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Vous avez sélectionné:
Soon We Will Be Done
Partitions à imprimer
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Soon We Will Be Done (Downloadable)
Chorale SATB
SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle …
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SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
2.95 €
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Chorale SATB
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Soon We Will Be Done
T(T)BB choir with Spoken word solo and piano - Medium - Digital Download SKU: MQ.1.3694…
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T(T)BB choir with Spoken word solo and piano - Medium - Digital Download SKU: MQ.1.3694-E Composed by Kyle Pederson. African American Heritage. 20 pages. Galaxy Music Corporation - Digital #1.3694-E. Published by Galaxy Music Corporation - Digital (MQ.1.3694-E). English.Kyle Pederson brings a fresh take on a well-known spiritual through this revoicing of his popular arrangement.
$3.15
2.9 €
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
8 Swinging Xmas Carols for Bassoon & Piano
Basson, Piano (duo)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1315048 By Keith Terrett. By Var…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1315048 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Holiday,Praise & Worship. Score and part. 30 pages. Keith Terrett #903801. Published by Keith Terrett (A0.1315048). An exciting arrangement of eight popular swinging xmas carols arranged for Bassoon & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith!If you enjoyed this arrangement, check out my original works for Bassoon and Piano, such as: A Bassoonist Goes Ballroom Dancing, and my arrangement of Czardas for Bassoon and Piano; all to be found in my Sibelius store.
$15.99
14.72 €
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Basson, Piano (duo)
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Bassoon & Piano
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Keith Terrett
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SheetMusicPlus
No Time To Die
Basson
Bassoon Solo - Level 3 - Digital Download SKU: A0.780150 By Billie Eilish. By Billi…
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Bassoon Solo - Level 3 - Digital Download SKU: A0.780150 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Graham Boag. Pop. Individual part. 15 pages. Graham Boag #6865057. Published by Graham Boag (A0.780150). No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast. The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved if any Bond things come up…whatever we have to do we will do. When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them intensely uninspired and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was so cool and really, really helpful.Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves. Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.
$15.99
14.72 €
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Basson
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Billie Eilish
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Graham Boag
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No Time To Die
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Graham Boag
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SheetMusicPlus
Penitent Thief, The (for viola and piano)
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterr…
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
23.01 €
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Alto, Piano
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Penitent Thief, The
Alto et Harpe
Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.103…
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Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
23.01 €
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Alto et Harpe
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Arrival of the Queen of Sheba, flute/piano - Handel (Jazz-style) includes original flute solo
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.761559 Composed by Chris Lawry and…
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Flute,Piano - Level 2 - Digital Download SKU: A0.761559 Composed by Chris Lawry and Keri Degg. Baroque,Jazz. Score and part. 10 pages. Masquerade Music #6424407. Published by Masquerade Music (A0.761559). It had to be done, and yes, we did it! Are you ready to play Handel as you’ve never played it before? Arranged in a cool/smooth Jazz style for C flute and piano with sound influences from Scott Hamilton, Stan Getz, and Paul Desmond. As well as the classic Queen of Sheba theme, there is also a fully written out original flute solo which makes this a delight to play and conjures up images of a late night Jazz lounge. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Arrival of the Queen of Sheba is perfect for intermediate players (approx grade 3-5).
$3.99
3.67 €
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Flûte traversière et Piano
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Chris Lawry and Keri Degg
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Arrival of the Queen of Sheba, flute/piano - Handel
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Masquerade Music
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SheetMusicPlus
Turkish Rondo - Mozart (but not as you know it!) includes original flute solo - flute (in C) & piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.761564 Composed by Chris Lawry and…
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Flute,Piano - Level 4 - Digital Download SKU: A0.761564 Composed by Chris Lawry and Keri Degg. Classical,Contemporary,Jazz. Score and part. 13 pages. Masquerade Music #6424423. Published by Masquerade Music (A0.761564). It had to be done, and yes, we did it! Are you ready to play Mozart as you’ve never played it before? Arranged in a Jazz style for (C) flute in an upbeat swing with additional comedy moments. As well as the classic Mozart theme, there is also a fully written out original flute solo. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Turkish Rondo is perfect for upper intermediate players (approx grade 6-7).
$3.99
3.67 €
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Flûte traversière et Piano
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Chris Lawry and Keri Degg
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Turkish Rondo - Mozart
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Masquerade Music
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SheetMusicPlus
In the hall of the mountain king (Grieg) (but not as you know it!) includes original clarinet solo -
Clarinette et Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.761555 Composed by Chris Lawry,…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.761555 Composed by Chris Lawry, Keri Degg. 20th Century,Jazz,Romantic Period. Score and part. 9 pages. Masquerade Music #6424387. Published by Masquerade Music (A0.761555). It had to be done, and yes, we did it! Are you ready to play Grieg as you’ve never played it before? Arranged in a Jazz/Reggae/funk style for Bb clarinet and piano. As well as the classic Grieg theme, there is also a fully written out original clarinet solo which includes a gradual increase in tempo which adds to the humour! If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. In the hall of the mountain king is perfect for intermediate players (approx grade 4-6).
$3.99
3.67 €
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Clarinette et Piano
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Chris Lawry, Keri Degg
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In the hall of the mountain king
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Masquerade Music
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SheetMusicPlus
Turkish Rondo - Mozart (but not as you know it!) includes original clarinet solo - Bb clarinet & pia
Clarinette et Piano
Clarinet,Piano - Level 4 - Digital Download SKU: A0.761563 Composed by Chris Lawry,…
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.761563 Composed by Chris Lawry, Keri Degg. Classical,Contemporary,Jazz. Score and part. 13 pages. Masquerade Music #6424419. Published by Masquerade Music (A0.761563). It had to be done, and yes, we did it! Are you ready to play Mozart as you’ve never played it before? Arranged in a Jazz style for Bb clarinet in an upbeat swing with additional comedy moments. As well as the classic Mozart theme, there is also a fully written out original clarinet solo. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Turkish Rondo is perfect for upper intermediate players (approx grade 6-7).
$3.99
3.67 €
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Clarinette et Piano
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Chris Lawry, Keri Degg
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Turkish Rondo - Mozart
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Masquerade Music
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SheetMusicPlus
Für Elise (but not as you know it!) includes original clarinet solo - Bb clarinet & piano - Jazz
Clarinette et Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.761547 Composed by Chris Lawry,…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.761547 Composed by Chris Lawry, Keri Degg. Classical,Contemporary,Jazz. Score and part. 10 pages. Masquerade Music #6424345. Published by Masquerade Music (A0.761547). It had to be done, and yes, we did it! Are you ready to play Beethoven as you’ve never played it before? Arranged in a Jazz swing style for Bb clarinet and piano with a definite Paul Desmond/Take Five feel. As well as the classic Beethoven theme, there is also a fully written out original clarinet solo which makes this a delight to play, and a great performance piece too. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Für Elise is perfect for intermediate players (approx grade 4-6).
$3.99
3.67 €
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Clarinette et Piano
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Chris Lawry, Keri Degg
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Für Elise
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Masquerade Music
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SheetMusicPlus
Arrival of the Queen of Sheba - Handel (but not as you know it!) includes original clarinet solo
Clarinette
Clarinet,Piano - Level 2 - Digital Download SKU: A0.761560 Composed by Chris Lawry …
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.761560 Composed by Chris Lawry and Keri Degg. Jazz,Wedding. Score and part. 10 pages. Masquerade Music #6424405. Published by Masquerade Music (A0.761560). It had to be done, and yes, we did it! Are you ready to play Handel as you’ve never played it before? Arranged in a cool/smooth Jazz style for Bb clarinet and piano with sound influences from Scott Hamilton, Stan Getz, and Paul Desmond. As well as the classic Queen of Sheba theme, there is also a fully written out original clarinet solo which makes this a delight to play and conjures up images of a late night Jazz lounge. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Arrival of the Queen of Sheba is perfect for intermediate players (approx grade 3-5).
$3.99
3.67 €
#
Clarinette
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Chris Lawry and Keri Degg
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Arrival of the Queen of Sheba - Handel
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Masquerade Music
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SheetMusicPlus
In the hall of the mountain king (Grieg) (but not as you know it!) includes original flute solo - fl
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.761556 Composed by Chris Lawry, Ke…
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Flute,Piano - Level 3 - Digital Download SKU: A0.761556 Composed by Chris Lawry, Keri Degg. 20th Century,Jazz,Romantic Period. Score and part. 9 pages. Masquerade Music #6424397. Published by Masquerade Music (A0.761556). It had to be done, and yes, we did it! Are you ready to play Grieg as you’ve never played it before? Arranged in a Jazz/Reggae/funk style for flute (in C) and piano. As well as the classic Grieg theme, there is also a fully written out original flute solo which includes a gradual increase in tempo which adds to the humour! If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. In the hall of the mountain king is perfect for intermediate players (approx grade 4-6).
$3.99
3.67 €
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Flûte traversière et Piano
#
Chris Lawry, Keri Degg
#
In the hall of the mountain king
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Masquerade Music
#
SheetMusicPlus
In the hall of the mountain king (Grieg) (but not as you know it!) includes original sax solo - Eb s
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.76155…
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.761553 Composed by Chris Lawry, Keri Degg. 20th Century,Jazz,Romantic Period. Score and part. 9 pages. Masquerade Music #6424375. Published by Masquerade Music (A0.761553). It had to be done, and yes, we did it! Are you ready to play Grieg as you’ve never played it before? Arranged in a Jazz/Reggae/funk style for Alto (or baritone) saxophone and piano. As well as the classic Grieg theme, there is also a fully written out original saxophone solo which includes a gradual increase in tempo which adds to the humour! If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. In the hall of the mountain king is perfect for intermediate players (approx grade 4-6).
$3.99
3.67 €
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Saxophone Alto et Piano
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Chris Lawry, Keri Degg
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In the hall of the mountain king
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Masquerade Music
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SheetMusicPlus
Turkish Rondo - Mozart (but not as you know it!) includes original sax solo - Tenor (or soprano) sax
Saxophone Tenor et Piano
Instrumental Duet,Piano Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.7615…
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Instrumental Duet,Piano Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.761562 Composed by Chris Lawry and Keri Degg. Classical,Contemporary,Jazz. Score and part. 13 pages. Masquerade Music #6424413. Published by Masquerade Music (A0.761562). It had to be done, and yes, we did it! Are you ready to play Mozart as you’ve never played it before? Arranged in a Jazz style for Tenor (or soprano) saxophone in an upbeat swing with additional comedy moments. As well as the classic Mozart theme, there is also a fully written out original saxophone solo. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Turkish Rondo is perfect for upper intermediate players (approx grade 6-7).
$3.99
3.67 €
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Saxophone Tenor et Piano
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Chris Lawry and Keri Degg
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Turkish Rondo - Mozart
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Masquerade Music
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SheetMusicPlus
Arrival of the Queen of Sheba - Handel (but not as you know it!) includes original sax solo - Tenor
Saxophone Tenor et Piano
Instrumental Duet,Piano Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.7615…
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Instrumental Duet,Piano Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.761558 Composed by Chris Lawry, Keri Degg. Baroque,Jazz. Score and part. 10 pages. Masquerade Music #6424401. Published by Masquerade Music (A0.761558). It had to be done, and yes, we did it! Are you ready to play Handel as you’ve never played it before? Arranged in a cool/smooth Jazz style for Bb saxophone (tenor, or soprano) and piano with sound influences from Scott Hamilton, Stan Getz, and Paul Desmond. As well as the classic Queen of Sheba theme, there is also a fully written out original saxophone solo which makes this a delight to play and conjures up images of a late night Jazz lounge. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Arrival of the Queen of Sheba is perfect for intermediate players (approx grade 3-5).
$3.99
3.67 €
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Saxophone Tenor et Piano
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Chris Lawry, Keri Degg
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Arrival of the Queen of Sheba - Handel
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Masquerade Music
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SheetMusicPlus
Turkish Rondo - Mozart (but not as you know it!) includes original sax solo - Alto (or baritone) sax
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.76156…
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.761561 Composed by Chris Lawry, Keri Degg. Classical,Contemporary,Jazz. Score and part. 13 pages. Masquerade Music #6424409. Published by Masquerade Music (A0.761561). It had to be done, and yes, we did it! Are you ready to play Mozart as you’ve never played it before? Arranged in a Jazz style for Alto (or baritone) saxophone in an upbeat swing with additional comedy moments. As well as the classic Mozart theme, there is also a fully written out original saxophone solo. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Turkish Rondo is perfect for upper intermediate players (approx grade 6-7).
$3.99
3.67 €
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Saxophone Alto et Piano
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Chris Lawry, Keri Degg
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Turkish Rondo - Mozart
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Masquerade Music
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SheetMusicPlus
Für Elise (but not as you know it!) includes original sax solo - Eb saxophone & piano - Jazz
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.76154…
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.761545 Composed by Chris Lawry, Keri Degg. Classical,Contemporary,Jazz. Score and part. 10 pages. Masquerade Music #6424333. Published by Masquerade Music (A0.761545). It had to be done, and yes, we did it! Are you ready to play Beethoven as you’ve never played it before? Arranged in a Jazz swing style for Eb saxophone and piano with a definite Paul Desmond/Take Five feel. As well as the classic Beethoven theme, there is also a fully written out original saxophone solo which makes this a delight to play, and a great performance piece too. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Für Elise is perfect for intermediate players (approx grade 4-6).
$3.99
3.67 €
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Saxophone Alto et Piano
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Chris Lawry, Keri Degg
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Für Elise
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Masquerade Music
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SheetMusicPlus
Arrival of the Queen of Sheba - Handel (but not as you know it!) includes original sax solo - Eb sax
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.76155…
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.761557 Composed by Chris Lawry Keri Degg. Baroque,Jazz. Score and part. 10 pages. Masquerade Music #6424399. Published by Masquerade Music (A0.761557). It had to be done, and yes, we did it! Are you ready to play Handel as you’ve never played it before? Arranged in a cool/smooth Jazz style for Eb saxophone (alto, or baritone) and piano with sound influences from Scott Hamilton, Stan Getz, and Paul Desmond. As well as the classic Queen of Sheba theme, there is also a fully written out original saxophone solo which makes this a delight to play and conjures up images of a late night Jazz lounge. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Arrival of the Queen of Sheba is perfect for intermediate players (approx grade 3-5).
$3.99
3.67 €
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Saxophone Alto et Piano
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Chris Lawry Keri Degg
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Arrival of the Queen of Sheba - Handel
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Masquerade Music
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SheetMusicPlus
Quartett in Es Dur Op. 8 No. 4
Small Ensemble Bassoon,Clarinet,Flute,Horn - Digital Download SKU: A0.786138 Compos…
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Small Ensemble Bassoon,Clarinet,Flute,Horn - Digital Download SKU: A0.786138 Composed by Carl Stamitz. Arranged by Bill Malcolm. Classical. Score and parts. 38 pages. Bill Malcolm #3574567. Published by Bill Malcolm (A0.786138). The quartets of Opus 8 were written for various wind/string combinations. This one featured the oboe, which is ironically omitted from this arrangement for flute, clarinet, horn and bassoon. The sound clip is from the last measures of the first movement. It features a horn run that will be a challenge, but sounds so neat if it's nailed. Everything else is quite playable. We have done it for audiences and it was received well.
$15.00
13.81 €
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Carl Stamitz
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Bill Malcolm
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Quartett in Es Dur Op. 8 No. 4
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Bill Malcolm
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.67 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Two Irish Songs
Bassoon, piano, voice - Digital Download SKU: IZ.PDP039 Composed by Novie Greene. S…
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Bassoon, piano, voice - Digital Download SKU: IZ.PDP039 Composed by Novie Greene. Score and Parts. 19 pages. Imagine Music - Digital #PDP039. Published by Imagine Music - Digital (IZ.PDP039). 9 x 12 in inches.The Two Irish Songs were arranged in 1983 at my suggestion. Mycousin, Ed Searl, was studying voice with Novie Greene at the time, and it was through him that I made her acquaintance. The three of us thought that it would be nice to have something which we could all perform together, and so Novie began working on these charming settings. We premiered these pieces at a Bach's Lunch Concert at the Cathedral Church of St. Luke in Orlando on 28 April 1983. I have performed them since then as a set and also done St. Patrick's Breastplate several times for church services. The hymn is frequently used during confirmation or baptis1n ceremonies. The text is a translation of a Gaelic prayer done in 1889 by Cecil Frances Alexander (1818-1895), the wife of the Anglican Bishop of Derry and Raphoe. She also wrote the text for the hymn All Things Bright and Beautiful. The tune chosen by Novie Greene, sometimes known as St. Patrick, is by the Irish composer Sir Charles Villiers Stanford (1852-1924), who wrote it in 1902. Stanford is best remembered today for his work as a professor of composition at the Royal College of Music. His students there included Frank Bridge, Samuel Coleridge-Taylor, Thomas Dunhill, Gustav Holst, Herbert Howells, Willian1 Yeates Hurlstone, and Ralph Vaughan Williams. ~Bruce Gbur.
$20.00
18.42 €
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Novie Greene
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Two Irish Songs
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Imagine Music - Digital
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SheetMusicPlus
Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
62.62 €
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Orchestre
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Only from Blood Does Freedom Grow (Piano/Choral Score)
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704…
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.
$4.00
3.68 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
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