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Stage for strings orchestra
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Stage for strings orchestra
Quatuor à cordes: 2 violons, alto, violoncelle
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1067634 Composed by Helio…
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Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1067634 Composed by Helios D'Andrea. 20th Century. Full Performance. Duration 421. D'Andrea Helios #4847801. Published by D'Andrea Helios (A0.1067634). Stage for strings.
$5.00
4.62 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Helios D'Andrea
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Stage for strings orchestra
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D'Andrea Helios
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SheetMusicPlus
Stage for strings orchestra
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.981521 Composed by Helios D'Andrea. 20th Century. Score and parts. 51 pages. D'Andrea Helios #4847773. Published by D'Andrea Helios (A0.981521). Stage for strings orchestra 2nd Version from Stage for Quartet.
$25.00
23.11 €
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Helios D'Andrea
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Stage for strings orchestra
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D'Andrea Helios
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SheetMusicPlus
Nocturne for violin and orchestra
Orchestre, Violon
Violin and orchestra - Digital Download Completed and orchestrated after the sketches…
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Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.
$19.99
18.48 €
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Orchestre, Violon
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Nocturne for violin and orchestra
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Schott Music - Digital
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SheetMusicPlus
Metamorphosis for solo flute, solo pedal or lever harp, and strings
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Inglis (ASCAP) #6383557. Published by Adrienne Inglis (ASCAP) (A0.953627). Celebrate women scientists!Metamorphosis (2019) by Adrienne Inglis (ASCAP) for flute, harp, and string orchestra, commissioned by Balcones Community Orchestra, celebrates the life and work of Maria Sibylla Merian (1647-1717), pioneering entomologist, naturalist, and artist.Duration 5:30 minutes.Commissioned by the Balcones Community Orchestra of Austin, Texas, Metamorphosis (2019) by Adrienne Inglis for solo flute, solo harp, and string orchestra, honors the life and work of pioneering entomologist, naturalist, and artist Maria Sibylla Merian (1647-1717). As she carefully documented in illustrated detail the life cycle of so many insects, Metamorphosis musically follows a butterfly from adult, egg, larva, pupa, and adult. The piece opens with an ostinato pattern in the strings over which the flute and harp play fluttering modal melodies. The strings and harp represent the egg stage with minimalistic layers of a single pitch. To recognize Merian’s time in Suriname and her discovery of many insect species there, a cheerful tune fashioned after traditional Arawak folk songs informs the busy larvae in the caterpillar canon. A bit of contemplative dorian polyphony laced with metamorphic machinations demonstrate the remarkable transformation of the pupa as well as Merian’s time at a devout Labadist religious commune. The butterfly emerges from the pupa with a flute/harp cadenza and then the strings underscore the adult butterfly with a return of the ostinato. The piece ends with the same ostinato as the beginning such that the piece could loop seamlessly as in a true life cycle.This performance does not include the revisions made in this version of the music: https://youtu.be/GIjQpkXl6Uc
$9.99
9.24 €
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Orchestre de chambre
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Adrienne Inglis
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Metamorphosis for solo flute, solo pedal or lever harp, and strings
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Adrienne Inglis
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SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.44 €
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Orchestre
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Across the Stage
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1300419 Composed by James-Micha…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1300419 Composed by James-Michael Sellers. 21st Century,Contemporary,Instructional. Score and Parts. 95 pages. JMS Composer #890150. Published by JMS Composer (A0.1300419). Give every instrument family some time to shine in this wonderful work that fits best as either an opener or closer for your concert. After a powerful initial statement by the entire orchestra, move your audience through the different instruments one by one, woodwinds, brass, and strings. They build up through a theme and variations before joining forces once again to end the work.
$19.99
18.48 €
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Orchestre
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James-Michael Sellers
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Across the Stage
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JMS Composer
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SheetMusicPlus
ATON part 10-Orchestermusik Ballett - woodwind, strings, piano, harp, timpani
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.576188 Composed by David Warin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.576188 Composed by David Warin Solomons. Contemporary,Multicultural,Opera,World. Score and Parts. 30 pages. David Warin Solomons #4573. Published by David Warin Solomons (A0.576188). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
4.62 €
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Orchestre
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David Warin Solomons
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ATON part 10-Orchestermusik Ballett - woodwind, strings, piano, harp, timpani
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David Warin Solomons
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SheetMusicPlus
ATON part 4-Musikalische Szene - bassoon and strings
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.576182 Composed by David Wari…
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String Orchestra - Level 3 - Digital Download SKU: A0.576182 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 13 pages. David Warin Solomons #4559. Published by David Warin Solomons (A0.576182). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
4.62 €
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Orchestre à Cordes
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David Warin Solomons
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ATON part 4-Musikalische Szene - bassoon and strings
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David Warin Solomons
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SheetMusicPlus
ATON part 23 Pharao's Farewell (bass voice and strings)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.576209 Composed by David Wari…
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String Orchestra - Level 4 - Digital Download SKU: A0.576209 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 16 pages. David Warin Solomons #7711. Published by David Warin Solomons (A0.576209). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write, 23 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015.
$5.00
4.62 €
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Orchestre à Cordes
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David Warin Solomons
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ATON part 23 Pharao's Farewell
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David Warin Solomons
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SheetMusicPlus
ATON part 6-Orchestermusik nach dem Lied an die Sonne - woodwind, strings, piano, harp, timpani
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.576184 Composed by David Warin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.576184 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 17 pages. David Warin Solomons #4563. Published by David Warin Solomons (A0.576184). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
4.62 €
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Orchestre
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David Warin Solomons
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ATON part 6-Orchestermusik nach dem Lied an die Sonne - woodwind, strings, piano, harp, timpani
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David Warin Solomons
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SheetMusicPlus
ATON part 14-Ballett-Ausgelassenheit woodwind, strings, piano, harp, timpani
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.576192 Composed by David Warin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.576192 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 26 pages. David Warin Solomons #4583. Published by David Warin Solomons (A0.576192). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
4.62 €
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Orchestre
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David Warin Solomons
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ATON part 14-Ballett-Ausgelassenheit woodwind, strings, piano, harp, timpani
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David Warin Solomons
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SheetMusicPlus
ATON part 11-Ankunft des Haremhab 3 soloists, choir, woodwind, strings, piano, harp, timps
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.576189 Composed by David Warin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.576189 Composed by David Warin Solomons. Contemporary,Multicultural,Opera,World. Score and Parts. 38 pages. David Warin Solomons #4575. Published by David Warin Solomons (A0.576189). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview.
$9.00
8.32 €
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Orchestre
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David Warin Solomons
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ATON part 11-Ankunft des Haremhab 3 soloists, choir, woodwind, strings, piano, harp, timps
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David Warin Solomons
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SheetMusicPlus
For Unto Us a Child is Born - Full Score
Bass Guitar,Cello,Drum Set,Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.8778…
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Bass Guitar,Cello,Drum Set,Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.877851 Composed by George Frideric Handel. Arranged by Deborah Johnson. Christmas,Classical,Contemporary. 32 pages. Deborah Johnson #6639051. Published by Deborah Johnson (A0.877851). This arrangement of For Unto Us a Child is Born, originally composed by George Frideric Handel, has been skillfully arranged by Deborah Johnson. The music falls into several genres, including Christian, Christmas, Classical, Concert, and Contemporary, making it versatile for various musical settings. This lively arrangement is perfect for string orchestra, large or small. Individual parts are also included in this sheet music download. A total of 30 pages, plus title page. Deborah Johnson's rendition of For Unto Us a Child is Born is a lively and upbeat adaptation that was originally featured on the album Merry Christmas Too. This version is perfect for a string orchestra, whether your ensemble is large or small. The download includes the vocal solo, piano part, and chords, spanning a total of 7 pages, along with title pages. The arrangement is tailored for a soprano soloist, showcasing a 2-octave vocal range, from A below middle C to A two octaves above. With its dazzling and spirited interpretation, this arrangement is sure to be a highlight in any Christmas concert. It seamlessly blends Handel's timeless composition with contemporary elements, creating a memorable musical experience that's well-suited for celebrating the holiday season. The MP3 accompaniment track is also available for download as well as the piano/vocal/rhythm score.Full song download on Spotify: https://open.spotify.com/track/6mjuoAFusoNGVDjM3g1erg More information here: https://djworksmusic.com/for-unto-us https://djworksmusic.com/products/ for physical albums & info. Twitter: @DJWorksMusic; Instagram: Deborah_johnsonmusic Like our Facebook page: https://www.facebook.com/deborah.johnsonSign up for our newsletter: https://goalsforyourlife.com/newsletterFor Unto Us is performed and arranged by Deborah Johnson. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. She has also appeared with the headliner piano/vocal duo Double Grande. Also the author of multiple books, her music has been up for multiple Grammy Awards. Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson and Tom Keene; Bass Guitar: David Coy; Drums: Dave Spurr; Guitars: John Hunt; Flute: John Reilly; Strings: Living Strings. Recorded at: Tor-Wood-Lea Recording Studios, Engineered by Tom Keene. Bass/Strings Recorded at: A to Z Studios, Engineered by Tim Jaquette. Mixed at: ETC Studio A, Tim Jaquette; Album Mastering: Bernie Grundman.
$19.99
18.48 €
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George Frideric Handel
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Deborah Johnson
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info
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For Unto Us a Child is Born - Full Score
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Deborah Johnson
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SheetMusicPlus
All I Want For Christmas Is You
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1181692 By Mariah Carey. By M…
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String Orchestra - Level 2 - Digital Download SKU: A0.1181692 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by arr. Matt Arnett. Christmas,Pop. Score and parts. 27 pages. Matt Arnett Music #781472. Published by Matt Arnett Music (A0.1181692). Guaranteed to steal the show, this arrangement will challenge your advanced middle school or lower high school orchestra. While it may take some time for the students to get used to the compound meter (12/8), the rhythm of the accompmaniment is kept quite simple. Harder will be the fast tempo and the chromatic finger patterns. The piece also starts with two difficult solos for your most advanced violin or viola players - I recommend having them stand on opposite sides of the front of the stage to help with projection. Have the lower strings focus especially on keeping the light staccato style of the piece - put space in between those grooving notes when the eighth rest is marked. I hope you enjoy performing this piece!
$49.99
46.21 €
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Orchestre à Cordes
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Mariah Carey
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arr
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All I Want For Christmas Is You
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Matt Arnett Music
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SheetMusicPlus
Mendelssohn: the Hebrides Overture for Piano Quintet
Strings Piano - Level 5 - Digital Download SKU: A0.550013 Composed by Felix Barthol…
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Strings Piano - Level 5 - Digital Download SKU: A0.550013 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Holiday,Multicultural,Romantic Period,Standards,World. 89 pages. Jmsgu3 #4574575. Published by jmsgu3 (A0.550013). The Hebrides Overture, also known as Fingal's Cave, is a concert overture composed by Felix Mendelssohn in 1830, revised in 1832, and published the following year as Mendelssohn's Op. 26. It is a standalone composition in a form familiar to the Romantic period and is not drawn from a stage work or opera. The overture consists of two primary themes, with the opening notes stating the theme Mendelssohn wrote while visiting Fingal's Cave and the second theme depicting movement at sea and rolling waves.Mendelssohn was inspired to compose this piece after visiting the Scottish island of Staffa and its famous Fingal's Cave, which made a deep impression on him due to its echoing acoustics and the sound of waves crashing against rocks. The intense and rolling melodies within the music perfectly capture the sense of drama and awe of the Scottish landscape. The Hebrides Overture, also known as Fingal's Cave, has been used in popular culture in various ways. It has been performed by orchestras worldwide and has become part of the standard orchestral repertoire, retaining its position to the present day. The overture has also inspired literary works like Virginia Woolf's novel. Additionally, Mendelssohn's visit to the Hebrides and the composition of the overture have contributed to the popularity of Fingal's Cave as a tourist destination. Furthermore, the overture has been featured in recordings and concerts, contributing to its enduring presence in the musical landscape.
$52.95
48.95 €
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: the Hebrides Overture for Piano Quintet
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jmsgu3
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SheetMusicPlus
Chorale & Allegro, for String Orchestra
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.116…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.1168374 Composed by Alison Harbottle. Chamber,Classical,Contemporary,Instructional. 31 pages. Martini Strings #768708. Published by Martini Strings (A0.1168374). Best suited to an advanced ensemble, Chorale & Allegro begins with a staggered-start, slow section, followed by an energetic Allegro section which uses the main Chorale theme as its basis. Each section gets the melody at some stage; Violas require some treble clef, and Basses are required for this piece to work. There is plenty of room for expression at the conductor’s discretion in the Chorale, and plenty of opportunity to explore a wide dynamic range.
$45.00
41.6 €
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Alison Harbottle
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Chorale & Allegro, for String Orchestra
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Martini Strings
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SheetMusicPlus
Let Me Weep from The Hero and the Damned, Scene and Aria for Alto and Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730378 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730378 Composed by James Nathaniel Holland. Broadway,Contemporary,Opera. Score and parts. 40 pages. James Nathaniel Holland #3056443. Published by James Nathaniel Holland (A0.730378). Let Me Weep is a beautiful aria for the underserved operatic Alto from composer James Nathaniel Holland. This stand alone piece is from the opera The Hero and the Damned where an older Danae has reached the end of her patience of her turbulent life. Here presented in an arrangement for soloist and orchestra. Full score (concert pitch) and individual parts are included. Perfect for the concert stage can be sung by Broadway alto too. Instrumentation: Pic/Fl, Fl2, Ob12, Cl12, Bsn12, Hrn 123, Tpt12, Trm 12, BTrm, Tba, Tim, Per (Bdrm, tri), harp, stringsYouTube presentation: https://youtu.be/XKwmj9mH31g.
$21.95
20.29 €
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Orchestre
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James Nathaniel Holland
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Let Me Weep from The Hero and the Damned, Scene and Aria for Alto and Orchestra
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James Nathaniel Holland
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SheetMusicPlus
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehan…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society
$35.00
32.36 €
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Flûte traversière et Piano
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Douglas Knehans
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Tempest-Concerto for Flute and Orchestra
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Armadillo Edition
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SheetMusicPlus
Suite for First Position String Orchestra in Three Movements
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.862523 Composed by Michael Bo…
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String Orchestra - Level 3 - Digital Download SKU: A0.862523 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score and parts. 53 pages. Michael Butkus-Bomier #2032829. Published by Michael Butkus-Bomier (A0.862523). The GateWay Editions First Position String Orchestra Series presents this three-movement suite. A Moderato of about 4 mins duration, an Andante, the featured portion of the suite, running about 7 mins, and a final Allegro, all clocking in at just under 14 mins. ALL notes are playable in first position for ALL sections, of course! The basses sometimes shift to 1 1/2 position, as is the usual pedagogy for their instrument. No fast notes across strings or trills. A minimum of accidentals. These three pieces use tightly controlled rhythms, intervals, and melodic fragments, to create a maximum of symphonic euphony through the combination of just a few musical elements. The audio clip is the complete suite. This work can be the centerpiece of a concert for a youth orchestra, a community group, or a high school ensemble. The phrases are not longer than 4 notes, many are two-note groups, making the choices for bowings much easier than longer strings of notes. Each part has the first movement on page one, the second movement on two facing pages, and the third one the last page, making for easy organization of music onstage and in rehearsal. Score is 33 pgs. MBB.
$45.00
41.6 €
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Orchestre à Cordes
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Michael Bomier
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Suite for First Position String Orchestra in Three Movements
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Michael Butkus-Bomier
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.18 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
ATON part 12-Was passiert - 2 tenor voices, 1 bass voice, bassoon, strings
Voix duo
Voice Duet Voice - Level 3 - Digital Download SKU: A0.576190 Composed by David Wari…
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Voice Duet Voice - Level 3 - Digital Download SKU: A0.576190 Composed by David Warin Solomons. Contemporary,Opera,World. 14 pages. David Warin Solomons #4579. Published by David Warin Solomons (A0.576190). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
4.62 €
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Voix duo
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David Warin Solomons
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ATON part 12-Was passiert - 2 tenor voices, 1 bass voice, bassoon, strings
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David Warin Solomons
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SheetMusicPlus
ATON part 1-Orchestermusik - woodwind, strings, piano, timpani
Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 3 - Digital Do…
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.576179 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 17 pages. David Warin Solomons #4553. Published by David Warin Solomons (A0.576179). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
4.62 €
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David Warin Solomons
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ATON part 1-Orchestermusik - woodwind, strings, piano, timpani
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David Warin Solomons
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SheetMusicPlus
ATON part 2-Kinder kinder! - choir, strings, piano, timpani
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576180 Composed by David W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576180 Composed by David Warin Solomons. Contemporary,Opera,World. Octavo. 21 pages. David Warin Solomons #4555. Published by David Warin Solomons (A0.576180). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
4.62 €
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Chorale SATB
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David Warin Solomons
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ATON part 2-Kinder kinder! - choir, strings, piano, timpani
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David Warin Solomons
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SheetMusicPlus
One Second to the Future - Guitar Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
69.34 €
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
ATON part 30 Ningal's Song for flute and guitar
Flûte et Guitare
Flute,Guitar,Instrumental Duet - Digital Download SKU: A0.576223 Composed by David …
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Flute,Guitar,Instrumental Duet - Digital Download SKU: A0.576223 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,Opera,World. 2 pages. David Warin Solomons #11053. Published by David Warin Solomons (A0.576223). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. Please search for Aton for the full picture.
$5.00
4.62 €
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Flûte et Guitare
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David Warin Solomons
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ATON part 30 Ningal's Song for flute and guitar
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David Warin Solomons
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SheetMusicPlus
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