admitted lifting the main chord progression from Do It Again by The Beach Boys and added a progression including augmented chords. Neil Sedaka rerecorded a spoof of his song, renaming it Lunch Will Keep Us Together for his first children's CD Waking Up Is Hard to Do.
$3.99
Winds of May (Downloadable)
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Juliana Hall
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Winds of May
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-2E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #8769-2E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-2E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #8769-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-2E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$4.00
In the Dark Pine-Wood (Downloadable)
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Juliana Hall
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In the Dark Pine-Wood
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-4E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
Strings in the Earth and Air (Downloadable)
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Juliana Hall
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Strings in the Earth and Air
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-1E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
The Knoxville, PA Mine Disaster
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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John Fries
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John Fries
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The Knoxville, PA Mine Disaste
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1076703 Composed by John Fries. Arranged by John Fries. Blues,Folk,Multicultural,Pop,Standards,World. Lead Sheet / Fake...
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C Instrument - Level 4 - SKU: A0.1076703 Composed by John Fries. Arranged by John Fries. Blues,Folk,Multicultural,Pop,Standards,World. Lead Sheet / Fake Book. 3 pages. John Fries #680797. Published by John Fries (A0.1076703). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  This driving song tells the story of the mine disaster that occurred in 1959 when the minors got too close to the Susquehanna River and the river poured into the mine killing 12 men. 69 men survived. The song is structured with 5 verses and a chorus that repeats after each verse. Words and chord symbols are present. Well worth the play and sing!
$4.99
(hey, Won't You Play) Another Somebody Done Somebody Wrong Song
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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B
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John Fries
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(hey, Won't You Play) Another
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1122686 By B.J. Thomas. By Chips Moman and Larry Butler. Arranged by John Fries. 20th Century,Country,Pop,Standards. Le...
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C Instrument - Level 4 - SKU: A0.1122686 By B.J. Thomas. By Chips Moman and Larry Butler. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #723650. Published by John Fries (A0.1122686). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. (Hey Won't You Play) Another Somebody Done Somebody Wrong Song is an American country and pop song made famous by B.J. Thomas. It won the 1976 Grammy Award for Best Country Song, awarded to its songwriters, Larry Butler and Chips Moman. The title is the longest of any song to top the Hot 100. In 1976, the song was performed by the Muppets on The Muppet Show. In 1979, Larry Butler produced a cover version by Kenny Rogers and Dottie West for their album Classics. Alvin and the Chipmunks and Butler covered the song for the 1981 album Urban Chipmunk. (Hey Won't You Play) Another Somebody Done Somebody Wrong Song was certified gold for sales of one million units by the Recording Industry Association of America.
$3.99
(hey, Won't You Play) Another Somebody Done Somebody Wrong Song
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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B
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arr
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(hey, Won't You Play) Another
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1034319 By B.J. Thomas. By Chips Moman and Larry Butler. Arranged by arr. by John Fries. 20th Century,Country,Film/TV,P...
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C Instrument - Level 4 - SKU: A0.1034319 By B.J. Thomas. By Chips Moman and Larry Butler. Arranged by arr. by John Fries. 20th Century,Country,Film/TV,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #639662. Published by John Fries (A0.1034319). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. (Hey Won't You Play) Another Somebody Done Somebody Wrong Song is an American country and pop song made famous by B.J. Thomas. It won the 1976 Grammy Award for Best Country Song, awarded to its songwriters, Larry Butler and Chips Moman. The title is the longest of any song to top the Hot 100. In 1976, the song was performed by the Muppets on The Muppet Show. In 1979, Larry Butler produced a cover version by Kenny Rogers and Dottie West for their album Classics. Alvin and the Chipmunks and Butler covered the song for the 1981 album Urban Chipmunk. (Hey Won't You Play) Another Somebody Done Somebody Wrong Song was certified gold for sales of one million units by the Recording Industry Association of America.
$3.99
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