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Vous avez sélectionné:
Strike Up the Band from Strike Up the Band - Leadsheet
Partitions à imprimer
87 partitions trouvées
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Strike Up The Band (from Strike Up The Band)
Piano Facile
Digital Download SKU: HX.464958 Broadway,Jazz,Musical/Show,Standards. Super Easy Pi…
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Digital Download SKU: HX.464958 Broadway,Jazz,Musical/Show,Standards. Super Easy Piano. 2 pages. Published by Hal Leonard - Digital (HX.464958).
$3.99
3.67 €
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Piano Facile
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Strike Up The Band
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Hal Leonard - Digital
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SheetMusicPlus
George Gershwin: Strike up the Band! (from Strike up the Band) - piano, voice or other instruments
Piano, Voix
Instantly printable sheet music by George Gershwin for piano, voice or other instruments o…
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Instantly printable sheet music by George Gershwin for piano, voice or other instruments of EASY/MEDIUM skill level. / standards
$5.97
5.5 €
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Piano, Voix
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George Gershwin
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Virtualsheetmusic
Strike Up the Band: 2nd Flute
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001688_F2 2nd Flute. Composed…
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Concert Band - Digital Download SKU: AX.00-PC-0001688_F2 2nd Flute. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001688_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001688_F2). UPC: 038081336428.Gershwin's' tune especially for band is from the1927 musical of the same name. Everyone's familiar with the traditional melody, stated first, but Jack Bullock has included the seldom heard verse which enhances the variety contained in this classic pop tune. Building to a rousing conclusion, this is one not to miss! This title is available in SmartMusic.
$3.00
2.76 €
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Orchestre d'harmonie
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George Gershwin and Ira Gershwin
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Jack Bullock
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Strike Up the Band: 2nd Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Strike Up the Band: E-flat Alto Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001688_AX1 E-flat Alto Saxophone
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Concert Band - Digital Download SKU: AX.00-PC-0001688_AX1 E-flat Alto Saxophone. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001688_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001688_AX1). UPC: 038081336428.Gershwin's' tune especially for band is from the1927 musical of the same name. Everyone's familiar with the traditional melody, stated first, but Jack Bullock has included the seldom heard verse which enhances the variety contained in this classic pop tune. Building to a rousing conclusion, this is one not to miss! This title is available in SmartMusic.
$3.00
2.76 €
#
Orchestre d'harmonie
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George Gershwin and Ira Gershwin
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Jack Bullock
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Strike Up the Band: E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Strike Up the Band: 3rd B-flat Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001688_C3 3rd B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0001688_C3 3rd B-flat Clarinet. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001688_C3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001688_C3). UPC: 038081336428.Gershwin's' tune especially for band is from the1927 musical of the same name. Everyone's familiar with the traditional melody, stated first, but Jack Bullock has included the seldom heard verse which enhances the variety contained in this classic pop tune. Building to a rousing conclusion, this is one not to miss! This title is available in SmartMusic.
$3.00
2.76 €
#
Orchestre d'harmonie
#
George Gershwin and Ira Gershwin
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Jack Bullock
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Strike Up the Band: 3rd B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Strike Up the Band: Oboe
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001688_O1 Oboe. Composed by G…
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Concert Band - Digital Download SKU: AX.00-PC-0001688_O1 Oboe. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001688_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001688_O1). UPC: 038081336428.Gershwin's' tune especially for band is from the1927 musical of the same name. Everyone's familiar with the traditional melody, stated first, but Jack Bullock has included the seldom heard verse which enhances the variety contained in this classic pop tune. Building to a rousing conclusion, this is one not to miss! This title is available in SmartMusic.
$3.00
2.76 €
#
Orchestre d'harmonie
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George Gershwin and Ira Gershwin
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Jack Bullock
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Strike Up the Band: Oboe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Strike Up the Band: 1st B-flat Clarinet
Clarinette (partie séparée)
Concert Band - Digital Download SKU: AX.00-PC-0001688_C1 1st B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0001688_C1 1st B-flat Clarinet. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001688_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001688_C1). UPC: 038081336428.Gershwin's' tune especially for band is from the1927 musical of the same name. Everyone's familiar with the traditional melody, stated first, but Jack Bullock has included the seldom heard verse which enhances the variety contained in this classic pop tune. Building to a rousing conclusion, this is one not to miss! This title is available in SmartMusic.
$3.00
2.76 €
#
Clarinette (partie séparée)
#
George Gershwin and Ira Gershwin
#
Jack Bullock
#
Strike Up the Band: 1st B-flat Clarinet
#
Alfred Music - Digital Sheet Music
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SheetMusicPlus
Strike Up the Band: 2nd B-flat Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001688_C2 2nd B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0001688_C2 2nd B-flat Clarinet. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001688_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001688_C2). UPC: 038081336428.Gershwin's' tune especially for band is from the1927 musical of the same name. Everyone's familiar with the traditional melody, stated first, but Jack Bullock has included the seldom heard verse which enhances the variety contained in this classic pop tune. Building to a rousing conclusion, this is one not to miss! This title is available in SmartMusic.
$3.00
2.76 €
#
Orchestre d'harmonie
#
George Gershwin and Ira Gershwin
#
Jack Bullock
#
Strike Up the Band: 2nd B-flat Clarinet
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Strike Up the Band: Score
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PR-0001668 Score. Composed by Geo…
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Concert Band - Digital Download SKU: AX.00-PR-0001668 Score. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Score. 24 pages. Alfred Music - Digital Sheet Music #00-PR-0001668. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0001668). UPC: 038081336428.Gershwin's' tune especially for band is from the1927 musical of the same name. Everyone's familiar with the traditional melody, stated first, but Jack Bullock has included the seldom heard verse which enhances the variety contained in this classic pop tune. Building to a rousing conclusion, this is one not to miss! This title is available in SmartMusic.
$10.00
9.21 €
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Orchestre d'harmonie
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George Gershwin and Ira Gershwin
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Jack Bullock
#
Strike Up the Band: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
March: Helping Hands (Rob Bushnell) - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1203187 Composed by Rob Bushnell. 20th Century,Contest,Festival,March,Traditional. Brass Band. 41 pages. RBMusic #801860. Published by RBMusic (A0.1203187). Helping Hands is a march written for the British Bandsman March Composition Contest, entered into category 2 (marches for 3rd/4th section bands). It is dedicated to all the volunteers that make the Whit Friday March Contests possible, which is said to be the greatest free show on Earth. The piece is loosely programmatic in nature.The introduction is fanfare-like, announcing the date of the next Whit Friday Contests and the bands’ anticipation of and preparation for the event. The first section is the march of the volunteers, as they descend upon the many venues, ready to run the contests. There is the usual hustle and bustle before the second section sees the contests start. The bands strike up, march, finish and go from place to place, whilst the volunteers manage them, the audiences, and all manner of issues and problems thrown at them. The third section represents the bad weather which has, at times, presented itself on that particular Friday. But everyone carries on (possibly the sun comes out) and we enjoy the day.The trio uses the hymn St. Vincent by Sigismund Neukomm: St. Vincent de Paul is the patron saint of charities and volunteering, hence its use here. There is a small bridge that is reminiscent of previously used motifs and melodies before the hymn returns. The piece is influenced by marches that are commonly heard during the Whit Friday March Contests, using motifs, rhythms and harmonic progressions (sparingly) throughout the piece.This piece is for the UK-style brass band, includes march-card sized parts, with alternatives for horns in F and bass-clef lower brass.Other searchable terms: Delph, Denshaw, Diggle Dobcross, Friezland, Greenfield, Grotton, Lees and Springhead, Lydgate, Scouthead and Austerlands, Uppermill, Broadoak, Carrbrook, Denton, Droylsden, The Bush, Dukinfield, Tame Valley, Heyrod, Hurst Village, Ashton United FC, Stalybridge, Labour Club, Knight Templar, The Wizard, The President, Ravenswood, Honest Toil, Mephistopheles, Melphi, O.R.B., Castell Coch, Cornish Cavalier William Rimmer, T. J. Powell, W. E. Moyle, Charles Anderson, George Allan, William Gerrman, Shipley Douglas.
$44.99
41.43 €
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Rob Bushnell
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March: Helping Hands
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RBMusic
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SheetMusicPlus
Strike Up the Band: 2nd Flute
Flute (partie séparée)
Full Orchestra - Digital Download SKU: AX.00-PC-0014487_F2 2nd Flute. Compos…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014487_F2 2nd Flute. Composed by George Gershwin. Arranged by John Whitney. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014487_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014487_F2). UPC: 038081394411.Patriotic, lively, and an American standard, the music from this 1940 hit movie will delight audiences and players! Perfect as an opener or even an encore for advanced school orchestra or community orchestra.Encore; Opener.
$3.00
2.76 €
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Flute (partie séparée)
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George Gershwin
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John Whitney
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Opener.
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Strike Up the Band: 2nd Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Strike Up the Band: Oboe
Hautbois (partie séparée)
Full Orchestra - Digital Download SKU: AX.00-PC-0014487_O1 Oboe. Composed by…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014487_O1 Oboe. Composed by George Gershwin. Arranged by John Whitney. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014487_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014487_O1). UPC: 038081394411.Patriotic, lively, and an American standard, the music from this 1940 hit movie will delight audiences and players! Perfect as an opener or even an encore for advanced school orchestra or community orchestra.Encore; Opener.
$3.00
2.76 €
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Hautbois (partie séparée)
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George Gershwin
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John Whitney
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Opener.
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Strike Up the Band: Oboe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
George Gershwin: Strike Up The Band! (from Strike Up The Band) - guitar or voice (lead sheet)
Ligne De Mélodie, (Paroles) et Accords
Instantly printable sheet music by George Gershwin for guitar or voice (lead sheet) of EAS…
(+)
Instantly printable sheet music by George Gershwin for guitar or voice (lead sheet) of EASY/MEDIUM skill level. / standards
$3.97
3.66 €
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Ligne De Mélodie, (Paroles) et Accords
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George Gershwin
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Virtualsheetmusic
Strike up the Band! (From "Strike up the Band")
Piano, Voix et Guitare
By George Gershwin (1898-1937). For Piano/Vocal/Chords. Standard and Broadway. 4 pages. Pu…
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By George Gershwin (1898-1937). For Piano/Vocal/Chords. Standard and Broadway. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.99
3.67 €
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Piano, Voix et Guitare
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George Gershwin
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Strike up the Band!
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Strike Up the Band
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1350612
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1350612 By George Gershwin. By George Gershwin. Arranged by Bob Affonso. Broadway,Film/TV,Holiday,March,Musical/Show,Patriotic. 26 pages. Celebratory Music #935433. Published by Celebratory Music (A0.1350612). From the Broadway musical and film of the same name. This selection of the popular song by George Gershwin has been arranged and scored for an 8-piece brass ensemble. It also includes optional percussion parts. The original spirit and liveliness of the piece is retained in this well-arranged version. It playfully toys with famous marches throughout the arrangement. It sounds great with or without the percussion! A real crowd pleaser!
$29.99
27.62 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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George Gershwin
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Bob Affonso
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Strike Up the Band
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Celebratory Music
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SheetMusicPlus
Strike Up the Band
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1350682
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1350682 By George Gershwin. By George Gershwin. Arranged by Bob Affonso. Broadway,Film/TV,Holiday,March,Musical/Show,Patriotic. 16 pages. Celebratory Music #935504. Published by Celebratory Music (A0.1350682). From the Broadway musical and film of the same name. This selection of the popular song by George Gershwin has been arranged and scored for a traditional brass quintet. The original spirit and liveliness of the piece is retained in this well-arranged version. It playfully toys with famous marches throughout the arrangement. A real crowd pleaser!
$14.99
13.8 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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George Gershwin
#
Bob Affonso
#
Strike Up the Band
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Celebratory Music
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SheetMusicPlus
Strike Up the Band: Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014487_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014487_F1 Flute. Composed by George Gershwin. Arranged by John Whitney. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014487_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014487_F1). UPC: 038081394411.Patriotic, lively, and an American standard, the music from this 1940 hit movie will delight audiences and players! Perfect as an opener or even an encore for advanced school orchestra or community orchestra.Encore; Opener.
$3.00
2.76 €
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Orchestre
#
George Gershwin
#
John Whitney
#
Opener.
#
Strike Up the Band: Flute
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Strike Up the Band: 2nd Oboe
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014487_O2 2nd Oboe. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014487_O2 2nd Oboe. Composed by George Gershwin. Arranged by John Whitney. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014487_O2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014487_O2). UPC: 038081394411.Patriotic, lively, and an American standard, the music from this 1940 hit movie will delight audiences and players! Perfect as an opener or even an encore for advanced school orchestra or community orchestra.Encore; Opener.
$3.00
2.76 €
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Orchestre
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George Gershwin
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John Whitney
#
Opener.
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Strike Up the Band: 2nd Oboe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Strike Up the Band: Score
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PR-0002806 Score. Composed by G…
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Full Orchestra - Digital Download SKU: AX.00-PR-0002806 Score. Composed by George Gershwin. Arranged by John Whitney. Classical. Score. 24 pages. Alfred Music - Digital Sheet Music #00-PR-0002806. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0002806). UPC: 038081394411.Patriotic, lively, and an American standard, the music from this 1940 hit movie will delight audiences and players! Perfect as an opener or even an encore for advanced school orchestra or community orchestra.Encore; Opener.
$9.00
8.29 €
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Orchestre
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George Gershwin
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John Whitney
#
Opener.
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Strike Up the Band: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Australian Medley - Concert Band (Wind Symphony) with Rhythm Section- Traditional
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.733992 Composed by Traditional. A…
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Concert Band - Level 5 - Digital Download SKU: A0.733992 Composed by Traditional. Arranged by Daryl McKenzie. Jazz,World. Score and parts. 123 pages. Daryl McKenzie #4405870. Published by Daryl McKenzie (A0.733992). Concert Band (Wind Symphony) with Rhythm Section arrangement in a jazz/swing style of traditional Australian tunes - Waltzing Matilda, The Road to Gundagai and Click Go The Shears by Daryl McKenzie. Originally commissioned by the Royal Australian Air Force Central Band (the audio demo is from their CD Strike Up the Band and recorded by the Concert Band). Picc, 2 Fl, Ob, 3Cl, BCl, Bsn, 2 Alto Sax, 2 Tenor Sax, Bari Sax, 4 Horns in F, 4 Bb Trpts, 4 Trbs, Eupho, Tuba, Piano, Guitar, Bass (Rhythm Section), Drum Kit, 2 Perc.Note: Rhythm Section Bass and Drum Kit are essential. Oboe, Bsn, BCl, Eupho, Horns 3 & 4 are cross cued in other parts. Full audio demo: https://soundcloud.com/user-99505314/australian-opening-medley Big Band version available on SheetMusicPlus: Item # S0.538357 More arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128
$79.99
73.66 €
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Orchestre d'harmonie
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Traditional
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Daryl McKenzie
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Australian Medley - Concert Band
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Daryl McKenzie
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SheetMusicPlus
The Man I Love (from Strike Up The Band)
Piano Facile
Digital Download SKU: HX.464954 Broadway,Jazz,Musical/Show,Standards. Super Easy Pi…
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Digital Download SKU: HX.464954 Broadway,Jazz,Musical/Show,Standards. Super Easy Piano. 2 pages. Published by Hal Leonard - Digital (HX.464954).
$3.99
3.67 €
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Piano Facile
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The Man I Love
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Hal Leonard - Digital
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SheetMusicPlus
I've Got A Crush On You (from Strike Up The Band)
Piano Facile
Digital Download SKU: HX.464947 Broadway,Jazz,Musical/Show,Standards. Super Easy Pi…
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Digital Download SKU: HX.464947 Broadway,Jazz,Musical/Show,Standards. Super Easy Piano. 2 pages. Published by Hal Leonard - Digital (HX.464947).
$3.99
3.67 €
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Piano Facile
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I've Got A Crush On You
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Hal Leonard - Digital
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SheetMusicPlus
George Gershwin: Hangin' Around with You (from Strike Up the Band) - piano, voice or other instruments
Piano, Voix
Instantly printable sheet music by George Gershwin for piano, voice or other instruments o…
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Instantly printable sheet music by George Gershwin for piano, voice or other instruments of EASY/MEDIUM skill level. / standards
$5.97
5.5 €
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Piano, Voix
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George Gershwin
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Virtualsheetmusic
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.09 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
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