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Vous avez sélectionné:
St. Luke's Mass
Partitions à imprimer
8 partitions trouvées
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Gloria from St. Luke's Mass
Chorale 2 parties
Choral Choir (2-Part) - Level 4 - Digital Download SKU: A0.482238 Composed by Ildar…
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Choral Choir (2-Part) - Level 4 - Digital Download SKU: A0.482238 Composed by Ildar Khannanov. Baroque,Christmas,Classical,Easter,Sacred. Octavo. 7 pages. MThRI #100269. Published by MThRI (A0.482238). Gloria is written for two parts--S. and A. combined and T. and B., piano and baritone solo. The music is based upon the technique of canonic sequence (invertible counterpoint) in a fast tempo. The voices sing through fast passages by using glissando or portamento technique; the notes are articulated by the piano that doubles these passages.
$2.99
2.75 €
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Chorale 2 parties
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Ildar Khannanov
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Gloria from St. Luke's Mass
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MThRI
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SheetMusicPlus
St. Luke's Mass
Chorale SATB
Choir (SATB) - Digital Download By Ildar Khannanov. By Ildar Khannanov. Multicultural…
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Choir (SATB) - Digital Download By Ildar Khannanov. By Ildar Khannanov. Multicultural, Praise & Worship, Sacred, Spiritual, Traditional, World. Choral. 63 pages. Published by MThRI
St. Luke's mass is a traditional setting of 12 numbers based upon the texts in six languages: English, Latin, Greek, Hebrew, Arabic, and Russian. Each number is unique and specific for an ethnic tradition and a period. The styles are intentionally diverse; the music is tonal. The Mass can be performed in small churches as well as in large cathedrals. The accompaniment is limited to grand piano and/or organ. The Mass can be performed as a whole during the Lent or Easter season. Separate numbers can be performed throughout the year as the anthems and the elements of service music.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$50.00
46.04 €
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Chorale SATB
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Ildar Khannanov
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St. Luke's Mass
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MThRI
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SheetMusicPlus
Kyrie from St. Luke's Mass
Chorale SATB
Choir (SATB) - Digital Download Composed by Ildar Khannanov. Baroque, Classical, East…
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Choir (SATB) - Digital Download Composed by Ildar Khannanov. Baroque, Classical, Easter, Multicultural, Sacred, World. Choral. 6 pages. Published by MThRI
Kyrie is written for the S.A.T.B. choir, tenor (Evangelist), and organ. It can be performed separately during the Sunday Morning Worship service (as an Offertory anthem, for example) or as a part of the complete set of the St. Luke's Mass.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$2.99
2.75 €
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Chorale SATB
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Ildar Khannanov
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Kyrie from St. Luke's Mass
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MThRI
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SheetMusicPlus
Offertory - St. Gabriel's Centennial Mass
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019949 Composed by Edwin …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019949 Composed by Edwin Roberts. Christian,Christmas. Octavo. 6 pages. Edwin Roberts #4834499. Published by Edwin Roberts (A0.1019949). Luke 1:26,28,30-32; The angel Gabriel visits Mary to tell her that she will bear a child, Jesus. Appropriate for the 'Mary' Sunday of Advent, also for the Annunciation. SATB w/organ; 6 pages.
$2.00
1.84 €
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Chorale SATB
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Edwin Roberts
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Offertory - St. Gabriel's Centennial Mass
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Edwin Roberts
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SheetMusicPlus
Agnus Dei
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482278 By Ildar Khannanov.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482278 By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. A Cappella,Christmas,Easter,Renaissance,Sacred. Octavo. 2 pages. MThRI #102035. Published by MThRI (A0.482278). This last number in St. Luke's mass is intended for peaceful ending of the Worship service. It is modelled after Palestrina's style (e.g., Sicut cervus) and should be performed in even notes, without any changes in dynamics, softly, without vibrato.
$2.99
2.75 €
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Chorale SATB
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Ildar Khannanov
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Ildar Khannanov
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Agnus Dei
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MThRI
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SheetMusicPlus
Sanctus
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482271 By Ildar Khannanov.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482271 By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. Easter,Hanukkah,Jewish,Praise & Worship,Sacred. Octavo. 7 pages. MThRI #102034. Published by MThRI (A0.482271). Sanctus, a penultimate number in St. Luke's mass, is written on the text in Hebrew and in English. The style refers to the general sound of Middle Eastern music with the dance rhythm. The ancient origin of Holy, Holy, Holy is emphasized. The music presupposes wide use of improvisation in the accompaniment (extended refrains between the verses) and in vocal parts. With each new verse, the improvised line gets longer and more sophisticated. There is room for the competition of two singers (if the verses are divided among two of them). The ending should sound as sweet as possible.
$3.99
3.67 €
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Chorale SATB
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Ildar Khannanov
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Ildar Khannanov
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Sanctus
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MThRI
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SheetMusicPlus
Guthrie: Organ Prelude on In Nomine
Orgue
Organ - Level 4 - Digital Download SKU: A0.549915 Composed by James M. Guthrie. Con…
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Organ - Level 4 - Digital Download SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.549915). In Nomine: A prelude to the St Luke Organ Book (by Daniel Pinkham) for one single organ manual. Subtitled The Little Time Machine, the composition features one iteration of the In Nomine cantus firmus. As the piece progresses, the cantus is treated in medieval, Renaissance, Baroque, classical, romantic, and modern styles. I performed this piece just before the world premiere of Daniel Pinkham's St. Luke Organ Book in 2006.The history of In Nomine is rooted in its origin as a type of contrapuntal instrumental composition by 16th-century English composers, usually for a consort of viols, lute, or keyboard, based on a version of a piece of plainchant. The name In Nomine was adopted for this type of piece after the English composer John Taverner composed an instrumental piece based on the plainchant Gloria Tibi Trinitas to which he set the words In nomine Domini in his Gloria Tibi Trinitas six-voice Mass. Over the next 150 years, English composers worked this melody into In Nomine pieces of ever more fantastic stylistic range. This set a fashion, and several 20th-century composers, such as Peter Maxwell Davies and Roger Smalley, have quoted In Nomines in their works. The In Nomine played a significant role in developing English polyphony. It is a title given to many pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. The In Nomine was the chief means by which the grand tradition of vocal polyphony was brought to bear on the evolution of instrumental music in England. The In Nomine is considered the most conspicuous single form in the early development of English consort music and is significant in the genesis of chamber music in England. It marked the first time a specific instrumental style was formed, and it influenced the development of English polyphony by bringing the tradition of vocal polyphony into the realm of instrumental music.Despite various attempts by scholars to elucidate its almost legendary origin, the mystery of the origin of the In Nomine remains unsolved.
$34.95
32.18 €
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Orgue
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James M
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Guthrie: Organ Prelude on In Nomine
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jmsgu3
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SheetMusicPlus
Et incarnatus est - Crucifixus - Et resurrexit
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482270 By Ildar Khannanov.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482270 By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. Baroque,Contemporary,Easter,Multicultural,Sacred,World. Octavo. 14 pages. MThRI #102033. Published by MThRI (A0.482270). This triptych is the focal point of the mass. It is written as three numbers attaca. Et incarnatus est is a set of sequences in an invertible counterpoint that ends with the transition to Crucifixus. The Crucifixus is rendered as a continuous repetition of a single tone (the B) by the baritone solo (Christ) on the background of choral responses in the late-Romantic harmonic language (neo-Riemannian, equal-division of the octave, Yavorski's Tritonal equilibrium, etc.). The bariton part is given a note beyond the baritone range. Extended techniques are welcome here. The high sopranos continue the ostinati in the background of the low piano octaves. The Et resurrexit is written as a pure atmospheric phenomenon--disappearing in clouds. The triptych ends with a quotation from the Gospel of St. Luke read by the baritone. THese three numbers can be performed as an anthem during the weeks of Lent or Easter.
$2.99
2.75 €
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Chorale SATB
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Ildar Khannanov
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Ildar Khannanov
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Et incarnatus est - Crucifixus - Et resurrexit
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MThRI
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SheetMusicPlus
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