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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Stay Too Long
Non classifié
3
Piano & claviers
Piano, Voix et Guitare
7
Piano, Voix
6
Piano seul
4
Piano Facile
1
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1
Guitares
Ligne De Mélodie, (Paroles) et Accords
5
Paroles et Accords
2
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Voix
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3
Chorale 2 parties
2
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1
Chorale 3 parties
1
Voix haute
1
Vents
Ensemble de Flûtes
1
Cuivres
Ensemble de Tubas
1
Quatuor de cuivres: 4 trombones
1
Cordes
Trio à Cordes: violon, alto, violoncelle
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
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Ensemble de cuivres
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Stay Too Long
Partitions à imprimer
49 partitions trouvées
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1
26
(i Stayed) Too Long At The Fair
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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Billy Barnes
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Daniele Buatti
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(i Stayed) Too Long At The Fai
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Daniele Buatti
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1296740 Composed by Billy Barnes. Arranged by Daniele Buatti. Broadway,Jazz,Musical/Show. Score. 7 pages. Daniele ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1296740 Composed by Billy Barnes. Arranged by Daniele Buatti. Broadway,Jazz,Musical/Show. Score. 7 pages. Daniele Buatti #886907. Published by Daniele Buatti (A0.1296740). This arrangement is based off of (I Stayed) Too Long At The Fair as performed by Barbara Streisand on the album Voice of an Angel: The Beginning.As much of the piano accompaniment has been included but you are encouraged to ad lib and play what you feel around the chord changes. Have I Stayed Too Long at the FairBarbra Streisand Voice of an Angel: The Beginning ℗ 2022Wet Music Released on: 2022-01-31.
$4.99
(i Stayed) Too Long At The Fair
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Piano Facile
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FACILE
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Jazz
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Billy Barnes
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Mark Phillips
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(i Stayed) Too Long At The Fai
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A. J. Cornell Publications
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.691643 Composed by Billy Barnes. Arranged by Mark Phillips. Jazz,Standards. Score. 3 pages. A. J. Cornell Publications #4...
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Easy Piano - Level 2 - SKU: A0.691643 Composed by Billy Barnes. Arranged by Mark Phillips. Jazz,Standards. Score. 3 pages. A. J. Cornell Publications #4823025. Published by A. J. Cornell Publications (A0.691643). (I Stayed) Too Long at the Fair for Easy Piano.
$4.99
(I Stayed) Too Long At The Fair
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Piano, Voix et Guitare
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Jazz
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Barbra Streisand and Billy Bar
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(I Stayed) Too Long At The Fai
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Barbra Streisand and Billy Barnes. Standards. Piano/Vocal/Guitar. 8 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Barbra Streisand and Billy Barnes. Standards. Piano/Vocal/Guitar. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
(I Stayed) Too Long At The Fair
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Piano, Voix et Guitare
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Jazz
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Barbra Streisand and Billy Bar
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(I Stayed) Too Long At The Fai
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Barbra Streisand and Billy Barnes. Standards. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Barbra Streisand and Billy Barnes. Standards. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Stayin' Alive
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Chorale 2 parties
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DÉBUTANT
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Pop musique
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Bee Gees
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Vicky Jacobs
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Stayin' Alive
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Victoria Jacobs
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SheetMusicPlus
Choral Choir (2-Part) - Level 1 - SKU: A0.1256140 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Vicky Jacobs. Disco,Pop. Octavo....
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Choral Choir (2-Part) - Level 1 - SKU: A0.1256140 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Vicky Jacobs. Disco,Pop. Octavo. 1 pages. Victoria Jacobs #849608. Published by Victoria Jacobs (A0.1256140). This is part of a series of lead sheets I've made which are quick wins for your choir or would work brilliantly as a singalong. They are in singable keys and don't create too much photocopying! This song will also work perfectly with a commercially available backing track.
$1.99
Marie for shame you stay in bed too long - for string quintet (mp3)
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Trio à Cordes: violon, alto, violoncelle
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Contemporain
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David Warin Solomons
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Marie for shame you stay in be
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David Warin Solomons
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SheetMusicPlus
Cello,Viola,Violin - SKU: A0.1059320 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 262. David Warin Solomons #2039195. Publ...
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Cello,Viola,Violin - SKU: A0.1059320 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 262. David Warin Solomons #2039195. Published by David Warin Solomons (A0.1059320). Marie for shame is based on my setting of a Ronsard poem addressed to a young lady who will not get up in the morning. He encourages her to bestir herself and to gather rosebuds while she may, while she is still young.Score and parts:https://www.sheetmusicplus.com/title/19980747?aff_id=175705
$2.50
Have I Stayed Away Too Long
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Ligne De Mélodie, (Paroles) et Accords
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Have I Stayed Away Too Long
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.466666 Jazz,Standards. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.466666). ...
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SKU: HX.466666 Jazz,Standards. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.466666).
$1.99
Have I Stayed Away Too Long (High Voice)
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Voix haute
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Have I Stayed Away Too Long
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - SKU: HX.470439 Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470439). ...
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(High Voice) - SKU: HX.470439 Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470439).
$1.99
Have I Stayed Away Too Long (Low Voice)
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Ligne De Mélodie, (Paroles) et Accords
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Jazz
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Frank Loesser
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Have I Stayed Away Too Long
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Hal Leonard - Digital
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SheetMusicPlus
Voice - SKU: HX.1301188 By Frank Loesser. This edition: scorch. Jazz. Real Book - Melody/Chords/Lyrics. 2 pages. Hal Leonard - Digital #996986. Publishe...
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Voice - SKU: HX.1301188 By Frank Loesser. This edition: scorch. Jazz. Real Book - Melody/Chords/Lyrics. 2 pages. Hal Leonard - Digital #996986. Published by Hal Leonard - Digital (HX.1301188).
$1.99
(I Stayed) Too Long at the Fair [Live Version] by Barbra Streisand - Piano/Vocal/Chords
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Piano, Voix
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Barbra Streisand
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(I Stayed) Too Long at the Fai
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Musicnotes
Performed by: Barbra Streisand: (I Stayed) Too Long at the Fair [Live Version] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, down...
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Performed by: Barbra Streisand: (I Stayed) Too Long at the Fair [Live Version] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 7 pages -- Adult Contemporary~~Soft Rock~~Standards~~Traditional Pop~~Vocal Pop
$5.50
(I Stayed) Too Long at the Fair by Barbra Streisand - Piano/Vocal/Chords
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Piano, Voix
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Barbra Streisand
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(I Stayed) Too Long at the Fai
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Musicnotes
Performed by: Barbra Streisand: (I Stayed) Too Long At the Fair Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement ...
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Performed by: Barbra Streisand: (I Stayed) Too Long At the Fair Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 8 pages -- Adult Contemporary~~Soft Rock~~Standards~~Traditional Pop~~Vocal Pop
$5.75
L'alchimista
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Piano seul
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Contemporain
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Monica Bergo
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L'alchimista
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873).
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Piano Solo - SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873). 2017 Holiday Contest EntryThe alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world We like vampires , breath broken by sighs , arms forward, off eyes alchemist turn off my complaints You like a zombie , ready to sink your teeth ,that fascinates me and scares alchemist dissolve my torments .. but you can not .. and I stay here I'm looking for the courage to live It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$3.99
ALCHEMIST
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Piano seul
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Contemporain
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Monica Bergo
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ALCHEMIST
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012717 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5743015. Published by Moni Bergo (A0.1012717). ...
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Piano Solo - SKU: A0.1012717 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5743015. Published by Moni Bergo (A0.1012717). Music and song composed by me The alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$5.00
Up Where We Belong for Flute Choir
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Ensemble de Flûtes
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FACILE
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Film/TV
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Joe Cocker & Jennifer Wa
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James- Michael Sellers
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Jennifer Warnes
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Up Where We Belong for Flute C
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SheetMusicPlus
Flute Choir (consisting of Piccolo, 4 C Flutes, Alto Flute, and Bass Flute) - Early Intermediate - Digital Download By Joe Cocker & Jennifer Warn...
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Flute Choir (consisting of Piccolo, 4 C Flutes, Alto Flute, and Bass Flute) - Early Intermediate - Digital Download By Joe Cocker & Jennifer Warnes. Arranged by James- Michael Sellers. Score, Set of Parts. 13 pages. Published by JMS Composer
Let your flute choir take off to where they belong with this wonderful arrangement of "Up Where We Belong", the 1982 #1 Hit from the Paramount motion picture An Officer and a Gentleman. This wonderful work stays true to the feel of the work without pushing your flute choir too much. A wonderful song which emphasizes that true love can make any relationship stronger, this is a great addition to any concert.
This work's 4th Flute part is a concert transposition of the Alto Flute part.
Duration is around 4 minutes.
Included Parts and Ranges:
- Piccolo (sounding F#5 to A6)
- Flute 1 (A4 to G6)
- Flute 2 (G4 to G6)
- Flute 3 (E4 to D6)
- Flute 4 (C Alto part, D4 to A5)
- Alto Flute (sounding D4 to A5)
- Bass Flute (sounding D3 to F4)
$12.99
Stay Too Long
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Piano, Voix et Guitare
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Soul/R&B
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Plan B
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Pop
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Stay Too Long
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Plan B. For piano, voice, and guitar (chords only). Hip-Hop; Pop; R & B. 9 pages. Published by Hal Leonard - Digital Sheet Music...
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By Plan B. For piano, voice, and guitar (chords only). Hip-Hop; Pop; R & B. 9 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Stay Too Long
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Paroles et Accords
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Pop musique
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Plan B
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Stay Too Long
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Plan B. Pop. GTRCHD. 3 pages. Published by Hal Leonard - Digital Sheet Music
By Plan B. Pop. GTRCHD. 3 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
Tom Goss: Stay Too Long for guitar
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Paroles et Accords
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INTERMÉDIAIRE
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Pop musique
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Tom Goss
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Virtualsheetmusic
Instantly printable sheet music by Plan B for guitar (chords) of MEDIUM skill level. / pop
Instantly printable sheet music by Plan B for guitar (chords) of MEDIUM skill level. / pop
$4.97
Tom Goss: Stay Too Long for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Soul/R&B
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Pop musique
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Tom Goss
#
Virtualsheetmusic
Instantly printable sheet music by Plan B for voice, piano or guitar of MEDIUM skill level. / hip-hop,pop,r & b
Instantly printable sheet music by Plan B for voice, piano or guitar of MEDIUM skill level. / hip-hop,pop,r & b
$8.97
Twice on Sunday
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Piano, Voix
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INTERMÉDIAIRE
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Cheryl Prazak
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Jon Burr, with lyrics by Chery
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Jon Burr
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Twice on Sunday
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jbQ Media
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1380997 By Cheryl Prazak. By Jon Burr. Arranged by Jon Burr. Country,Pop,Wedding. Score. 9 pages. JbQ Media #96572...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1380997 By Cheryl Prazak. By Jon Burr. Arranged by Jon Burr. Country,Pop,Wedding. Score. 9 pages. JbQ Media #965725. Published by jbQ Media (A0.1380997). Piano/vocal arrangement of Twice On SundayGrade 3 pop for alto voice and pianoThis compelling song is a reminiscence of a long, successful marriage, which would work especially well at a wedding anniversary celebration.Composed by Jon Burr, with lyrics by Cheryl Prazak, with vocal on the video and mp3 by Samantha Jane. The lyric is: Just your smile, was when our love began.Don’t know how it happened, it wasn’t in my planKnowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday.When I looked into your eyes, I saw something more than blue,My reflection in your eyes told me you saw something, too.Knowing now what I didn’t know way back thenWould I do it all again?Every day of the week and twice on Sunday.Would I take you again, to be my dearest friend?My buddy and my love right through until the end,Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday..At first I didn't know, I was very unsurewhen you asked for my hand, I felt so insecureTook it on faith, somehow I just knewit could work out getting married to youFrom the moment when we danced, when I put my trust in you,Magic came into my heart, I knew our love would stay true.Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on SundayEvery day of the week and twice on Sundayon Sundayon Sunday Â
$4.99
Barbra Streisand: (I Stayed) Too Long At The Fair - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
#
Jazz
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Barbra Streisand
#
Virtualsheetmusic
Instantly printable sheet music by Barbra Streisand for voice, piano or guitar of MEDIUM skill level. / standards
Instantly printable sheet music by Barbra Streisand for voice, piano or guitar of MEDIUM skill level. / standards
$7.97
Barbra Streisand: (I Stayed) Too Long At The Fair - voice, piano or guitar
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Piano, Voix et Guitare
#
INTERMÉDIAIRE
#
Barbra Streisand
#
Virtualsheetmusic
Instantly printable sheet music by Barbra Streisand for voice, piano or guitar of MEDIUM skill level. / standards
Instantly printable sheet music by Barbra Streisand for voice, piano or guitar of MEDIUM skill level. / standards
$7.97
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Mysterious Moment for oboe and string trio
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Contemporain
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
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Stay Too Long