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--INSTRUMENTS--
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Stop This Flame
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Vous avez sélectionné:
Stop This Flame
SheetMusicPlus
Partitions à imprimer
13 partitions trouvées
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1
Stop This Flame
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.794478 By Celeste, The Black Madonn…
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Piano Solo - Level 3 - Digital Download SKU: A0.794478 By Celeste, The Black Madonna. By Celeste Epiphany Waite, Celeste Waite, Jamie Alexander Hartman, Jamie Hartman, and Nina Simone. Arranged by Piano Go Life. Contemporary. Score. 10 pages. Piano Go Life #6674365. Published by Piano Go Life (A0.794478). Celeste - Stop This Flame Piano Cover
$9.99
9.17 €
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Piano seul
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Celeste, The Black Madonna
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Piano Go Life
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Stop This Flame
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Piano Go Life
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SheetMusicPlus
Flamenco
Violoncelle
Cello solo - advanced to difficult - Digital Download From Suite espagnole No. 1. Com…
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Cello solo - advanced to difficult - Digital Download From Suite espagnole No. 1. Composed by Rogelio Huguet y Tagell. This edition: Sheet music. Cello Library. Downloadable. Duration 2 minutes 55 seconds. Schott Music - Digital #Q7151. Published by Schott Music - Digital
The combination of musical melancholy and instrumental virtuosity captivates both players and audience alike. 'Flamenco' comes from the Suite espagnole No. 1 by the rather unknown Spanish composer Rogelio Huguet y Tagell. Originally intended as a piano trio, the suite was eventually composed for violoncello solo. This fact certainly explains the numerous double stops and chord structures running through the entire piece, thus giving it a sonorous sound. Entire pizzicato passages are reminiscent of flamenco guitar sounds and lyrically lamenting passages in the middle section emphasize the typical flamenco character.The combination of musical melancholy and instrumental virtuosity captivates both players and audience alike. 'Flamenco' comes from the Suite espagnole No. 1 by the rather unknown Spanish composer Rogelio Huguet y Tagell. Originally intended as a piano trio, the suite was eventually composed for violoncello solo. This fact certainly explains the numerous double stops and chord structures running through the entire piece, thus giving it a sonorous sound. Entire pizzicato passages are reminiscent of flamenco guitar sounds and lyrically lamenting passages in the middle section emphasize the typical flamenco character.
$10.99
10.09 €
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Violoncelle
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Rogelio Huguet y Tagell
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Flamenco
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Schott Music - Digital
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SheetMusicPlus
Stop This Flame
Quatuor à cordes: 2 violons, alto, violoncelle
By Celeste, Celeste, Prospa, Celeste, The Black Madonna. Arranged by Tim Crooks. Score, …
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By Celeste, Celeste, Prospa, Celeste, The Black Madonna. Arranged by Tim Crooks. Score, Set of Parts. 20 pages. Published by STR:UK String Arrangements
$12.99
11.92 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Celeste, Celeste, Prospa, Celeste, The Black Madonna
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Tim Crooks
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Stop This Flame
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STR:UK String Arrangements
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SheetMusicPlus
Flames
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.722675 …
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String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.722675 By David Guetta. By Christopher Braide, David Guetta, Giorgio Tuinfort, Marcus Van Wattum, and Sia. Arranged by Martin Wray. Contemporary. Score and parts. 17 pages. Martin Wray #3684535. Published by Martin Wray (A0.722675). Flames by David Guetta, featuring Sia and arranged here for String Quartet by Martin Wray. This highly energetic version is aimed at music college level students and professionals and is ideal for weddings and corporate functions. Score and parts included, 2 pages per part, 17 pages in total.
$22.50
20.65 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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David Guetta
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Martin Wray
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Flames
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Martin Wray
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SheetMusicPlus
Firebrand
Digital Download SKU: OX.9780193203525 Composed by Libby Larsen. Score. 21 pages. O…
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Digital Download SKU: OX.9780193203525 Composed by Libby Larsen. Score. 21 pages. Oxford University Press Digital #9780193203525. Published by Oxford University Press Digital (OX.9780193203525). ISBN 9780193203525.For piccolo or flute, violin, cello, and piano. Larsen states that she chose the instruments for Firebrand for their colour, combination and for their agility. However, rather than a nonstop, wildly virtuosic affair that might be suggested from the title, it is in fact quite the opposite: the piece centres on the image of a flame moving outwards towards its turbulent and flickering edges. She believes that this image also reflects what fine musicians have mastered - the ability to work from a place of centred calm in order to display astonishing virtuosity. A refrain from June Carter Cash's song 'Ring of Fire' is also interwoven throughout the piece, in homage to the famous songwriter who died whilst Larsen was composing the piece.
$20.50
18.81 €
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Libby Larsen
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Firebrand
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Oxford University Press Digital
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SheetMusicPlus
Naturszenen Op. 3, No. 24 "Flammen der Vernichtung"
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1077073 By Michael Swedberg. By Ter…
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Piano Solo - Level 5 - Digital Download SKU: A0.1077073 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Niska Music Publishing #681216. Published by Niska Music Publishing (A0.1077073). Whereas Naturszenen No.16 is the aftermath of a forest fire, this scene takes place during the height of the inferno. One cannot escape the sense of a ravenous hunger found in the incessant motion of the piece as the flames leap from tree to tree, engulfing all in their path. The air is choked with ash and a heat that cannot be withstood. The flames reach ever higher driven by winds created as a result of the intense heat. Nothing can stop the destruction until all sources of fuel have been devoured. This piece evokes a definite feeling of the late Classical/early Romantic period and the technical demands on the pianist are not insignificant. While there is a melody to be brought out in the right hand amidst the constant swirl of 16th notes, the left hand leaps about to fill in the harmonic underpinnings.
$3.99
3.66 €
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Piano seul
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Michael Swedberg
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Naturszenen Op. 3, No. 24 "Flammen der Vernichtung"
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Niska Music Publishing
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SheetMusicPlus
Thule, the Period of Cosmography and The Andalusian Merchant (mp3)
Choir - Digital Download SKU: A0.1059480 Composed by Thomas Weelkes. Arranged by Da…
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Choir - Digital Download SKU: A0.1059480 Composed by Thomas Weelkes. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 239. David Warin Solomons #3387825. Published by David Warin Solomons (A0.1059480). Sung by the dwsChoraleThule, the period of Cosmography (and The Andalusian merchant) - a madrigal for 6 voices by Thomas Weelkes Interpretation: Iceland (it means Iceland here, since Hecla (Hekla) is mentioned, although Thule does now refer to other distant places), the period (ie full stop) of mapmaking (ie the end of the known world) boasts of its volcano Hecla, whose sulphurous fire melts the ice and thaws the sky Etna's flames on Sicily are no higher than this (this is poetic licence, Etna is actually higher than Hecla!) These things are amazing but not as amazing as me because I can be both cold and hot, with fear and with love The second verse is fairly self explanatory, although there is debate as to whether Fogo (= fire in Portuguese) refers to the volcano in Cape Verde (off Senegal) or to Tierra del Fuego. I would vote for Cape Verde since the harmony, when referring to Fogo, is probably one of the most chromatic pieces of writing in the madrigal repertoire and is a marvellous depiction of the lava flowing down a volcano.
$3.00
2.75 €
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Thomas Weelkes
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David Warin Solomons
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Thule, the Period of Cosmography and The Andalusian Merchant
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David Warin Solomons
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SheetMusicPlus
C'è una favola triste
Piano seul
Piano Solo - Digital Download SKU: A0.976864 Composed by Monica Bergo. Children. Sc…
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Piano Solo - Digital Download SKU: A0.976864 Composed by Monica Bergo. Children. Score. 7 pages. Monica Bergo #3239683. Published by Monica Bergo (A0.976864). 2017 Holiday Contest Entry♫ *'¨` * • .¸¸. ♫ ♫ There is a sad fairy tale'¨` * * • .¸¸. ♫ There is a sad fairy tale closed inside me magic does not exist no principles nor King and I lose myself in the woods of my but and my if Tom Thumb is hidden no crumbs for me I decompose in the abyss of my weakness Stop the clothes that I wear now and I have a new identity sweet fairy or princess I decide I do not know ugly witch or sad ogress which form I will assume? hidden there is a mirror where Alice one day passed I stare at my reflection recognize me I do not know an instant and I’m inside it strange depths beats the heart at the slow rithm different realities in the house of the witch there is something wrong children no longer binds she is alone, sad and in poverty in the silence explodes a song It takes shape my name on hell as Dante but I would like a Virgil me too Fairytale sad that I've never read you I had made up your end already know I would know the plot and your lapels and a character without a role I would not be Who are you? masked rider Follow us if you want we are barefoot and disheveled and dance with us but you will not touch we have hands and feet tied show your face while time stands still you already know without ever met you and now I know who you are and what you offer candy from a stranger like in a movie slow motion dilated the flames around you the abyss now it is wide open and you not laugh more, and we do not scare you're in the dark forest on our realm to shame those who are mean and infamous yes ,we are marginalized you yourself have created us Black man or Bluebeard your real name ....... bondage an unconscious moment and go back to my reality I am not fairy or princess I am just this side but if I were a character storytellers I would minstrel a little 'wild at the court of the gods with colorful clothes and flowers in my hair always free between the meadows and I'd live music sad tale while I skim your steps I die, reborn and I retrace my days I could do that would change your plot but for the happy ending I would like to thank you ..... Monica Bergo
$3.99
3.66 €
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Piano seul
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Monica Bergo
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C'è una favola triste
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Monica Bergo
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SheetMusicPlus
Steal Away
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.839861 By The New G…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.839861 By The New Generation Singers. By Traditional Spiritual. Arranged by Christopher Alexander and Byron Bemo Myers II. A Cappella,Spiritual. 12 pages. Christopher Alexander #6057183. Published by Christopher Alexander (A0.839861). NEW GENERATION CHORAL SERIESThis new arrangement of the traditional spiritual utilizes its simple melody to fully embellish and illustrate its lyrics. With cascading and building voicings, including a section with an improvisatory descant, this will be a fresh addition to your choral library. Written for the 2017 New Generation Singers Sermon-in-Song Soul Aflame.
$2.50
2.29 €
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Chorale SATB
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The New Generation Singers
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Steal Away
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Christopher Alexander
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SheetMusicPlus
Rumores de la Caleta
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1329558 By Isaac Albeniz. By Isaac…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1329558 By Isaac Albeniz. By Isaac Albeniz. Arranged by Nick Mordal. 20th Century,Classical,Latin,Multicultural,Romantic Period,World. Individual part. 3 pages. Nick Mordal #917541. Published by Nick Mordal (A0.1329558). This brilliantly rhythmic piano piece by Albéniz has been transposed up a fifth for guitar. Albéniz wrote this music with the percussion of a guitar in mind. Like another famous Albéniz guitar transcription, Asturias (Leyenda), it fits very nicely on the classical guitar. It is fairly difficult with some quick position shifts and is worth putting time into. Its' sound is a mix between classical and flamenco guitar. This piece has been done by several classical guitarists like Christopher Parkening, and this is my take on it. It features two contrasting sections. The A section is harsh, percussive and very Spanish. The B section is a melodically driven change of pace, before it finishes in a repeat of the A section.
$5.00
4.59 €
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Guitare
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Isaac Albeniz
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Nick Mordal
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Rumores de la Caleta
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Nick Mordal
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SheetMusicPlus
Fandango de Huelva
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.58 €
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Guitare
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Traditional
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Richard Hirsch
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Fandango de Huelva
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Richard Hirsch
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SheetMusicPlus
The Art of Tremolo
Guitare
Guitar (classical and lute) - Intermediate-Advanced - Digital Download A Comprehensive A…
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Guitar (classical and lute) - Intermediate-Advanced - Digital Download A Comprehensive Analysis of the Tremolo Technique. Composed by Ioannis Anastassakis. Style. E-book. 150 pages. Mel Bay Publications - Digital Sheet Music #20394EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609740702. Here's yet another book that should be in every serious classical and flamenco guitarist's library; this time, Ioannis Anastassakis (The Art of Rasguedo) eliminates the guesswork on how to practice and perform the tremolo technique. The book addresses over 70 different approaches and methods to practice the tremolo with unprecedented advice from some of the greatest classical and flamenco guitarists including: Andres Segovia, John Williams, Sharon Isbin, Christopher Parkening, Pepe Romero, Scott Tennant, David Russell, Narciso Yepes, Stanley Yates, Stepan Rak, Juan Serrano, Manolo Sanlucar, Manolo Franco, Jose Antonio Rodriguez, Paco Serrano, and many more.ISBN 9781609740702.
Here's yet another book that should be in every serious classical and flamenco guitarist's library; this time, Ioannis Anastassakis (The Art of Rasguedo) eliminates the guesswork on how to practice and perform the tremolo technique. The book addresses over 70 different approaches and methods to practice the tremolo with unprecedented advice from some of the greatest classical and flamenco guitarists including: Andres Segovia, John Williams, Sharon Isbin, Christopher Parkening, Pepe Romero, Scott Tennant, David Russell, Narciso Yepes, Stanley Yates, Stepan Rak, Juan Serrano, Manolo Sanlucar, Manolo Franco, Jose Antonio Rodriguez, Paco Serrano, and many more.
$24.99
22.93 €
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Guitare
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Ioannis Anastassakis
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The Art of Tremolo
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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