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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Songburd Music
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Cuivres
2 Trombones (duo)
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Cor et Piano
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ensemble de Trompettes
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Tuba et Piano
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
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Violon
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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Songburd Music
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Partitions à imprimer
77 partitions trouvées
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Pattern Music
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Michael Reardon
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Pattern Music
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Songburd Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1411420 Composed by Michael Reardon. Classical. Individual part. 8 pages. Songburd Music #993686. Published by Songburd ...
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Solo Guitar - Level 4 - SKU: A0.1411420 Composed by Michael Reardon. Classical. Individual part. 8 pages. Songburd Music #993686. Published by Songburd Music (A0.1411420). Pattern Music is a solo work for classical guitar by Michael Reardon.
$14.99
Praeludium
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Classique
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Keiron Anderson
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Praeludium
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Songburd Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1411108 Composed by Keiron Anderson. Classical,Contemporary. 83 pages. Songburd Music #993432. Published by Songburd Mu...
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Concert Band - Level 5 - SKU: A0.1411108 Composed by Keiron Anderson. Classical,Contemporary. 83 pages. Songburd Music #993432. Published by Songburd Music (A0.1411108). Praeludium takes the musician and the listener on a tonal journey using multiple key changes throughout the music. Â Beginning with B-Flat Major and using counter-melody to create the thematic material, the music quickly progresses from one key change to another, requiring performers to demonstrate good intonation skills as they develop the melodic and harmonic texture of the opening measures, until the lyrical journey has taken them far from the opening key. Â Yet, as the music brings us to its final key change, the musician turns to discover that the music has faithfully and assuredly returned them back to the key in which it began. Â A technique not so commonly used for wind ensembles after the post-Romantic period.
$115.00
Erlkönig
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Schumbert
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Layne Anspach
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Erlkönig
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Musi...
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French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the “City of Music†as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home.  While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe.  This lead Schubert in the year of 1815 to compose the well-known Erlkönig, op. 1 D. 328, based upon Goethe’s poem Der Erlköning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King. Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day.  Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goethe’s poem, Der Erlkönig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the “king of the elves,†a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand. The story of the Erlkönig is considered by some to have come from the Danish folk ballad Elveskud, and that Goethe’s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder.  It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The Erlkönig translates literally from the German as “Alder King†rather than the commonly used “Elf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$14.99
Suite No. 1: for Cello
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Violoncelle
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AVANCÉ
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Contemporain
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Classique
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Luke Acerra
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Suite No. 1: for Cello
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Songburd Music
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SheetMusicPlus
Cello Solo - Level 5 - SKU: A0.1411445 Composed by Luke Acerra. Classical,Contemporary. Individual part. 20 pages. Songburd Music #993710. Published by ...
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Cello Solo - Level 5 - SKU: A0.1411445 Composed by Luke Acerra. Classical,Contemporary. Individual part. 20 pages. Songburd Music #993710. Published by Songburd Music (A0.1411445). Suite No. 1 for solo cello is a composition that pays homage to Bach's solo cello suites while incorporating its own unique musical narrative, reminiscent of a Hero's Journey. Â Drawing inspiration from the baroque dance forms, each movement reflects both the essence of its namesake and represents a significant chapter within this musical odyssey. At the heart of the suite lies a symbolic motif introduced in the first measure of the Praeludium, serving as the foundation upon which each subsequent movement is written.Moreover, the Praeludium introduces a harmonic tension in measure 9 that is left unresolved until the final bars of the Gigue. This deliberate choice creates a sense of conflict within the Hero's Journey.It is only in the closing bars of the Gigue that this tension finds resolution, symbolizing the Hero's transformative journey throughout the Suite. This musical narrative reflects the theme of personal growth and renewal, akin to the process of self-discovery and transformation found in the Hero's Journey archetype.
$19.99
Dichterliebe
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Cor et Piano
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AVANCÉ
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Classique
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Robert Schumann
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Layne Anspach
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Dichterliebe
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Musi...
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French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99
Two-Part Inventions
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Piano seul
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INTERMÉDIAIRE
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Keaton Springfield
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Two-Part Inventions
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Songburd Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1411457 Composed by Keaton Springfield. Baroque,Classical,Contemporary,Instructional. Score. 31 pages. Songburd Music #99...
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Piano Solo - Level 3 - SKU: A0.1411457 Composed by Keaton Springfield. Baroque,Classical,Contemporary,Instructional. Score. 31 pages. Songburd Music #993724. Published by Songburd Music (A0.1411457). The Two-Part Inventions by Keaton Springfield take their inspiration from the Two-Part Inventions of J.S. Bach.  As students of music become familiar with the inventions of J.S. Bach in the course of their studies, it is unsurprising that they should come to admire and champion these works in music studios and performances. For composers, these works present an opportunity to learn from, model and at times emulate musical styles of the Baroque.  While these two-part inventions are Baroque in nature, musical elements are present that exceed their historical bounds such as the modulations found in No. 5 and No. 6.Performance considerations have been made for the sake of practical instruction, while still retaining a Baroque aesthetic.  For example, typical pieces of the Baroque era are without tempi or dynamic indications.  In keeping with this, the tempi provided in parenthesis should be viewed only as recommended approximations and not as fixed directives.  Liberty is also afforded to the performer and music teacher regarding dynamics, which are entirely absent in the score. Performers are encouraged to seek out their own inspiration on the matter of dynamics and tempi through experimentation and a judicious ear.  The provided ornamentation may be augmented or even done away with entirely depending on the needs and tastes of the performer. While the range of style and difficulty in this collection varies widely, it is suitable for use in music education, worship service, and public performance.  For piano instructors, the following order is recommended to fit a general progressive study: 8, 2, 4, 3, 1, 10, 9, 6, 5, 7, which may be adjusted to accommodate the skills and temperament of individual students.
$21.99
Achte Gedichte aus "Letzte Blätter"
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Cor et Piano
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AVANCÉ
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Classique
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Richard Strauss
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Layne Anspach
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Achte Gedichte aus "Letzt
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416186 Composed by Richard Strauss. Arranged by Layne Anspach. Classical. Score and part. 43 pages. Songburd Musi...
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French Horn,Piano - Level 5 - SKU: A0.1416186 Composed by Richard Strauss. Arranged by Layne Anspach. Classical. Score and part. 43 pages. Songburd Music #997870. Published by Songburd Music (A0.1416186). RICHARD STRAUSS was a much-celebrated German composer and conductor who is understood by many to have captured the essence of the German Period of Romanticism and his works encompass almost every type of compositional form, noting that many of his compositions became standards of the operatic and orchestral repertoire.  While being personally recognized as one of the leading conductors in Western Europe, and internationally as well, he is also known for his lieder (songs), noting also that Strauss is thought to have composed most of these songs with the voice of his wife in mind, writing them for voice and piano accompaniment.   As the story is sometimes told, it was Ludwig Thuille, also a prominent Austrian operatic composer, who introduced Strauss to the poetry of Hermann von Gilm, Austrian lawyer and poet, whose authored works caught Strauss’ attention.  Strauss’ admiration for Gilm’s work eventually brought him to compose a series of eight art songs found in Gilm’s literary collection Letzte Blätter (Last Leaves or Last Pages). Strauss’ completed musical work, entitled Acht Lieder aus ‘Letzte Blätter,’ op. 10 (Eight Songs from Last Pages), was first published in the year 1887, with the intention that all would be written for the tenor voice, and the collection is thought to contain some of Strauss’ most appreciated and respected art songs of the period.For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$39.99
Me, D'oh?
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Ensemble Jazz
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DÉBUTANT
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Joseph Walden
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Me, D'oh?
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Songburd Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.1411001 Composed by Joseph Walden. 20th Century,Jazz. 50 pages. Songburd Music #993371. Published by Son...
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Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.1411001 Composed by Joseph Walden. 20th Century,Jazz. 50 pages. Songburd Music #993371. Published by Songburd Music (A0.1411001). Me? D’oh! is as much about word play as it is about the rhythmic melody that uses the solfeggio syllables “mi†and “do†to create a clever musical pun and a tongue-in-cheek expression that reflects a disgruntled response to a sharp and accusative question.  Molded to the swing era this work echoes the style of Glenn Miller as it highlights the good-natured jazzy banter between these musical syllables, emphasizing the different features inherent in each section of the ensemble at different times in the music.  With its compelling momentum, Me? D’oh! is a snappy and light-hearted jazz piece that affords a great opportunity for young ensembles to play more individualized parts and build confidence in playing in the style of the great swing era bands of the 1920s and 1930s.
$60.00
The Corrie Man
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Traditional Scottish Reel
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Genevieve Tabby
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The Corrie Man
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Songburd Music
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1411462 Composed by Traditional Scottish Reel. Arranged by Genevieve Tabby. Classical,Folk,Traditional...
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String Quartet String Quartet - Level 4 - SKU: A0.1411462 Composed by Traditional Scottish Reel. Arranged by Genevieve Tabby. Classical,Folk,Traditional. 29 pages. Songburd Music #993728. Published by Songburd Music (A0.1411462). Hey fiddlers, One thing we know about old Scottish folk tunes is they never grow old, and even though we may never know who first wrote the delightful melody, “The Corrie Man,†we can tell from its lilting qualities—with its cheerful and spirited flow—that it brings to us images of the u-shaped valleys that are so familiar to the highlands of Scotland. We can easily imagine playing this traditional session tune among the rolling hills and farmlands of Scotland where musicians gather in their favorite places to play—near a tree or brook, on a farmhouse porch, in a sitting room or even in the kitchen.  Not to mention the casual setting of a pub where friends gather to raise a pint and sit in a big circle with an array of other fiddlers and musicians, playing tunes side-by-side enjoying each other’s company! With this backdrop our cellist Genevieve dedicated her time to arrange this artful reel for string quartet as part of our debut album, after which she had the wonderful opportunity to visit Scotland to study and perform with Alisdair Fraser and Natalie Haas, who inspired her to be a part of the rich tradition of preserving and performing Scottish folk music.We hope you will find that same inspiration while playing this piece with your friends and colleagues as much as we do.  It’s always a favorite showstopper!Slà inte Mhath (Cheers)ATLYS.
$30.00
Midnight Travels
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Ensemble Jazz
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AVANCÉ
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Joseph Walden
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Midnight Travels
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Songburd Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1410983 Composed by Joseph Walden. 20th Century,Jazz. 84 pages. Songburd Music #993353. Published by Son...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1410983 Composed by Joseph Walden. 20th Century,Jazz. 84 pages. Songburd Music #993353. Published by Songburd Music (A0.1410983). The mission of Midnight Travels is to capture the musical style, character and driving rhythms that set the premise for the genre of spy films and detective television shows that were so popular in the 1960s and 70s. Â Should you choose to accept it, this work is intended for college jazz band and/or professional ensemble but does not disavow other musical agents.Midnight Travels is a highly chromatic work that features an intense bassline ostinato driven by tritones, a sax solo written with angular intervals, and a chord structureâ??â??spy chordsâ?â??derivative of the minMaj9 chord found in John Barry's arrangement of Monty Normanâ??s notable James Bond theme. Â It closes with a shout chorus (without chaos) and horn tutti that will have the band and audience excited for the next assignment.Midnight Travels made its debut as a studio recital piece, tying for first place at the annual Ohio Universityâ??s composition contest, Composition Slam. Â Missed it by that much!
$80.00
Mwiche Khumufumie
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Wilson Shitandi
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Mwiche Khumufumie
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Songburd Music
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SheetMusicPlus
Choral Choir,Choral - Level 5 - SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Pub...
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Choral Choir,Choral - Level 5 - SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Published by Songburd Music (A0.1347430). Africa's rich and varied history has been shaped by many factors, and the same could be said for Africa's captivating traditional and indigenous music styles, which in turn have influenced many other genres of music around the world.  With its early beginnings, the traditional music of Africa has walked hand-in-hand with the development of cultures and languages, each with its distinct traditions and dialects that bring a unique flavor to the African folk tunes that are so much a part of the families, clans and communities that form a music heritage within Africa. Nowhere is this more apparent than in the Luhya community in Kenya, where we clearly see the special relationship that exists between the Samia people, and their articulate dialect, and the delightful expression of their sacred folk music and folk music style.  We could even go so far as to say that Samia folk tunes are closely tied to their art, folklore and religious practices, and also to the artistic influences within and without the Luhya community.Notably, what makes African folk music style special is the sense of purpose and meaning that is attributed to the music--through its use in religious practices, ceremonies, and celebrations-- where audience participation is encouraged and even expected.  The techniques and forms of the music, which give this genre a voice of its own, gives us reason to pay close attention to the characteristics that define this music.  We can briefly point out the use of polyrhythmic techniques, percussion, shimmer, improvisational instrumentation, yodeling and syncopated rhythms that comprise African folk music, but none gets our attention more than the call and response of the singers, which shows the close connection between the language (dialect) and the music, all of which involves the singers and the audience in a musical conversation. This arrangement by Wilson Shitandi combines two melodies commonly used in the praise of leaders or deities--depending on the culture--that typically have no specific title, and sometimes derive their name from an instrument or type of dance.  Stylistically, this arrangement successfully weaves two themes together into one, the first being a lively and upbeat expression, and the second being more meditative and contemplative, both of which alternate throughout the music.   Importantly, the text for this chorus was originally written in Swahili, and later rewritten using the Samia dialect, which the composer feels is more fitting to the melody, with words drawn from Christian traditions, which again demonstrates that music and language are indeed closely linked in the folk music of Africa, as it is in this uplifting arrangement of Mwiche Khumufumie (Come Let Us Glorify Him).
$11.99
The Search for Hope
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Classique
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Keiron Anderson
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The Search for Hope
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Songburd Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1416191 Composed by Keiron Anderson. Classical,Contemporary. 88 pages. Songburd Music #997877. Published by Songburd Mu...
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Concert Band - Level 5 - SKU: A0.1416191 Composed by Keiron Anderson. Classical,Contemporary. 88 pages. Songburd Music #997877. Published by Songburd Music (A0.1416191). The Search for Hope is a work for wind orchestra comprised of three distinct motifs that tell a story of looking for hope.  Beginning with a crisp and airy feeling, this intensive work gives us a sense of taking flight over a diverse human landscape in the time reflecting the global pandemic, and the ensuing personal struggles, economic problems and conflicts that continue to have lasting consequences for so many people in the world.  Opening with a “questioning phrase,†illustrated by using a rising minor third motif, the music develops into a more ominous melody that is carried by the bass instruments.  From that questioning phrase the music sharply transitions into a second motif where the music picks up the pace with its own distinctive phrase and musical features, suggesting a time of invasions and military clashes, while tugging and moving our emotions back and forth with a single impression, and raising the question:  Where is hope found? With the final motif the tempo begins to slow and express a more tempered and solemn course of thought, punctuated by the higher brass that takes the lead in carrying the phrase of the music by using a descending minor third to carry the mood.  Allowing the music to reflect and express the vocal inflections used as when a mother gently speaks the name of her child with love and support—the very essence of hope.
$115.00
Midnight Dance
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Alexandros Pirillis
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Midnight Dance
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Songburd Music
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1411447 Composed by Alexandros Pirillis. Classical,Contemporary,Folk,Romantic Period. 19 pages. Songbu...
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String Quartet String Quartet - Level 4 - SKU: A0.1411447 Composed by Alexandros Pirillis. Classical,Contemporary,Folk,Romantic Period. 19 pages. Songburd Music #993713. Published by Songburd Music (A0.1411447). Alexandros Pirillis brings us a lovely work that is characteristic of the classical music period. Â One that includes the smooth foundational rhythm of the waltz, dutifully brought forward by the poignant undertones of the cello that so profoundly structures the music of Midnight Dance. Â Calling upon his Greek and Romanian musical influences, Pirillis delights us with an elegant and dance-like tune that is both charming and graceful, and maybe a little haunting, as the violins and viola voice a folksy and cordial melody that wisks us back in time when classical meets traditional folk music in this wonderful composition for string quartet.
$24.99
Midnight Dance: Piano Duet
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Alexandros Pirillis
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Midnight Dance: Piano Duet
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Songburd Music
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1427731 Composed by Alexandros Pirillis. Classical,Folk. Score. 10 pages. Songburd Music #1008468. Publis...
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1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1427731 Composed by Alexandros Pirillis. Classical,Folk. Score. 10 pages. Songburd Music #1008468. Published by Songburd Music (A0.1427731). Alexandros Pirillis brings us a lovely work that is characteristic of the classical music period. One that includes the smooth foundational rhythm of the waltz. Calling upon his Greek and Romanian musical influences, Pirillis delights us with an elegant and dance-like tune that is both charming and graceful, and maybe a little haunting, as the duet voices a folksy and cordial melody that wisks us back in time when classical meets traditional folk music in this wonderful composition for piano duet.
$24.99
Lullaby Suite
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Piano seul
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DÉBUTANT
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Sarah Fawcett
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Lullaby Suite
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Songburd Music
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SheetMusicPlus
Piano - Level 1 - SKU: A0.1473897 Composed by Sarah Fawcett. Classical,Instructional. Score (Chords/Lyrics). 23 pages. Songburd Music #1051618. Publishe...
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Piano - Level 1 - SKU: A0.1473897 Composed by Sarah Fawcett. Classical,Instructional. Score (Chords/Lyrics). 23 pages. Songburd Music #1051618. Published by Songburd Music (A0.1473897). Some of you may know that there are numerous benefits to playing music for your baby both in utero and after birth, and one aim of these lullabies is to enhance your and your baby’s special journey through a shared, intimate musical experience.These lullabies can be played by anyone with some basic piano or guitar skills. They came about at the request of some of my adult piano students, particularly pregnant mothers, new mothers, grandmothers, and grandfathers seeking something easy to play, preferably with chord symbols, for their newborns and young children.And so, these seven lullabies came into being. They are simple to play. Some of you may choose to use the chord symbols to create the chords on the piano or guitar rather than the notated accompaniment and add the tune while playing to your little ones. Others may prefer to use the full accompaniment. Elder siblings, significant others, family friends, and relatives also enjoy playing and sharing these songs.I hope you enjoy playing and singing them and that they will become enduring memories of these special times in your shared lives. They are dedicated to the youngest members of my family and come with my warmest wishes.
$19.99
Mis Errores: for SATB
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Chorale SATB
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AVANCÉ
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Classique
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Emiliano Brunetti
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Mis Errores: for SATB
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Songburd Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1449352 Composed by Emiliano Brunetti. Classical. 16 pages. Songburd Music #1029126. Published by So...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1449352 Composed by Emiliano Brunetti. Classical. 16 pages. Songburd Music #1029126. Published by Songburd Music (A0.1449352). Mis Errores celebrates the mistakes I have made, the ones I’m currently making, and the ones to come…I took a step outside of my comfort zone by embracing the adventure of twelve-tone theory, with a series which allowed me to maintain some tonal expressions in a serialist framework. Rhythmic patterns, signature changes, idioms and musical language used showcase the intersection between Western Classical Music and my Argentinian and Latin American culture and influence.
$12.80
Lullaby Suite
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Piano, Voix et Guitare
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DÉBUTANT
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Classique
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Sarah Fawcett
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Lullaby Suite
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Songburd Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1429175 Composed by Sarah Fawcett. Classical. Score. 23 pages. Songburd Music #1009961. Published by Songbu...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1429175 Composed by Sarah Fawcett. Classical. Score. 23 pages. Songburd Music #1009961. Published by Songburd Music (A0.1429175). FORENOTE: Some of you may know that there are numerous benefits to playing music for your baby both in utero and after birth, and one aim of these lullabies is to enhance your and your baby’s special journey through a shared, intimate musical experience.These lullabies can be played by anyone with some basic piano or guitar skills. They came about at the request of some of my adult piano students, particularly pregnant mothers, new mothers, grandmothers, and grandfathers seeking something easy to play, preferably with chord symbols, for their newborns and young children.And so, these seven lullabies came into being. They are simple to play. Some of you may choose to use the chord symbols to create the chords on the piano or guitar rather than the notated accompaniment and add the tune while playing to your little ones. Others may prefer to use the full accompaniment. Elder siblings, significant others, family friends, and relatives also enjoy playing and sharing these songs.I hope you enjoy playing and singing them and that they will become enduring memories of these special times in your shared lives. They are dedicated to the youngest members of my family and come with my warmest wishes.
$19.99
Las Encantadas
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Classique
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Keiron Anderson
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Las Encantadas
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Songburd Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1411062 Composed by Keiron Anderson. Classical,Contemporary. 96 pages. Songburd Music #993408. Published by Songburd Mu...
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Concert Band - Level 5 - SKU: A0.1411062 Composed by Keiron Anderson. Classical,Contemporary. 96 pages. Songburd Music #993408. Published by Songburd Music (A0.1411062). Las Encantadas was the eloquent name bestowed upon the Galápagos Islands by the Dominican friar and Panamanian bishop, Fray Tomás de Berlanga.  He had discovered these enchanted isles quite by chance as the ship he was on, sailing by order of the Holy Roman Emperor, was blown off course hundreds of miles from its Peruvian destination, landing him among the islands of the Columbus Archipelago.  Born in fire and rich with natural beauty Las Encantadas held some mystery for sailors as these isles would seemingly appear, and disappear, from sight, apparently becoming lost in the mists and sea currents that surrounded the islands.  Las Encantadas also held some intrigue for the American author Herman Melville, who in his novella by the same name, included ten fictional short sketches about the Galápagos Islands in The Piazza Tales.Kerion Anderson tells the story of these now well-known islands in his own inimitable way with his work, Las Encantadas, by drawing musical sketches for us that depict the discovery of this archipelago with their sandy warm beaches, their rugged and forbidding coast lines with towering rocks standing as sentinels to the peaceful, blue-watered bays.  When listening to Las Encantadas one can’t help but picture a ship arriving among the isles, with sails unfurled, and sailors standing on deck gazing in wonderment at the strange animals, colorful flora and the exotic birds swirling overhead.  The uplifting spirit of Las Encantadas takes us from island to island until the music bids farewell to these enchanted isles as the ship sails away at the setting of the sun, leaving us with a sense of pathos and wonder.
$115.00
Where the Glacier Meets the Sky
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Chorale SATB
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FACILE
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Jordan Castillow
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Where the Glacier Meets the Sk
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Songburd Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1347436 Composed by Jordan Castillow. 21st Century,A Cappella,Christmas,Instructional. 8 pages. Songburd ...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1347436 Composed by Jordan Castillow. 21st Century,A Cappella,Christmas,Instructional. 8 pages. Songburd Music #932244. Published by Songburd Music (A0.1347436). Where the Glacier Meets the Sky is a moving and sentimental choral piece that draws its musical inspiration from a famous poetic line found in the literary epic, HeimsljoÌs (World Light), written by the Nobel Prize laureate of Iceland, HalldoÌr Laxness. This once controversial novel tells the story of OÌlafur KaÌrason, an orphan boy who longed to read all the books in the world, and aspire to write his own poetry amidst an atmosphere of socialism and communism, while plodding through his personal struggles and forging his creativity in the ruggedly beautiful landscape and indomitable culture of Iceland. While visiting Iceland I came upon this profoundly moving poem by HalldoÌr Laxness, and I realized how symbolic it was of Iceland’s people and culture, and how the words of the poem possessed music within it, and this led me to compose this work in the hope of capturing some aspects of the wonder that is Iceland.
$3.00
A Single Step
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Classique
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Keiron Anderson
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A Single Step
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Songburd Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1416143 Composed by Keiron Anderson. Classical,Contemporary. 117 pages. Songburd Music #997830. Published by Songburd M...
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Concert Band - Level 5 - SKU: A0.1416143 Composed by Keiron Anderson. Classical,Contemporary. 117 pages. Songburd Music #997830. Published by Songburd Music (A0.1416143). A Single Step takes its inspiration from a familiar and contemporized Chinese proverb, “a journey of a thousand miles begins with a single step,†which comes from a revered literary classic written by the notable Chinese philosopher, Laozi.  Giving musical expression to this practical wisdom, A Single Step starts with a simple theme scored sparsely, which gains in momentum and energy as it hastens its pace to an exciting and triumphant conclusion.  It is surely a piece to delight both performers and audiences everywhere as it brings to us images of a mission into space, or a long cattle drive somewhere in the Old West, or perhaps a voyage across the oceans to seek new lands and new beginnings.
$115.00
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