Complete PDF score (15 pages), including both standard and the tab notation, precise left hand - right hand original fingering for easy read and play.
Available also in Guitar Pro 5&6 formats. The great advantage of these two formats is that you can listen to the piece played by the software dynamically (I painstakingly added the dynamics myself throughout the whole score), plus other nuances like ligados and slides, to give a better understanding and aire of the whole piece.
(email me at teodorov[at]gmail.com for a quote).
Enjoy!

Complete PDF score, 21 pages, including standard notation and the corresponding tab notation, plus precise left hand - right hand original fingering for easy read.
Available also in GuitarPro 5&6 formats. The great advantage of these two formats is that you can listen to the piece played by the sofware dynamically (I painstainkingly added the dynamics myself throughout the whole score), plus other nuances like ligados and slides, to give a better understanding and aire of the whole piece.
(email me at teodorov[at]gmail.com for a quote).
Enjoy!

A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called ?Andalusian? cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.

Escala Musical o Escala Diat�nica - Estudio de Escalas Mayores y Menores Para Clarinetes
La Escala Musical o Diat�nica se define como una secuencia ordenada de notas naturales y sonidos musicales. Estas notas se organizan seg�n una estructura y un orden determinado, generalmente por su altura o entonaci�n. En una escala ascendente, cada nota es m�s aguda que la anterior, mientras que en una escala descendente, cada sonido es m�s grave que el anterior. La progresi�n en la escala contin�a hasta incluir todas las notas necesarias. Por lo tanto, la Escala Diat�nica es una sucesi�n de siete sonidos m�s la repetici�n del primero, dispuestos por grados conjuntos seg�n las leyes de tonalidad.
La funci�n principal de la Escala es establecer la base tonal de una melod�a o composici�n musical. Gracias a la serie de sonidos que conforman una Escala Musical, se pueden realizar combinaciones entre ellos para generar nuevas sonoridades y crear bases arm�nicas para desarrollar un ambiente sonoro.