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Sound The Battle Cry
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Sound The Battle Cry
SheetMusicPlus
Partitions à imprimer
20 partitions trouvées
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1
The Banner of the Cross/Sound the Battle Cry
Chorale 3 parties
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1228331 Composed by James M…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1228331 Composed by James McGranahan/William F. Sherwin. Arranged by Sandy McIntire. 19th Century,Christian,March,Praise & Worship,Traditional. Octavo. 21 pages. Sandy McIntire #824450. Published by Sandy McIntire (A0.1228331). The Banner of the Cross/Sound the Battle Cry is a medley of two great 19th C. gospel hymns from the U.S. The first is by McGranahan with lyrics by Daniel W. Whittle and the second has music and lyrics by Sherwin. These stirring marches are followed by a chorus of Onward, Christian Soldiers (Sullivan). This arrangement is for an Intermediate SAB (soprano, alto, baritone) choir with a piano accompaniment. A separate sheet for voices is included along with the score. McIntire has also arranged each of these hymns as piano solos which are available at this web site.
$2.50
2.3 €
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Chorale 3 parties
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James McGranahan/William F
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Sandy McIntire
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The Banner of the Cross/Sound the Battle Cry
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Sandy McIntire
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SheetMusicPlus
SOUND THE BATTLE CRY - W. F. SHERWIN (HYMN - EASY ORGAN)
Orgue
Organ - Digital Download SKU: A0.804582 Composed by William Fiske Sherwin. Arranged…
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Organ - Digital Download SKU: A0.804582 Composed by William Fiske Sherwin. Arranged by Juliano Music. 20th Century,Instructional,Sacred. Score. 3 pages. Juliano Alessandro Molteni #6205651. Published by Juliano Alessandro Molteni (A0.804582). MY EASY ARRANGEMENT OF THE HYMN SOUND THE BATTLE CRY BY W. F. SHERWIN. VERSION FOR ORGAN, WITHOUT THE PEDALBOARD LINE.---COPYRIGHTED AND SIGNED BY ORIGINAL TEMPORAL CONTENT MARKING--JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance.ENJOY!!
$1.99
1.83 €
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Orgue
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William Fiske Sherwin
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Juliano Music
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SOUND THE BATTLE CRY - W. F. SHERWIN
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Juliano Alessandro Molteni
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SheetMusicPlus
Sound the Battle Cry
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381053 By Acapeldrid…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381053 By Acapeldridge. By Words & Music: William F. Sherman. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #965771. Published by Leatherman Music Services (A0.1381053). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
3.68 €
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Piano, Voix et Guitare
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Acapeldridge
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Lyndell Leatherman
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some were not
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Sound the Battle Cry
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Leatherman Music Services
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SheetMusicPlus
Sound The Battle Cry
Jazz combo
Jazz Combo - Level 5 - Digital Download SKU: A0.779137 Composed by Don Hodell Chilc…
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Jazz Combo - Level 5 - Digital Download SKU: A0.779137 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Gospel,Jazz,Spiritual. Score and parts. 3 pages. Don Hodell Chilcote #6434645. Published by Don Hodell Chilcote (A0.779137). Sound The Battle Cry is for piano solo or ensemble. This is a great tune and the piece has a distinct and unique introduction, and 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude.
$2.99
2.76 €
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Jazz combo
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Don Hodell Chilcote
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Don Hodell Chilcote
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Sound The Battle Cry
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Don Hodell Chilcote
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SheetMusicPlus
Sound the Battle Cry - for easy piano
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.562436 Composed by William Fiske Sh…
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Easy Piano - Level 1 - Digital Download SKU: A0.562436 Composed by William Fiske Sherwin. Arranged by Samuel Stokes. Children,Christian,Concert,Sacred. Score. 1 pages. SamuelStokesMusic.com #5735811. Published by SamuelStokesMusic.com (A0.562436). This is an arrangement of Sound the Battle Cry for easy piano in C major. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com
$2.50
2.3 €
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Piano Facile
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William Fiske Sherwin
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Samuel Stokes
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Sound the Battle Cry - for easy piano
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SamuelStokesMusic.com
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SheetMusicPlus
Sound the Battle Cry
Trompette, Piano
Piano,Trumpet - Level 2 - Digital Download SKU: A0.941212 Composed by William F. Sh…
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.941212 Composed by William F. Sherwin. Arranged by David M. Sampson. Christian,Sacred. Score and part. 8 pages. David M. Sampson #6488585. Published by David M. Sampson (A0.941212). An arrangement of the old gospel song for solo trumpet with piano accompaniment.
$1.99
1.83 €
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Trompette, Piano
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William F
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David M
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Sound the Battle Cry
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David M. Sampson
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SheetMusicPlus
Sound The Battle Cry
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.770996 Composed by William F. Sherw…
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Piano Solo - Level 3 - Digital Download SKU: A0.770996 Composed by William F. Sherwin. Arranged by Bill Westin. Christian,Gospel,Spiritual. Score. 3 pages. Bible Truth Music #4782541. Published by Bible Truth Music (A0.770996). A rousing arrangement calling all Christians to the forefront of battling for what's right!
$4.99
4.6 €
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Piano seul
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William F
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Bill Westin
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Sound The Battle Cry
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Bible Truth Music
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SheetMusicPlus
Boudicca, Queen of the Iceni
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Els…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
55.31 €
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Ensemble de cuivres
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
The Etherea Suite, Volume 1 for Solo Piano (Complete)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1135733 Composed by JohnWillard Utu…
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Piano Solo - Level 3 - Digital Download SKU: A0.1135733 Composed by JohnWillard Utuk. Contemporary,Contest,Festival,Film/TV,Instructional,Video Game. Score. 18 pages. JohnWillard Utuk #735794. Published by JohnWillard Utuk (A0.1135733). The Etherea Suite, Volume 1 is for intermediate to advanced players who enjoy lyrical, exciting, and showy repertoire, while expressing their imagination through their playing. Players get to musically explore the mountains, the desert, volcanoes, time travel to ancient times, and fight in battle! Volume I of the suite represents three main characters from the sci-fi, fantasy book Trials of the Innermost (release date May 26, 2023). Each movement has a distinct feel and reflects each character's personality. This edition features performance notes written by the composer, including musical elements unique to each movement, fun facts, and personal influences JohnWillard had in mind when creating the work. A graphic of the musical cryptogram system used to make the melodies for each character is featured at the end of the notes. The three movements imitate a sonata, with the overall order of the suite is slow, slow, fast. Some teaching elements in the first movement I. Vayriel: Protector of the Mountains, include: scalar passages (A natural minor scale), shifting hands position, rolled chords, repeated left hand patterns, ornaments, and pedaling. II. Zinvar: Peacemaker of the Volcanic Rifts is more challenging, but has more room for musicality, expression, exploring different touches on the piano, and ethereal use of pedaling, like the sostenuto pedal (if you have one!) The movement opens with a mysterious, wave-like arpeggiated left hand pattern, similar to pieces of Chopin or Rachmaninoff. The B section is practice in using the sostenuto (middle) pedal while playing softly, imitating Gregorian Chant. Best of all the ending sounds harder than it actually is and you get to play as loud as possible! III. Idrilia: Warrior of the Desert is fast paced, rhythmic, and inspired by video games. This piece is a nice supplement for students learning techniques found in toccatas, nocturnes, and pieces that require a big, full sound. The longest and most advanced movement, players can enjoy using all the things: pedaling, accents, quick changes in dynamic contrast, and a lyrical B section. Technique requires comfort with arpeggios, chord inversions, octaves, and sensitivity to voicing. Once mastered, this movement can be both fun to play as a stand-alone recital piece or an exciting treat to play for friends and family. You'll find yourself humming the simple melody as it transforms throughout the work, and the ending is a chance to play big chords by using the full range of the keyboard.
$15.00
13.83 €
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Piano seul
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JohnWillard Utuk
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The Etherea Suite, Volume 1 for Solo Piano
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JohnWillard Utuk
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SheetMusicPlus
The Lament of Tou-Her 竇娥冤
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.961994 Composed by Ma Shui Long 馅
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Percussion Ensemble - Digital Download SKU: A0.961994 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusic #48525. Published by SpringAutumnmusic (A0.961994). Introduction:The Lament of Tou-Ehr, for Suona, Timpani, Percussion, and Chorus 　　This work was composed for a Chinese dance drama Snow Festival. The drama was based on an extremely touching story about a lady named Doue E, and was written by the author Guan Hanqing during the Yuan Dynasty. It is divided into three sections in a cyclic form, with one theme. The instrumentation includes voices for male and female, suona (Chinese cornet), there are more than ten traditional Chinese percussions are used, such as the wind gong, large and small luo (as used in Beijing opera), and the Chinese clapper, Paiban. The sound of suona indicates the lady Dou E with her battle cry and strong faith. The music begins after lady Dou E’s faint narrative. ※The Lament of Tou-Ehr was commissioned by the Neo Classical Music Group. The dance was arranged by Fon-xuei Liu, with orchestra and chorus conducted by the composer, Shui-long Ma himself. It was recorded by the Yun-de Company, and premiered at the Taiwan National Dr. Sun Yat-sen Memorial Hall in April 1981. 《竇娥冤》本曲改編自「舞劇雪ç¥ã€ï¼Œå–æ自ä¸åœ‹å…ƒä»£æˆ²æ›²ä¸é—œæ¼¢å¿çš„作å“-「感天動地竇娥冤ã€ã€‚æœ¬æ›²ç•¥åˆ†ä¸‰æ®µï¼Œé€£æ¨‚ç« å½¢å¼ï¼Œæ¨‚曲çµæ§‹ç‚ºä¸€è²«æ€§çš„主題延展。作曲者在編制上使用人è²(男女混è²)ã€å—©å¶ï¼Œä»¥åŠå多件傳統擊樂器，如風鑼ã€å¹³åŠ‡å¤§å°é‘¼ã€æ‹æ¿ç‰ç‰ã€‚在整曲進行ä¸ï¼Œå‡¡æ˜¯æœ‰ç«‡å¨¥å‡ºç¾ä¹‹è™•ï¼Œå—©å¶ä¹Ÿå°‡éš¨ä¹‹å¥å‡ºï¼Œé‚£æ˜¯å¤©ç†çš„å¶å–Šã€ç²¾ç¥žä¿¡å¿µä¹‹æ‰€åœ¨ã€‚全曲在一段竇娥幽幽的é“白之後，å¾å¾å±•é–‹ã€‚※本曲為新å¤å…¸æ¨‚團委託創作之作å“，由舞蹈家劉鳳å¸ç·¨èˆžã€é¦¬æ°´é¾æŒ‡æ®æ¨‚團與人è²ã€éŸ»å¾·éŒ„音公å¸éŒ„音，於1980å¹´4月在å°åŒ—國父紀念館舉行世界首演。 .
$14.99
13.82 €
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Ensemble de Percussions
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Ma Shui Long 馬水é¾
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The Lament of Tou-Her 竇娥冤
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SpringAutumnmusic
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SheetMusicPlus
Battle Cry of Freedom
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1349834
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1349834 By George Frederick Root. By George Frederick Root. Arranged by Bob Affonso. Historic,Holiday,March,Patriotic,Traditional. 26 pages. Celebratory Music #934607. Published by Celebratory Music (A0.1349834). This popular selection by George Frederick Root has been arranged and scored for an 8-piece brass ensemble. It also includes optional percussion parts. The original spirit and energy of the march is retained in this well-arranged version. It sounds great with or without the percussion!
$29.99
27.65 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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George Frederick Root
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Bob Affonso
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Battle Cry of Freedom
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Celebratory Music
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SheetMusicPlus
Battle Cry of Freedom
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1349839
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1349839 By George Frederick Root. By George Frederick Root. Arranged by Bob Affonso. Historic,Holiday,March,Patriotic,Traditional. 16 pages. Celebratory Music #934613. Published by Celebratory Music (A0.1349839). This popular selection by George Frederick Root has been scored for a traditional brass quintet. The original spirit and energy of the work is retained in this well-arranged version. It sounds great and lively for any occasion!
$14.99
13.82 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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George Frederick Root
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Bob Affonso
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Battle Cry of Freedom
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Celebratory Music
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SheetMusicPlus
Captain Underpants Theme
Piano, Voix
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download Arranged by Mario …
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here’s how to play the Captain Underpants Theme Song on piano!<br> <br> With this piano sheet music, you can play the fantastic theme song from the 2017 animated superhero film “Captain Underpants: The First Epic Movie”.<br> <br> You can use these piano sheets to play an instrumental version of the piece, accompany singers, or sing along yourself.<br> <br> It’s a piano arrangement in the song’s original key of E major, and comes with the theme song’s full lyrics.<br> <br> It’s not too hard to play and sounds fantastic!<br> <br> The Captain Underpants Theme Song was performed (and co-written) by "Weird Al" Yankovic, and appears as the first track on the film’s official soundtrack.<br> <br> <br> Listen to the full arrangement here: https://www.youtube.com/watch?v=cAPh1Hc-Qk0<br> <br> Here are the full lyrics to the Captain Underpants Theme Song:<br> <br> “Tra la la!<br> <br> Are you worried about impending doom?<br> <br> Those evil villains got ya filled with gloom?<br> <br> Don't ya fear, there's a hero in the sky, the sky, the sky<br> <br> It's not a bird and it's not a plane<br> <br> And it's not an egg salad sandwich<br> <br> It's the waistband warrior<br> <br> Hear his mighty battle cry<br> <br> Tra la la!<br> <br> Underpants<br> <br> Hey watch out, Crime<br> <br> Its Captain Underpants<br> <br> Its wedgie power time<br> <br> Na na na na na<br> <br> Captain Underpants<br> <br> Yeah, yeah, yeah<br> <br> Faster than a speeding waistband<br> <br> Underpants<br> <br> He's busting down doors<br> <br> Captain Underpants<br> <br> While wearing just his drawers<br> <br> Na na na na na<br> <br> Captain Underpants<br> <br> Yeah, yeah, yeah<br> <br> More powerful than boxer shorts<br> <br> His name is Under, Under, Underpants<br> <br> I'm saying Under, Under, Underpants<br> <br> Oh yeah by some unlikely chance<br> <br> Captain Underpants is his name<br> <br> Tra la la!<br> <br> Snap your fingers and he'll be right there<br> <br> That freaky bald dude in his underwear<br> <br> He'll drop his trousers<br> <br> And he'll fight to save the day, the day, the day<br> <br> There he goes in his dashing cape<br> <br> Here he comes in his tighty whiteys<br> <br> All the bad guys soil themselves every time they hear him say<br> <br> Tra la la!<br> <br> Underpants<br> <br> Hey, who's that hunk?<br> <br> Captain Underpants<br> <br> Is that cotton pre-shrunk?<br> <br> Na na na na na<br> <br> Captain Underpants<br> <br> Yeah, yeah, yeah<br> <br> Now it's time to fly again<br> <br> Underpants!<br> <br> Suspend your disbelief<br> <br> Captain Underpants<br> <br> He'll save the world in his briefs<br> <br> Na na na na na<br> <br> Captain Underpants<br> <br> Yeah, yeah, yeah<br> <br> To the skies! Wow<br> <br> Under, Under, Underpants<br> <br> I'm saying Under, Under, Underpants<br> <br> Check out that superhero stance<br> <br> Captain Underpants is his name<br> <br> Stand down, Poopypants<br> <br> Oh, Under, Under, Underpants<br> <br> He's Captain Under, Under, Underpants<br> <br> Yeah, By some crazy circumstance<br> <br> Captain Underpants is his name<br> <br> Tra la la!”Here’s how to play the Captain Underpants Theme Song on piano!<br> <br> With this piano sheet music, you can play the fantastic theme song from the 2017 animated superhero film “Captain Underpants: The First Epic Movie”.<br> <br> You can use these piano sheets to play an instrumental version of the piece, accompany singers, or sing along yourself.<br> <br> It’s a piano arrangement in the song’s original key of E major, and comes with the theme song’s full lyrics.<br> <br> It’s not too hard to play and sounds fantastic!<br> <br> The Captain Underpants Theme Song was performed (and co-written) by "Weird Al" Yankovic, and appears as the first track on the film’s official soundtrack.<br> <br> <br> Listen to the full arrangement here: https://www.youtube.com/watch?v=cAPh1Hc-Qk0<br> <br> Here are the full lyrics to the Captain Underpants Theme Song:<br> <br> “Tra la la!<br> <br> Are you worried about impending doom?<br> <br> Those evil villains got ya filled with gloom?<br> <br> Don't ya fear, there's a hero in the sky, the sky, the sky<br> <br> It's not a bird and it's not a plane<br> <br> And it's not an egg salad sandwich<br> <br> It's the waistband warrior<br> <br> Hear his mighty battle cry<br> <br> Tra la la!<br> <br> Underpants<br> <br> Hey watch out, Crime<br> <br> Its Captain Underpants<br> <br> Its wedgie power time<br> <br> Na na na na na<br> <br> Captain Underpants<br> <br> Yeah, yeah, yeah<br> <br> Faster than a speeding waistband<br> <br> Underpants<br> <br> He's busting down doors<br> <br> Captain Underpants<br> <br> While wearing just his drawers<br> <br> Na na na na na<br> <br> Captain Underpants<br> <br> Yeah, yeah, yeah<br> <br> More powerful than boxer shorts<br> <br> His name is Under, Under, Underpants<br> <br> I'm saying Under, Under, Underpants<br> <br> Oh yeah by some unlikely chance<br> <br> Captain Underpants is his name<br> <br> Tra la la!<br> <br> Snap your fingers and he'll be right there<br> <br> That freaky bald dude in his underwear<br> <br> He'll drop his trousers<br> <br> And he'll fight to save the day, the day, the day<br> <br> There he goes in his dashing cape<br> <br> Here he comes in his tighty whiteys<br> <br> All the bad guys soil themselves every time they hear him say<br> <br> Tra la la!<br> <br> Underpants<br> <br> Hey, who's that hunk?<br> <br> Captain Underpants<br> <br> Is that cotton pre-shrunk?<br> <br> Na na na na na<br> <br> Captain Underpants<br> <br> Yeah, yeah, yeah<br> <br> Now it's time to fly again<br> <br> Underpants!<br> <br> Suspend your disbelief<br> <br> Captain Underpants<br> <br> He'll save the world in his briefs<br> <br> Na na na na na<br> <br> Captain Underpants<br> <br> Yeah, yeah, yeah<br> <br> To the skies! Wow<br> <br> Under, Under, Underpants<br> <br> I'm saying Under, Under, Underpants<br> <br> Check out that superhero stance<br> <br> Captain Underpants is his name<br> <br> Stand down, Poopypants<br> <br> Oh, Under, Under, Underpants<br> <br> He's Captain Under, Under, Underpants<br> <br> Yeah, By some crazy circumstance<br> <br> Captain Underpants is his name<br> <br> Tra la la!”
$4.99
4.6 €
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Piano, Voix
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Mario Stallbaumer
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Captain Underpants Theme
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Mario Stallbaumer
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SheetMusicPlus
I Surrender All
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1236157 Composed by Winfield A. Wee…
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Piano Solo - Level 3 - Digital Download SKU: A0.1236157 Composed by Winfield A. Weeden. Arranged by Sandy McIntire. 19th Century,Christian,Praise & Worship,Sacred,Traditional. Score. 5 pages. Sandy McIntire #831665. Published by Sandy McIntire (A0.1236157). I Surrender All (All to Jesus I surrender) is a hymn from the last years of the 19th Century in the U.S. that is still sung and recorded today. Its simple and soothing music and message makes it ideal as a prelude or altar call in worship and prayer services. This arrangement as an Intermediate Piano Solo is in the keys of D and B flat major. Other hymns in this series by McIntire include Sound the Battle Cry, Who Is on the Lord's Side, and Just As I Am.
$5.50
5.07 €
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Piano seul
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Winfield A
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Sandy McIntire
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I Surrender All
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Sandy McIntire
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SheetMusicPlus
Sound The Battle Cry! in the style of La Chevaleresque (The Knight Errant)
Piano seul
Composed by J.F. Burgmuller and William F. Sherwin. Arranged by Abigail L. Johnson. Romant…
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Composed by J.F. Burgmuller and William F. Sherwin. Arranged by Abigail L. Johnson. Romantic Period, Christian, Sacred, Praise & Worship, Repertoire. Sheet Music Single. 5 pages. Published by Abigail L. Johnson (S0.142783). - Sheet Music Single - Romantic Period,Christian,Sacred,Praise & Worship,Repertoire - Abigail L. Johnson
$3.99
3.68 €
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Piano seul
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J
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Abigail L
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Sound The Battle Cry! in the style of La Chevaleresque
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Abigail L. Johnson
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SheetMusicPlus
Sound the Battle Cry
Cloches
Composed by William F. Sherwin. Arranged by G. R. Adkison. For Handbell Choir. Christian, …
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Composed by William F. Sherwin. Arranged by G. R. Adkison. For Handbell Choir. Christian, Sacred. Intermediate. Sheet Music Single. Published by Praising God Publications
$2.50
2.3 €
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Cloches
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William F
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G
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Sound the Battle Cry
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Praising God Publications
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SheetMusicPlus
It Is Done
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1012392 Composed by David A. Moody.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1012392 Composed by David A. Moody. Christian,Contemporary,Easter,Spiritual. Score. 5 pages. David A. Moody #4297425. Published by David A. Moody (A0.1012392). Around twenty years ago I started playing around with a sound. It wasn't a normal sound, being 7 beats to the bar and alternating at times with 6 beats to the bar. Slowly it grew in me, to a draft version. Then, I moved to another country, and for almost 11 years I didn't have access to a piano or full length keyboard, so it lay waiting in my heart all that time, until recently, sitting at my new digital piano, the sound came forth. It is the sound of the darkness of battle, of Jesus wrestling the keys back from the devil in that one decisive blow on the cross, and then the exuberance of victory, and the cry, It is finished.
$2.00
1.84 €
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Piano seul
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David A
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It Is Done
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David A. Moody
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.82 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
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Sound The Battle Cry
