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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Step In Time - Bass
Non classifié
393
Piano & claviers
Piano seul
1 010
Piano, Voix
368
Piano Facile
156
Piano, Voix et Guitare
38
Instruments en Do
18
Orgue
15
Piano Quatuor: piano, 2 violons, violoncelle
12
Piano Trio: piano, violon, violoncelle
8
Accompagnement Piano
8
1 Piano, 4 mains
5
Piano grosses notes
2
1 Piano, 6 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
Orgue, Trompette (duo)
1
Tous Les Instruments
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
26
Guitare
23
Ligne De Mélodie, (Paroles) et Accords
6
Ukulele
4
Mandoline
2
Ensemble de guitares
1
Dulcimer
1
+ 2 instrumentations
Retracter
Voix
Chorale 2 parties
213
Chorale SATB
191
Chorale 3 parties
99
Voix duo, Piano
90
Chorale Unison
83
Voix duo
34
Chorale TTBB
11
Voix Alto, Piano
9
Chorale SSAA
8
Pack Instrumental pour Chorale
6
Voix haute
5
Voix seule
3
Voix Baryton, Piano
2
Voix Tenor, Piano
1
Voix moyenne, Piano
1
+ 10 instrumentations
Retracter
Vents
Saxophone Soprano et Piano
59
2 Saxophones (duo)
57
Quatuor de Saxophones: 4 saxophones
54
Saxophone Tenor et Piano
49
Quintette de Saxophone: 5 saxophones
49
Clarinette et Piano
40
Flûte traversière et Piano
31
Saxophone Alto et Piano
29
Flûte, Clarinette (duo)
26
Clarinette
22
Hautbois, Piano (duo)
17
2 Flûtes traversières (duo)
17
3 Saxophones (trio)
16
2 Clarinettes (duo)
14
Quatuor de Clarinettes: 4 clarinettes
13
Flûte à bec Soprano
11
2 Hautbois (duo)
10
Saxophone, Clarinette (duo)
9
2 Flûte à bec (duo)
8
Hautbois, Clarinette (duo)
8
Clarinette, Violon (duo)
7
Hautbois (partie séparée)
6
Quatuor de Flûtes : 4 flûtes
6
Ensemble de Clarinettes
5
Flûte traversière
5
Clarinette, Trompette (duo)
4
Flûte, Hautbois, Piano (trio)
4
Saxophone Alto
4
Flûte, Violoncelle
4
3 Clarinettes (trio)
4
Cor anglais, Piano
4
Hautbois, Violoncelle
4
Flûte, Violon
4
Clarinette, Violoncelle (duo)
4
Trio de Flûtes: 3 flûtes
4
Flûte, Hautbois (duo)
4
Saxophone Baryton, Piano
4
Hautbois, Flûte
4
Quintette de Flûte : 5 flûtes
4
Clarinette et Alto
4
Flûte irlandaise
3
Flûte à bec Alto
3
Saxophone et Orgue
3
Flûte, Alto (duo)
3
Saxophone Tenor
3
3 Flûtes à bec (trio)
2
Flûte à bec Alto, Piano
2
Flûte, Saxophone (duo)
2
Flûte, Trompette (duo)
2
Flûte, Violon, Piano
2
Ocarina
2
Flûte et Guitare
1
Flûte, Violon et Violoncelle
1
2 Saxophones, Piano
1
Hautbois, violon (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Cor Anglais
1
Harmonica
1
Ensemble de saxophones
1
Saxophone Baryton
1
Hautbois
1
Hautbois et alto (duo)
1
Saxophone (partie séparée)
1
+ 58 instrumentations
Retracter
Cuivres
Trombone et Piano
55
Trompette, Piano
50
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Cor et Piano
20
Trompette
19
Trompette, Cor (duo)
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Trompette, Trombone (duo)
12
2 Trompettes (duo)
10
2 Trombones (duo)
9
Trompette, Saxophone (duo)
6
Cor
6
Cor anglais, Piano
4
Ensemble de Trombones
4
Tuba
4
Ensemble de Trompettes
3
Cor, Violoncelle (duo)
3
Euphonium, Piano (duo)
3
Trombone
3
Tuba et Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
Trompette, Trombone, Piano
2
Trombone, Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor et Orgue
1
2 Tubas (duo)
1
Ensemble de Cors
1
2 Cors (duo)
1
Cor Anglais
1
2 Trombones, Piano
1
Trompette, Violoncelle (duo)
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
71
Violoncelle, Piano
49
Violon et Piano
41
Violon
31
Alto, Piano
29
Violon, Violoncelle (duo)
27
Piano Trio: Violon, Alto, Piano
22
Violoncelle
19
2 Violons (duo)
15
2 Violoncelles (duo)
13
Trio à Cordes: violon, alto, violoncelle
13
Violon, Alto (duo)
13
2 Altos (duo)
12
Alto seul
10
Harpe
8
Alto, Violoncelle (duo)
7
Quatuor à cordes: 4 violons
4
Alto (partie séparée)
4
Trio à cordes: 3 violins
4
Quatuor à cordes : 4 altos
4
4 Violoncelles
4
2 Harpes (duo)
4
Ensemble d'Altos
4
Ensemble de Violons
4
Trio à Cordes: 2 violons, violoncelle
4
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 altos
2
Violon (partie séparée)
2
Violoncelle, Orgue
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
61
Ensemble de cuivres
23
Orchestre à Cordes
13
Orchestre
10
Ensemble Jazz
7
Orchestre de chambre
5
Jazz combo
5
Batterie
4
Fanfare
4
Ensemble de Percussions
2
2 Xylophones
2
Cloches
2
Marimba
2
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Step In Time - Bass
Partitions à imprimer
4 396 partitions trouvées
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26
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4376
Step In Time
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Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Richard M
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Kevin P Holdgate
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Step In Time
#
Kevin P Holdgate
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.862340 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Kevin P Holdgate. 20th Century,Broadway,Cont...
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Brass Ensemble - Level 4 - SKU: A0.862340 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Kevin P Holdgate. 20th Century,Broadway,Contest,Festival,Film/TV,Musical/Show. Score and parts. 45 pages. Kevin P Holdgate #468840. Published by Kevin P Holdgate (A0.862340). This is an arrangement with a tale to tell... A few years ago my wife and I were invited to attend a surprise 90th birthday party for the legendary brass band conductor James Scott. The party was held at Uppermill golf course in the heart of Saddleworth. Anyone familiar with the annual brass band festival that is the Whit Friday March contests will be familiar with the area and perhaps also with its somewhat damp climate. My wife and I decided that we would make a mini-break out of it and took our touring caravan to stay on a small farm site near Freisland (another Whit Friday venue). the weather was as predicted and it rained... and it rained... and then it rained some more to the extent that we had a family of ducks swimming around outside our caravan door. TV, and Internet connection in Saddleworth, in a caravan in the rain is virtually non-existent so we were well and truly stuck. We ventured out into nearby town of Oldham and eventually found a bookshop. Browsing through the music section I stumbled across a piano reduction of the show score to Mary Poppins. Contained in the score was a 32 bar, simple piano reduction of Step in Time... The rest, as they say, is history... This arrangement is not such a simple reduction. There are frequent changes of key, and time signatures throughout, but it has proven to be great fun to play and rehearse. Particularly with bands that are not the best 'sight readers'...
$29.99
Step In Time
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Chorale TTBB
#
INTERMÉDIAIRE
#
Richard M
#
Kevin Keller
#
Step In Time
#
Kevin Keller
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.816271 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Kevin Keller. 20th Century,A Cappella,B...
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Choral Choir (TTBB) - Level 3 - SKU: A0.816271 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop,Contemporary,Film/TV. Octavo. 7 pages. Kevin Keller #6499389. Published by Kevin Keller (A0.816271). Barbershop TTBB (melody in T2) - Note: This arrangement was designed specifically to be sung in a BHS contest with judging. Performer can easily adapt to your own scenario.
$2.99
Step in Time (for Bb Clarinet, Cello and Piano)
#
Katrina Wreede
#
Step in Time
#
Vlazville Music-Digital
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 5 - SKU: A0.737389 Composed by Katrina Wreede. Concert,Contemporary,Standards. Sc...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 5 - SKU: A0.737389 Composed by Katrina Wreede. Concert,Contemporary,Standards. Score and parts. 35 pages. Vlazville Music-Digital #6719333. Published by Vlazville Music-Digital (A0.737389). Bouncy romp of a trio for advanced amateur players or older students that includes some groove elements of Latin jazz and Balkan rhythms (3+3+3+3+2+2) in an easy-to-digest and fun to play piece. Highly recommend for college student recitals, music camps and chamber concerts. .
$16.99
Half-Step Hiatus (solo cello)
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Violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Jeremy Cohen
#
Half-Step Hiatus
#
Violinjazz Publishing
#
SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.877398 Composed by Jeremy Cohen. Concert,Contemporary,Instructional,Jazz. Individual part. 2 pages. Violinjazz Publishing...
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Cello Solo - Level 4 - SKU: A0.877398 Composed by Jeremy Cohen. Concert,Contemporary,Instructional,Jazz. Individual part. 2 pages. Violinjazz Publishing #4822787. Published by Violinjazz Publishing (A0.877398). Stylistic Etude for Solo CelloTeaches playing half steps in two ways: using consecutive fingering, and using a single finger with a slide. Develops playing in straight time and swing time, and builds a lighter finger pressure technique. Encourages relaxed arms. Video link is solo violin version.
$5.99
Half-Step Hiatus (solo viola)
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Alto (partie séparée)
#
INTERMÉDIAIRE/AVANCÉ
#
Jeremy Cohen
#
Half-Step Hiatus
#
Violinjazz Publishing
#
SheetMusicPlus
Viola Solo - Level 4 - SKU: A0.877395 Composed by Jeremy Cohen. Concert,Contemporary,Instructional,Jazz. Individual part. 2 pages. Violinjazz Publishing...
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Viola Solo - Level 4 - SKU: A0.877395 Composed by Jeremy Cohen. Concert,Contemporary,Instructional,Jazz. Individual part. 2 pages. Violinjazz Publishing #4822779. Published by Violinjazz Publishing (A0.877395). Stylistic Etude for Solo ViolaTeaches playing half steps in two ways: using consecutive fingering, and using a single finger with a slide. Develops playing in straight time and swing time, and builds a lighter finger pressure technique. Encourages relaxed arms. Video link is for solo violin version.
$5.99
Half-Step Hiatus (solo violin)
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Violon
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INTERMÉDIAIRE/AVANCÉ
#
Jeremy Cohen
#
Half-Step Hiatus
#
Violinjazz Publishing
#
SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.877377 Composed by Jeremy Cohen. Concert,Contemporary,Instructional,Jazz. 2 pages. Violinjazz Publishing #4809741. Publi...
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Violin Solo - Level 4 - SKU: A0.877377 Composed by Jeremy Cohen. Concert,Contemporary,Instructional,Jazz. 2 pages. Violinjazz Publishing #4809741. Published by Violinjazz Publishing (A0.877377). Stylistic Etude for Solo ViolinTeaches playing half steps in two ways: using consecutive fingering, and using a single finger with a slide. Develops playing in straight time and swing time, and builds a lighter finger pressure technique. Encourages relaxed arms.
$5.99
Prelude in E minor (GUITAR TAB) Op. 28, No. 4 [Frédéric Chopin]
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Guitare notes et tablatures
#
FACILE
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Classique
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Frederic Chopin
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Darek
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Prelude in E minor
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Darek
#
SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - SKU: A0.1259085 Composed by Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Tablature. 2 ...
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Easy Guitar (with TAB) - Level 2 - SKU: A0.1259085 Composed by Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Tablature. 2 pages. Darek #852351. Published by Darek (A0.1259085). Prelude in E minor (GUITAR TAB) Op. 28, No. 4 [Frédéric Chopin]Simplified arrangement for guitarists of Prelude in E minor Op. 28, No. 4 by Frédéric Chopin (Frederic Chopin). Easy guitar tab arrangement for beginners. Included: Sheet Music, Tabulature, Chords and Youtubue tutorial. I offer a fantastic collection of guitar tablature for beginner-intermediate guitarists. Immerse yourself in the world of classical music with my exceptional arrangement of Prelude in E minor Op. 28, No. 4 by Frederic Chopin, adapted specifically for the guitar. Designed with the needs of budding guitarists in mind, my sheet music features a combination of Sheet Music and Tablature, allowing you to easily follow along and play this captivating piece. Embrace the beauty of the composition as you strum the carefully crafted Chords, which capture the essence of Chopin's renowned work. To support your learning journey, my package includes a YouTube tutorial video, where demonstrates and guides you through the piece, step by step. This visual aid provides invaluable insights into technique, interpretation, and musical expression, ensuring a fulfilling and enriching learning experience. The Prelude in E minor Op. 28, No. 4 hails from the Romantic era, a period known for its passionate melodies and evocative harmonies. Step back in time and explore the profound beauty of this era as you bring this iconic composition to life on your guitar. Positioned for optimal visibility online, my product caters to beginner-intermediate guitarists seeking accessible yet captivating repertoire. This arrangement strikes the perfect balance between challenge and enjoyment, allowing you to develop your skills while delving into the rich musical heritage of Chopin's composition. Experience the joy of music as you embark on a journey of self-expression and skill development with the Prelude in E minor. Let my meticulously prepared guitar tablature, featuring Sheet Music, Tablature, Chords, and a YouTube tutorial, be your guide to mastering this timeless piece. Elevate your guitar playing and captivate your audience with the enchanting melodies of Chopin's masterpiece.
$2.00
Only A Step, Heaven's Call
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Jazz combo
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AVANCÉ
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Don Hodell Chilcote
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Don Hodell Chilcote
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Only A Step, Heaven's Call
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Don Hodell Chilcote
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SheetMusicPlus
Jazz Combo - Level 5 - SKU: A0.778984 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Blues,Christian,Gospel,Jazz. Score and parts. 3 ...
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Jazz Combo - Level 5 - SKU: A0.778984 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Blues,Christian,Gospel,Jazz. Score and parts. 3 pages. Don Hodell Chilcote #3686629. Published by Don Hodell Chilcote (A0.778984). Only A Step, Heaven's Call. A setting of a hymn tune with great funky bebop riff which is simple and groovin at times and also harmonically daring and rich. Big Chords and great nonfunctional Gospel sounding voice leading produces a striking example of the beauty qualities of this astounding gem. Piece includes distinct and unique ideas and vamps and a setting of the hymn tune before concluding. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Deeply funky tune draws from inspiration in Hezekiah Walker, Chick Corea, Ricky Dillard, Charlie Parker, and Theolonious Monk. It was used for a piano and drum prelude in church, for a moment in time.
$2.99
Time To Say Goodbye
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Piano, Voix et Guitare
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FACILE
#
Contemporain
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Andrea Bocelli and Sarah Brigh
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Paul Lorenz
#
Time To Say Goodbye
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Paul Lorenz
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1401613 By Andrea Bocelli and Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto....
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1401613 By Andrea Bocelli and Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by Paul Lorenz. Broadway,Film/TV,Musical/Show,Opera,Pop,Religious. Score. 6 pages. Paul Lorenz #984792. Published by Paul Lorenz (A0.1401613). The Ultimate Companion for Every Musician: Time to Say Goodbye Sheet Music At Paul Lorenz Music, we transcend the ordinary by connecting you with the extraordinary. Our latest offering, the Sarah Brightman Andrea Bocelli Time To Say Goodbye Sheet Music, embodies our dedication to quality, innovation, and connection. Crafted for musicians who demand nothing but the best, this sheet music serves as your passport to a performance that resonates with audiences from all walks of life. Unleash Your Musical Genius Dive into the melodious world of Time to Say Goodbye Piano Sheet Music and Time to Say Goodbye Score PDF, meticulously prepared to bring the iconic duet of Sarah Brightman and Andrea Bocelli to life. Whether you're a pianist, part of an ensemble, or leading an orchestra, our sheet music elevates your musical journey, ensuring a rendition that's both authentic and emotive. Versatility at Its Finest Our Time to Say Goodbye Sheet Music portfolio is as diverse as the talents of our audience. From the delicate strings of the Time to Say Goodbye Sheet Music Violin to the harmonious chords of the Time to Say Goodbye Piano, every note is a step closer to perfection. Choirs and vocalists will find inspiration in the Time to Say Goodbye Choir Sheet Music and Time to Say Goodbye Sheet Music Vocal, while orchestras can embrace the full arrangement with Time to Say Goodbye Orchestra Sheet Music. A Symphony of Quality and Connection Innovation and collaboration are at the heart of Paul Lorenz Music. By integrating Con Te Partiro Music Sheet and Con Te Partiro Sheet Music PDF into our repertoire, we bridge the gap between classical and contemporary, ensuring that timeless pieces like Time to Say Goodbye continue to inspire and uplift new generations. The Legacy of Time to Say Goodbye The Time to Say Goodbye Lyrics and music have captivated millions around the globe, transcending language and culture. By choosing our Time to Say Goodbye PDF and sheet music, you're not just performing a song; you're evoking an emotion, a memory, a moment in time that's both poignant and powerful.Your journey with Time to Say Goodbye Sheet Music is more than a musical endeavor; it's a voyage into the heart of what makes music truly memorable. Connect with Paul Lorenz Music today to find the best Andrea Bocelli Time To Say Goodbye Sheet Music and redefine your musical legacy.
$9.99
Step Back In Time
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Orchestre d'harmonie
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FACILE
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Matt Aitken, Mike Stock, and P
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John Ivor Holland
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Step Back In Time
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1325811 Composed by Matt Aitken, Mike Stock, and Peter Waterman. Arranged by John Ivor Holland. 20th Century,Disco,Film...
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Concert Band - Level 2 - SKU: A0.1325811 Composed by Matt Aitken, Mike Stock, and Peter Waterman. Arranged by John Ivor Holland. 20th Century,Disco,Film/TV,Pop. 46 pages. John Ivor Holland #914002. Published by John Ivor Holland (A0.1325811). Step Back in Time is a song by Australian singer Kylie Minogue from her third studio album, 'Rhythm of Love' (1990). It was released as the album's second single (following 'Better the Devil You Know') on 22 October 1990, written, arranged, and produced by the powerhouse team of Stock, Aitken and Waterman. Considered one of her best singles, the song charted well across the world - an accompanying music video was directed by visual artist Nick Egan, which paid homage to 1970s culture and figures. Since its release, Step Back in Time has been used in several media including an appearance in the 2013 British comic science fiction film The World's End. Available for concert band for the first time, turn back the clock and relive the glory days of disco, paying tribute to the legendary Kylie along the way.
$49.99
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride ...
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Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Just in Time
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Piano, Voix et Guitare
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Tony Bennett
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Just in Time
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015721 By Tony Bennett. By Jule Styne. Standards. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015721. Publis...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015721 By Tony Bennett. By Jule Styne. Standards. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015721. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015721). ISBN 9780739099339. UPC: 038081464053. Betty Comden; Adolph Green.No one in popular American music has recorded for so long and at such a high level of excellence as Tony Bennett. This collection of classics spans his career from the beginning, to the current hits he continues to send onto the charts. Also included are rare photos, a biography, and a timeline of Tony's career highlights. Titles: Because of You * The Best Is Yet to Come (with Diana Krall) * Blue Velvet * Body and Soul (with Amy Winehouse) * The Boulevard of Broken Dreams * Don't Get Around Much Anymore (with Michael BublA(c)) * Fly Me to the Moon (In Other Words) * For Once in My Life (with Stevie Wonder) * How Do You Keep the Music Playing? * I Left My Heart In San Francisco * I Wanna Be Around (with Bono) * If I Ruled the World * It Don't Mean a Thing (If It Ain't Got That Swing) * It Had To Be You (with Carrie Underwood) * Just in Time * The Lady Is a Tramp (with Lady Gaga) * Mood Indigo * My Favorite Things * Night and Day * Once Upon a Time * One for My Baby (And One More for the Road) * Put On a Happy Face (with James Taylor) * Rags to Riches * The Shadow of Your Smile * Smile (with Barbra Streisand) * Speak Low (with Norah Jones) * Steppin' Out with My Baby * Stranger in Paradise (with Andrea Bocelli) * This Is All I Ask (with Josh Groban) * The Very Thought of You (with Paul McCartney) * The Way You Look Tonight (with Faith Hill) * When Do the Bells Ring for Me (with Mariah Carey) * When Joanna Loved Me * Who Can I Turn To When Nobody Needs Me (with Queen Latifah) * Yesterday I Heard the Rain (with Alejandro Sanz).
$3.99
Once Upon a Time
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Piano, Voix et Guitare
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Tony Bennett
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Once Upon a Time
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015716 By Tony Bennett. By Charles Strouse. Standards. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015716. P...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015716 By Tony Bennett. By Charles Strouse. Standards. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015716. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015716). ISBN 9780739099339. UPC: 038081464053. Lee Adams.No one in popular American music has recorded for so long and at such a high level of excellence as Tony Bennett. This collection of classics spans his career from the beginning, to the current hits he continues to send onto the charts. Also included are rare photos, a biography, and a timeline of Tony's career highlights. Titles: Because of You * The Best Is Yet to Come (with Diana Krall) * Blue Velvet * Body and Soul (with Amy Winehouse) * The Boulevard of Broken Dreams * Don't Get Around Much Anymore (with Michael BublA(c)) * Fly Me to the Moon (In Other Words) * For Once in My Life (with Stevie Wonder) * How Do You Keep the Music Playing? * I Left My Heart In San Francisco * I Wanna Be Around (with Bono) * If I Ruled the World * It Don't Mean a Thing (If It Ain't Got That Swing) * It Had To Be You (with Carrie Underwood) * Just in Time * The Lady Is a Tramp (with Lady Gaga) * Mood Indigo * My Favorite Things * Night and Day * Once Upon a Time * One for My Baby (And One More for the Road) * Put On a Happy Face (with James Taylor) * Rags to Riches * The Shadow of Your Smile * Smile (with Barbra Streisand) * Speak Low (with Norah Jones) * Steppin' Out with My Baby * Stranger in Paradise (with Andrea Bocelli) * This Is All I Ask (with Josh Groban) * The Very Thought of You (with Paul McCartney) * The Way You Look Tonight (with Faith Hill) * When Do the Bells Ring for Me (with Mariah Carey) * When Joanna Loved Me * Who Can I Turn To When Nobody Needs Me (with Queen Latifah) * Yesterday I Heard the Rain (with Alejandro Sanz).
$3.99
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
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Cor Anglais
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INTERMÉDIAIRE
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Joshua Hauser
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#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
English Horn Solo - Level 3 - SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slid...
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English Horn Solo - Level 3 - SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slide Ride (A0.784328). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
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Alto seul
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride ...
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Viola Solo - Level 3 - SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride (A0.784339). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
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Cor
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide...
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French Horn Solo - Level 3 - SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide Ride (A0.784335). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ri...
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Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Baritone Saxophone Solo - Level 3 - SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published b...
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Baritone Saxophone Solo - Level 3 - SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Alto Saxophone Quartet
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Saxophone Alto
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Alto Saxophone Solo - Level 3 - SKU: A0.784330 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288653. Published by Sl...
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Alto Saxophone Solo - Level 3 - SKU: A0.784330 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288653. Published by Slide Ride (A0.784330). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Soprano or Tenor Saxophone Quartet
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.784332 Composed by Joshua Hauser. Instructional. Score and par...
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Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.784332 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288655. Published by Slide Ride (A0.784332). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Violoncelle
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride ...
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Cello Solo - Level 3 - SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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Step In Time - Bass