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PIANO & CLAVIERS
Piano, Voix et Guitare
1
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Chorale SATB
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Vous avez sélectionné:
Spread Your Wings and Fly
Partitions à imprimer
7 partitions trouvées
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Butterfly Wish
Chorale 2 parties
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.727090 Composed by Carol…
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Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.727090 Composed by Carol Troutman Wiggins. Children,Contemporary,Folk,Instructional,Standards. Octavo. 4 pages. Carol Troutman Wiggins #2878191. Published by Carol Troutman Wiggins (A0.727090). Unison/2-part Did you ever wish to spread your wings like a butterfly and fly on an endless flight? This song can be performed as soft and flowing or with lilting dotted note feel. Mostly unison with easy harmonies in intervals of 3rds. For upper elementary or middle school choirs.
$2.50
2.26 €
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Chorale 2 parties
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Carol Troutman Wiggins
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Butterfly Wish
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Carol Troutman Wiggins
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SheetMusicPlus
Hushabye Mountain (from the musical Chitty Chitty Bang Bang)
Chorale 3 parties
Chorus - Digital Download SKU: AX.00-PO-0002247 Hushabye Mountain (from the musi…
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Chorus - Digital Download SKU: AX.00-PO-0002247 Hushabye Mountain (from the musical Chitty Chitty Bang Bang) - SAB. Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Andy Beck. Choral. 9 pages. Alfred Music - Digital Sheet Music #00-PO-0002247. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002247). UPC: 038081266732.Choirs of all ages will cherish this hauntingly tender ballad penned by the timeless writing team of Richard M. and Robert B. Sherman. Recently adapted from the original film for stage productions in London and on Broadway, the musical Chitty Chitty Bang Bang has captured a whole new audience with its enthralling story and timeless score. This artful choral arrangement of one of the best-loved songs is sure to inspire and enrich your singers with its soaring melody, rich harmonies, and expressive counterlines. Spread your wings and fly with Andy Beck's stunning arrangement of Hushabye Mountain.
$2.25
2.03 €
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Chorale 3 parties
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Richard M
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Andy Beck
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Hushabye Mountain
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Hushabye Mountain (from the musical Chitty Chitty Bang Bang)
Chorale 3 parties
Chorus - Digital Download SKU: AX.00-PO-0002248 Hushabye Mountain (from the musi…
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Chorus - Digital Download SKU: AX.00-PO-0002248 Hushabye Mountain (from the musical Chitty Chitty Bang Bang) - SSA. Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Andy Beck. Choral. 9 pages. Alfred Music - Digital Sheet Music #00-PO-0002248. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002248). UPC: 038081266749.Choirs of all ages will cherish this hauntingly tender ballad penned by the timeless writing team of Richard M. and Robert B. Sherman. Recently adapted from the original film for stage productions in London and on Broadway, the musical Chitty Chitty Bang Bang has captured a whole new audience with its enthralling story and timeless score. This artful choral arrangement of one of the best-loved songs is sure to inspire and enrich your singers with its soaring melody, rich harmonies, and expressive counterlines. Spread your wings and fly with Andy Beck's stunning arrangement of Hushabye Mountain.
$2.10
1.89 €
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Chorale 3 parties
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Richard M
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Andy Beck
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Hushabye Mountain
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Hushabye Mountain (from the musical Chitty Chitty Bang Bang)
Chorale SATB
Chorus - Digital Download SKU: AX.00-PO-0002246 Hushabye Mountain (from the musi…
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Chorus - Digital Download SKU: AX.00-PO-0002246 Hushabye Mountain (from the musical Chitty Chitty Bang Bang) - SATB. Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Andy Beck. Choral. 9 pages. Alfred Music - Digital Sheet Music #00-PO-0002246. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002246). UPC: 038081266725.This artful choral arrangement of one of the best-loved songs from the classic movie and the current musical Chitty Chitty Bang Bang is sure to inspire and enrich your singers with its soaring melody, rich harmonies, and expressive counterlines. Spread your wings and fly with Andy Beck's stunning arrangement.
$2.25
2.03 €
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Chorale SATB
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Richard M
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Andy Beck
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Hushabye Mountain
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Spread Your Wings and Fly
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1421260 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1421260 Composed by Graeme Press. Christian,Contemporary,Instructional,Sacred. 3 pages. Graeme Press #1002653. Published by Graeme Press (A0.1421260). This inspirational traditional Irish Blessing is set to a new tune and arranged for SATB choir. This would be a suitable graduation, end of academic year performance for High School, College and University choirs. Church choirs could also find it a useful benediction. The piano part is not difficult but adds much to this beautiful setting.
$2.49
2.25 €
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Chorale SATB
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Graeme Press
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Spread Your Wings and Fly
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Graeme Press
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SheetMusicPlus
Spread Your Wings and Fly
Piano, Voix et Guitare
By Karen Kite. Arranged by Alison Pryce. For Piano, Voice, Guitar. Christian, Contemporary…
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By Karen Kite. Arranged by Alison Pryce. For Piano, Voice, Guitar. Christian, Contemporary Christian. Intermediate. Lead Sheet. Karen Kite-Tate Music Group #31. Published by Karen Kite-Tate Music Group
$3.99
3.6 €
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Piano, Voix et Guitare
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Karen Kite
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Alison Pryce
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Spread Your Wings and Fly
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Karen Kite-Tate Music Group
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.51 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
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