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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
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Vous avez sélectionné:
Sound Of The Triad
Partitions à imprimer
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Sound Of The Triad (Electric Bass Etude)
Basse electrique
Bass Guitar - Level 3 - Digital Download SKU: A0.788484 Composed by Antonius Agung …
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Bass Guitar - Level 3 - Digital Download SKU: A0.788484 Composed by Antonius Agung Setiawan. Contemporary. Score. 5 pages. Antonius Agung Setiawan #6184207. Published by Antonius Agung Setiawan (A0.788484). Sound Of The Triad Composed by Antonius Agung Setiawan Electric Bass Etude composition in A minor scale Fingerstyle Electric Bass composition Instagram @ https://www.instagram.com/pakagung/ Youtube @ https://www.youtube.com/channel/UC8INfTcYhpBnMZrekYtC_jg #guitaronlybypakagung
$6.50
5.86 €
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Basse electrique
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Antonius Agung Setiawan
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Sound Of The Triad
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Antonius Agung Setiawan
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SheetMusicPlus
Music for the Taking Part One: The Shape of Sound for Piano Solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.862509 Composed by Michael Bomier. …
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Piano Solo - Level 4 - Digital Download SKU: A0.862509 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2032067. Published by Michael Butkus-Bomier (A0.862509). A three-part set based on the topography of the keyboard, and its sonic possibilities and implications. The minor triads of C#, D# and G# all have white keys immediately above and below the chords. The Major triads of C and G have black keys immediately ABOVE the lowest and BELOW the highest notes. These two elements, along with the Major triads on the three sharp-key chords, have been combined into a haunting and ethereal setting, with the left-hand accompaniment stating these shapes, and the melody in the treble taking its cue from the scale implied by the chords below. Octaves, triplets, and 16ths are all part of the swirling mist of melody that surrounds the highly stable and uniform accompaniment. Each measure begins with the low octave on the root, and jumps up to state the shape being used, using dom 7ths to transition to the next sound and shape. Chopin and Liszt did not share many musical values, but they DID both utilize the shape and particular formations of various keys to suit their expressive needs. And, so we salute them both here, in this first of three pieces using this time-honored tradition of pianistic, yet evocative composition. MBB.
$3.99
3.6 €
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Piano seul
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Michael Bomier
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Music for the Taking Part One: The Shape of Sound for Piano Solo
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Michael Butkus-Bomier
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SheetMusicPlus
Triad Chord Worksheet
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. In…
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Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99
1.8 €
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Guitare notes et tablatures
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Brian Streckfus
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Triad Chord Worksheet
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Brian Streckfus
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SheetMusicPlus
Prelude on Mendelssohn ('Hark! the Herald Angels Sing')
Orgue
Organ - Level 4 - Digital Download SKU: A0.1384296 Composed by John Burkett. Arrang…
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Organ - Level 4 - Digital Download SKU: A0.1384296 Composed by John Burkett. Arranged by John Burkett. Christmas,Contemporary,Praise and Worship,Sacred. Score. 10 pages. John Burkett #968607. Published by John Burkett (A0.1384296). My Prelude on the Christmas carol tune Mendelssohn (Hark! the Herald Angels Sing) opens with a brief introduction based on the first measure of the third phrase of the tune. An original harmonization of the entire tune follows, anchored by a repetitive rhythmic pattern of alternating rests and chords. An interlude ensues, which is a rhythmically intensified reworking of the initial introduction. Then the first phrase of the tune sounds in a new key in the pedal bass, accompanied by parallel triads in the hands. Another interlude follows, also based on parallel triads, and leading to a statement in the pedals of the second phrase of the tune. Slightly modified versions of the third and fourth phrases with varied accompaniments lead to a strong cadence. The final section follows, beginning with an extended introduction that increases the rhythmic pace to the point where a constant stream of rapidly moving sixteenth notes drives forward to the final statement of the carol tune, and lends a sense of urgency as the flow continues underneath the melody. The tempo slows slightly during a brief postlude in which the state trumpet reiterates a rhythmic pattern heard earlier. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$12.00
10.83 €
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Orgue
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John Burkett
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John Burkett
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Prelude on Mendelssohn
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John Burkett
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1310263 By Tony Bennett. By Bart H…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1310263 By Tony Bennett. By Bart Howard. Arranged by Christopher J. Malin. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #899378. Published by Christopher J. Malin (A0.1310263). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Bart Howard's finer pieces. He's from Iowa! This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. There are many arrangements of this song. Give mine a go, it's a bit different. Sounds great on acoustic and electric guitars.
$4.99
4.5 €
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Guitare
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Tony Bennett
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Christopher J
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Fly Me To The Moon
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Christopher J. Malin
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SheetMusicPlus
Dust In The Wind
Acoustic Guitar,Alto Flute,Cello,Horn,Tenor Saxophone,Trombone,Violin - Level 3 - Digital …
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Acoustic Guitar,Alto Flute,Cello,Horn,Tenor Saxophone,Trombone,Violin - Level 3 - Digital Download SKU: A0.1368317 By Kansas. By Kerry Livgren. Arranged by Jon Thingvall. Pop,Rock. 45 pages. Jon Thingvall #952661. Published by Jon Thingvall (A0.1368317). Seeking a modern setting for a French Horn solo? Is the community--or are the students--feeling that classical music is stuffy? Got a budding Guitar Hero with nowhere to play? Want to give the orchestra a break, without stopping the program completely? Need a relaxed, quasi-Adagio for the concert's pacing?This is a record-copy of KANSAS' classic rock ballad, scored for a fairly small ensemble. Most instruments can be substituted: Flute for Alto Flute, Viola or Cello for Violin, Flugelhorn for the Horn part, or 4 Trombone parts instead of 3 with Solo Horn.Acoustic Guitar (will need amp). (Part copied verbatim from the official video, with thanks to Kansas - Dust In The Wind Guitar Lesson Pt.1 - Intro & Verse (youtube.com))French Horn solo--  Steve Walsh's epic, almost-apocalyptic style seemed perfectly suited to the mystique of the French Horn. (Measure 102 is “as though spoken†like in the recording here:  https://youtu.be/tH2w6Oxx0kQ?t=126. If the audience isn't familiar with Steve's style, it may be better left as a quarter- or eighth-note (written F sharp), but if you've got a Hornist with the chops, I’ve tried to put the articulations in to imitate a spoken voice.)3 Trombones-- Mainly triadic pads, with two instances of 9ths in the upper bass clef.1 Tenor Sax / Double on Alto Flute The Sax will sound great sotto voce to the Horn. The Flute should be as soft as possible, and ethereal.Solo Violin  (Could be sectional, instead of solo.)Solo Cello (Ibid.)The official video has bongos at the end, but I felt the sparse score worked well. They could easily be improvised, if needed.
$30.00
27.07 €
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Kansas
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Jon Thingvall
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Verse (youtube
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Dust In The Wind
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Jon Thingvall
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SheetMusicPlus
I'm Beginning To See The Light
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1397472 Composed by Don George, Du…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1397472 Composed by Don George, Duke Ellington, Harry James, and Johnny Hodges. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #980800. Published by Christopher J. Malin (A0.1397472). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. I think of this one as Duke Ellington's signature piece. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. If someone asks you to play a swing jazz tune this is a archetypical piece. This is a jazz classic! Every jazz guitarist should have this in their repitore. I love this tune! Hope you will too.
$4.99
4.5 €
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Guitare
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Don George, Duke Ellington, Harry James, and Johnny Hodges
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Christopher J
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I'm Beginning To See The Light
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Christopher J. Malin
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SheetMusicPlus
The Sound Of Silence
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1289196 By Simon And Garfunkel. By…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1289196 By Simon And Garfunkel. By Paul Simon. Arranged by Christopher J. Malin. 20th Century,Contemporary,Folk,Jazz,Pop. Individual part. 1 pages. Christopher J. Malin #879968. Published by Christopher J. Malin (A0.1289196). Solo jazz guitar with tablature. Featuring triad chords.
$4.99
4.5 €
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Guitare
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Simon And Garfunkel
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Christopher J
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The Sound Of Silence
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Christopher J. Malin
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SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1310272 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1310272 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Christopher J. Malin. 20th Century,Film/TV,Jazz,Pop,Standards. Individual part. 2 pages. Christopher J. Malin #899389. Published by Christopher J. Malin (A0.1310272). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Harold Arlen's finer pieces. In the film The Wizard of Oz. Sung by Judy Garland.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.
$4.99
4.5 €
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Guitare
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Judy Garland
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Christopher J
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Over The Rainbow
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Christopher J. Malin
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SheetMusicPlus
The Scientist
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1166868 By Coldplay. By Chris Marti…
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Easy Piano - Level 2 - Digital Download SKU: A0.1166868 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Dennis Cheng. Instructional,Pop,Rock. Score. 3 pages. Dennis Cheng #767245. Published by Dennis Cheng (A0.1166868). Easiest version of The Scientist by Coldplay that will sound accurate to the real song with a melody and harmony. Easy arrangement for the beginner to early intermediate level piano player.Ideal for teaching the adult beginner learner. Knowledge of ties, ottava, triads are useful. Learn piano online from the arranger: https://www.thekeyspacenj.com/Arranger's channel: https://www.youtube.com/user/dc24fly.
$4.99
4.5 €
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Piano Facile
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Coldplay
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Dennis Cheng
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The Scientist
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Dennis Cheng
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SheetMusicPlus
Echoes of Egypt
Piano seul
Piano - early intermediate - Digital Download SKU: F0.W9324 Composed by Kevin Olson…
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Piano - early intermediate - Digital Download SKU: F0.W9324 Composed by Kevin Olson. Sheet Music. Written For You. Solo Sheet. 4 pages. The FJH Music Company - Digital #W9324. Published by The FJH Music Company - Digital (F0.W9324). UPC: 674398224104.This mysterious Egyptian-sounding piece is written for the late elementary level student. The A section contains a haunting single note melody while the B section has an interesting change in mood using a LH melody with RH triads moving downward step wise in a rhythmic fashion. The A section then returns to end the piece. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.50
2.26 €
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Piano seul
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Kevin Olson
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Echoes of Egypt
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The FJH Music Company - Digital
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SheetMusicPlus
Achieving Guitar Artistry - Triads
Guitare
Guitar (flatpicking) - Intermediate-Advanced - Digital Download Composed by William B…
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Guitar (flatpicking) - Intermediate-Advanced - Digital Download Composed by William Bay. Solos. Achieving Guitar Artistry. Style. E-book. 76 pages. Mel Bay Publications - Digital Sheet Music #WBM24EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117266.<br> <br> This book of triadic concepts is as much for the ears as it is for the hands. Playing harmonized scales in triadic form is very helpful for the progressing guitarist. By working through these exercises, the guitarist will learn the harmonic sound of each key and develop a strong sense of melodic and harmonic voice leading. These studies contain interesting melodic content and are very fun to play. The keys are presented in tonic major and tonic minor rather than tonic major and relative minor. This is the second book in Mel Bay's Achieving Guitar Artistry series and follows the initial Linear Etudes text. Readers should develop a routine of practicing one key per day for the best results. Mastery of this book will do much to enhance the guitarist's sense of voice leading, note reading and improvising.
$17.99
16.23 €
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Guitare
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William Bay
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Achieving Guitar Artistry - Triads
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Tree
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1144522 By Takeru Hirabayashi. By T…
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Piano Solo - Level 4 - Digital Download SKU: A0.1144522 By Takeru Hirabayashi. By Takeru Hirabayashi. Classical,Holiday. Score. 2 pages. TAKeru Hirabayashi #744854. Published by TAKeru Hirabayashi (A0.1144522). I tried to make it sound like Kaski, or Palmgren. It is a short ABA' form in B-flat minor, 26 bars in all. The melody in high notes also echoes in the inner voice. 8 bars of exposition are followed by a middle section, which is mainly composed of a series of triads. I hope this piece would make you feel the texture of the tense air of a Nordic forest and the moisture of its thick fog.
$8.00
7.22 €
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Piano seul
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Takeru Hirabayashi
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The Tree
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TAKeru Hirabayashi
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SheetMusicPlus
Geometria
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1024240 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPiper (A0.1024240). Geometria is a serial composition*.Geometria, Latin for geometry, is an arrangement of sound shapes. Beginning with a parallelogram it moves to a square and then to a triangle. At the apex of the triangle the piece retrogrades back through the previous shapes; a mirror image in sound. The parallelogram is achieved by use of canon, the square by homophony and the triangle by staggered entrances. There are 5 instruments and 5 notes; F, F#, A,C# and Bb. F#,Bb,C# form a major triad, F#,A,C# form a minor triad, A,Bb,C# form trichord 3-3, Bb,C#,F form trichord 3-11 and A,C#,F form trichord 3-12. Therefore, 5 geometric shapes, 5 instruments, 5 notes, 5 plus harmonic possibilities and 5 players. *Serial Music - the use of a sequence of notes in a definite order as a thematic basis for a composition and a source from which the musical material is derived. Serialism was an attempt to escape tonal-centered compositions prior to the twentieth century. It began with Arnold Schoenberg's twelve tone-technique in the early 1900's, though some of his contemporaries such as Anton Webern, Alban Berg, Karlheinz Stockhausen, Pierre Boulez, Luigi Nono and Milton Babbit were also working to establish serialism as a form of post-tonal thinking. Other composers such as Bela Bartok, Luciano Berio, Benjamin Britten, John Cage, Aaron Copland, Olivier Messiean, Arvo Part, Dmitri Shostakovich and Igor Stravinsky used serialism only for some of their compositions.
$5.99
5.4 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Kent Piper
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a mirror image in sound
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Geometria
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RKPiper
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SheetMusicPlus
The Look Of Love
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1297727 By Sergio Mendes & Brasil …
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Solo Guitar - Level 4 - Digital Download SKU: A0.1297727 By Sergio Mendes & Brasil '66. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,Jazz,Pop,Standards. Individual part. 2 pages. Christopher J. Malin #887699. Published by Christopher J. Malin (A0.1297727). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Bacharach/David's finer pieces. A sensual piece of music. Should be played as such. Play in a legato style with subtle finger vibrato on the long single notes. I like to play this on a guitar equiped with a vibrato to also add a little flair to the ending chords. Have fun with this one!This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.
$4.99
4.5 €
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Guitare
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Sergio Mendes & Brasil '66
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Christopher J
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The Look Of Love
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Christopher J. Malin
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SheetMusicPlus
Stompin' At The Savoy "instrumental"
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1294292 By Dick Garcia. By Benny G…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1294292 By Dick Garcia. By Benny Goodman, Benny Us 1 Goodman, Chick William Webb, and Edgar M Sampson. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #884674. Published by Christopher J. Malin (A0.1294292). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Benny Goodman's finer pieces. It was actually written by Edgar Samposon. Although it became Goodman's most recognizable pieces. This is a leisure swing piece, that is danceable. Pay close attension to your timng on this one and also make it swing! In a trio setting it's fun to improvise over the B section.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. Tried and true arrangement. Sounds great on acoustic and electric guitars.
$4.99
4.5 €
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Guitare
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Dick Garcia
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Christopher J
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Stompin' At The Savoy "instrumental"
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Christopher J. Malin
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SheetMusicPlus
Piano Quartet
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1433506…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1433506 Composed by Ashton Cartwright. 21st Century,Chamber,Contemporary. 28 pages. Ashton Cartwright Music #1013730. Published by Ashton Cartwright Music (A0.1433506). Piano Quartet is based on the peculiar sound of the augmented triad and a push for rhythmic vitality. The piece begins quiet, but intense and quickly escalates. The middle section take a break and explores the eerie nature of augmented triads which leads into the piano feature. The piece then accelerates into a driving finale rhythmically and dynamically with a break for piano cadenza.
$5.99
5.4 €
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Ashton Cartwright
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Piano Quartet
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Ashton Cartwright Music
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SheetMusicPlus
Petit concert en sextuor for oboe, harpsichord and string quartet
Small Ensemble,Strings Harpsichord,Oboe - Level 4 - Digital Download SKU: A0.836700…
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Small Ensemble,Strings Harpsichord,Oboe - Level 4 - Digital Download SKU: A0.836700 Composed by Brian Joyce. 20th Century,Contemporary. Score and parts. 78 pages. Brian Joyce #2881183. Published by Brian Joyce (A0.836700). An 18-minute concerto in three movements for oboe, harpsichord and string quartet.From the program notes . . . .I can imagine readers glancing over a recital program and seeing that it includes a work for oboe, harpsichord and string quartet. They steel themselves against the onset of what promises to be a dull and dreary piece played by unsmiling people in black suits. My imaginary audience may be pleased to find that this Petit Concert is nothing of the sort. It is actually a rather relaxed piece, combining something of the 18th century Rococo (which was never very serious to begin with) and Steely Dan-influenced Hindemith. But just as a chef will hide the most unlikely ingredients in his sauces and confections, I hope I have concealed these disparate influences in a piece which speaks with its own voice. Here, then, is a short concerto with little if any overt virtuosity; it is offered simple for the enjoyment of players and audience alike. In this it perhaps comes round full circle to composers like François Couperin who preferred to please their listeners rather than stun them.Relaxed the piece may be. To be sure, ranges and techniques are far from extreme and there are plenty of triadic sonorities and almost normal functional harmony here. But there are also moments of jazz-inflected chromaticism and frequent meter changes to contend with. It will take players who can hold their own in a mildly dissonant sound world to pull this off. Careful attention to dynamics, tight ensemble and flawless intonation are a must, but diligent players will be rewarded with an immediate audience-pleaser.A separate harpsichord part is included for players who prefer not to read from the score. Equal temperament and a=440 are assumed for the harpsichord. A two manual instrument is preferred but not absolutely necessary.
$22.50
20.3 €
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Brian Joyce
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Petit concert en sextuor for oboe, harpsichord and string quartet
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Brian Joyce
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SheetMusicPlus
Point of Origin (for Piano Quintet)
Piano Quintette: piano, 2 violons, alto, violoncelle
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU…
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.659368 Composed by Aaron Lee. 20th Century,Classical,Contemporary. Score and parts. 45 pages. J. Aaron Lee #268442. Published by J. Aaron Lee (A0.659368). This work takes the concept of motivic development and attempts to stretch it to it's limits. Everything evolves out of an initial phrase and quickly transforms into new shapes and forms as the piece continues. Point of Origin is an example of post-tonal triadicism in that it does not adhere to traditional tonal rules and yet makes consistent use of triadic harmonies. The resulting sound is one that is familiar to most listeners and yet still provides unexpected twists and turns. This bundle of score and parts includes a separate part for piano in case the pianist does not wish to play from the full score. For more music from Aaron Lee, you can visit www.musicoflee.com.
$19.99
18.04 €
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Piano Quintette: piano, 2 violons, alto, violoncelle
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Aaron Lee
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Point of Origin
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J. Aaron Lee
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SheetMusicPlus
Raindrops Keep Fallin' On My Head
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1348275 By B.J. Thomas. By Burt Ba…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1348275 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,Film/TV,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #933060. Published by Christopher J. Malin (A0.1348275). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable cheerful melody. One of Burt Bacharach's many fine pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the triad chords using a little hand vibrato, makes them sing a bit. I also slide up to the single notes at times. The tag at the end, is a nice jam in itself if playing with another guitar or bass, if solo I play it 4 times. Listeners will love this tune! Hope you will too.
$4.99
4.5 €
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Guitare
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B
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Christopher J
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Raindrops Keep Fallin' On My Head
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Christopher J. Malin
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.01 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Dess Rehearsal
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.950554 Composed by Kathi Kerr. Pop,…
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Piano Solo - Level 4 - Digital Download SKU: A0.950554 Composed by Kathi Kerr. Pop,Rock. Score. 3 pages. Melody Music Publishers #6503805. Published by Melody Music Publishers (A0.950554). This piano song for the late intermediate pianist has a moving and driven feel to it. Don't let your left hand get too loud to cover the right-hand harmony. The continued bass line is called an ostinato bass, where the bass notes are repeated while the harmony changes. The right hand in bars 1-8 is called power chords because the 3rd of the triad is missing. This gives it an open sound, making it neither a major or a minor chord. Watch the fingering in the left hand on measures 13-17. Most of all, have fun!
$4.99
4.5 €
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Piano seul
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Kathi Kerr
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Dess Rehearsal
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Melody Music Publishers
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SheetMusicPlus
8 Little Nocturnes
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1448924 By Gabriel Iwasaki. By Gabr…
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Piano Solo - Level 1 - Digital Download SKU: A0.1448924 By Gabriel Iwasaki. By Gabriel Iwasaki. Arranged by Gabriel Iwasaki. Classical,Contemporary,Multicultural,World. Score. 20 pages. Gabriel Iwasaki #1028741. Published by Gabriel Iwasaki (A0.1448924). These pieces were written and dedicated to my piano students. The idea behind these series of compositions was to create easy, short and accessible piano pieces that sounded nice and that would encourage my students to learn various pieces, rather than learning a single long piece.My aim as a composer with this series is to evoke feelings usually associated with the night, such as calmness, tranquility, serenity, among others. The harmony utilized in these pieces is rooted in tonality. However, the fairly constant use of chords with added 6ths, 7ths, 9ths, as well as a few modal exchanges, add color to the harmonic sense of the music, perhaps even contributing to create a relaxing mood.Also, these pieces have a pedagogical edge. They are meant to be utilized to showcase chord triads, broken chords, music sequences, the use of the pedal, among many others. If you are a teacher, feel free to use these pieces as examples for your lessons.The last but most important thing I would like to add is to just enjoy playing these pieces. Do not hesitate in diving into a calm mood while playing these series of compositions, since they were created with that objective in mind. Simply enjoy them.As a side note, you can find the Little Nocturnes performed and recorded by yours truly in all major digital streaming platforms.
$12.99
11.72 €
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Piano seul
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Gabriel Iwasaki
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Gabriel Iwasaki
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8 Little Nocturnes
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Gabriel Iwasaki
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SheetMusicPlus
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