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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Suite for 2 pianos
Non classifié
13
Piano & claviers
2 Pianos, 4 mains
46
1 Piano, 4 mains
11
Piano seul
7
Orgue
5
Piano, Voix et Guitare
1
Piano Facile
1
2 Pianos, 8 mains
1
+ 2 instrumentations
Retracter
Guitares
Voix
Vents
Hautbois, Piano (duo)
6
2 Saxophones (duo)
2
Saxophone Soprano et Piano
2
Flûte traversière
2
Clarinette Basse
1
2 Clarinettes (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Ensemble De Flûte à bec
1
Clarinette et Piano
1
Saxophone Alto et Piano
1
Flûte traversière et Piano
1
+ 6 instrumentations
Retracter
Cuivres
Cor et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cornet et Piano
1
Trompette, Piano
1
Cordes
Violon et Piano
1
Violoncelle, Piano
1
Harpe et Piano
1
Alto, Piano
1
Orchestre & Percussions
Ensemble d'École
5
Orchestre
3
Orchestre d'harmonie
3
Cloches
1
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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RAGTIME
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Vous avez sélectionné:
Suite for 2 pianos
Partitions à imprimer
124 partitions trouvées
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101
Polka from "Czech Suite", for 2 pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Antonin Dvorak
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Richard Simm
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Polka from "Czech Suite&q
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.800641 Composed by Antonin Dvorak. Arranged by Richard Simm. Romantic Period. Score. 6 pages. Richard Si...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.800641 Composed by Antonin Dvorak. Arranged by Richard Simm. Romantic Period. Score. 6 pages. Richard Simm #6857813. Published by Richard Simm (A0.800641). This arrangement is an exciting challenge for pianists who regret that Dvorak did not write more music for their instrument. As usual, Richard Simm has not simplified the original orchestration for pianists who want to play this fascinating folk-style music. Rather the aim has been to exploit what two pianos can do to approach the composer's unique talent for attractive and evocative orchestration.
$8.95
Rachmaninoff - Suite No.1, Op.5 II.La nuit... L'amour - ("Fantaisie-tableaux") Original For 2 Pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Sergei Rachmaninoff
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poon
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Rachmaninoff - Suite No.1, Op.
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1486436 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 45 pages. Poon #1063499. Pu...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1486436 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 45 pages. Poon #1063499. Published by poon (A0.1486436). Sergei Rachmaninoff - Suite No.1, Op.5 2.La nuit... L'amour - (Fantaisie-tableaux) Original For 2 Pianos 4hands - Adagio sostenuto (D major) Score and Parts.
$5.99
Rachmaninoff - Suite No.1, Op.5 lll. Les Larmes - ("Fantaisie-tableaux") Original For 2 Pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Sergei Rachmaninoff
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poon
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Rachmaninoff - Suite No.1, Op.
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1486711 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 27 pages. Poon #1063777. Pu...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1486711 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 27 pages. Poon #1063777. Published by poon (A0.1486711). Rachmaninoff - Suite No.1, Op.5 lll. Les Larmes - (Fantaisie-tableaux) Original For 2 Pianos 4hands - Largo di molto (G minor) Score and Parts.
$5.99
Suite for two Pianos, Op. 20, 2nd Movement, Acrobats
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Contemporain
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David Cundy
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Suite for two Pianos, Op. 20,
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David Cundy
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.904544 Composed by David Cundy. Contemporary. Score and parts. 14 pages. David Cundy #3077...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.904544 Composed by David Cundy. Contemporary. Score and parts. 14 pages. David Cundy #3077353. Published by David Cundy (A0.904544). Suite for two Pianos, Op. 20, 2nd Movement, Acrobats.
$3.99
Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Contemporain
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David Cundy
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Variations.
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Suite for two Pianos, Op. 20,
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David Cundy
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.904977 Composed by David Cundy. Contemporary. Score and parts. 13 pages. David Cundy #3077...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.904977 Composed by David Cundy. Contemporary. Score and parts. 13 pages. David Cundy #3077357. Published by David Cundy (A0.904977). Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations.
$3.99
Germaine Tailleferre : "Il était un Petit Navire" Suite for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Gold and Fizdale
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Germaine Tailleferre : "I
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Musik Fabrik Music Publishing
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1155034 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Opera. Score. 36 pages. Musik...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1155034 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Opera. Score. 36 pages. Musik Fabrik Music Publishing #755315. Published by Musik Fabrik Music Publishing (A0.1155034). Written for Gold and Fizdale during their 1948 visit to Tailleferre home in Grasse, France. This work is four selections from Tailleferre's comic opera.
$32.95
Suite no. 1
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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Mikis Theodorakis
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Suite no. 1
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Schott Music - Digital
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SheetMusicPlus
For piano and orchestra. Composed by Mikis Theodorakis (1925-). This edition: piano reduction for 2 pianos. Downloadable. Duration 25 minutes. Schott ...
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For piano and orchestra. Composed by Mikis Theodorakis (1925-). This edition: piano reduction for 2 pianos. Downloadable. Duration 25 minutes. Schott Music - Digital #Q43339. Published by Schott Music - Digital
$35.99
Sonatina in G Major for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Claudio Porstmann
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Sonatina in G Major for 2 pian
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Claudio Porstmann
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1096457 By Claudio Porstmann. By Claudio Porstmann. Chamber,Classical,Instructional,Romantic Period,Trad...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1096457 By Claudio Porstmann. By Claudio Porstmann. Chamber,Classical,Instructional,Romantic Period,Traditional. Score. 9 pages. Claudio Porstmann #700437. Published by Claudio Porstmann (A0.1096457). A fun piece for 2 pianos, in the style of the Clementi sonatinas which are so enjoyable, and perfectly suited for students. Since most piano teachers have 2 pianos in their studio, this is a great piece to practice playing together, and learning the different aspects of ensemble music, like adjusting the tempo, dynamics and general expression so that both players together sound like one instrument.
$6.99
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Rachmaninoff - Suite No.1 Op.5 in G Minor 1. Barcarolle ("Fantaisie-tableaux") Original For 2Pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Sergei Rachmaninoff
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poon
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Rachmaninoff - Suite No.1 Op.5
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1485084 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 65 pages. Poon #1062165. Pu...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1485084 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 65 pages. Poon #1062165. Published by poon (A0.1485084). Sergei Rachmaninoff - Suite No.1 Op.5 in G Minor 1. Barcarolle (Fantaisie-tableaux) Original For 2 Pianos - Allegretto Score and Parts.
$5.99
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
"Ghost Story" from An Icelandic Suite
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Richard Simm
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Richard Simm
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"Ghost Story" from A
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1126731 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditi...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1126731 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 4 pages. Richard Simm #727380. Published by Richard Simm (A0.1126731). The first item in this suite of Icelandic tunes by Richard Simm is a hair-raising ghost story! These Icelandic melodies were originally arranged by Simm for beginner students to play as piano duets with their teachers or with advanced students. In their new form for two pianos, they are more embellished and technically challenging than the originals, but are short enough not to present too much of a hurdle. Four of the five songs are known to every Icelander, and their original texts often have stark, dramatic undertones.
$4.95
Germaine Tailleferre : Choral et Variations for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Germaine Tailleferre
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Germaine Tailleferre : Choral
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Musik Fabrik Music Publishing
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1155043 Composed by Germaine Tailleferre. 20th Century,Chamber. Score. 45 pages. Musik Fabrik Music Publ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1155043 Composed by Germaine Tailleferre. 20th Century,Chamber. Score. 45 pages. Musik Fabrik Music Publishing #755324. Published by Musik Fabrik Music Publishing (A0.1155043). Tailleferre's only work in the form of variations, written near the end of her life as part of a French State commission. The work is in the form of a suite which uses themes from all periods of Tailleferre's life. There is also a version for orchestra, whose score is available for sale on this site.
$51.95
"A Youthful Vow" from An Icelandic Suite
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" fro
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Fol...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
Suite for 2 Pianos, Op. 20 - Full Score
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Cundy
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Variations, Finale.
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Suite for 2 Pianos, Op. 20 - F
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David Cundy
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.904571 Composed by David Cundy. Contemporary. Score. 73 pages. David Cundy #3080575. Published by David Cundy (A0.904571)...
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Piano Solo - Level 4 - SKU: A0.904571 Composed by David Cundy. Contemporary. Score. 73 pages. David Cundy #3080575. Published by David Cundy (A0.904571). Suite for 2 Pianos Op. 20 - Waltz, Acrobats, Tango del Sol, Theme & Variations, Finale.
$8.99
Norwegian March, from Lyric Suite, op. 54
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Richard Simm
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Norwegian March, from Lyric Su
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1117571 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 5 pages. R...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1117571 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 5 pages. Richard Simm #719109. Published by Richard Simm (A0.1117571). The second piece in Grieg's orchestral suite is a rustic march, here arranged for two pianos by Richard Simm.
$5.95
March of the Dwarfs, from "Lyric Suite"
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Richard Simm
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March of the Dwarfs, from &quo
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1121874 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 7 pages. R...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1121874 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 7 pages. Richard Simm #723067. Published by Richard Simm (A0.1121874). The final piece in Grieg's orchestral suite is a volatile and powerful depiction of these mysterious characters from Norwegian folklore. Here it has been arranged for two pianos by Richard Simm.
$5.95
Bourree Suite 2 BWV 1067 for piano duet (2 pianos)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Bourree Suite 2 BWV 1067 for p
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Amadeus Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.532422 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 6 pages. Am...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.532422 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 6 pages. Amadeus Music #6070527. Published by Amadeus Music (A0.532422). Score and parts.Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$3.95
"Riding" from An Icelandic Suite for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Sigvaldi Kaldalóns
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Richard Simm
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"Riding" from An Icelandic Sui
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Richard Simm
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SheetMusicPlus
Composed by Sigvaldi Kaldalóns. Arranged by Richard Simm. Chamber, Classical, Folk, Multicultural, Traditional, World. Score. 4 pages. Richard ...
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Composed by Sigvaldi Kaldalóns. Arranged by Richard Simm. Chamber, Classical, Folk, Multicultural, Traditional, World. Score. 4 pages. Richard Simm #733117. Published by Richard Simm
$4.95
Orchestral Suite 2 BWV 1067, mov. 2-7 for piano duet
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Orchestral Suite 2 BWV 1067, m
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Amadeus Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 14 pages. A...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 14 pages. Amadeus Music #2026685. Published by Amadeus Music (A0.530862). For piano duet, score, no parts, 13 pages. Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$8.95
Bourree 1 & 2 from Suite No 1, BWV 1066 for piano duet, 4 hands (score only)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Bourree 1 & 2 from Suite N
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Amadeus Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.530879 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 2 pages. Am...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.530879 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 2 pages. Amadeus Music #12617. Published by Amadeus Music (A0.530879). Score only. Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$4.95
Grieg - Rigaudon from Holberg Suite - Keyboard Ensemble
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2 Pianos, 4 mains
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FACILE
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Classique
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Edvard Grieg
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Christian Bennedsen
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Grieg - Rigaudon from Holberg
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766913 Composed by Edvard Grieg. Arranged by Christian Bennedsen. Romantic Period. ...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766913 Composed by Edvard Grieg. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 13 pages. Christian Bennedsen #6681675. Published by Christian Bennedsen (A0.766913). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
Suite for 2 pianos
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Contemporain
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Patrick Prejean
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Suite for 2 pianos
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Patrick Prejean
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.923291 Composed by Patrick Prejean. Contemporary. Score and parts. 23 pages. Patrick Prejean #199612...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.923291 Composed by Patrick Prejean. Contemporary. Score and parts. 23 pages. Patrick Prejean #1996129. Published by Patrick Prejean (A0.923291). I had the idea for this piece after my friend asked me what music to compose for a Star Wars panel. After some advice I took some of the motives and inputted them into my piece. The piece is in 5 movements and it tells the story of astronauts venturing into space only to later be lost into the cosmos.
$15.00
The Swan, (Le Cygne), by Saint-Saens, Duet for Clarinet
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2 Clarinettes (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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David McKeown
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The Swan,
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David McKeown
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SheetMusicPlus
Clarinet Duet Clarinet - Level 4 - SKU: A0.587374 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Stan...
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Clarinet Duet Clarinet - Level 4 - SKU: A0.587374 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. 2 scores. 4 pages. David McKeown #3222137. Published by David McKeown (A0.587374). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saens’ 1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version is arranged as a duet for two Clarinets. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
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Suite for 2 pianos
