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String Quartet Poem No.1
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Quatuor à cordes: 2 violons, alto, violoncelle
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Vous avez sélectionné:
String Quartet Poem No.1
Partitions à imprimer
14 partitions trouvées
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String Quartet Poem No.1
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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James F
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String Quartet Poem No.1
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Jhcompositions
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1004085 Composed by James F. Hodgdon III. 20th Century,Concert,Contemporary,Standards. Score and parts...
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String Quartet String Quartet - Level 4 - SKU: A0.1004085 Composed by James F. Hodgdon III. 20th Century,Concert,Contemporary,Standards. Score and parts. 32 pages. Jhcompositions #3455109. Published by Jhcompositions (A0.1004085). This musical poem for string quartet takes us on a flight. We travel through different time signatures and keys frequently. A touch of whimsy colors the whole journey. The piece has a great deal of back and fourth between the players and would certainly raise attention of anyone in a concert setting. This music would work well to compliment film in a setting of flight as well.This string quartet would work very well for a college group or more advanced players.You are purchasing the score and all individual parts.Duration: 2'07.
$12.99
Sure On This Shining Night, Op. 13, No. 13
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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James Agee and Samuel Barber
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Steven Nunes
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Sure On This Shining Night, Op
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Nagamon Publications
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1106752 Composed by James Agee and Samuel Barber. Arranged by Steven Nunes. 20th Ce...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1106752 Composed by James Agee and Samuel Barber. Arranged by Steven Nunes. 20th Century,Classical,Opera. 8 pages. Nagamon Publications #709664. Published by Nagamon Publications (A0.1106752). Sure on this shining night, op.13 no.3 is an art song by composer Samuel Barber from his 1938 song cycle Four Songs. The work's text is taken from James Agee's poem Descriptions of Elysium which was published in his 1934 poetry collection Permit Me Voyage by the Yale Series of Younger Poets. One of Barber's most frequently performed works, the work displays Barber's Neo-Romantic lyricism with its classically oriented formal structure and carefully crafted interplay between solo voice and piano that emphasizes canonic imitation.[1] In 1938 Barber created an orchestral arrangement for the song. Barber later reworked the art song into an SATB choral arrangement in 1961. This arrangement is for solo voice and string quartet in the original key.
$18.00
Widmung from Myrthen, Op. 25 No. 1
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Robert Schumann
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Monica Re Martin
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Widmung from Myrthen, Op. 25 N
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Monica Re Martin
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.910153 Composed by Robert Schumann. Arranged by Monica Re Martin. Holiday,Love,Roma...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.910153 Composed by Robert Schumann. Arranged by Monica Re Martin. Holiday,Love,Romantic Period,Wedding. Score and parts. 11 pages. Monica Re Martin #4780669. Published by Monica Re Martin (A0.910153). Robert Schumann composed his song cycle, Myrthen, Op. 25 in 1840 for his bride, Clara, as a wedding gift. This string quartet arrangement is of the first song in this cycle, Widmung, meaning Dedication. The text of the original song is from a beautiful love poem by Friedrich Rückert. This piece is perfect for a wedding ceremony, reception, or similar event. .
$3.99
Sodium (2009, rev. 2015) for string quartet, violin 1 part
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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it was never performed
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Sodium
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet,Violin - Level 4 - SKU: A0.869411 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period...
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String Quartet String Quartet,Violin - Level 4 - SKU: A0.869411 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 8 pages. Thomas Oboe Lee #515273. Published by Thomas Oboe Lee (A0.869411). Sodium was originally titled Jasmine Variations. It was a setting of poems by Jasmine Lin, who is both a superb violinist and a poet. But that work never materialized; it was never performed. So I thought maybe the work for practical considerations should be a purely instrumental work, without the texts. With a little nip and tuck, here and there, it is now a bona fide string quartet; my eleventh!!! I did not like the sound of the title, String Quartet No. 11. So I decided to call it Sodium. Why? The atomic number for sodium is 11. The quartet is in five movements. 1. Sodium Bicarbonate … Adagio 2. Sodium Chloride … Allegrissimo 3. Sodium Cyanide … Adagio 4. Sodium Cyclamate … Allegro 5. Sodium Pentothal … Largo.
$9.99
Sodium (2009, rev. 2015) for string quartet, viola part
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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it was never performed
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Sodium
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet,Viola - Level 4 - SKU: A0.869417 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period....
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String Quartet String Quartet,Viola - Level 4 - SKU: A0.869417 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #515277. Published by Thomas Oboe Lee (A0.869417). Sodium was originally titled Jasmine Variations. It was a setting of poems by Jasmine Lin, who is both a superb violinist and a poet. But that work never materialized; it was never performed. So I thought maybe the work for practical considerations should be a purely instrumental work, without the texts. With a little nip and tuck, here and there, it is now a bona fide string quartet; my eleventh!!! I did not like the sound of the title, String Quartet No. 11. So I decided to call it Sodium. Why? The atomic number for sodium is 11. The quartet is in five movements. 1. Sodium Bicarbonate … Adagio 2. Sodium Chloride … Allegrissimo 3. Sodium Cyanide … Adagio 4. Sodium Cyclamate … Allegro 5. Sodium Pentothal … Largo.
$9.99
Sodium (2009, rev. 2015) for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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it was never performed
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Sodium
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.869410 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Rom...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.869410 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 26 pages. Thomas Oboe Lee #515271. Published by Thomas Oboe Lee (A0.869410). Sodium was originally titled Jasmine Variations. It was a setting of poems by Jasmine Lin, who is both a superb violinist and a poet. But that work never materialized; it was never performed. So I thought maybe the work for practical considerations should be a purely instrumental work, without the texts. With a little nip and tuck, here and there, it is now a bona fide string quartet; my eleventh!!!I did not like the sound of the title, String Quartet No. 11. So I decided to call it Sodium. Why? The atomic number for sodium is 11. The quartet is in five movements. 1. Sodium Bicarbonate … Adagio 2. Sodium Chloride … Allegrissimo 3. Sodium Cyanide … Adagio 4. Sodium Cyclamate … Allegro 5. Sodium Pentothal … Largo Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/sodium-2009-revised-without-texts-2015Video link: https://youtu.be/jCPlv1q6SYs
$9.99
Sodium (2009, rev. 2015) for string quartet, violin 2 part
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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it was never performed
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Sodium
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet,Violin - Level 4 - SKU: A0.869412 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period...
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String Quartet String Quartet,Violin - Level 4 - SKU: A0.869412 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #515275. Published by Thomas Oboe Lee (A0.869412). Sodium was originally titled Jasmine Variations. It was a setting of poems by Jasmine Lin, who is both a superb violinist and a poet. But that work never materialized; it was never performed. So I thought maybe the work for practical considerations should be a purely instrumental work, without the texts. With a little nip and tuck, here and there, it is now a bona fide string quartet; my eleventh!!! I did not like the sound of the title, String Quartet No. 11. So I decided to call it Sodium. Why? The atomic number for sodium is 11. The quartet is in five movements. 1. Sodium Bicarbonate … Adagio 2. Sodium Chloride … Allegrissimo 3. Sodium Cyanide … Adagio 4. Sodium Cyclamate … Allegro 5. Sodium Pentothal … Largo.
$9.99
Aveux Non Avenus (2020) for soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Aveux Non Avenus
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas O...
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Chamber Orchestra - Level 4 - SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas Oboe Lee #5302511. Published by Thomas Oboe Lee (A0.869642). I saw an obituary in the New York Times entitled Overlooked No More: Claude Cahun, Whose Photographs Explored Gender and Sexuality. I was so fascinated by the article that I went and purchased a book of her poems and writings. Within it I found a series of poems under the subtile of Délectations Moroses that were truly fantastic. A year ago I wrote a work for soprano and string quartet titled Gaspard de la Nuit on a set of poems by Aloysius Bertrand. Ravel's Gaspard de la Nuit is for solo piano, a set of tone poems inspired by the poems of the same A. Bertrand. I enjoyed my Gaspard so much that I wanted to write another work for soprano and string quartet, this time using these fascinating poems by Claude Cahun.The work is in seven movements.1. Allegro (de l'oubli)2. Largo (de l'oubli)3. Allegro con moto (d'un enfant difficile)4. Moderato (de l'amour)5. Moderato (de l'art)6. Allegro (Vocation)7. Adagio (Quatrième dimension)Enjoy!!!Duration: 27 minuteshttps://thomasoboelee.bandcamp.com/album/aveux-non-avenus-2020-for-soprano-and-string-quartet
$9.99
Sodium (2009, rev. 2015) for string quartet, cello part
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4 Violoncelles
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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it was never performed
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Sodium
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 4 - SKU: A0.869415 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period....
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String Quartet Cello,String Quartet - Level 4 - SKU: A0.869415 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #515279. Published by Thomas Oboe Lee (A0.869415). Sodium was originally titled Jasmine Variations. It was a setting of poems by Jasmine Lin, who is both a superb violinist and a poet. But that work never materialized; it was never performed. So I thought maybe the work for practical considerations should be a purely instrumental work, without the texts. With a little nip and tuck, here and there, it is now a bona fide string quartet; my eleventh!!! I did not like the sound of the title, String Quartet No. 11. So I decided to call it Sodium. Why? The atomic number for sodium is 11. The quartet is in five movements. 1. Sodium Bicarbonate … Adagio 2. Sodium Chloride … Allegrissimo 3. Sodium Cyanide … Adagio 4. Sodium Cyclamate … Allegro 5. Sodium Pentothal … Largo.
$9.99
Cello Sonata No.1 Op.45, 1st mvt, Allegro Commodo
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Violoncelle, Piano
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AVANCÉ
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Josef B Foerster
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Zellev
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No
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Cello Sonata No.1 Op.45, 1st m
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Zellev Music
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.1431347 Composed by Josef B Foerster. Arranged by Zellev. 19th Century,Classical,Contemporary,Historic,Romantic Period. ...
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Cello,Piano - Level 5 - SKU: A0.1431347 Composed by Josef B Foerster. Arranged by Zellev. 19th Century,Classical,Contemporary,Historic,Romantic Period. Score and part. 16 pages. Zellev Music #1011815. Published by Zellev Music (A0.1431347). Key Signature: F minorTime Signature: 6/8Tempo: Allegro CommodoDifficulty: AdvancedJosef Bohuslav Foerster (30 December 1859 – 29 May 1951) was a Czech composer and musicologist. He is often referred to as J. B. Foerster, and his surname is sometimes spelled Förster.-Life-Foerster was born in Prague. His ancestors were of Bohemian German ethnicity, but had assimilated into the Czech community. The family normally lived in Prague and was musical. His father, a composer also named Josef Foerster, taught at the Conservatory. (His father's students included Franz Lehár.) His brother was artist Viktor Foerster. Josef was educated accordingly, and duly studied there.-Style-Foerster produced numerous compositions. His music is not nationalistic in the sense of employing the idioms of Czech folk music. His work, words and music, is considered [by whom?] very subjective and personal, mystical and idealistic.Foerster's opera Eva is another example, like Leoš Janáček's Jenůfa, of a libretto based on a play by Gabriela Preissová, though his treatment differs.His compositions include five symphonies (No. 1 in D minor; No. 2 in F, Op. 29 (1892–98); No. 3 in D, Op. 36; No. 4 in C minor, Op. 54, Easter Eve (1905); and No. 5 in D minor, Op. 141 (1929)), other orchestral works including a symphonic poem based on Cyrano de Bergerac, much chamber music (including five string quartets (No. 1 in E, Op. 15; No. 2, Op. 39; No. 3 in C, Op. 61; No. 4 in F, Op. 182 (1943); and the last, written 1950–1, completed by Jan Hanuš); three piano trios, two violin and two cello sonatas, and a several-times-recorded wind quintet), at least five operas (notably Eva), concertos for cello (Op. 143) and two for violin (No. 1 in C minor, Op. 88 (1911); No. 2 in D minor, Op. 104), liturgical music, among other works, over 170 published opus numbers in all.Many of his works remember family members: the 2nd Symphony is dedicated to his sister Marie; his brother's death led to the cantata Mortuis fratribus; his son is commemorated in the Piano Trio and the 5th Symphony; and his mother is a theme throughout his oeuvre.
$8.00
The White And Gentle Swan
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jacques
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Joseph Judge
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The White And Gentle Swan
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School Ensemble Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1492107 Composed by Jacques (Jacob) Arcadelt. Arranged by Joseph Judge. Chamber,Ren...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1492107 Composed by Jacques (Jacob) Arcadelt. Arranged by Joseph Judge. Chamber,Renaissance. 9 pages. School Ensemble Music #1068780. Published by School Ensemble Music (A0.1492107). Jacques Arcadelt (1507–1568) was an early composer of Renaissance madrigals. His most famous composition was The White And Gentle Swan, based on a poem by Giovanni Guidiccioni.Duration - 1:47 Parts - Violin, Violin, Viola, Cello. Flexible: Substitute Violin part in case there is no Viola.For a full list of arrangements by Joseph Judge, please visit SchoolEnsemble.com. Most are available for multiple ensembles: brass, string, woodwind, saxophone, clarinet.
$8.99
Northwest Passage (Downloadable Piano/Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Z
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Northwest Passage
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir, wind quintet and string quartet or piano - Medium - SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Cent...
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SATB choir, wind quintet and string quartet or piano - Medium - SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Score & instrument part. 24 pages. Duration 8 minutes, 25 seconds. Galaxy Music Corporation - Digital #1.3438-E. Published by Galaxy Music Corporation - Digital (MQ.1.3438-E). English.Northwest Passage is a set of “poetic landscapes†that reflects on three elements of the great Northwest of the United States—rivers, mountains, and prairies. Each sonic reflection (movement) combines to form a larger image, not unlike someone standing on a vista and seeing rivers, mountains, and prairies—each distinct, but part of one vast expanse.The work is scored for two versions: mixed chorus and piano, or mixed chorus, wind quintet, and string quartet. The harmonic vocabulary of the work maintains an uncomplicated, transparent (“organicâ€) approach in describing nature. The melodic vocabulary immediately pulls the listener's eye to the image, and rhythm is used as the underlying spark that is subtly ever changing and unpredictable. These three poetic landscapes should be performed without applause between movements.1. A Willow by the River|William Carlos Williams was a medical practitioner, pediatrician, and an avid writer. He wrote short stories, novels, plays, critical essays and, of course, poetry. The subjects of his writing were often “local†images, and he preferred to see the world “as it is,†without unnecessary trappings or “airs.†He was an important mentor to many younger poets of his day. “Willow Poem†(A Willow by the River) has no rhyme scheme but is comprised of fourteen individual lines. The willow is the focus of the poem (by its title and content) and how it never changes but will always “be.†The river represents, among other things, life quickly moving by and in a constant state of motion.2. Mountains|Marjorie Seiffert (who often used the pseudonyms Elijah Hay or Angela Cypher) led an incredibly full and balanced life. College introduced her to a world beyond her domestic and civic life and, as a result, she wanted to experience self-empowerment and independence. She prided herself in being a spouse, mother and maintaining a full slate of professional appearances and commissions for writing. Her poetry is vivid, keenly “visual,†and full of fast-paced, tightly woven ideas. “Mountain trails†(Mountains) was written at Glacier Park, Montana in September 1917.3. The Prairie|John Hay was an American statesman who was personal assistant to Abraham Lincoln. He also served as U. S. Secretary of State and Ambassador to Great Britain. He was a cultivated man of letters and wrote poetry which was straightforward in design and delivery. Nature was often the subject of his creative output. -Z. Randall StroopeDuration: 8:25Instrumental Parts packet includes: Flute, Oboe, Clarinet, Horn, Bassoon, Strings (1-1-1-1).
$3.20
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
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The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
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String Quartet Poem No.1
