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Still Holding On
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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Vous avez sélectionné:
Still Holding On
Partitions à imprimer
18 partitions trouvées
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1
My Heart Will Go On (love Theme From 'titanic')
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Piano seul
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FACILE
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Film/TV
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Celine Dion
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Diego Willian
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My Heart Will Go On
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Diego Willian
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.690691 By Celine Dion. By James Horner and Will Jennings. Arranged by Diego Willian. Contemporary,Film/TV,Multicultural,T...
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Piano Solo - Level 2 - SKU: A0.690691 By Celine Dion. By James Horner and Will Jennings. Arranged by Diego Willian. Contemporary,Film/TV,Multicultural,Traditional,Wedding,World. Score. 2 pages. Diego Willian #299345. Published by Diego Willian (A0.690691). New and yet simple arrangement, still holding onto the beautiful movie theme song.
$5.00
"Nearer, Still Nearer" for Ukulele (Chords, TAB, Melody, and Lyrics, optional Piano Accompaniment)
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Ukulele
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FACILE
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Sharon Wilson
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Sharon Wilson
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"Nearer, Still Nearer&quo
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Ukulele,Voice - Level 2 - SKU: A0.745517 By Sharon Wilson. By Lelia Morris. Arranged by Sharon Wilson. P...
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Instrumental Duet,Piano Instrumental Duet,Piano,Ukulele,Voice - Level 2 - SKU: A0.745517 By Sharon Wilson. By Lelia Morris. Arranged by Sharon Wilson. Praise & Worship,Romantic Period,Sacred,Standards,Traditional. Score and parts. 10 pages. Sharon Wilson #353436. Published by Sharon Wilson (A0.745517). This sheet music, notated for UKULELE with C tuning (G, C, E, A), has been transposed to the easy, Ukulele-friendly key of C major. Four separate scores are provided for maximum flexibility. A beginning note and chords chart is also provided. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to accompanying a group sing-along. Score descriptions are detailed below:Melody ScoreThis score is the most compact with only the chord symbols, melody, and lyrics provided. Once the chords are mastered or for those already familiar with the chords, this score will be easy to follow. This score is perfect for strumming chords while singing, either as a group or individually. This score includes:* 1-staff (lead sheet) with the melody notes using standard music notation * chord symbols above the staff* lyrics below the staff for sing along enjoymentTablature ScoreThis score displays the melody in two formats along with the chord symbols and lyrics. The tablature notation is helpful when learning to use the ukulele to pluck the melody instead of strumming the chords. This score is perfect for those wanting to go beyond strumming and advance to solo playing. This score includes: * top staff with the melody notes using standard music notation* bottom staff with the melody using ukulele tablature notation * chord names above the staff for strumming along with the melody* one verse of the lyrics below the staff for sing along enjoymentChord Diagram Score This score displays the melody, lyrics, and chord diagrams. Beginning ukulele players will find the chord diagrams helpful reminders of which strings and frets to use to form the chords. This score includes: * 1-staff with the melody notes using standard music notation* chord diagrams above the staff indicating the strings and finger placement on the fret for the chord* lyrics below the staff for sing along enjoymentPiano Accompaniment ScoreThis score provides an easy accompaniment for singers and strummers or ukulele soloists. The piano incorporates the melody making it easy for singers to follow the melody. This score is especially fun to use in group settings and worship gatherings. This score includes: * 2-staff piano score with introduction, optional repeat, and second ending* lyrics below the staff for sing along enjoymentChords and Beginning Note ChartThis chart lists all chords used throughout the song and the first note of the melody. The chords are displayed using standard ukulele chord diagrams with corresponding chord symbols above each diagram. The first note of the melody is provided to insure those singing along will start on the correct note when not using the piano accompaniment. How to pluck this first note on the ukulele is also displayed on a chord diagram (pluck only the string indicated holding down on the string at the indicated fret if applicable). This arrangement is one of the 15 songs in the collection Easy Gospel Songs for Ukulele: Hymns in the Key of C (with optional Voice and Piano Accompaniment).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
I'll bid my heart be still (SSA)
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Chorale 3 parties
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INTERMÉDIAIRE
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Sara Garrard
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I'll bid my heart be still
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Sara Garrard
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.819463 Arranged by Sara Garrard. Contemporary,Folk. Octavo. 5 pages. Sara Garrard #4623563. Published by Sara Gar...
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Choral Choir (SSA) - Level 3 - SKU: A0.819463 Arranged by Sara Garrard. Contemporary,Folk. Octavo. 5 pages. Sara Garrard #4623563. Published by Sara Garrard (A0.819463). I'll bid my heart be still is a mostly forgotten gem of an old Scottish melody, with tragic lyrics about love lost in battle by Thomas Pringle. Arranged for women's voices, either choir or a trio. The parts are not overly difficult but will require (/help development of) good breath control and holding pitch on some expressive close chord clusters.If you tried and enjoyed this song I would love to hear from you, please consider leaving a review, or let me know of any performances.
$4.50
Still Holding On by Clint Black - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Clint Black
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Still Holding On
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Musicnotes
Performed by: Clint Black: Still Holding On Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (...
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Performed by: Clint Black: Still Holding On Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains partial lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Guitar;Piano;Backup Vocals; 5 pages -- Country~~New Traditionalist~~Contemporary Country
$5.50
Ceilidh Music - Gay Gordons - For Accordion
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Instruments en Do
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INTERMÉDIAIRE
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Traditional
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Martin Hay
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Ceilidh Music - Gay Gordons -
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Martin Hay
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1289648 By Traditional. By Traditional. Arranged by Martin Hay. 19th Century,Celtic,Irish,Multicultural,Traditional,Wed...
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C Instrument - Level 3 - SKU: A0.1289648 By Traditional. By Traditional. Arranged by Martin Hay. 19th Century,Celtic,Irish,Multicultural,Traditional,Wedding,World. Lead Sheet / Fake Book. 2 pages. Martin Hay #880353. Published by Martin Hay (A0.1289648). The Gay Gordons is a lively Scottish country dance that is popular at social gatherings and ceilidhs (traditional Scottish dances). It is a partner dance that involves a combination of skipping steps and waltz-like moves. The dance is typically done in a circular formation with couples facing each other. Here is a basic description of how the Gay Gordons dance is performed:1. **Starting Position:** Couples stand facing each other in a large circle, holding hands. The dance begins with partners side by side, with the man's right hand holding the woman's left hand.2. **Skipping Steps:** The dance starts with a series of skipping steps, where couples move in a circle to the right, taking small skipping steps.3. **Turns:** After a few rounds of skipping, couples will turn 180 degrees to face the opposite direction, still holding hands.4. **Waltz Hold:** Once turned, couples adopt a waltz hold, with the man's right hand around the woman's waist, and the woman's left hand on the man's shoulder. The other hands are joined together.5. **Waltz:** Couples then waltz around the dance floor in a clockwise direction, often taking a few spins.6. **Repeat:** The dance continues with more skipping steps, turns, and waltzing. It is a joyful and energetic dance that is typically danced to traditional Scottish music.The songs in this Gay Gordons set are:**1. The Thistle of Scotland:**The Thistle of Scotland is not a widely recognized or specific song title in Scottish music. Scotland has a rich musical tradition with many songs that celebrate its culture, history, and symbols. The thistle is the national emblem of Scotland, so there may be various songs that reference it indirectly.**2. Mhairi's Wedding:**Mhairi's Wedding is a popular Scottish folk song often played at weddings and celebrations. It tells the story of a wedding celebration and is known for its catchy melody and lyrics that celebrate the joyous occasion of Mhairi's wedding.**3. The Barren Rocks of Aden:**The Barren Rocks of Aden is a famous Scottish military march. It is often played by bagpipe bands and has a distinctive and stirring melody. The tune is associated with the British Army and is a common choice for military processions and parades.**4. Scotland the Brave:**Scotland the Brave is another well-known Scottish patriotic song and march. It is often played at national and sporting events in Scotland. The song celebrates the beauty and spirit of Scotland and is characterized by its uplifting and proud melody. It is a favorite among bagpipers and is often performed with great enthusiasm.These songs are all part of Scotland's rich musical heritage and are played at various occasions to celebrate its culture and history.
$3.99
Still I Go On Holding You
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Piano, Voix
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FACILE
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Jan Powell & Ken Stone
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Jan Powell
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Still I Go On Holding You
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Jan Powell
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1281650 By Jan Powell & Ken Stone. By Jan Powell. Arranged by Jan Powell. Jazz,Pop,Romantic Period. Score. 5 pages...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1281650 By Jan Powell & Ken Stone. By Jan Powell. Arranged by Jan Powell. Jazz,Pop,Romantic Period. Score. 5 pages. Jan Powell #872993. Published by Jan Powell (A0.1281650). This song was written for a TV show with a flashback to WWII set in a USO canteen. It played in the background from the dance band with a singer. Everyone needs a romantic fox trot in the repertoire.
$6.00
Monody
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Vid...
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Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
For All We Know
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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The Carpenters
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John Fries
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For All We Know
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.500221 By The Carpenters. By Fred Karlin, James Griffin, and Robb Wilson. Arranged by John Fries. 20th Century,Film/TV,...
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C Instrument - Level 4 - SKU: A0.500221 By The Carpenters. By Fred Karlin, James Griffin, and Robb Wilson. Arranged by John Fries. 20th Century,Film/TV,Jazz,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113406. Published by John Fries (A0.500221). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. In late 1970, while the Carpenters had a concert tour in Toronto and Chicago, Richard was worried about what song should follow their previous hits (They Long to Be) Close to You and We've Only Just Begun (which was still holding the #1 spot on the Adult Contemporary charts). Their manager advised them to take a short break from their work and go to a movie theater to see the film. Richard and Karen were immediately taken with this song and agreed that it should be the follow-up to their previous hits. After returning home, they recorded it, released it in December, and it went gold in only two months. The Carpenters' success with this song helped it win the 1970 Oscar for Best Song.
$3.99
Highway Tune
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Contemporain
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Greta Van Fleet
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Michael Compton
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Highway Tune
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Kreechur Kumfort Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone (4-Part) - Level 4 - SKU: A0.833863 By Greta Van ...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone (4-Part) - Level 4 - SKU: A0.833863 By Greta Van Fleet. By Daniel Wagner, Jacob Kiszka, Joshua Kiszka, and Samuel Kiszka. Arranged by Michael Compton. Contemporary. 9 pages. Kreechur Kumfort Publishing #6433621. Published by Kreechur Kumfort Publishing (A0.833863). The first song the band Greta Van Fleet had ever written and recorded together, Highway Tune was released in 2017 on their debut EP Black Smoke Rising. The song was initially used in an episode of the television show Shameless in January 2016. It has been placed here at a standard saxophone quartet setting (SATB) and provides a challenge for each musician, while still holding true to the Greta Van Fleet original tune.
$15.00
Beauty And The Beast
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Piano seul
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FACILE
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Celine Dion & Peabo Bryson
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Catriona Ailts
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Beauty And The Beast
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Catriona Ailts
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1346934 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Catriona Ailts. Broadway,Children,Co...
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Piano Solo - Level 2 - SKU: A0.1346934 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Catriona Ailts. Broadway,Children,Contemporary,Film/TV,Instructional,Musical/Show. Score. 4 pages. Catriona Ailts #931716. Published by Catriona Ailts (A0.1346934). Written for beginner to intermediate pianists, this arrangement of Beauty and the Beast offers better playability to younger or less experienced musicians while still holding true to the original tune. Musicians will be able to improve their skills with movement in the right and left hand separately and simultaneously along with small dynamic changes and lyrical cues that help to keep the pianist on track. Young and old musicians will enjoy learning and playing this arrangement that upholds the magic and heart of the story without discouraging their abilities.
$4.99
Go to the Child
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Chorale SATB
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INTERMÉDIAIRE
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Samantha Jellett
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Go to the Child
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Samantha Jellett
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1380835 Composed by Samantha Jellett. Advent,Christmas,Holiday. 6 pages. Samantha Jellett #965614. Publis...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1380835 Composed by Samantha Jellett. Advent,Christmas,Holiday. 6 pages. Samantha Jellett #965614. Published by Samantha Jellett (A0.1380835). This SATB a capella setting of a beautiful poem by Imtiaz Darker was composed for the BBC Carol Competition 2019. It is suitable for both professional and amateur/community choirs. The theme is a universal one of new birth, making it suitable for many occasions as well as Christmas. The text is as follows:Rise and go on a bitter nightWhen hope lies frozen in the ground,Hushed and hidden out of sightNo living thing for miles around.Even though the tears of the earthHave turned to crystal, rise.Take the road that leads to a birth,An infant calls and the heart replies.See in the eyes a blazing star,A spark of something newly born,Feet already walking on air,Holding a lifeline in the palm.When at last you see the faceAnd feel on your cheek the baby's breath;When you have known the graceOf a beginning, being blessed.Look up at the hungry bowl of the skyAnd empty your pockets to fill it,See where the water is risingAnd lift your hands to still it.Turn to a world that is still unbornAnd raise your voice to sing it,Go to the child who is not your ownAnd open your heart to save it.See in the eyes a blazing star,A spark of something newly born,Feet already walking on air,Holding a lifeline in the palm.
$1.99
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
Drifting (Piano Solo)
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Piano seul
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New Age
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Contemporain
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Tito Abeleda
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Drifting
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Visionary Quest Records
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SheetMusicPlus
Piano - SKU: A0.1070269 Composed by Tito Abeleda. 20th Century,Concert,Contemporary,New Age. Full Performance. Duration 356. Visionary Quest Records #57...
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Piano - SKU: A0.1070269 Composed by Tito Abeleda. 20th Century,Concert,Contemporary,New Age. Full Performance. Duration 356. Visionary Quest Records #5739985. Published by Visionary Quest Records (A0.1070269). Drifting is an intermediate piano solo composed by Tito Abeleda (1964 - ). Download = 10 pages.There is nothing more soothing than floating and drifting in water - its quiet solitude, its comforting surrounding holding you, embracing you with its healing touch. You can dream. You can escape to a beautiful wonderland just by closing your eyes and drifting away with gentle waters carrying you ever so slowly or simply holding you blissfully still - a peaceful perfect moment all to yourself.SoundCloud - https://bit.ly/DriftingforPiano_SoundCloudSpecial thanks to Daria Sannikova for the photography for sheet music and album cover - https://www.pexels.com/photo/woman-on-body-of-water-2528846/Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.com
$1.99
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
Whiter Than the Snow
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Chorale SATB
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FACILE
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Text: Eden Reeder Latta
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Ken Litton
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Whiter Than the Snow
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914....
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914. Arranged by Ken Litton. Christian,Lent,Religious,Sacred. 11 pages. Artist of Note, Inc. #1066874. Published by Artist of Note, Inc. (A0.1490010). Whiter Than the Snow/Eden Reeder Latta - Henry Southwick Perkins BLESSED BE THE FOUNTAIN arr. Ken Litton (ASCAP)As an SBC music missionary active in Brazil I quickly discovered the hymns missionaries had taken with them as the work gained impetus from the 1890s when the Bagbys arrived to build on the foundation laid by early pioneers like Solomon Ginsburg. I found myself leading those hymns from the nearly 100 year old Cantor Cristão (Christian Singer) in the strongly attended evening services at the Igreja Batista Rio Doce (Sweet River Baptist Church) in Recife, with people literally leaning in through the windows from outside to sing along. Just a normal p.m. attendance or... curiosity about the missionary leading? No, certainly it was the message of the gospel in these great hymns and in the Brazilians’ creative work as well. I mainly remember holding that small print hymnal in one hand and leading with the other (shaking badly) and singing in Portuguese!From that kind of congregational participation I vividly remember the hymn Blessed be the Fountain by Eden Reeder Latta (1839 - 1915) and Henry Southwick Perkins (1833 -1914) with it’s energetic dotted eighth and sixteenth rhythm figures and text of confession based on Zechariah 13:1. That text was very important in the lives of disciples in Brazil and in my own heart. Here I have used only the verses of the text and tune, simply smoothing out the rhythm and adjusting the lyric to more modern usage (yet preserving the devotional pronouns Thee, Thy and Thine).The tune BLESSED BE THE FOUNTAIN is altered in rhythm, tempo and one descending interval from the original. The arrangement is by me, having built the intro, interlude and key change as well as the ending from the material that constituted the refrain in the origina. As a bridge and additional textual/musical impulse into the key change and final verse I’ve interpolated the refrain from the well-known gospel hymn Whiter than Snow (FISCHER) by James Nicholson and William G. Fischer.The voices include a wide variety of unison, two-part and four-part passages that are well within the capability of the average church choir. The accompaniment difficulty level is about as minimal as it can be I hope, while still reflecting support for the voices, a measure of variety as well as some real independence.I certainly think choirs of some ability and their dedicated accompanists will enjoyWhiter Than the Snow as much as I have in developing it.
$2.99
THE FINAL WAVE for Violin & Piano
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Violon et Piano
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AVANCÉ
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ROBERT VAN HORNE
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THE FINAL WAVE for Violin &
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White Piano International Publishing
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1127398 Composed by ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Instruct...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1127398 Composed by ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Instructional,Multicultural,World. Score and parts. 26 pages. White Piano International Publishing #728022. Published by White Piano International Publishing (A0.1127398). THE FINAL WAVE for Violin & Piano Piano 22 pages / Violin 4 pages Approx. Time: 6:15 On Saturday afternoon, March 26, 2011, I was invited to a special meeting of Bay Area business people. Their purpose was wanting to help the victims of the recent earthquake and tsunami that devastated parts of Japan on March 11th. The meeting was organized by Mr. Alex Kurosawa, president of KPMF and held in San Jose, CA. At the end of the meeting and after much discussion about holding a series of concerts with all funds going to the disaster victims, it was suggested that I compose a new song for the project that would let those afflicted in Japan know they would not be forgotten.I was so inspired by the dedication and volunteerism of all the people at the meeting that I went home and composed a new piece of music entitled: THERE IS HOPE THROUGH MUSIC. After a favorable response from the group, I began composing another piece for violin and piano entitled: THE FINAL WAVE. In this piece, I tried to paint the horror, destruction, uncertainty and sadness of the disaster while giving hope for a future for the people who witnessed this catastrophic event. Unfortunately, THE FINAL WAVE was never completed as planned back in 2011. However, eleven years later, I completed this memorable piano and violin duet. Even though it’s been many years since that terrible day of March 11, 2011, the music can still convey emotions of melancholy, discord, resilience and compassion for tragic and unforeseeable events of today. This timeless work is dedicated to remember and give hope to all those affected by disasters and catastrophic tragedies. This advanced level of music is clearly notated for piano and violin and can be an extraordinary supplemental selection for recitals and concerts. This musical recording of THE FINAL WAVE is an electronic representation available in the notation program. Robert Van Horne is a long standing member of ASCAP. Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$14.99
Granddad's Rocker
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Piano seul
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INTERMÉDIAIRE
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Jeff Bjorck
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Jeff Bjorck
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Granddad's Rocker
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Pure Piano Music by Jeff Bjorck
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1271040 By Jeff Bjorck. By Jeff Bjorck. Arranged by Jeff Bjorck. 21st Century,New Age. Score. 5 pages. Pure Piano Music b...
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Piano Solo - Level 3 - SKU: A0.1271040 By Jeff Bjorck. By Jeff Bjorck. Arranged by Jeff Bjorck. 21st Century,New Age. Score. 5 pages. Pure Piano Music by Jeff Bjorck #863432. Published by Pure Piano Music by Jeff Bjorck (A0.1271040). This original solo piano composition by Jeff Bjorck appears on Bjorck's album/CD, Keepsakes in the Attic. The piece inspires visions of an antique rocker where a beloved grandfather used to sit frequently, perhaps holding a grandchild or watching children play through a window. The gentle rocking rhythm throughout this piece sets the stage for nostalgic daydreams of loved ones no longer physically present but still in many hearts.
$5.50
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Still Holding On
