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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
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ALTO
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Subo, subo
Partitions à imprimer
31 partitions trouvées
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26
Que me coma el tigre. Paseaíto (1968) por: Eugenio Garcia Cueto
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.958738 Composed by Eugenio Garcia C…
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Piano Solo - Level 5 - Digital Download SKU: A0.958738 Composed by Eugenio Garcia Cueto. Arranged by Juan Carlos Cortés A. Concert,Holiday,Latin,Standards,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6118173. Published by Juan Carlos Cortés Aguirre (A0.958738). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Basado en el PaseÃto del año 1968 con autorÃa del Señor Eugenio GarcÃaGrabado por el Combo de Duque Palomino con el saxofonista Nelson DÃaz, el cantante Gustavo Barros González, y el violÃn del maestro antioqueño Luis Hernando Posada, en los estudios de Discos Tropical en la ciudad de Barranquila, en febrero de 1968, (antes de los carnavales de Barranquilla). Fue interpretado luego por destacados artistas internacionales como Lola Flores, Rolando Laserie y Johnny Ventura, entre otros.Que me coma el tigre.PaseÃto (1968)Por: Eugenio Garcia Cueto.Introducción:Tu lo que quieres, que me coma el tigre, que me coma el tigre, que me coma el tigre, Mi carne morena.Tu lo que quieres, que me coma el tigre, que me coma el tigre, que me coma el tigre, Mi carne está buena.Tu lo que quieres, que me coma el tigre, que me coma el tigre, que me coma el tigre, Mi carne sabrosa.Tu lo que quieres, que me coma el tigre, que me coma el tigre, que me coma el tigre, Dejate de cosas.Entonces, me subo en el árbol, me subo en la loma, me tiro en el rÃo.El tigre, se sube en el árbol, se sube en la loma, se tira en el rÃo.Entonces, me salgo del rÃo, me meto en tu casa, donde no me vea.El tigre, se sale del rÃo, se mete en tu casa, la cosa está fea.Interludio:Entonces, me subo en el árbol, me subo en la loma, me tiro en el rÃo.El tigre, se sube en el árbol, se sube a la loma, se tira en el rÃo.Entonces, me salgo del rÃo, me meto en tu casa, donde no me vea.El tigre, se sale del rÃo, se mete en tu casa, la cosa está fea.Coda.
$7.99
7.33 €
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Piano seul
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Eugenio Garcia Cueto
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Juan Carlos Cortés A
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Que me coma el tigre. Paseaíto
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Subo, subo (I Climb, I Climb)
Guitare notes et tablatures
Composed by Traditional. Arranged by Mark Phillips. Folk, Latin. Sheet Music Single. 1 pag…
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Composed by Traditional. Arranged by Mark Phillips. Folk, Latin. Sheet Music Single. 1 pages. Published by A. J. Cornell Publications (S0.210059). - Sheet Music Single - Folk,Latin - A. J. Cornell Publications
$3.99
3.66 €
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Guitare notes et tablatures
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Traditional
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Mark Phillips
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Subo, subo
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A. J. Cornell Publications
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SheetMusicPlus
Tomoki Hasegawa - Main Title from Sayonara Zetsubou Sensei (for Piano)
Piano seul
By Tomok Hasegawa. Arranged by Flavio Regis Cunha. Score. 8 pages. Published by Flavio…
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By Tomok Hasegawa. Arranged by Flavio Regis Cunha. Score. 8 pages. Published by Flavio Regis Cunha
$4.99
4.58 €
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Piano seul
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Tomok Hasegawa
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Tomoki Hasegawa - Main Title from Sayonara Zetsubou Sensei
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Flavio Regis Cunha
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SheetMusicPlus
Sayonara Zetsubou Sensei
Piano seul
Composed by Kenji Ootsuki and Narasaki. Arranged by Flavio Regis Cunha. Contemporary, …
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Composed by Kenji Ootsuki and Narasaki. Arranged by Flavio Regis Cunha. Contemporary, Film/TV, Multicultural, Pop, World. Score. Published by FRC Music
$4.99
4.58 €
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Piano seul
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Kenji Ootsuki and Narasaki
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Flavio Regis Cunha
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Sayonara Zetsubou Sensei
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FRC Music
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SheetMusicPlus
Suite No.1 "Castrense" (MILITARY) For Symphonic Band - Score Only
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1486054 By Martin Hernandez. By M…
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Concert Band - Level 4 - Digital Download SKU: A0.1486054 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,March,Multicultural,Patriotic,World. 67 pages. Martín Hernández S. #1063110. Published by Martín Hernández S. (A0.1486054). Institutional ValuesMEXICAN DEPARTMENT OF THE NAVY.Honor. - Institutional Definition: [As a Personal principle]: It is the moral quality that leads the person to strict compliance with the commitments established with their Nation, the Institution, their fellow citizens and with themselves, conducting themselves with dignity, integrity and a spirit of justice in at all times on and off duty.It is understood as the naval virtue that motivates us to serve the noblest causes, with meritorious and even heroic actions aimed at the common good, being faithful to our own word and conscience, respecting the rights of others; It implies the voluntary act to know and do what is right for the Institution, with respect to our neighbors and ourselves, since our reputation depends on our actions in the service. Duty. - Institutional Definition: [As a Professional principle]: It is the vocation that naval personnel show to fully comply with the obligations that society and the service demand.Duty is the virtue that drives us to proceed with rectitude according to the principles of morality and legality, accepting the commitment to act with discipline to execute with courage, selflessness and selflessness; the responsibilities imposed on us by the hierarchy, position or commission.Loyalty. - Institutional Definition: [As an Institutional principle]: It is the conviction of fidelity towards the Nation, the Institution, superiority and subordinates.This conviction makes us commit to carrying out our obligations even in adverse circumstances, putting national interests and the well-being of society first, even sacrificing our personal benefit; quality that makes us trustworthy before our superiors, subordinates, colleagues and fellow citizens that strengthens esprit de corps and teamwork, essential capabilities for the cohesion and proper functioning of our Armed Forces.Patriotism. - Institutional Definition: [As a Constitutional principle]: It is the love, devotion and commitment that one has for Mexico and its symbols, always putting it before any personal and group interest.It translates into acts of dedication and sacrifice, which requires us to fulfill our obligation as citizens, sailors and soldiers, fighting to preserve our Nation and defend it until we achieve victory or lose our lives. Patriotism is the supreme value that makes all other fundamental values linked to service to Mexico.
$20.00
18.34 €
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Orchestre d'harmonie
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Martin Hernandez
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Martin Hernandez
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Suite No.1 "Castrense"
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Martín Hernández S.
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SheetMusicPlus
Suite No.1 "Castrense" (MILITARY) For Symphonic Band (Second Version) Parts Only
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1486074 By Martin Hernandez. By M…
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Concert Band - Level 4 - Digital Download SKU: A0.1486074 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,March,Multicultural,Patriotic,World. 287 pages. Martín Hernández S. #1063132. Published by Martín Hernández S. (A0.1486074). Institutional ValuesMEXICAN DEPARTMENT OF THE NAVY.Honor. - Institutional Definition: [As a Personal principle]: It is the moral quality that leads the person to strict compliance with the commitments established with their Nation, the Institution, their fellow citizens and with themselves, conducting themselves with dignity, integrity and a spirit of justice in at all times on and off duty.It is understood as the naval virtue that motivates us to serve the noblest causes, with meritorious and even heroic actions aimed at the common good, being faithful to our own word and conscience, respecting the rights of others; It implies the voluntary act to know and do what is right for the Institution, with respect to our neighbors and ourselves, since our reputation depends on our actions in the service.Duty. - Institutional Definition: [As a Professional principle]: It is the vocation that naval personnel show to fully comply with the obligations that society and the service demand.Duty is the virtue that drives us to proceed with rectitude according to the principles of morality and legality, accepting the commitment to act with discipline to execute with courage, selflessness and selflessness; the responsibilities imposed on us by the hierarchy, position or commission.Loyalty. - Institutional Definition: [As an Institutional principle]: It is the conviction of fidelity towards the Nation, the Institution, superiority and subordinates.This conviction makes us commit to carrying out our obligations even in adverse circumstances, putting national interests and the well-being of society first, even sacrificing our personal benefit; quality that makes us trustworthy before our superiors, subordinates, colleagues and fellow citizens that strengthens esprit de corps and teamwork, essential capabilities for the cohesion and proper functioning of our Armed Forces.Patriotism. - Institutional Definition: [As a Constitutional principle]: It is the love, devotion and commitment that one has for Mexico and its symbols, always putting it before any personal and group interest.It translates into acts of dedication and sacrifice, which requires us to fulfill our obligation as citizens, sailors and soldiers, fighting to preserve our Nation and defend it until we achieve victory or lose our lives. Patriotism is the supreme value that makes all other fundamental values linked to service to Mexico.
$100.00
91.72 €
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Orchestre d'harmonie
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Martin Hernandez
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Martin Hernandez
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Suite No.1 "Castrense"
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Martín Hernández S.
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SheetMusicPlus
Suite No.1 "Castrense" (MILITARY) For Symphonic Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1486068 By Martin Hernandez. By M…
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Concert Band - Level 4 - Digital Download SKU: A0.1486068 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,March,Multicultural,Patriotic,World. 377 pages. Martín Hernández S. #1063126. Published by Martín Hernández S. (A0.1486068). Institutional ValuesMEXICAN DEPARTMENT OF THE NAVY.Honor. - Institutional Definition: [As a Personal principle]: It is the moral quality that leads the person to strict compliance with the commitments established with their Nation, the Institution, their fellow citizens and with themselves, conducting themselves with dignity, integrity and a spirit of justice in at all times on and off duty.It is understood as the naval virtue that motivates us to serve the noblest causes, with meritorious and even heroic actions aimed at the common good, being faithful to our own word and conscience, respecting the rights of others; It implies the voluntary act to know and do what is right for the Institution, with respect to our neighbors and ourselves, since our reputation depends on our actions in the service.Duty. - Institutional Definition: [As a Professional principle]: It is the vocation that naval personnel show to fully comply with the obligations that society and the service demand.Duty is the virtue that drives us to proceed with rectitude according to the principles of morality and legality, accepting the commitment to act with discipline to execute with courage, selflessness and selflessness; the responsibilities imposed on us by the hierarchy, position or commission.Loyalty. - Institutional Definition: [As an Institutional principle]: It is the conviction of fidelity towards the Nation, the Institution, superiority and subordinates.This conviction makes us commit to carrying out our obligations even in adverse circumstances, putting national interests and the well-being of society first, even sacrificing our personal benefit; quality that makes us trustworthy before our superiors, subordinates, colleagues and fellow citizens that strengthens esprit de corps and teamwork, essential capabilities for the cohesion and proper functioning of our Armed Forces.Patriotism. - Institutional Definition: [As a Constitutional principle]: It is the love, devotion and commitment that one has for Mexico and its symbols, always putting it before any personal and group interest.It translates into acts of dedication and sacrifice, which requires us to fulfill our obligation as citizens, sailors and soldiers, fighting to preserve our Nation and defend it until we achieve victory or lose our lives. Patriotism is the supreme value that makes all other fundamental values linked to service to Mexico.
$100.00
91.72 €
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Orchestre d'harmonie
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Martin Hernandez
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Martin Hernandez
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Suite No.1 "Castrense"
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Martín Hernández S.
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SheetMusicPlus
Suite No.1 "Castrense" (MILITARY) For Symphonic Band (Second Version) - Score Only
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1486069 By Martin Hernandez. By M…
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Concert Band - Level 4 - Digital Download SKU: A0.1486069 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,March,Multicultural,Patriotic,World. 79 pages. Martín Hernández S. #1063127. Published by Martín Hernández S. (A0.1486069). Institutional ValuesMEXICAN DEPARTMENT OF THE NAVY.Honor. - Institutional Definition: [As a Personal principle]: It is the moral quality that leads the person to strict compliance with the commitments established with their Nation, the Institution, their fellow citizens and with themselves, conducting themselves with dignity, integrity and a spirit of justice in at all times on and off duty.It is understood as the naval virtue that motivates us to serve the noblest causes, with meritorious and even heroic actions aimed at the common good, being faithful to our own word and conscience, respecting the rights of others; It implies the voluntary act to know and do what is right for the Institution, with respect to our neighbors and ourselves, since our reputation depends on our actions in the service.Duty. - Institutional Definition: [As a Professional principle]: It is the vocation that naval personnel show to fully comply with the obligations that society and the service demand.Duty is the virtue that drives us to proceed with rectitude according to the principles of morality and legality, accepting the commitment to act with discipline to execute with courage, selflessness and selflessness; the responsibilities imposed on us by the hierarchy, position or commission.Loyalty. - Institutional Definition: [As an Institutional principle]: It is the conviction of fidelity towards the Nation, the Institution, superiority and subordinates.This conviction makes us commit to carrying out our obligations even in adverse circumstances, putting national interests and the well-being of society first, even sacrificing our personal benefit; quality that makes us trustworthy before our superiors, subordinates, colleagues and fellow citizens that strengthens esprit de corps and teamwork, essential capabilities for the cohesion and proper functioning of our Armed Forces.Patriotism. - Institutional Definition: [As a Constitutional principle]: It is the love, devotion and commitment that one has for Mexico and its symbols, always putting it before any personal and group interest.It translates into acts of dedication and sacrifice, which requires us to fulfill our obligation as citizens, sailors and soldiers, fighting to preserve our Nation and defend it until we achieve victory or lose our lives. Patriotism is the supreme value that makes all other fundamental values linked to service to Mexico.
$20.00
18.34 €
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Orchestre d'harmonie
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Martin Hernandez
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Martin Hernandez
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Suite No.1 "Castrense"
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Martín Hernández S.
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.47 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sonata #5 in B-flat minor
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.976507 Composed by James Domine. 20…
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Piano Solo - Level 5 - Digital Download SKU: A0.976507 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 31 pages. Earth Music, Ltd. #2081747. Published by Earth Music, Ltd. (A0.976507). This sonata is a solo transcription of the first movement of Domine’s Piano Concerto #1 in B-flat minor. The sonata begins with a slow introduction that juxtaposes two opposite harmonic realms represented by the interval of a diminished fifth. As the opening sequence drifts aimlessly through a cloud of amorphous sonorities, the principal theme is suddenly and aggressively thrust center stage by an angry theme marked Agitato. This theme wends its torturous way to the contrastingly quiet subordinate theme. An episode of melancholic discourse ensues, creating an air of confidential intimacy. The exposition ends with an elided dominant cadence which is left unresolved and that leads directly to the development section. Chord clusters built on hexachords provide a serialized variation on the principal theme. This tripartite antiphonal sequence works toward a culmination as the theme is expanded in rhythmic layers, finally reaching a cacophonic explosion. A retransition based on the slow introduction leads to the recapitulation, this time with alternating variations on the principal theme. After the lyrical restatement of the subordinate theme, the coda confronts us with a starkly bleak musical atmosphere that concludes with a fiery flourish. This transcription was made at the request of piano pedagogue Joanna Ezrin for Vera Weber, who has played it to great acclaim in numerous competitions and recitals.
$8.95
8.21 €
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Piano seul
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James Domine
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Sonata #5 in B-flat minor
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Earth Music, Ltd.
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SheetMusicPlus
Main Title from Sayonara Zetsubou Sensei by MusicMike512 / Michael Tai - Piano Solo
Piano seul
Sheet Music for Main Title from Sayonara Zetsubou Sensei from Sayonara Zetsubou Sensei arr…
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Sheet Music for Main Title from Sayonara Zetsubou Sensei from Sayonara Zetsubou Sensei arranged for Instrumental Solo in E Minor. Digital sheet music from Musicnotes. --
$8.99
8.25 €
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Piano seul
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Piano Solo
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Musicnotes
Main Title from Sayonara Zetsubou Sensei by PianoDeuss - Piano Solo
Piano seul
Performed by: PianoDeuss: Main Title from Sayonara Zetsubou Sensei Digital Sheetmusic - in…
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Performed by: PianoDeuss: Main Title from Sayonara Zetsubou Sensei Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Movie/TV~~Solo Instrumental~~Soundtrack~~Anime
$6.99
6.41 €
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Piano seul
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PianoDeuss
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Piano Solo
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Musicnotes
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
22.93 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Ave Maris Stella
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1021460 Composed by Helen …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1021460 Composed by Helen MacKinnon. A Cappella,Contemporary,Sacred. Octavo. 15 pages. Helen MacKinnon #6016533. Published by Helen MacKinnon (A0.1021460). SATB Choir (8-part divisi), a cappella. Composed by Helen MacKinnon. Sheet music. 15 pages. Duration 5'. Published by Helen MacKinnon, 2019. For mixed SATB choir with divisi SSAATTBB scoring, a cappella. With floating melodic lines, this contemporary work creates an ethereal atmosphere for an affectionate setting of the traditional Latin prayer Ave Maris Stella - Hail, Star of the Sea honouring the Blessed Virgin Mary. The work is a choral arrangement of an original composition for Strings Orchestra and Solo Soprano performed by the Subotica Philharmonic orchestra in Serbia, 2019. www.helenmackinnon.co.uk @composerhelen
$3.00
2.75 €
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Chorale SATB
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Helen MacKinnon
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Ave Maris Stella
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Helen MacKinnon
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.27 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.27 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Cheery
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1025948 Composed by Joshua Liao. 20…
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Piano Solo - Level 2 - Digital Download SKU: A0.1025948 Composed by Joshua Liao. 20th Century. Score. 3 pages. Joshua Liao #5711341. Published by Joshua Liao (A0.1025948). From Memories at the Fireplace. The piece's length is about 1:30. Some notation is suboptimal, due the software used. .
$2.99
2.74 €
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Piano seul
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Joshua Liao
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Cheery
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Joshua Liao
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SheetMusicPlus
Nocturne In E-Flat Major, Op. 9, No. 2
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1143547 By Frederic Chopin. By Fred…
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Piano Solo - Level 4 - Digital Download SKU: A0.1143547 By Frederic Chopin. By Frederic Chopin. Arranged by Frederic Chopin. Classical,Contemporary,Romantic Period. Score. 3 pages. Unimusic Academy (Academia Unimusica) #743864. Published by Unimusic Academy (Academia Unimusica) (A0.1143547). Chopin composed his best-known Nocturne in Eâ™ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). The nocturne opens with a legato melody, mostly played piano (quietly), containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato. A sonorous foundation for the melodic line is provided by the widely spaced notes in the accompaniment, connected by the damper pedal. The waltz-like accompaniment gently emphasizes the 12 8 meter, 12 beats to the measure subdivided into four groups of 3 beats each.
$8.00
7.34 €
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Piano seul
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Frederic Chopin
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Frederic Chopin
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Nocturne In E-Flat Major, Op. 9, No. 2
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Unimusic Academy
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SheetMusicPlus
Nocturne No. 2 for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.928177 Composed by P. F. Strohm. 2…
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Flute,Piano - Level 3 - Digital Download SKU: A0.928177 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival. Score and part. 20 pages. Pete Strohm Music #6715085. Published by Pete Strohm Music (A0.928177). Nocturne No. 2 for Flute and Piano, from American composer P. F. Strohm, is a tonal work in A Major, with a range of E4 to B6. The work has a slow pulse with a fluid melodic lines and an impressionistic harmonic sound. The flute moves freely both melodically and harmonically. As with the composer's Nocturne No. 1, mid-level players will benefit from the need fo sensivitive interaction with their accompanist, as well as from the subodividing required to place rhythmic figures accurately at slow tempos. The piece has a short, unaccompanied cadenza-like section before the recapitulation that covers the entire range of the piece, and shows flexibility. Level of difficulty is Medium. Performance time is 5:25. Member, ASCAP.
$9.95
9.13 €
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Flûte traversière et Piano
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P
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Nocturne No. 2 for Flute and Piano
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Pete Strohm Music
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SheetMusicPlus
3 Travelers, for solo bassoon
Basson
Bassoon Solo - Level 3 - Digital Download SKU: A0.1313537 Composed by Martin J. Van…
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Bassoon Solo - Level 3 - Digital Download SKU: A0.1313537 Composed by Martin J. Van Klompenberg. 21st Century,Classical,Contest,Festival. Individual part. 12 pages. Martin J. Van Klompenberg #902271. Published by Martin J. Van Klompenberg (A0.1313537). The African Wild Dog, or Painted Dog, is one of the elite predators in sub-Saharan Africa. Theyare unfortunately also one of the most endangered mammals on Earth. This is in part to theirunique pack structure, where only ten percent of female wild dogs will mother pups. If a youngfemale wild dog wants to inhabit the role of a mother within a pack, they must disperse and finda new pack. More than half die while searching.This is the story of three who survived: The three travelers.In October 2021, three sisters of the Luamfwa African wild dog pack abandoned their pack. Atthree years old, if they did not seek a new pack, they would live as subordinates, without pups,for the remainder of their lives. The sisters were tracked by radio collar by researchers atMontana State University.These sisters traveled more than 1,300 miles, including multiple crossings of the Luangwa River,home to one of Africa’s largest crocodile populations; entering the Great Rift Valley, where theycrossed paths with several other packs, unsuccessfully; and even crossed the Great East Roadnear Lusaka, the primary route of travel between the capital cities of Zambia and Malawi. As ofthe story’s publishing, the three sisters were still roaming in search of a new pack.Migration is fascinating, but when the journey greatly surpasses the expectation, it’s difficult tofind incredible inspiration.Recording available here
$15.00
13.76 €
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Basson
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Martin J
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3 Travelers, for solo bassoon
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Martin J. Van Klompenberg
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SheetMusicPlus
《尋》å¤ç®èˆ‡ç®¡å¼¦æ¨‚ Searching - for Cheng and Orchestra
Small Ensemble - Digital Download SKU: A0.961992 Composed by Ma Shui Long 馬æ…
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Small Ensemble - Digital Download SKU: A0.961992 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 33 pages. SpringAutumnmusic #47109. Published by SpringAutumnmusic (A0.961992). 《尋》å¤ç®èˆ‡ç®¡å¼¦æ¨‚ 　　在傳統樂器系列ä¸ï¼Œç®ã€ç´ã€çµç¶â€¦ç‰ï¼Œå…¶èµ·æºç™¼å±•å‡æœ‰ä¸Šåƒå¹´ä»¥ä¸Šæ‚ ä¹…çš„æ·å²èˆ‡è±å¯Œçš„彈å¥æŠ€æ³•ï¼Œå¦‚åŸã€çŒ±ã€æŒ‰ã€æ”¾ã€èµ°åŸã€å£“åŸã€é£›åŸã€é»žé “ç‰ç‰å„å…·ç¨ç‰¹çš„表ç¾é¢¨æ ¼èˆ‡éŸ»å‘³ï¼Œç‚ºè¥¿æ–¹æ¨‚器所ä¸èƒ½åŠï¼Œä½œæ›²è€…多年來æ„圖從這些ä¸åŒç‰¹æ€§çš„傳統樂器ä¸ï¼Œä»¥ä¸åŒçš„å½¢å¼èˆ‡ç¾Žå¸æ€ç¶ï¼ŒæŽ¢å°‹å¦ä¸€å±¤é¢çš„音樂æ„涵。本曲應å¤ç®æ¼”å¥å®¶é»ƒå¥½åŸå§”託之作å“，先以ç¨å¥æ›²åž‹æ…‹å‘ˆç¾ï¼Œå®Œæˆæ–¼2005å¹´4月ä¸æ—¬ï¼Œä¸¦ç”±é»ƒå¥½åŸæ–¼ã€Œäºžæ´²ä½œæ›²å®¶è¯ç›Ÿç¬¬25屆會è°ã€åœ¨æ³°åœ‹æ›¼è°·å…¨çƒé¦–演。之後作曲者å†ä»¥å¤ç®èˆ‡ç®¡å¼¦æ¨‚åˆå¥æ–¹å¼ï¼Œå°‹æ±‚æ±ã€è¥¿æ–¹æ¨‚器ä¸åŒçš„音色特質，在主ã€å¾žå…©è€…交錯ä¸ï¼Œèžåˆèˆ‡å°è©±ã€‚ ※å¤ç®èˆ‡ç®¡å¼¦æ¨‚åˆç¨¿å®Œæˆæ–¼2006å¹´10月間ã€ç¾Žåœ‹æ³¢å£«é “Acton寓所。2007å¹´12月ä¸æ—¬ç”±æŒ‡æ®å®¶é‚±å›å¼·æŒ‡æ®åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團åŠå¤ç®æ¼”å¥å®¶é»ƒå¥½åŸåˆ†åˆ¥æ–¼å°ä¸åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團演å¥å»³ã€é«˜é›„市文化ä¸å¿ƒè‡³å¾·å ‚åŠå°åŒ—國家音樂廳舉行世界首演。 Searching - for Cheng and Orchestra The history of some Chinese traditional musical instruments, such as Cheng, Qin, Pipa, etc., has seen their performing techniques evolved over a thousand years. Many of them have developed their unique stylistic expression and zest with sorts of articulation, which are not to be completed by those of many Western instruments. The composer has long been delving into the characteristics of these traditional instruments, attempting to ferret out further musical meanings from different formal and aesthetic angles. Searching for Cheng and Orchestra, commissioned by the Cheng player Hao-Yin Huang, was originally a solo Cheng piece. It was completed in mid-April, 2005, and was premiered in the same year at the 25th meeting of the Asia Composers’ League held in Bangkok, Thailand. The composer later expanded it into an ensemble piece for Cheng and orchestra, trying to integrate different timbral characters of the Eastern and Western instruments within their dominant-subordinate interactions and dialogues in the piece.
$29.99
27.51 €
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Ma Shui Long 馬水é¾
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《尋》å¤ç®èˆ‡ç®¡å¼¦æ¨‚ Searching - for Cheng and Orchestra
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SpringAutumnmusic
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SheetMusicPlus
Frederic Chopin - Nocturne in E-flat major, Op.9, No.2 - lead sheet
Ligne De Mélodie, (Paroles) et Accords
Small Ensemble C Instrument - Digital Download SKU: A0.601859 Composed by Frederic …
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Small Ensemble C Instrument - Digital Download SKU: A0.601859 Composed by Frederic Chopin. Arranged by Andre Maaker. Holiday,Instructional,Romantic Period,Standards,Wedding. Lead Sheet / Fake Book. 2 pages. SheetMusicHub #6706333. Published by SheetMusicHub (A0.601859). This is a lead sheet style notation (melody, chords, form) of a brilliant masterpiece by Frederic Chopin.From Wikipedia: Chopin composed his best-known Nocturne in Eâ™ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo).The nocturne opens with a legato melody, mostly played piano (quietly), containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato. A sonorous foundation for the melodic line is provided by the widely spaced notes in the accompaniment, connected by the damper pedal.The waltz-like accompaniment gently emphasizes the 12 8 meter, 12 beats to the measure subdivided into four groups of 3 beats each..
$4.00
3.67 €
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Ligne De Mélodie, (Paroles) et Accords
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Frederic Chopin
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Andre Maaker
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Frederic Chopin - Nocturne in E-flat major, Op.9, No.2 - lead sheet
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SheetMusicHub
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SheetMusicPlus
Tango
Alto Saxophone,B-Flat Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.12…
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Alto Saxophone,B-Flat Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1296753 Composed by Luke Abruzzo. 21st Century,Classical,Contemporary,Traditional. 3 pages. Luke A. Abruzzo #886922. Published by Luke A. Abruzzo (A0.1296753). A charming tango for trumpet and alto saxophone. The instruments trade off primary and secondary roles so neither one is subordinate.
$9.99
9.16 €
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Luke Abruzzo
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Tango
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Luke A. Abruzzo
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SheetMusicPlus
Scherzo from Quartet No. 2 ("Baubles, Bangles and Beads")
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.808681 Composed by Alexander Bo…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808681 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Film/TV,Holiday,Musical/Show,Romantic Period,Wedding. Score and parts. 66 pages. Sweetwater Brass Press #3389235. Published by Sweetwater Brass Press (A0.808681). Borodin wrote his String Quartet No. 2 in 1881. Seventy-seven years later, Robert Wright and George Forrest took the subordinate theme of the Quartet’s second movement and used it as the basis for Baubles, Bangles and Beads, in the 1953 Broadway musical Kismet. The song became a hit in its own right and enjoyed success on recordings, radio and television.
$7.00
6.42 €
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Ensemble de cuivres
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Alexander Borodin
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F
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Scherzo from Quartet No. 2
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Sweetwater Brass Press
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SheetMusicPlus
Guthrie: Sonata No. 1 for Solo Cello
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.549259 Composed by James M. Guthrie…
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Cello Solo - Level 4 - Digital Download SKU: A0.549259 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional,Standards. Individual part. 9 pages. Jmsgu3 #3479669. Published by jmsgu3 (A0.549259). I. Moderato, II. Lento misterioso, III. Rondo Spirito The Moderato unfolds in the standard sonata-allegro form. It explores some divergent elements: a lyrical Dorian principal theme, a terse Phrygian subordinate theme subjected to extreme compression in an asymmetrical meter, and a brief closing theme - again in Dorian. The development section presents fragmented variations of the themes and a new theme essentially extracted from the transition. The recapitulation proceeds as usual, with the secondary theme appearing in tonic - in this case, G Dorian. The principal theme's final statements appear in the closing theme's rhythm. A coda based on a fragment of the closing theme ends the movement. The Lento misterioso is an elegiac ternary construction that introduces quartal/quintal harmony and modal exploration. The contrasting B section involves an agitato passage that investigates Phrygian relations. The Rondo Spirito is a simple Rondo: ABACABA. The impetus of the movement derives from elements of the previous two movements: quartal/quintal harmony from the Lento and asymmetrical meter from the Moderato. Other elements appearing in this piece are cycles of thirds, modal explorations, and extended range. Â
$32.95
30.22 €
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Violoncelle
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James M
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Guthrie: Sonata No. 1 for Solo Cello
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jmsgu3
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SheetMusicPlus
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