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Vous avez sélectionné:
Suite Four: A Nice Day
Partitions à imprimer
6 partitions trouvées
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Suite Four: A Nice Day (from Harry Potter And The Cursed Child)
Piano seul
Piano Solo - Interactive Download SKU: HX.1474122 This edition: Interactive Downloa…
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Piano Solo - Interactive Download SKU: HX.1474122 This edition: Interactive Download,scorch. Broadway,Contemporary. Score. 3 pages. Hal Leonard - Digital #353578. Published by Hal Leonard - Digital (HX.1474122).
$4.99
4.63 €
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Piano seul
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Suite Four: A Nice Day
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Hal Leonard - Digital
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SheetMusicPlus
Sarabande - A Jazzy Journey (Handel - Seinecke) for Saxophone Quartet SATB
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.906283 Composed by G. F. Handel. Arranged by Torsten Seinecke. Baroque,Holiday,Jazz. 17 pages. Torsten Seinecke #6269685. Published by Torsten Seinecke (A0.906283). This Arrangement of Handel's Sarabande from the fourth suite in D minor is a stand alone three-minute work. The theme is arranged in a jazz style and there are also five-quarter time elements like in Take Five.There is an optional part that can be repeated, open to solos, but also a nice notated solo. This very solemn and actually serious piece of music is suitable for many occasions.Enjoy
$14.99
13.89 €
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Quatuor de Saxophones: 4 saxophones
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G
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Torsten Seinecke
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Sarabande - A Jazzy Journey
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Torsten Seinecke
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SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) -symphonic wind dectet
Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - Digital Download…
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Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Classical,Folk. Score and parts. 46 pages. RayThompsonMusic #643066. Published by RayThompsonMusic (A0.1038136). The complete set arranged wind dectet and bass Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtă (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezőszabad (present-day Voiniceni) village that was part of Mezőcsávás (present-day Ceuașu de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriș), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriș), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumà tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Românească (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuş, in Bihor county), near the border between Hungary and Romania. Aprózó / Mărunțel (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuș) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca-without a break between movements.
$19.95
18.49 €
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Bela Bartok
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Ray Thompson
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Bartók: Rumanian Folk Dances Sz.56
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RayThompsonMusic
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SheetMusicPlus
My Saxophone and Me (E flat version)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95
5.51 €
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Saxophone Alto et Piano
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Colin Kirkpatrick
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Lazy Days
(No 4)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Downlo…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania. Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
$15.99
14.82 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bela Bartok (1881-1945)
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Ray Thompson
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Bartók: Rumanian Folk Dances Sz.56
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SheetMusicPlus
America's Favorite Hymns - Wind Instruments
Orchestre d'harmonie
Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise and Worsh…
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Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise and Worship. Score, Set of Parts. 244 pages. Published by Colin Kirkpatrick Publications
Here?sa new collection of thirty-two of America?s best-loved hymn tunes, at a bargainprice too! The arrangements are intended either as stand-alone pieces thatcould be used as interludes in a service, or they could be used to accompanysolo, choral or congregational singing. Thepublication consists of a four-staff score in concert pitch together withfifteen separate parts in various transpositions including a simplifiedoptional keyboard part. These four-partarrangements use flexible instrumentation so that you can exercise considerablecontrol over the instrumental voicing or use them for non-standard ensembles. You can also create interesting instrumentaltone color by omitting groups of instruments. If the ensemble is large enoughyou could omit brass instruments in the quieter sections, or use a solo trumpetagainst a woodwind background. There are endless possibilities. Thecomplete set includes Part 1 in B flat, E flat and C (high and low pitch); Part2 in B flat, E flat and C; Part 3 in B flat, E flat, F and C and Part 4 in Bflat, E flat and C. While Part 1 (high pitch) is suitable for flute and oboebeing an octave above concert, the low pitch version is more suited toelementary players. Part 2 in C is an octave higher than concert. Parts 3 and 4in C are in the bass clef. The arrangements could be played by virtually anycombination of conventional wind instruments. Using the optional keyboard partthey could also be used as solos, duets or trios. The scores and all the parts are containedin a single 244-page PDF file. The collection includes the followingtitles: A Mighty Fortress IsOur God (Ein? Feste Burg); All Creatures Of our God and King(Lasst uns Erfreuen); All People that on Earth do Dwell (OldHundredth); Abide with Me (Eventide); AllHail the Power of Jesus? Name (Coronation); Amazing Grace (Trad); At the Cross(Alas and Did My Savior Bleed) (Hudson); Be Thou My Vision(Slane); Blessed Assurance(Assurance); Blest Be the Tie That Binds (Dennis - Nägeli); ComeThou Fount of Every Blessing (Nettleton); ComeWe That Love the Lord (St. Thomas);Crown Him with ManyCrowns (Diademata); Guide Me OThou Great Jehovah (Cwm Rhondda); Holy, Holy, Holy(Nicea); How Firm a Foundation (Foundation); It is Wellwith my Soul (Ville du Havre); Jesus Christ is Risen Today(Easter Hymn);Jesus, Lover of My Soul (Hollingside); JesusPaid it All (All to Christ); Joy to theWorld (Antioch); Just as I Am, Without one Plea (Woodworth); Love Divine, AllLoves Excelling (Hyfrydol); Nearer my God to Thee (Bethany); Praise To the Lord, The Almighty(Lob den Herren); Rock of Ages (Toplady); Shall we gather at the River?(Hanson Place); The Day thou Gave us, Lord is Ended (St. Clement);To God Be The Glory(To God be the Glory); There is a Fountain (Cleansing Fountain);What a Friend WeHave in Jesus (Converse) and WhenI Survey the Wondrous Cross (Hamburg). The audio demo contains the followingtitles (1) Abide with Me; (2) All Hailthe Power of Jesus? Name; (3) A Mighty Fortress is our God and (4) Love Divine,all Loves Excelling.
$23.99
22.24 €
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Orchestre d'harmonie
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Various
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America's Favorite Hymns - Wind Instruments
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Colin Kirkpatrick Publications
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SheetMusicPlus
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