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Vous avez sélectionné:
Standing In The Presence Of The King
Partitions à imprimer
8 partitions trouvées
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Standing In The Presence Of The King
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522399 Composed by Rusty G…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522399 Composed by Rusty Goodman. Arranged by Paul A. Jorg. A Cappella. Octavo. 4 pages. Paul A. Jorg #6077019. Published by Paul A. Jorg (A0.522399). This arrangement is for 4 part male harmony (TTBB) a cappella.Here is a synopsis by Wikipedia of Rusty Goodman's musical background. He composed Who Am I? in 1965 and was actively singing within two weeks of his passing.Charles F. Rusty Goodman (September 2, 1933 – November 11, 1990) was an American singer/songwriter in the Southern Gospel Music industry. He was a prolific composer whose many songs included Standing in the Presence of the King, Leavin' On My Mind, Home, John the Revelator, Touch the Hand of the Lord, Had it Not Been I Believe He's Coming Back Look for Me and Who Am I? His songs have been covered by many of the top artists in the music industry including Elvis Presley, The Imperials, J. D. Sumner & The Stamps Quartet, The Speers, The Happy Goodman Family, Michael English and Gaither Vocal Band.
$4.59
4.24 €
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Chorale TTBB
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Rusty Goodman
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Paul A
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Standing In The Presence Of The King
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Paul A. Jorg
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SheetMusicPlus
Handel: Messiah (Der Messias) Hallelujah Chorus (original key of D) - wind dectet
Large Ensemble - Level 3 - Digital Download SKU: A0.553419 Composed by George Fride…
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Large Ensemble - Level 3 - Digital Download SKU: A0.553419 Composed by George Frideric Handel. Arranged by Ray Thompson. Christmas,Classical,Sacred,Wedding. Score and parts. 27 pages. RayThompsonMusic #2551253. Published by RayThompsonMusic (A0.553419). Part II of Handel's Messiah closes with the chorus Hallelujah, in the key of D major.In many parts of the world, it is the accepted practice for the audience to stand for this section of the performance. The tradition is said to have originated with the first London performance of Messiah, which was attended by King George II. As the first notes of the triumphant Hallelujah Chorus rang out, the king was so moved that he rose to his feet and remained standing until the end of the chorus. Royal protocol has always dictated that when the monarch stands, everyone in the monarch's presence is also required to stand. Thus, the entire audience and orchestra stood when the king stood during the performance, initiating a tradition that has lasted more than two centuries.My arrangement is for standard wind dectet: 2 fl, 2 oboes,2 clt in A, 2 hns in D and 2 bassoons.
$14.95
13.81 €
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George Frideric Handel
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Ray Thompson
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Handel: Messiah
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RayThompsonMusic
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SheetMusicPlus
Talking Through The Ceiling -- VOCAL SOLO
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.886633 Composed by Perry, C.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.886633 Composed by Perry, C. Michael. Christian,Sacred. Score. 7 pages. Shining Sharon Music #3580259. Published by Shining Sharon Music (A0.886633). It is about Prayer and reaching out for God, even when we don't feel His presence; that is when we must move into His presence. All the questions we could ask; all the times when we feel we're not getting through; all the times we realize that it is us standing in our own way; all the times God blesses us with answers because we got ourselves out of the way. That's talking through the ceiling.
$4.00
3.7 €
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Piano, Voix
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Perry, C
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Talking Through The Ceiling -- VOCAL SOLO
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Shining Sharon Music
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SheetMusicPlus
On the Edge of Tomorrow
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1379783 By Ken Medema…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1379783 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 8 pages. Ken Medema Music #956360. Published by Ken Medema Music (A0.1379783). Solo PianoStanding on the edge of tomorrow,Standing on the edge of adventure,Standing in the place of discovery,Learning every step on the way,Thankful for the pathways behind us,Looking to the future before us,Guided by the Spirit among us,Standing at the dawn of the day.Verse 1Holy Spirit guide us, worshiping we come,Draw us ever closer to our God our home.Fill us with God’s presence, mold and change and turn,Till with holy fire hearts like torches burn.Â
$3.99
3.69 €
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Voix Soprano, Piano
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Ken Medema
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Ken Medema
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On the Edge of Tomorrow
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Ken Medema Music
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SheetMusicPlus
"Cori Celesti" for SATB choir
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323404 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323404 Composed by Dom Waldock. 21st Century,A Cappella,Chamber,Classical,Contemporary. 9 pages. Dominic Waldock #911625. Published by Dominic Waldock (A0.1323404). Cori Celesti for SATB choir, composed by Dom WaldockNamed after the vast mountain at the centre of the Discworld, this choral piece describes the realm of Dunmanifestin at the top of Cori Celesti. It is the home of the Discworld Gods whom manifest in the presence of mortal beings’ belief. The work begins and ends with a ritualistic chant, sang syllabically in 7/4 metre separated into groups of four and three. We then go on to hear about the Gods in more detail such as The Lady, Fate and the King of the Gods: Blind Io. The lyrical content can be seen below: Dunmanifestin, dun, Dunmanifestin. Atop the mountain, there they live, Sustained by our belief.The Gods of Discworld gaze below, At wizard, troll and thief. Cori Celesti, Cori Celesti, Cori Celesti, Cori Celesti. The dice are rolled,The game of life begins. The Lady,And Fate choose their pawns. Blind Io, the King of the Gods, Watches eyeless from his throne. Overseer of mortal lives, Worship him. Blind Io, the King of the Gods, (Patina, Goddess of Wisdom) (Astoria, Goddess of Love) Watches eyeless from his throne. (Ikebana, Goddess of Topiary) (Errata, Goddess of Misunderstandings)Overseer of mortal lives, (Offler, the Crocodile God) (Neoldian, Blacksmith of the Gods) Worship him (worship them), worship them (worship him).
$1.99
1.84 €
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Chorale SATB
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Dom Waldock
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"Cori Celesti" for SATB choir
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Dominic Waldock
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SheetMusicPlus
Stabat Mater
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1187117 Composed by Annemi…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1187117 Composed by Annemieke Lustenhouwer. Contemporary. Octavo. 130 pages. Annemieke Lustenhouwer #786752. Published by Annemieke Lustenhouwer (A0.1187117). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.Conductors score with parts for the string players.
$19.00
17.55 €
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Chorale SATB
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Annemieke Lustenhouwer
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Stabat Mater
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Annemieke Lustenhouwer
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SheetMusicPlus
Stabat Mater - string ensemble parts
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke L…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
17.55 €
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble parts
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Annemieke Lustenhouwer
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SheetMusicPlus
Over the Treetops I Float Thee a Song (from 'Ode to Death')
Orgue
Organ - Intermediate - Digital Download Composed by Gustav Holst (1874-1934). Arrange…
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Organ - Intermediate - Digital Download Composed by Gustav Holst (1874-1934). Arranged by Paul Broadhurst. 20th Century, Modern, Repertoire, Funeral, Recital. 3 pages. Published by Molto rubato
This is an outstandingly atmospheric piece of music, the final part of Holst's choral work 'Ode to Death'. Holst composed this work in response to the First World War. He dedicated it to his musical friend Cecil Coles and "the others" who were killed in that war. The breath-takingly beautiful tune is supported by other-worldly harmonies and an unusual 7/4 rhythm to create music of immense presence. It works really beautifully on the organ: a wonderful piece for recitals, meditative services, remembrance or to play on your own for the sheer reward offered by this exceptional music. Also a great piece for demonstrating different solos and effects of the organ, including a great outlet for the Vox Humana, solo Flute and quiet Strings. Even bells, if you're lucky enough to have a set on your instrument!
$7.50
6.93 €
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Orgue
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Gustav Holst (1874-1934)
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Paul Broadhurst
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Over the Treetops I Float Thee a Song
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SheetMusicPlus
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