Steven J. Trinkl, Jr. - Partitions musicales à imprimer

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Steven J. Trinkl, Jr.

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Marching Band - Level 5 - SKU: A0.1098896 By Sublime. By Brad Nowell, Eric Wilson, and Floyd Gaugh. Arranged by Steven J. Trinkl, Jr. Rock. Score and pa...(+)

Marching Band - Level 5 - SKU: A0.1098896 By Sublime. By Brad Nowell, Eric Wilson, and Floyd Gaugh. Arranged by Steven J. Trinkl, Jr. Rock. Score and parts. 46 pages. Steven J. Trinkl, Jr. #702747. Published by Steven J. Trinkl, Jr. (A0.1098896). Bring some late 90s ska-punk energy to your pep band's performances with this faithful arrangement of Wrong Way, as performed by Sublime. Written with a university-level ensemble in mind, this pep band arrangement could also be reconfigured for a marching band stand tune with the addition of your own percussion parts. With a fun trombone solo that's faithful to the original (with chord changes included in case the soloist would rather improvise), a fun bass line, and melody distributed across all of the non-bass voices, this will be a fun tune for both the listeners and the band.

Piano Solo - Level 5 - SKU: A0.1010790 Composed by Steven Trinkl. 20th Century,Contemporary. Score. 21 pages. Steven J. Trinkl, Jr. #2836771. Published by Steven J. Trinkl, Jr. (A0.1010790). This four-movement suite is designed to be a modest challenge for the advanced pianist and utilizes techniques associated with 21st century music, yet in a decidedly tonal and accessible form. Each of the four movements, while utilizing the same quartal- and quintal-based harmonic language, has a unique feel. The movements are as follows:I. SKAThis movement draws its rhythm and form from Jamaican ska music of the 1960s, but it is also imbued with a sense of chaos and panic contrary to the relaxed feel of its namesake. It demands rhythmic fluidity and precise hand placement, but rhythmically, it is the simplest of the four movements.II. BERCEUSEThis movement draws its inspiration from the lullabies of Chopin and Liszt, yet subverts the expectations given by its name considerably. Dark, mysterious, and suspenseful harmonies contrast over the sweet rocking motions of the rhythm before giving way to a stormy climax before the piece fades back to its original theme. In contrast to the almost mechanical nature of the first movement, this movement is overly expressive and lyrical, even during its most turbulent sections.III. MARCHA playful reference to the marches of John Philip Sousa, this movement makes rhythmic references to a few different pieces, including Fairest of the Fair. It is a return of sorts to the chaotic atmosphere of the first movement, and it ends rather abruptly, providing a sense of suspense before the final movement.IV. TOCCATAThe longest and most complex of the movements, Toccata combines the tonal and harmonic structures of the first three movements with complicated, syncopated rhythms and unusual time signatures. A number of themes are manipulated via augmentation, inversion, retrograde, and diminution, and abrupt changes in texture and tempo grab the listener's attention.