This traditional Austrian carol has been arranged for SATB and piano. The simplicity of the song has been preserved within a unique arrangement. There is a tenor solo.

This a cappella arrangement of Feel It Still with body percussion is a quick learn for your group and sure to be a hit with your audience! Ranges have been carefully considered to stay accessible to teenage voices, and the body percussion is a collection of simple parts that layer together to create a "human drum set" sound to maintain the strong rhythmic feel of the original.

How Still We See Thee Lie is Michael Ware's original setting of the well known carol, O Little Town of Bethlehem. It is both fresh and familiar, also utilizing the traditional American tune, creating an opportunity for congregational singing. This choral arrangement is appropriate for any celebration of the season, in worship or concert. (Chamber Orchestration available)

How Still We See Thee Lie is Michael Ware's original setting of the well known carol, O Little Town of Bethlehem. It is both fresh and familiar, also utilizing the traditional American tune, creating an opportunity for congregational singing. This choral arrangement is appropriate for any celebration of the season, in worship or concert.

An anthem for a church choir which reminds us of God's love and care. SATB with keyboard.

This is the SATB score of the arrangement that I wrote for a lockdown project which I did with my choir, London City Voices. At the time of writing, we've raised over �95K for Women's Aid. It's pretty straightforward, and fairly easy to sing, but it's effective. The altos split for a couple of notes, but it still works with either if you don't have the resources to divide. Piano accompaniment and chords included. You can see many more of my arrangements being sung on www.londoncityvoices.co.uk/media, or you can reach me on @richard_swan on Twitter.

Lily Allen's haunting version of Somewhere Only We Know was the backing for John Lewis' 2013 Christmas advert, bringing new audiences to its powerful lyrics and evocative music. In this arrangement, the harmonies and rhythms have been distilled into four parts for unaccompanied mixed voices; you'll need to listen to each other well to make a unified whole.

Ranges:
Soprano = C4 to E5 (average A4)
Alto = A3 to C5 (average F4)
Tenor = D3 to G4 (average D4)
Bass = G2 to D4 (average F3)