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Still into You: 1st F Horn
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--INSTRUMENTS--
ACCORDEON
ALTO
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Crtitères actifs :
Still into You: 1st F Horn
Partitions à imprimer
5 partitions trouvées
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Still Into You: 1st F Horn
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Orchestre d'harmonie
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Rock
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Paramore
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Michael Story
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Still Into You: 1st F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016741_H1 1st F Horn. By Paramore. By Hayley Williams and Taylor York. Arranged by Michael Story. Rock. Part. 1 pag...
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Concert Band - SKU: AX.00-PC-0016741_H1 1st F Horn. By Paramore. By Hayley Williams and Taylor York. Arranged by Michael Story. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016741_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016741_H1). UPC: 038081500317.This energetic hit from the band Paramore is written for students at the end of their first year or anytime during their second year of band.A This introduction of the dotted quarter-eighth rhythm provides an excellent instructional component through this music that will be familiar to your students. Instructional and easily programmed, this will be well received in any concert. (2:15).
$3.00
Still into You: 1st F Horn
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Fanfare
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Methodes
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Paramore
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Nick Baratta
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Still into You: 1st F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016506_H1 1st F Horn. By Paramore. By Hayley Williams and Taylor York. Arranged by Nick Baratta. Instructional. Pa...
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Marching Band - SKU: AX.00-PC-0016506_H1 1st F Horn. By Paramore. By Hayley Williams and Taylor York. Arranged by Nick Baratta. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016506_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016506_H1). UPC: 038081482866.Named one of Billboard Magazine's top songs of 2013, this infectious tune by Paramore is a perfect choice for marching and pep band. Veteran arranger Nick Baratta has created a fun and very solid arrangement that will come together in a hurry! (1:15).
$3.00
You Ought to Be Having Fun / What Is Hip?: 1st F Horn
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Fanfare
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Methodes
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Tower Of Power
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You Ought to Be Having Fun / W
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016497_H1 1st F Horn. By Tower Of Power. By David Garibaldi, Emilio Castillo, Hubert Tubbs, and Stephen Kupka. Ins...
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Marching Band - SKU: AX.00-PC-0016497_H1 1st F Horn. By Tower Of Power. By David Garibaldi, Emilio Castillo, Hubert Tubbs, and Stephen Kupka. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016497_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016497_H1). UPC: 038081473116.We are extremely proud to present a three-piece halftime show based on the unforgettable music of the jazz-funk band Tower of Power. Started over 40 years ago, the band is still going strong and wowing sold-out audiences everywhere with their soulful tunes and impeccable musicianship. Victor LA3pez combines two of their most popular hits into Part 1 of our show. (2:15).
$3.00
The Brass Player: Fantasy on Ich bin ein Musikant
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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F
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The Brass Player: Fantasy on I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,W...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
Monody
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Vid...
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Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
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Still into You: 1st F Horn