Feast of Favorites, Vol. 3 is a lovely book for you and your harp. You need a harp with C below middle C and 24-26 strings. Larger harps can play too. These arrangements include chord symbols.The book contains 40 pages of music. The music hovers around intermediate.

You can view several sample pages above. The audio sample is an excerpt from "O Sanctissima."

The book includes these sections and song titles:

Stephen Foster: "My Old Kentucky Home," "Jeanie With the Light Brown Hair," "Swanee River," "Old Black Joe," "Camptown Races," Oh! Susanna" and "Beautiful Dreamer."

Patriotic Songs and Hymns: "Onward Christian Soldiers," "America, the Beautiful," "My Country, 'Tis of Thee," "The Caissons Go Rolling Along," "The Marine's Hymn," "The Star-Spangled Banner" and "Battle Hymn of the Republic."

Sounds of Winter: "O Holy Night," "Angels, From the Realms of Glory," "O Sanctissima," "The Holly and the Ivy," "Ding! Dong! Merrily On High" and "Still, Still, Still."

This popular love song is arranged simply but beautifully. It falls easily under the fingers with a simple left hand pattern. The first verse is playable by advanced beginners with single notes in the right hand. The second verse builds with several 3-note chords in the right hand and is closer to an intermediate level. This piece is very popular for weddings. It is perfect for many other occasions as well as for relaxing background music.

This arrangement is easy to learn and sight-readable to more experienced harpists, but still sounds rich and beautiful. Chord names are included throughout the piece. It is written in the key of G and is playable on both lever and pedal harps with no lever or pedal changes.

This version of Over the Rainbow is arranged on a 22 string double strung lap harp. It can also be played on larger double strung floor harps. The chord progression is mostly based on Saori Mouri's arrangement for single strung lap harp. It has a jazzy flavor to it, and is in the key of C with levers needed on F and B. The lever changes are marked on the top of each staff for the right and left side. There is one mid song F lever flip on the right that will be a bit challenging since you can't see the levers on the right. But with practice, it's still doable. Hope you enjoy the piece!

Still (Arranged for 26-string Fullsicle Harp or Lever Harps)

(Words and Music by Ben Fielding & Reuben Morgan)

(arranged by Yee Lam (Elam) LAI)

Still a beautiful and calm music,

- good for meditating and simply enjoyment

- suitable for church services

- also for performances!

This arrangement for solo harp includes suggested fingerings and chords too!

Your audience?s memory of this Eighties rock anthem by Journey will be playing along in their head?from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they?ve never heard it before on a harp.

This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.

Range and key: F major (one flat). 23x2 strings. C below middle C through D.
Lever changes: None.

Good for: Weddings, parties, performance, therapeutic settings.

Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it?s a great piece to learn this technique on.

Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.

Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with ?R? or ?R#? when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with ?L? or ?L#? when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in ?Don?t Stop Believin?: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf

Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what?s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don?t worry: it?s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.

Length: 6 pages. 106 measures. 4:00?5:00 minutes, depending on tempo.

Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.

Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin