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Vous avez sélectionné:
Spy Plane
Partitions à imprimer
3 partitions trouvées
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Spy Plane
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Basse electrique
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FACILE
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Tracy Dean McCallum
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Tracy Dean McCallum
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Spy Plane
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar TAB - Level 2 - SKU: A0.1471949 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century,Jazz,Rock. Sco...
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Bass Guitar TAB - Level 2 - SKU: A0.1471949 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century,Jazz,Rock. Score. 1 pages. Tracy Dean McCallum #1049582. Published by Tracy Dean McCallum (A0.1471949). https://tracymccallum.com Spy Plane: A Groovy Bass Odyssey Strap on your headphones and prepare for takeoff, because this bass transcription of Spy Plane is about to take you on a funky, high-altitude mission. The groove is undeniably cool, a blend of tight pocket playing and adventurous improvisation. Gear Up: The bass line lays down a solid foundation with a picked eighth-note pattern. Imagine a sleek spy plane cruising steadily at altitude. The root notes likely shift between the E and A strings, outlining the chords with a focus on the lower register. Think of it as the pilot navigating through different airspaces. Throughout the song, there are gonna be some syncopated accents thrown in. These are like the plane making sharp maneuvers, adding surprise and a touch of swagger to the groove. Into the Danger Zone: As the song progresses, the bass line breaks free from the simple pattern. Get ready for some walking bass lines that weave through the chords, creating a sense of urgency and intrigue. Think of the pilot dodging enemy radar or chasing a target through a maze of clouds. Lock On! The coolest part of the transcription might be the use of effects. A touch of wah-wah can simulate the plane breaking the sound barrier, while some octaver adds a growling, mechanical feel, like the whirring of powerful engines. Mission Complete: The ending brings the bass line back to earth with a flourish. Perhaps a descending chromatic line to depict the plane landing safely, or a series of funky slides for a more playful touch. This is just a roadmap, pilot! Feel free to add your own improvisational flourishes, double stops to mimic dogfights, or slap techniques for some extra punch. The sky's the limit (or rather, the atmosphere) with this Spy Plane bass transcription. Ready to take flight? Grab your bass and get groovin'!
$4.44
Hardtimes
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Basse electrique
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FACILE
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Cliff Mark Grigg, Craig Dryden
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Rhys Lett
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Hardtimes
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Eastern Suburbs School of Music
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SheetMusicPlus
Bass Guitar TAB - Level 2 - SKU: A0.1511715 Composed by Cliff Mark Grigg, Craig Dryden Bloxom, Michael Ian Patrick Weiley, and Russell Garfield Thomas. ...
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Bass Guitar TAB - Level 2 - SKU: A0.1511715 Composed by Cliff Mark Grigg, Craig Dryden Bloxom, Michael Ian Patrick Weiley, and Russell Garfield Thomas. Arranged by Rhys Lett. Pop,Rock. Score. 3 pages. Eastern Suburbs School of Music #1086866. Published by Eastern Suburbs School of Music (A0.1511715). Hardtimes bass tab transcription by Spy vs. Spy from the album Trash the Planet.
$6.00
Cloud Images for Flute choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Phyllis Avidan Louke
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Phyllis Avidan Louke, ASCAP
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Cloud Images for Flute choir
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #44052...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #4405244. Published by Louke Publishing (A0.736289). For Flute Choir Cloud Images By Phyllis Avidan Louke Cloud Images is a programmatic work in five movements for Flute Choir dedicated to Albert Weatherly of Sankyo Flutes, USA. The inspiration for this piece came from the beauty of the cloud formations observed during a long plane flight. Movement 1, Rising Above the Clouds, features a soaring melody played first by the bass and alto flute over an ostinato played by the flutes. The piccolo adds a countermelody which contributes to the feeling of being above the clouds. (1:30)  Movement 2, Billowing Clouds, features a melody in 7/8 time, alternating with another in 6/8 time, to convey the the shape and roundness of clouds.  (2:00) Movement 3, Oh Look! There’s an Alligator!, is a whimsical look at the different shapes that can be found in clouds. A running bass line in the bass flute supports a jaunty melody which seems to be on the prowl to find various shapes in the clouds. Several different animal shapes are seen: a hippo, an elephant, and finally, an alligator. Vocals can also be utilized in this movement to better communicate these animal shapes to the audience. (2:20)  Movement 4, With Your Head in the Clouds, is in a light-hearted soft shoe style. The melodies describe the feeling of skipping through life, not having a care in the world. For a Lawrence Welk ending, one of the players with rests can blow bubbles during the last measure. (1:40)  Movement 5, Through a Sea of Clouds, has a dream-like quality imagining what it would be like to travel through a sea of clouds and touch their whispy softness. The bass flute is prominently featured, and later joined by the alto flute. The piccolo adds the frosting on top. (2:30)  Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com  Â
$18.00
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Spy Plane
