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--INSTRUMENTS--
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Partitions à imprimer
65 partitions trouvées
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51
The Story of a Leader
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Chorale SATB
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AVANCÉ
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Classique
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
The Disqualification of Harry Semantix as Trial Juror for East County - for Sop. Sax. & Piano
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2 Saxophones (duo)
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AVANCÉ
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Igor Korneitchouk
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Soprano Saxophone Duet Soprano Saxophone - Level 5 - SKU: A0.1129703 Composed by Igor Korneitchouk. Arranged by Igor Korneitchouk. 20th Century,Chamber,...
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Soprano Saxophone Duet Soprano Saxophone - Level 5 - SKU: A0.1129703 Composed by Igor Korneitchouk. Arranged by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score. 31 pages. Studio at the Post #730114. Published by Studio at the Post (A0.1129703). An arrangement for piano and soprano saxophone based on the quasi-concerto by the same name. Duration: 11 - 12 minutes, 18 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie?The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County. Separate sax part included.
$5.02
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #7...
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Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
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Orchestre de chambre
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AVANCÉ
#
Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #...
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Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
'Round the World in a Rockin' Chair
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Banjo
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AVANCÉ
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Bluegrass
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Contemporain
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Igor Korneitchouk
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'Round the World in a Rockin'
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Studio at the Post
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SheetMusicPlus
Composed by Igor Korneitchouk. 20th Century,Contemporary,Folk. Individual part. 6 pages. Studio at the Post #744765. Published by Studio at the Post...
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Composed by Igor Korneitchouk. 20th Century,Contemporary,Folk. Individual part. 6 pages. Studio at the Post #744765. Published by Studio at the Post
$2.01
At Christmastime ~ piano/vocal/chords in D
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Piano, Voix
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FACILE
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Noël
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Mark Kieswetter, Gregor Rice
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Kieswetter~Rice
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At Christmastime ~ piano/vocal
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Gregor Rice Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1010931 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1010931 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/Show,Pop. Score. 6 pages. Gregor Rice Publishing #2919581. Published by Gregor Rice Publishing (A0.1010931). Kieswetter~Rice: Mark Kieswetter & Gregor Rice have been writing beautiful music since the early 1980s, highly awarded and dearly loved. This is just one of them, finally recorded 2016. We can be contacted via Gregor Rice: ieshea@frontier.com or Mark Kieswetter: mkieswetter@gmail.com and on FaceBook, our PRO is BMI, Published via Gregor Rice Publishing, on the RiceSound label. Get more backing tracks as well as the original song in vocal, instrumental and backing tracks at www.broadjam.com/atchristmastime Like all our work, it's most appropriate for any public performance; stage and screen, TV/film, Broadway, church, schools, universities, military offerings, or solo, this, a holiday selection, warm and cozy. This rendition is in the key of Ab. Music: Kieswetter~Rice, Lyrics: Rice Sheet music by Prof. Mark Kays, Chair/Dept. of Music, Trine University.It most certainly brings at least a few minutes of peace and comfort to all who sing and hear. Encoded with many blessings, it could be at least a temporary solution to the world peace problem, or so we'd sincerely intend it to be. If enough people would jump on the bandwagon, so to speak, it could easily blanket our entire Earth and all Her people with peace and comfort, safety and relief, and feeling a sense of home, whether home... or not. Looking at the big picture... if you're on Earth, you're 'home.' Find all our comforts of home here: www.atchristmastime.tarajories.com So far, we offer the sheet music available here in 2 keys, Ab the original, and easier play, D in both lead/lyric sheet and vocal with piano accompaniment formats. Forthcoming, will be the entire score following the full recording due out holiday season 2016. Additional mp3 renditions and styles in at www.broadjam.com/atchristmastime In 3/4 time at 96 BPM it offers 3:42 minutes of comfort, relaxation, and a serious sense of relief. Notice for yourself. You can also sing along with any of our Karaoke tracks in various styles & keys at broadjam.com/atchirstmastime and post your rendition to YT! What a surprise homecoming gift this would be! Need a new key? RSVP. We'll upload it. Either way, look for a special blessing for yourself or gift it to someone, each time you sing it. Sink into its sense of safety, comfort, peace, and joy, and feel at home wherever you are, whenever you sing or listen to this song. Let's blanket our entire Mother Earth with peace and plenty, safety, love, warmth, and healing for a maxed-out planet and a maxed-out people with this gifted song. Remember to envision et al blanketing Mother Earth, all the people, flora and fauna, in a warm fuzzy blanket of love, peace, and healing every time. In performance practice sessions, take a selfie or groupie before, notice your state, and your aura if you see them, and again after your practice session, just for grins. Notice what you notice, and see as well as feel the difference. Post your extraordinary results to FB & YT. It isn't just music anymore, Toto.Historical content? Actually written in 1984 in Maumee, OH, this song was officially copyrighted in 1986. 1987 Gregor was whisked out of state to a new locale where attendance to making a living else wise became the mode o' day like most compose/lyricists. Mark, one of the most gifted jazz artists on the planet, continued his dailies teaching, gigging, and studio work. Many beautiful songs fell through the cracks while Gregor, and equally gifted composer~lyri.
$3.99
At Christmastime ~ easy lead sheet in Ab
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Piano Facile
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DÉBUTANT
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Noël
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Mark Kieswetter, Gregor Rice
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Kieswetter~Rice
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At Christmastime ~ easy lead s
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Gregor Rice Publishing
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1010932 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/Show,Po...
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Easy Piano - Level 1 - SKU: A0.1010932 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/Show,Pop. Score. 4 pages. Gregor Rice Publishing #2919583. Published by Gregor Rice Publishing (A0.1010932). Kieswetter~Rice: Mark Kieswetter & Gregor Rice have been writing beautiful music since the early 1980s, highly awarded and dearly loved. This is just one of them, finally recorded 2016. We can be contacted via Gregor Rice: ieshea@frontier.com or Mark Kieswetter: mkieswetter@gmail.com and on FaceBook, our PRO is BMI, Published via Gregor Rice Publishing, on the RiceSound label. Get more backing tracks as well as the original song in vocal, instrumental and backing tracks at www.broadjam.com/atchristmastime Like all our work, it's most appropriate for any public performance; stage and screen, TV/film, Broadway, church, schools, universities, military offerings, or solo, this, a holiday selection, warm and cozy. This rendition is in the key of Ab. Music: Kieswetter~Rice, Lyrics: Rice Sheet music by Prof. Mark Kays, Chair/Dept. of Music, Trine University.It most certainly brings at least a few minutes of peace and comfort to all who sing and hear. Encoded with many blessings, it could be at least a temporary solution to the world peace problem, or so we'd sincerely intend it to be. If enough people would jump on the bandwagon, so to speak, it could easily blanket our entire Earth and all Her people with peace and comfort, safety and relief, and feeling a sense of home, whether home... or not. Looking at the big picture, if you're on Earth, you're 'home.' Find all our comforts of home here: www.atchristmastime.tarajories.com So far, we offer the sheet music available here in 2 keys, Ab the original, and easier play, D in both lead/lyric sheet and vocal with piano accompaniment formats. Forthcoming, will be the entire score following the full recording due out holiday season 2016. Additional mp3 renditions and styles in at www.broadjam.com/atchristmastime In 3/4 time at 96 BPM it offers 3:42 minutes of comfort, relaxation, and a serious sense of relief. Notice for yourself. You can also sing along with any of our Karaoke tracks in various styles & keys at broadjam.com/atchirstmastime and post your rendition to YT! What a surprise homecoming gift this would be! Need a new key? RSVP. We'll upload it. Either way, look for a special blessing for yourself or gift it to someone, each time you sing it. Sink into its sense of safety, comfort, peace, and joy, and feel at home wherever you are, whenever you sing or listen to this song. Let's blanket our entire Mother Earth with peace and plenty, safety, love, warmth, and healing for a maxed-out planet and a maxed-out people with this gifted song. Remember to envision et al blanketing Mother Earth, all the people, flora and fauna, in a warm fuzzy blanket of love, peace, and healing every time. In performance practice sessions, take a selfie or groupie before, notice your state, and your aura if you see them, and again after your practice session, just for grins. Notice what you notice, and see as well as feel the difference. Post your extraordinary results to FB & YT. It isn't just music anymore, Toto.Historical content? Actually written in 1984 in Maumee, OH, this song was officially copyrighted in 1986. 1987 Gregor was whisked out of state to a new locale where attendance to making a living else wise became the mode o' day like most compose/lyricists. Mark, one of the most gifted jazz artists on the planet, continued his dailies teaching, gigging, and studio work. Many beautiful songs fell through the cracks while Gregor, and equally gifted composer~lyrici.
$3.99
Heisenberg was looking for a raison d'être - Score Only
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Igor Korneitchouk
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Heisenberg was looking for a r
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Studio at the Post
#
SheetMusicPlus
Piano Quintet - Level 5 - SKU: A0.1129011 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 33 pages. Studio at the Post #729534. Publis...
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Piano Quintet - Level 5 - SKU: A0.1129011 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 33 pages. Studio at the Post #729534. Published by Studio at the Post (A0.1129011). Score only (see 729537 for Parts) Duration: 8 minutes, 19 pp. Description: When John Cage first invented the concept of prepared piano it was an invention born of necessity. (To realize his ideas Cage needed a percussion ensemble to accompany the dance troupe with which he worked. His solution to the impracticability of this was to create various percussion-like timbres from the studio piano which all dance spaces have.) In Heisenberg... all the instruments are engaged in a music made up of sound effects and unusual timbres; but because all the effects, in the case of the string instruments, must come from a limited number of strings, the preparation of these instruments are mutable — throughout the piece the performers are constantly preparing and un-preparing their instruments. This principle of mutable preparation has been carried over to the piano as well and thus the performance takes on the characteristic of an alien dance as a great deal of the work involves the logistics of setting up each succeeding phrase. Werner Heisenberg's great contribution to modern science is the Uncertainty Principle — the realization, expressed mathematically, that even in the hard sciences of physics and chemistry one could never be sure of anything. (According to The New Columbia Encyclopedia) “Werner Heisenberg — German physicist. One of the founders of the quantum theory, he is best known for his uncertainty principle, or indeterminacy principle, which states that it is impossible to determine with arbitrarily high accuracy both the position and momentum (essentially velocity) of a subatomic particle like the electron. The effect of this principle is to convert the laws of physics into statements about relative probabilities instead of absolute certainties.†(He won the Nobel Prize in Physics in 1932.).
$9.03
Heisenberg was looking for a raison d'être (Parts only)
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Piano Quintette: piano, 2 violons, alto, violoncelle
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AVANCÉ
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Igor Korneitchouk
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Heisenberg was looking for a r
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Studio at the Post
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1129014 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 57 pages. Studio at...
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1129014 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 57 pages. Studio at the Post #729537. Published by Studio at the Post (A0.1129014). Parts only (see A729534 for Score) Duration: 8 minutes, 5 Parts (2 violins, viola, cello, piano) with individual directions, parts averaging 5 – 7 pp. Description: When John Cage first invented the concept of prepared piano it was an invention born of necessity. (To realize his ideas Cage needed a percussion ensemble to accompany the dance troupe with which he worked. His solution to the impracticability of this was to create various percussion-like timbres from the studio piano which all dance spaces have.) In Heisenberg... all the instruments are engaged in a music made up of sound effects and unusual timbres; but because all the effects, in the case of the string instruments, must come from a limited number of strings, the preparation of these instruments are mutable — throughout the piece the performers are constantly preparing and un-preparing their instruments. This principle of mutable preparation has been carried over to the piano as well and thus the performance takes on the characteristic of an alien dance as a great deal of the work involves the logistics of setting up each succeeding phrase. Werner Heisenberg's great contribution to modern science is the Uncertainty Principle — the realization, expressed mathematically, that even in the hard sciences of physics and chemistry one could never be sure of anything. (According to The New Columbia Encyclopedia) “Werner Heisenberg — German physicist. One of the founders of the quantum theory, he is best known for his uncertainty principle, or indeterminacy principle, which states that it is impossible to determine with arbitrarily high accuracy both the position and momentum (essentially velocity) of a subatomic particle like the electron. The effect of this principle is to convert the laws of physics into statements about relative probabilities instead of absolute certainties.†(He won the Nobel Prize in Physics in 1932.).
$5.02
The Sophisticated Hippy
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Jazz
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Horace Silver
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George Kaplan
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The Sophisticated Hippy
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George Kaplan
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SheetMusicPlus
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interac...
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 111. George Kaplan #6aVbzZBJPv37joDoKxM0BR. Published by George Kaplan (A0.1081039). Key: Eb minor.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
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touch me hear: a collection of conceptual compositions
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Igor Korneitchouk, Chad Mealey
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touch me hear: a collection of
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Studio at the Post
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SheetMusicPlus
Level 2 - SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. ...
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Level 2 - SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. Published by Studio at the Post (A0.1128114). Duration: variable for each piece, 18 pp. Description: Seven works by the group touch me hear. Feel the art hear the art be the art. At the turn of the century (20th to 21st century, for you music history buffs) Igor Korneitchouk and Chad Mealey formed the group touch me hear with friends Dennis Aman and Jim Soe Nyun, and, with technical and musical assistance of various music faculty and students of San Diego Mesa College, presented concerts of new conceptual music/conceptual art/performance art. (The taxonomy and distinctions between such categories can be debated; we leave it to those who like to create new theory to follow our new practice.) The group was dedicated to the idea that such new music can and should be presented to an appreciative yet unsuspecting audience that rises to the challenge when put to the test. Indeed, a major feature of many of the works exhibited relies on the performance by the audience to entertain us and themselves. Thus, down comes the fourth wall. If you truly listen, as John Cage would encourage, the conceptual can sound just as fascinating, the visual display just as spectacular, the serendipitous theater just as dramatic, as the idea is imaginative. “Music is all around us, if only we have ears...†(to quote John Cage). Here are some of the original works of those concerts. Ironically, one in particular dispenses with the idea of an “audienceâ€. It is the tree that falls in the forest (or desert) no one hears. NO RECORDINGS OF ANY OF THESE PIECES EXIST; BE THE FIRST TO RECORD THESE!
$5.02
Songs from the Past
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Igor Korneitchouk
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Songs from the Past
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Studio at the Post
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1424602 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score. 74 pages. Studio at the Post #949...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1424602 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score. 74 pages. Studio at the Post #949420. Published by Studio at the Post (A0.1424602). Duration: 10 minutes, 15 pp. Description: The three songs for voice and piano (one with optional additional instruments) represented in this collection come from totally different projects representing different subjects, with no connection to each other. The first song, The Chocolate Cake is a song about buying a birthday cake for a child. The second, Illusions, is about the loss of a loved one. And the third, Days, is Ralph Waldo Emerson's poem put to song. The songs come in transpositions to match soprano, mezzo soprano, alto, tenor baritone or bass ranges. The many different transpositions and versions multiply the 15 pp into a much larger volume. Includes separate vocal parts and piano score.
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Birthday Suit
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Contemporain
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Igor Korneitchouk
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Birthday Suit
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Studio at the Post
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SheetMusicPlus
Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20t...
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Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20th Century,Contemporary. Individual part. 19 pages. Studio at the Post #723162. Published by Studio at the Post (A0.1122089). Duration: 10 minutes, 16 pp. Description: In speaking of his recitation of his Four Quartets on phonograph, T. S. Eliot says: A recording of a poem by its author is no more definitive an 'interpretation' than a recording of a symphony conducted by the composer. The poem, if it is of any depth and complexity, will have meanings in it concealed from the author; and should be capable of being read in many ways, and with a variety of emotional emphasis.... Another reader, reciting the poem, need not feel bound to reproduce these rhythms: but, if he has studied the author's version, he can assure himself that he is departing from it deliberately, and not from ignorance. The composer could not have stated his intentions towards this piece better than to quote T. S. Eliot. No note or inflection is fixed in stone that it cannot be negotiated, changed to better suit the needs of the performer. This is especially true of the first movement which is composed around sections of the first of Eliot's Four Quartets (Burnt Norton), but applies generally to the whole piece. Much of the notation in this piece is meant to be suggestive. The performer may take a highly faithful approach to realizing the score, or consider the movements as models for directed improvisation. Movement 2, for example, asks the performer to continue to improvise in like manner, yet maps out a clear design for the music. Birthday Suit is dedicated to Robert S. Howe, a friend and obstetrician who welcomes into this world many people in their birthday suits. That is the most obvious reason for the title of this piece. A reason more germane to the music itself is the piece's reliance on the performer's own natural body rhythms (such as speech rhythms, involuntary eye movements, and rate of breathing) to help organize the flow of the music. In this way both metabolism and the written note cooperate to make music. There are three movements, Rhythm of Speech - Rhythm of Sight - Rhythm of Breath. Total 10 minutes. (Audio Sample of movement I is for oboe; YouTube Link of movement III is an arrangement for the Turkish ney.).
$2.01
Japanese Garden
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Igor Korneitchouk
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Japanese Garden
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Studio at the Post
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SheetMusicPlus
Acoustic Guitar,Instrumental Duet,Piccolo - Level 5 - SKU: A0.1139673 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 89 pages. Studio...
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Acoustic Guitar,Instrumental Duet,Piccolo - Level 5 - SKU: A0.1139673 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 89 pages. Studio at the Post #739944. Published by Studio at the Post (A0.1139673). Duration: 15 minutes, 26 pp. Description: Imagine a sound-space defined in time; a general silence populated and delimited by short sonic events. These sonic events, played by the two performers (alto flute doubling piccolo and guitar), comprise the semi-flexible score of Japanese Garden and are to be arranged, within the guidelines presented, like the rocks and plants of a traditional Japanese garden. They are to be arranged with a keen ear for the distant inter-relationships, both temporal and contrapuntal, between the various sound events. Solo parts included; duet otherwise reads off score. NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!
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kare sansui
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Igor Korneitchouk
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kare sansui
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Studio at the Post
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SheetMusicPlus
Mixed Percussion Acoustic Guitar,Violin - Level 4 - SKU: A0.1141735 Composed by Igor Korneitchouk. 21st Century,Chamber,Contemporary. 44 pages. Studio a...
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Mixed Percussion Acoustic Guitar,Violin - Level 4 - SKU: A0.1141735 Composed by Igor Korneitchouk. 21st Century,Chamber,Contemporary. 44 pages. Studio at the Post #742121. Published by Studio at the Post (A0.1141735). Duration: 9 minutes, 28pp. Description: Imagine a sound-space defined in time; a general silence populated and delimited by short sonic events. These sonic events, played by the three performers (violinist, guitarist, percussionist), comprise the semi-flexible open-form score of kare sansui and are to be arranged like the rocks of a traditional Japanese karesansui garden. They are to be arranged with a keen ear for the distant inter-relationships, both temporal and contrapuntal, between the various sound events. Solo parts included; ensemble otherwise reads off score. NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!
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Semantic Études 1 & 2
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Saxophone
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AVANCÉ
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Igor Korneitchouk
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Semantic Études 1 &
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Studio at the Post
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SheetMusicPlus
Instrumental Solo,Saxophone - Level 5 - SKU: A0.1147430 Composed by Igor Korneitchouk. 21st Century,Contemporary. Individual part. 8 pages. Studio at th...
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Instrumental Solo,Saxophone - Level 5 - SKU: A0.1147430 Composed by Igor Korneitchouk. 21st Century,Contemporary. Individual part. 8 pages. Studio at the Post #747654. Published by Studio at the Post (A0.1147430). Duration: 10 – 11 minutes, 7 pp. Description: Each étude is for a different saxophone requiring the soloist to take a break and switch instruments. The first is for alto (or potentially baritone) sax, the second for either tenor or soprano. The études use a minimalist approach of adding and subtracting notes to create their continuous stream of “musical consciousnessâ€. The composer created these études in the process of writing his de facto saxophone concerto “The Disqualification of Harry Semantix as Trial Juror for East County†(such score also available for saxophone and chamber orchestra, or saxophone and piano).
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New Scrabble
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Igor Korneitchouk
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New Scrabble
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Studio at the Post
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SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.1122063 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and part. 23 pages. Studio at the Pos...
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Clarinet,Piano - Level 4 - SKU: A0.1122063 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and part. 23 pages. Studio at the Post #722997. Published by Studio at the Post (A0.1122063). Duration: between 11 - 15 min., 18 pp. Description: (According to the composer) In the clarinet/piano piece New Scrabble (1989) pungent words were selected for their strong associations and startling juxtapositions. These were derived in concert with the music that describes them, as an exercise in the force of negative space and dissociative/re-associative poetry. The arrangement of these words that the music describes represents a fixed manifestation of an open form experience, that involves a constant play between association and disassociation, even alienation. The music was written during a period of exploration into the aesthetics of silence, Japanese Zen gardens and line drawings, calligraphy, and Chinese poetry -- transplanted to the soil of my Euro-centric-American upbringing. Clarinet and piano read off score. included.
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Triptych for String Orchestra (Parts only)
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Orchestre à Cordes
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AVANCÉ
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Igor Korneitchouk
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Triptych for String Orchestra
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Studio at the Post
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1365113 Composed by Igor Korneitchouk. 20th Century,Contemporary. 68 pages. Studio at the Post #879423. Published b...
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String Orchestra - Level 5 - SKU: A0.1365113 Composed by Igor Korneitchouk. 20th Century,Contemporary. 68 pages. Studio at the Post #879423. Published by Studio at the Post (A0.1365113). Parts only (see A879420 for Score). Duration: 18 - 19 min., 5 ensemble parts and 5 solo parts, average 9 pp each. Description: Triptych for String Orchestra sets up three contrasting musical tableaux in as many different genres. Though this approach is often called post-modern, the composer prefers to see it as an indulgence of the many types of music he enjoys. The work opens with a free form improvisatory movement whose sour romanticism comes from its rich chromatic palette. The second movement is in many ways the opposite of the first. It is a very tightly constrained serial work where the parameters of rhythm, inflection, and dynamics, not just pitch, get a full serial workout of permutations. The third and finale movement, then can be seen as a happy medium between the two extremes of the previous movements. It's in the form of an episodic Dionysian romp that alternates between expositions of an ever more shrill theme with puckish episodes of varied quasi-ad lib solos embedded in coloristic texture. There are three movements, Chroma - The Academy - Rock.
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Grid
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Guitare
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AVANCÉ
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Contemporain
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Igor Korneitchouk
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Grid
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Studio at the Post
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1124418 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 5 pages. Studio at the Post #723409. ...
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Solo Guitar - Level 5 - SKU: A0.1124418 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 5 pages. Studio at the Post #723409. Published by Studio at the Post (A0.1124418). Duration: 8 - 9 minutes, 3 pp. Description: The structure of Grid (Cynosure) is made up of several overlapping processes, of which the descending voice leading is but the easiest to discern. Shifting harmonies become an artifact of the individual descending voices, while the ebb and flow of these harmonies leads to the perception of windows of consonance — or harmonic nodes in C major, A major and E major. Simultaneously, the listener's temporal reference shifts gears in a process of continually augmenting pulses, changing the listener's perception of time and tempo. There is, then, a counterpoint between three different elemental processes: a melodic process, a harmonic process and a temporal process, which all co-operate to create the work's movement from tension to repose. Cynosure : noun, a person or thing that is the center of attention or admiration (the Queen was the cynosure of all eyes); from Latin cynosura, from Greek kunosoura ‘dog's tail’ (also ‘Ursa Minor’ ), from ku!n, kun- ‘dog’ + oura ‘tail.’ The term originally denoted the constellation Ursa Minor, or the star Polaris that it contains, long used as a guide by navigators.
$2.01
Seven Serapés for Six Pianos (Parts only)
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Igor Korneitchouk
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Seven Serapés for Six P
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Studio at the Post
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SheetMusicPlus
Level 5 - SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 98 pages. Studio at the Post #725501. Published by Studio at...
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Level 5 - SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 98 pages. Studio at the Post #725501. Published by Studio at the Post (A0.1124743). Parts only (see A725494 for Score). Duration: 22 – 24 minutes, Six Parts between 12 – 16 pp. Description: Each of the SerapeÌs has a programmatic subtitle that gives the listener a hint as to how to listen. SerapeÌs Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. SerapeÌ No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. SerapeÌ No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal SerapeÌ No. 5, L.A. Smog, is rude. This SerapeÌ starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, SerapeÌ No. 6 is the most peaceful and static SerapeÌ. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
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Seven Serapés for Six Pianos - Score Only
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Igor Korneitchouk
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Seven Serapés for Six P
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Studio at the Post
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SheetMusicPlus
Level 5 - SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 110 pages. Studio at the Post #725494. Published by Studio a...
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Level 5 - SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 110 pages. Studio at the Post #725494. Published by Studio at the Post (A0.1125661). Score only (see A725501 for Parts). Duration: 22 – 24 minutes, 217 pp. reduced to 108 pp. Description: Each of the SerapeÌs has a programmatic subtitle that gives the listener a hint as to how to listen. SerapeÌs Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. SerapeÌ No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. SerapeÌ No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal SerapeÌ No. 5, L.A. Smog, is rude. This SerapeÌ starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, SerapeÌ No. 6 is the most peaceful and static SerapeÌ. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
$9.03
Fugal Fantasy on "IK"
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Igor Korneitchouk
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Fugal Fantasy on "IK"
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Studio at the Post
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1122054 Composed by Igor Korneitchouk. 20th Century,Chamber,Classical...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1122054 Composed by Igor Korneitchouk. 20th Century,Chamber,Classical. 35 pages. Studio at the Post #722707. Published by Studio at the Post (A0.1122054). Score & Parts. Duration: 3 - 4 min., Score 13 pp. Description: (According to the composer) Fugal Fantasy on I K is a musical dedication to my deceased father and to my children. Exploring the rhythmic possibilities of the Morse code, I tried to create a musical pun. The I K that is the rhythmic subject of the piece (dot-dot, dash-dot-dash) is not just my signature in musical cryptograph, but more meaningfully the initials of Igor Korneitchouk Senior, who musically makes an appearance in the middle of the piece as the double augmentation of the initial subject, a tri-tone away, high in the flute. Consequently, the initial fugal subject and answer of the opening, and reprised at the end, represent my own twin children. Along the development from grand children to grandpère is the theme in plain augmentation, the composer, myself.
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Back To The Future
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Alan Silvestri
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Graham Boag
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Eric Stoltz was cast instead
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Back To The Future
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Graham Boag
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show. Score and part...
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Concert Band - Level 4 - SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 187 pages. Graham Boag #685889. Published by Graham Boag (A0.1081763). Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis, and written by Zemeckis and Bob Gale. It stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, the story follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett Doc Brown (Lloyd). Trapped in the past, Marty inadvertently prevents his future parents' meeting-threatening his existence-and is forced to reconcile the pair and somehow get back to the future. Back to the Future was conceived of in 1980 by Gale and Zemeckis. They were desperate for a successful film after numerous collaborative failures, but their idea was rejected over 40 times by studios because it was not considered raunchy enough to compete with the successful comedies of the era. A development deal was secured following Zemeckis' success directing Romancing the Stone (1984). Fox was the first choice to portray Marty, but he was unavailable; Eric Stoltz was cast instead. Shortly after principal photography began in November 1984, Zemeckis determined Stoltz was not right for the part and made the concessions necessary to hire Fox. This included re-filming scenes already shot with Stoltz and adding $4 million to the budget. Back to the Future was filmed in and around California and on sets at Universal Studios. Filming concluded the following April. Replacing Stoltz delayed production and the film's release date but, following highly successful test screenings, the date was brought forward to July 3, 1985, to give Back to the Future more time in theaters. This resulted in a rushed post-production schedule, and some incomplete special effects. Back to the Future was a critical and commercial success, earning $381.1 million to become the highest-grossing film of 1985 worldwide. Critics praised the story, comedy, and the cast-particularly Fox, Lloyd, Thompson, and Glover. It received multiple award nominations and won an Academy Award, Saturn Awards, and a Hugo Award. Its theme song, The Power of Love by Huey Lewis and the News, was a significant success globally. In the years since its release, Back to the Future has grown in esteem and is now considered to be among the greatest films of the 1980s, one of the best science-fiction films ever made, and one of the greatest films of all time. In 2007, the United States Library of Congress selected the film for preservation in the National Film Registry. The film was followed by two sequels, Back to the Future Part II (1989) and Back to the Future Part III (1990). With its effect on popular culture and a dedicated fan following, Back to the Future launched a multimedia franchise. This includes an animated television series, video games, comic books, board games, clothing, music, books, food, toys, collectibles, and theme park rides. Its enduring popularity has led to numerous books about its production, documentaries, and commercials. Back to the Future has been adapted into a 2020 stage musical.
$59.99
song and dance...
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Violon et Piano
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AVANCÉ
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Igor Korneitchouk
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song and dance...
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Studio at the Post
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1147435 Composed by Igor Korneitchouk. 21st Century,Chamber,Contemporary. 34 ...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1147435 Composed by Igor Korneitchouk. 21st Century,Chamber,Contemporary. 34 pages. Studio at the Post #747660. Published by Studio at the Post (A0.1147435). Duration: 14 minutes, 24 pp. Description: The three brief unconnected pieces for the duo of violin and piano are, to paraphrase Shakespeare, full of song and dance signifying nothing (tales told by an idiot) - unconnected in most every way except in intent and genesis. They are a compilation of sketches pulled together at the same time (including harmonizations of barely disguised well-known TV tunes) for the fun of this occasion. The intent is celebratory and light, jovial. The piece is in three movements, roughly 4 minutes each: Shanty Bagatelle - Cutting the Rug - Quodlibet Romp. Separate violin part included.
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