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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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22 partitions trouvées
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1
The Pizzicato Polka
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Strauss, etc
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Paul Chauvin
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The Pizzicato Polka
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Cimarron Music Press
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SheetMusicPlus
Composed by Strauss, etc. Arranged by Paul Chauvin. 14 pages. Published by Cimarron Music Press (CX.CM3002). - - - Cimarron Music Press...
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Composed by Strauss, etc. Arranged by Paul Chauvin. 14 pages. Published by Cimarron Music Press (CX.CM3002). - - - Cimarron Music Press
$18.00
"Frühlingsstimmen" Pianosolo
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Strauss II
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pfkaori
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"Frühlingsstimmen&qu
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pfkaorimusic
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1303997 By Johann Strauss II. By Johann Strauss II. Arranged by pfkaori. Classical. Score. 10 pages. Pfkaorimusic #893582...
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Piano Solo - Level 3 - SKU: A0.1303997 By Johann Strauss II. By Johann Strauss II. Arranged by pfkaori. Classical. Score. 10 pages. Pfkaorimusic #893582. Published by pfkaorimusic (A0.1303997). Music by Johann Strauss II.Song: Frühlingsstimmen Arrangement: piano solo Level: Intermediate This song is light and classy even among classical music, and I think it would be perfect to play as background music. However, in the original work, it was difficult to adjust the volume because the accompaniment would skip, so we arranged it so that it is easy to play even at a low volume for BGM, and the accompaniment does not skip much. This does not matter to those who play on an iPad, but for those who use the printed version, it is created in a place where it is easy to turn the pages (fermata, right hand only, etc.), so the performance may not be correct when turning the pages. We have created a layout that avoids this. Spring Voice is a light and cute song that can be played regardless of the season♪ Would you like to add it to your repertoire?
$8.00
Great Works Album- 20 Arrangements
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
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Bach, Beethoven, Chopin, Mozar
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Paulo Henrique
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Great Works Album- 20 Arrangem
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Paulo Henrique
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.547509 By Bach, Beethoven, Chopin, Mozart, Ravel, Schubert, Schumann, Tchaikovsky, etc. By Bach, Beethoven, Chopin, Moz...
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C Instrument - Level 2 - SKU: A0.547509 By Bach, Beethoven, Chopin, Mozart, Ravel, Schubert, Schumann, Tchaikovsky, etc. By Bach, Beethoven, Chopin, Mozart, Ravel, Schubert, Schumann, Tchaikovsky, etc. Arranged by Paulo Henrique. Baroque,Classical,Contemporary,Romantic Period,Wedding. Lead Sheet / Fake Book. 36 pages. Paulo Henrique #157239. Published by Paulo Henrique (A0.547509). Great Works Album, 20 arrangements, Lead Sheet, Bach, Beethoven, Chopin, Elgar, Gounod, Mozart, Ravel, Saint Saens, Satie, Schubert, Schumann, Strauss, Tchaikovsky and Vivaldi. Piano, Guitar, Piano and Flute, Piano and Violin, Guitar and Flute, Guitar and Violin, Two Guitars, Wedding, Lounge Music, Baroque, Classic, Romantic, Contemporary.
$20.00
Military Waltz
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Piano seul
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Thielmann
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A
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Military Waltz
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.10263 Composed by Thielmann. Arranged by A.D. Anton. Parlors, Entertainment, Musicians, Drapery, Light fixtures, Couples. Lester S. Levy...
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Piano - SKU: LV.10263 Composed by Thielmann. Arranged by A.D. Anton. Parlors, Entertainment, Musicians, Drapery, Light fixtures, Couples. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10263). Le Salon. A Collection of the most admired Waltzes, Galopades, Etc. Selected from the works of Strauss, Tolbecque, Musard, Etc. No. 2. Military Waltz. Composed by Thielmann. Arranged for the Piano Forte by a.D. Anton. Published [n.d.] by Fiot, Meignen & Co., 217 Chesnut St. in Philadelphia. Composition of da capo with piano instrumentation. Subject headings for this piece include Parlors, Entertainment, Musicians, Drapery, Light fixtures, Couples. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Champagne Trio (+1), Die Fledermaus
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Classique
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Johann Strauss Jr
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Scott S
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Champagne Trio
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Scott S. Stewart
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SheetMusicPlus
Level 4 - SKU: A0.1217933 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. 19th Century,Broadway,Musical/Show,Opera,Romantic Period,Standard...
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Level 4 - SKU: A0.1217933 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. 19th Century,Broadway,Musical/Show,Opera,Romantic Period,Standards. 18 pages. Scott S. Stewart #814455. Published by Scott S. Stewart (A0.1217933). “Champagne Trio (+1)†is an arrangement for a 4-part SATB solo quartet with piano accompaniment of the Champagne Trio from the Act II finale of Strauss’ operetta, Die Fledermaus.  When Prince Orlofsky calls for champagne to be served, he calls it “the life and soul of any party!† Likewise, musically speaking, this arrangement is perfect for community engagement programs, outdoor performance events, beer hall celebrations, etc., that need a popular, rousing, drinking song.  The new English lyrics, and style of arrangement will promote that spirit.  Performance time: 2:40+-  Note: also included is a separate printed piano part for the ease of the pianist (not having to negotiate all the pages of the piano-vocal score) in performance.
$25.00
Brothers and Sisters (Brüderlein und Schwestern “Du und Du”), Die Fledermaus
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Classique
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Johann Strauss Jr
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Scott S
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Brothers and Sisters
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Scott S. Stewart
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SheetMusicPlus
Level 4 - SKU: A0.1300417 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. 19th Century,Broadway,Musical/Show,Opera,Romantic Period,Standard...
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Level 4 - SKU: A0.1300417 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. 19th Century,Broadway,Musical/Show,Opera,Romantic Period,Standards. 9 pages. Scott S. Stewart #890148. Published by Scott S. Stewart (A0.1300417). “Brothers and Sisters†(Brüderlein und Schwestern “Du und Duâ€) is an arrangement for a 4-part SATB solo quartet with piano accompaniment from the Act II finale of Strauss’ operetta, Die Fledermaus.  Here the ensemble drinks a sentimental toast to love and brotherhood.  This arrangement is perfect for community engagement programs, outdoor performances, beer hall celebrations, etc., settings that need a popular, romantic, drinking song.  The new English lyrics, and style of arrangement will promote that spirit.  Performance time: 3:15+.
$25.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Blue Danube Waltz
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2 Violons (duo)
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DÉBUTANT
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Johann Strauss
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Elizabeth Essex
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Blue Danube Waltz
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Elizabeth Essex
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SheetMusicPlus
Violin Duet Violin - Level 1 - SKU: A0.1395758 Composed by Johann Strauss. Arranged by Elizabeth Essex. 19th Century,Classical,Multicultural,Romantic Pe...
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Violin Duet Violin - Level 1 - SKU: A0.1395758 Composed by Johann Strauss. Arranged by Elizabeth Essex. 19th Century,Classical,Multicultural,Romantic Period,Wedding,World. 6 pages. Elizabeth Essex #979130. Published by Elizabeth Essex (A0.1395758). 'Blue Danube Waltz' is an equal part duet arrangement in C major for beginner piano and violin. This arrangement is in C position for piano, roughly level 1 in Faber Piano Adventures, Wunderkeys, Alfred, etc. Best for students in their second year of reading on the staff. 2 parts; 4 pagesSee my other arrangements:Sheet Music Press (copyrighted music available)Sheet Music Direct (copyrighted music available)Top Music Marketplace (piano studio licenses available)Teachers Pay Teachers (classroom licenses available)To commission an arrangement or set up Zoom piano or art lessons, contact Elizabeth: ElizabethMusicNArts.wordpress.comÂ
$4.99
Perpetuum mobile
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Classique
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JOHANN STRAUSS II
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Scott S
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Perpetuum mobile
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.955793 Composed by JOHANN STRAUSS II (1825-1899). Arranged by Scott S. Stewart. Romantic Period. 23 pages...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.955793 Composed by JOHANN STRAUSS II (1825-1899). Arranged by Scott S. Stewart. Romantic Period. 23 pages. Scott S. Stewart #6029355. Published by Scott S. Stewart (A0.955793). Perpetuum mobile is a tour de force novelty piece for 4-part SATB chorus and piano. It is a joke about a musical joke. Set in the style of the German group Comedian Harmonists, it uses adaptable nonsense syllables, has the possibility of creating ensembles within the ensemble, invites the addition of percussive instruments such as a siren whistle, triangle, kazoos, etc. It employs such techniques as double-tonguing and gargling. It truly is a joke about a musical joke.
$2.99
The Blue Danube Waltz with backing track - Western Classical Music Classroom Ensemble: Keyboards
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Classique
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Johann Strauss Jr
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Austin Ralphson
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The Blue Danube Waltz with bac
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Austin Ralphson
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SheetMusicPlus
Large Ensemble Bass Guitar,Bassoon,Cello,Double Bass,Flute,Marimba,Piano,Recorder,Tuba,Ukulele,Vibraphone,Violin,Xylophone - Level 2 - SKU: A0.563815 Co...
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Large Ensemble Bass Guitar,Bassoon,Cello,Double Bass,Flute,Marimba,Piano,Recorder,Tuba,Ukulele,Vibraphone,Violin,Xylophone - Level 2 - SKU: A0.563815 Composed by Johann Strauss Jr. Arranged by Austin Ralphson. Instructional,Romantic Period,Standards. Score and parts. 21 pages. Austin Ralphson #5023367. Published by Austin Ralphson (A0.563815). As an experienced classroom music teacher, two of the main difficulties I have faced have been:* having the time to arrange music for standard classroom instruments such as keyboards, ukuleles, guitars, tuned percussion etc.* finding suitable arrangements of Western Classical pieces to contribute to a broad and balanced curriculumThe Classroom Ensemble Series meets both of these problems head on, providing approachable yet challenging arrangements which are tailor-made for a large classroom ensemble. Each piece includes a score and parts as follows:Melody (treble clef)Melody plus note names (treble clef)Melody (ukulele tab)Melody (guitar tab)Bass part (bass clef)Bass part plus note names (bass clef)Bass part (bass guitar tab)Easy piano part (treble and bass clefs)Standard piano part (treble and bass clefs)Chords (chord shapes with chord names, e.g. Dm)Chords (ukulele tabs and chord shapes)Chords (guitar tabs and chord shapes)This arrangement of The Blue Danube enables all students within a classroom, regardless of ability, to make clear progress on one or more of the parts provided. You can use the YouTube video above as a backing track within the classroom, helping the students to play together and freeing you up to teach. Or you can lead the session yourself.Backing tracks for all other pieces in this series can be found at https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhAPrinting and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.Also look out for the associated books, which offer this piece and others at a greatly reduced price.
$4.99
VOLUME 2: Western Classical Music Classroom Ensemble Pack (4 pieces) with backing tracks
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Classique
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Antonio Vivaldi, Johann Straus
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Austin Ralphson
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VOLUME 2: Western Classical Mu
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Austin Ralphson
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SheetMusicPlus
Large Ensemble Bass Guitar,Bassoon,Cello,Double Bass,Flute,Marimba,Piano,Recorder,Tuba,Ukulele,Vibraphone,Violin,Xylophone - Level 2 - SKU: A0.563837 Co...
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Large Ensemble Bass Guitar,Bassoon,Cello,Double Bass,Flute,Marimba,Piano,Recorder,Tuba,Ukulele,Vibraphone,Violin,Xylophone - Level 2 - SKU: A0.563837 Composed by Antonio Vivaldi, Johann Strauss Jr., Ludwig van Beethoven, and Scott Joplin. Arranged by Austin Ralphson. 20th Century,Baroque,Instructional,Romantic Period,Standards. Score and parts. 115 pages. Austin Ralphson #5044415. Published by Austin Ralphson (A0.563837). This pack contains four pieces of music and it enables all students within a classroom, regardless of ability, to make clear progress on one or more of the parts provided:* The Entertainer* Für Elise* The Blue Danube Waltz* Autumn from The Four Seasons (III. Allegro)As an experienced classroom music teacher, two of the main difficulties I have faced have been:* having the time to arrange music for standard classroom instruments such as keyboards, ukuleles, guitars, tuned percussion etc.* finding suitable arrangements of Western Classical pieces to contribute to a broad and balanced curriculumThe Classroom Ensemble Series meets both of these problems head on, providing approachable yet challenging arrangements which are tailor-made for a large classroom ensemble. Each piece includes a score and parts as follows:Melody (treble clef)Melody plus note names (treble clef)Melody (ukulele tab)Melody (guitar tab)Bass part (bass clef)Bass part plus note names (bass clef)Bass part (bass guitar tab)Easy piano part (treble and bass clefs)Standard piano part (treble and bass clefs)Chords (chord shapes with chord names, e.g. Dm)Chords (ukulele tabs and chord shapes)Chords (guitar tabs and chord shapes)These arrangements enable all students within a classroom, regardless of ability, to make clear progress on one or more of the parts provided. You can use the YouTube videos at the link below within the classroom, helping the students to play together and freeing you up to teach. Or you can lead the session yourself.Backing tracks for all pieces in this series can be found at https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhAPrinting and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.This pack provides excellent value for money - look out for the other volumes as well!
$14.99
Deutsches Gemüthsleben, Waltz for Violin and Piano, Op. 88
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Violon et Piano
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Classique
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Bela Keler
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Pavel Burdych
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Deutsches Gemüthsleben, W
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Pavel Burdych
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SheetMusicPlus
Piano,Violin - SKU: A0.933384 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 22 pages. Pavel Burdych #119401. Published by Pavel Bu...
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Piano,Violin - SKU: A0.933384 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 22 pages. Pavel Burdych #119401. Published by Pavel Burdych (A0.933384). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄa, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu
$6.95
Am schönen Rhein gedenk ich dein, Waltz for Violin and Piano, Op. 83
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Bela Keler
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Pavel Burdych
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Am schönen Rhein gedenk i
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Pavel Burdych
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.933382 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 25 pages. Pavel Burdych #73859. Published by...
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Piano,Violin - Level 3 - SKU: A0.933382 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 25 pages. Pavel Burdych #73859. Published by Pavel Burdych (A0.933382). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄa, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu
$6.95
Vom Rhein zur Donau, Waltz for Violin and Piano, Op. 138
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Bela Keler
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Pavel Burdych
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Vom Rhein zur Donau, Waltz for
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Pavel Burdych
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.933385 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 26 pages. Pavel Burdych #119407. Published b...
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Piano,Violin - Level 3 - SKU: A0.933385 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 26 pages. Pavel Burdych #119407. Published by Pavel Burdych (A0.933385). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄa, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu
$6.95
Blue Danube Waltz for String Quartet, A4 print and iPad layout
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Johann Strauss Jr
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Kovats Istvan
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Blue Danube Waltz for String Q
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Kovats Istvan
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1126144 Composed by Johann Strauss Jr. Arranged by Kovats Istvan. 19th Century,Classical,Holiday,Roman...
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String Quartet String Quartet - Level 5 - SKU: A0.1126144 Composed by Johann Strauss Jr. Arranged by Kovats Istvan. 19th Century,Classical,Holiday,Romantic Period,Wedding. 46 pages. Kovats Istvan #726852. Published by Kovats Istvan (A0.1126144). -There are two sets of parts, one for A4 print, and one for iPad 12.9 -Printing: Violin 1 - 1st page right, Violin 2 (needs explanation) - 1st page right, 2nd left, 3rd middle, 4th right, 5th left, Viola - 1st page left, Cello - 1st page left -The iPad 12.9 layout has bigger music fonts, but You'll have more page turns. I recommend to use pedal for page turning. -Ready to play arrangement, it has bowings, dynamics and articulations. -No jumps, no repeats except one in Waltz 4. -You can save a lot of time: just respect the bowings, dynamics, articulations and You're done. -I recommend to advanced musicians. TIP: Enjoy it :) Visit my Facebook page for more info, contact, etc.: https://www.facebook.com/kovatsmusic Give it a thumbs up, thanks :).
$7.99
Kentucky Overture (My Old Kentucky Home Variations)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Stephen Foster
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Tim Olt
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Kentucky Overture
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Olt Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.759423 Composed by Stephen Foster. Arranged by Tim Olt. Folk,Patriotic. Score and parts. 58 pages. Olt Music #6436213...
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Full Orchestra - Level 4 - SKU: A0.759423 Composed by Stephen Foster. Arranged by Tim Olt. Folk,Patriotic. Score and parts. 58 pages. Olt Music #6436213. Published by Olt Music (A0.759423). A set of variations based on My Old Kentucky Home. Showcasing various styles (hoedown, waltz, etc.) and flavors of a number of composers (Strauss, Rossini, Shostakovich, Stravinsky, Dvorak and Sousa). Fun and challenging for the orchestra and sure to be an audience favorite!
$100.00
The Little Einstein Theme Song
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Piano Facile
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FACILE
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Billy Strauss
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Matthew Tsai
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The Little Einstein Theme Song
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Matthew Tsai
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1208327 Composed by Billy Strauss. Arranged by Matthew Tsai. 20th Century,Children,Film/TV,Instructional. Score. 2 pages....
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Easy Piano - Level 2 - SKU: A0.1208327 Composed by Billy Strauss. Arranged by Matthew Tsai. 20th Century,Children,Film/TV,Instructional. Score. 2 pages. Matthew Tsai #806421. Published by Matthew Tsai (A0.1208327). The Little Einsteins Theme Song. This arrangement is in the key of A major and transposes to C major. It uses a variety of chords, but does not go over a stretch of a sixth. This arrangement would be a good challenge and addition to those who have learned the basic fingering of scales and can remember key signatures well. The melody line moves around quite a bit so the right hand will need to shift and move. If you are in the Piano Adventure Series, this would be suitable for someone around the Piano Adventures 3A-3B levels.Â
$4.99
Canon In D and Friends Beginner Piano Collection
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Piano Facile
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DÉBUTANT
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Classique
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Johann Pachelbel
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SilverTonalities
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Canon In D and Friends Beginne
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1385916 Composed by Johann Pachelbel. Arranged by SilverTonalities. 19th Century,Baroque,Classical,Instructional. Score. ...
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Easy Piano - Level 1 - SKU: A0.1385916 Composed by Johann Pachelbel. Arranged by SilverTonalities. 19th Century,Baroque,Classical,Instructional. Score. 42 pages. SilverTonalities #969859. Published by SilverTonalities (A0.1385916). Canon In D and Friends Beginner Piano Collection Popular Classics for Beginner Pianists by SilverTonalities!Letter Names Embedded in Noteheads to enable Beginner Pianists to read Music quickly and accurately!PREVIEW, pages 1-2ODE TO JOY from Ludwig van Beethoven’s 9th Symphony, Opus 125 which premiered in Vienna in 1824, pages 3-4THE FLOWER DUET from the French Opera Lakme by Leo Delibes, premiering in Paris in 1883, pages 5-8THE SORCERER’S APPRENTICE by Paul Dukas, featured in the 1940 Disney Movie “Fantasiaâ€, pages 9-11POMP AND CIRCUMSTANCE, Opus 39 by the English Composer Edward Elgar, written for full Orchestra in 1904, pages 12-14CARO MIO BEN from the Italian Composer, Guiseppe Giordani’s popular 1783 Aria, pages 15-17AIR from George Friedrich Handel’s, “Water Musicâ€, which is a collection of 3 Orchestral Suites, pages 18-20TO A WILD ROSE, from “Woodland Sketches†Opus 51, by the American Composer Edward MacDowell, pages 21-23THE GREAT GATE OF KIEV, from the Russian Composer Modeste Mussorgsky’s famous “Pictures at an Exhibitionâ€, pages 24-26CANON IN D by the German Baroque Composer Johann Pachelbel, transposed to C Major, pages 27-29GYMNOPEDIE NUMBER 1 from the French Impressionistic/20th Century Composer Erik Satie, pages 30-34THE HAPPY FARMER, Opus 58 Number 10 from Robert Schumann’s “Album for the Youngâ€, pages 35-37THE BLUE DANUBE WALTZ Opus 314, or “On the Beautiful Blue Danube†by the Austrian Composer, Johann Strauss Junior, pages 38-40.
$9.99
The Entertainer
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Violoncelle, Piano
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Classique
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The Entertainer
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - Digital Download 37 Entertaining Pieces from Classical Music to Pop. This edition: Sheet music. Classical music, Pop...
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Cello and piano - intermediate - Digital Download 37 Entertaining Pieces from Classical Music to Pop. This edition: Sheet music. Classical music, Pop, Violoncello, Lessons. Cellissimo. Downloadable. Schott Music - Digital #Q54785. Published by Schott Music - Digital
This volume from the popular 'Cellissimo' series contains 37 popular recital pieces from classical to pop music. It is suitable for lessons, performances and competitions. As there is little literature for the cello in jazz and pop style, this volume has a special focus on modern styles such as blues, jazz, pop, rock, funk, folk, Latin, or tango. The selection motivates and introduces to playing techniques of pop music (slide, hard chop etc). Many pieces can be played in the 1st - 4th position, while some also use harmonics or the 5th - 7th position. Entertaining music has existed at all times, so the volume also contains arrangements of popular classics: 'Eine kleine Nachtmusik' by Mozart, 'An der schonen blauen Donau' by Johann Strauss, 'Pomp and Circumstance' by Edward Elgar, or 'The Entertainer' by Scott Joplin. The motivational package for cello lessons!
$19.99
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Strauss, etc