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Symphony No. 5, Second Movement Theme
Non classifié
13
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Crtitères actifs :
Symphony No. 5, Second Movement Theme
Partitions à imprimer
127 partitions trouvées
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126
Symphony No. 5, Second Movement Theme
#
2 Flûtes traversières (duo)
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
Mark Phillips
#
Symphony No. 5, Second Movemen
#
A. J. Cornell Publications
#
SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.692743 Composed by Ludwig van Beethoven. Arranged by Mark Phillips. Romantic Period. Score. 1 pages. A. J. Cornell ...
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Flute Duet Flute - Level 3 - SKU: A0.692743 Composed by Ludwig van Beethoven. Arranged by Mark Phillips. Romantic Period. Score. 1 pages. A. J. Cornell Publications #6644169. Published by A. J. Cornell Publications (A0.692743). Beethoven’s Symphony No. 5, Second Movement Theme, for flute duet
$1.99
Symphony No. 5, Second Movement Theme
#
2 Trompettes (duo)
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
Mark Phillips
#
Symphony No. 5, Second Movemen
#
A. J. Cornell Publications
#
SheetMusicPlus
Trumpet Duet Trumpet - Level 3 - SKU: A0.692763 Composed by Ludwig van Beethoven. Arranged by Mark Phillips. Romantic Period. Score. 1 pages. A. J. Corn...
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Trumpet Duet Trumpet - Level 3 - SKU: A0.692763 Composed by Ludwig van Beethoven. Arranged by Mark Phillips. Romantic Period. Score. 1 pages. A. J. Cornell Publications #6655547. Published by A. J. Cornell Publications (A0.692763). Beethoven’s Symphony No. 5, Second Movement Theme, for trumpet duet
$1.99
Symphony No. 5, Second Movement Theme
#
2 Violons (duo)
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
Mark Phillips
#
Symphony No. 5, Second Movemen
#
A. J. Cornell Publications
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.692783 Composed by Ludwig van Beethoven. Arranged by Mark Phillips. Romantic Period. 1 pages. A. J. Cornell Publi...
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Violin Duet Violin - Level 3 - SKU: A0.692783 Composed by Ludwig van Beethoven. Arranged by Mark Phillips. Romantic Period. 1 pages. A. J. Cornell Publications #6657061. Published by A. J. Cornell Publications (A0.692783). Beethoven’s Symphony No. 5, Second Movement, Theme arranged for violin duet
$1.99
Symphony No. 5, Second Movement Theme
#
2 Saxophones (duo)
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
Mark Phillips
#
Symphony No. 5, Second Movemen
#
A. J. Cornell Publications
#
SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.692773 Composed by Ludwig van Beethoven. Arranged by Mark Phillips. Romantic Period. 2 scores. 1 ...
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Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.692773 Composed by Ludwig van Beethoven. Arranged by Mark Phillips. Romantic Period. 2 scores. 1 pages. A. J. Cornell Publications #6656403. Published by A. J. Cornell Publications (A0.692773). Beethoven’s Symphony No. 5, Second Movement Theme, arranged for alto sax duet
$1.99
Symphony No. 5 (Second Movement Theme)
#
Guitare notes et tablatures
#
FACILE
#
Classique
#
Franz Schubert
#
Mark Phillips
#
Symphony No. 5
#
A. J. Cornell Publications
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.692214 Composed by Franz Schubert. Arranged by Mark Phillips. Classical. Guitar Tab. 2 pages. A. J. Cornell Publications #630...
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Guitar - Level 2 - SKU: A0.692214 Composed by Franz Schubert. Arranged by Mark Phillips. Classical. Guitar Tab. 2 pages. A. J. Cornell Publications #6304447. Published by A. J. Cornell Publications (A0.692214). Franz Schubert’s Symphony No. 5 (Second Movement Theme) for easy classical guitar solo
$1.99
Symphony No. 5 (Second Movement Theme)
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
Mark Phillips
#
Symphony No. 5
#
A. J. Cornell Publications
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177817 Composed by Ludwig van Beethoven. Arranged by Mark Phillips. 19th Century,Classical,Romantic Period. Guitar Tab. 2 pa...
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Guitar - Level 3 - SKU: A0.1177817 Composed by Ludwig van Beethoven. Arranged by Mark Phillips. 19th Century,Classical,Romantic Period. Guitar Tab. 2 pages. A. J. Cornell Publications #777781. Published by A. J. Cornell Publications (A0.1177817). Beethoven’s Symphony No. 5 (Second Movement Theme) for solo classical guitar.
$3.99
Symphony No. 5 by Beethoven for Baritone Sax Quintet
#
Quintette de Saxophone: 5 saxophones
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 5 by Beethoven fo
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 2 - SKU: A0.1127954 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instruc...
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Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 2 - SKU: A0.1127954 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 16 pages. Woods Only, Arrangements #728566. Published by Woods Only, Arrangements (A0.1127954). This adaptation was intended for a small group of baritone sax quintet, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$9.99
Symphony No. 5 by Beethoven for Alto Sax Quintet
#
Quintette de Saxophone: 5 saxophones
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 5 by Beethoven fo
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone - Level 2 - SKU: A0.1127952 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instruction...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone - Level 2 - SKU: A0.1127952 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 16 pages. Woods Only, Arrangements #728563. Published by Woods Only, Arrangements (A0.1127952). This adaptation was intended for a small group of alto sax quintet, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$9.99
Symphony No. 5 by Beethoven for Tenor Sax Quintet
#
Quintette de Saxophone: 5 saxophones
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 5 by Beethoven fo
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Tenor Saxophone - Level 2 - SKU: A0.1127953 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructio...
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Woodwind Ensemble,Woodwind Quintet Tenor Saxophone - Level 2 - SKU: A0.1127953 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 16 pages. Woods Only, Arrangements #728565. Published by Woods Only, Arrangements (A0.1127953). This adaptation was intended for a small group of tenor sax quintet, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$9.99
Symphony No. 5 by Beethoven for Clarinet Quintet
#
Quintette de Clarinettes: 5 clarinettes
#
DÉBUTANT
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 5 by Beethoven fo
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - SKU: A0.1127948 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Ope...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - SKU: A0.1127948 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 16 pages. Woods Only, Arrangements #728559. Published by Woods Only, Arrangements (A0.1127948). This adaptation was intended for a small group of clarinet quintet, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$9.99
Symphony No. 5 by Beethoven for Flute Quintet
#
Quintette de Flûte : 5 flûtes
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 5 by Beethoven fo
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 2 - SKU: A0.1127944 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,...
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Woodwind Ensemble,Woodwind Quintet Flute - Level 2 - SKU: A0.1127944 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 16 pages. Woods Only, Arrangements #728555. Published by Woods Only, Arrangements (A0.1127944). This adaptation was intended for a small group of flute quintet, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$9.99
Symphony No. 5 by Beethoven for Bassoon Quintet
#
5 Bassons
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 5 by Beethoven fo
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon - Level 2 - SKU: A0.1127951 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Oper...
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Woodwind Ensemble,Woodwind Quintet Bassoon - Level 2 - SKU: A0.1127951 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 16 pages. Woods Only, Arrangements #728562. Published by Woods Only, Arrangements (A0.1127951). This adaptation was intended for a small group of bassoon quintet, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$9.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
#
Quintette de Flûte : 5 flûtes
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
Andante Sostenuto - From Symphony No 5 2nd Movement (Concert Band and Solo Horn)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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P
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Raymond Fenech
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Andante Sostenuto - From Symph
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Raymond Fenech
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.759814 Composed by P.I.Tchaikovsky. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Romantic Period,Standa...
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Concert Band - Level 3 - SKU: A0.759814 Composed by P.I.Tchaikovsky. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Romantic Period,Standards. Score and parts. 24 pages. Raymond Fenech #3075463. Published by Raymond Fenech (A0.759814). The fifth Symphony was composed by Pyotr Ilyich Tchaikovsky in 1888. The 5th Symphony has no clear program. In the second movement you hear this first theme which begins with the continuation of the tragic sonority in b minor. This piece has been arranged for Concert Band and Solo Horn, and the level is intermediate.
$30.00
Symphony No. 5, Second Movement Theme
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2 Clarinettes (duo)
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Mark Phillips
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Symphony No. 5, Second Movemen
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A. J. Cornell Publications
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by Mark Phillips. Romantic Period. Score, Sheet Music Single. 1 pages. Published by A. J. Corne...
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Mark Phillips. Romantic Period. Score, Sheet Music Single. 1 pages. Published by A. J. Cornell Publications
$1.99
"Largo" from Symphony No. 9 - Flute Quintet
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Andrew Middleton
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"Largo" from Symphon
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Andrew Middleton
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 3 - SKU: A0.735227 Composed by Antonin Dvorak. Arranged by Andrew Middleton. Romantic Period. 10 pages....
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Woodwind Ensemble,Woodwind Quintet Flute - Level 3 - SKU: A0.735227 Composed by Antonin Dvorak. Arranged by Andrew Middleton. Romantic Period. 10 pages. Andrew Middleton #3928097. Published by Andrew Middleton (A0.735227). The theme from Largo, second movement of Dvorak's Ninth Symphony, arranged for Flute Quintet (3 flutes, 1 alto flute and 1 bass flute). Whilst American audiences are more familiar with this music being used at funerals, UK audiences will instantly recognise this as the music from the Hovis bread advert.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$8.99
Symphony No. 40 by Mozart for Recorder Quintet
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5 Flûtes à bec
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Ander
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Symphony No. 40 by Mozart for
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Woods Only, Arrangements
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SheetMusicPlus
Recorder - Level 2 - SKU: A0.1267703 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. Recorder Ensemble. 18 pages. Woods Only,...
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Recorder - Level 2 - SKU: A0.1267703 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. Recorder Ensemble. 18 pages. Woods Only, Arrangements #860247. Published by Woods Only, Arrangements (A0.1267703). Introducing the sheet music for an arrangement of the first movement of Mozart’s Symphony No. 40 for Recorder Quintet. This arrangement has been carefully reduced to a duration of approximately 2 minutes and 20 seconds, retaining the essence of the original theme while providing practicality in performance. Intended for performance groups with musical experience, this arrangement can also be used as educational material for music students, suitable for academic recitals, concerts and ceremonies. Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788 and is one of only two symphonies he wrote in a minor key, also referred to as the “Great G minor symphonyâ€.
$9.99
Symphony No. 40 by Mozart for Bassoon Quartet
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5 Bassons
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Wolfgang Amadeus Mozart
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Symphony No. 40 by Mozart for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon - Level 3 - SKU: A0.1293115 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Amadeus Mozart. Chamber...
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Woodwind Ensemble,Woodwind Quintet Bassoon - Level 3 - SKU: A0.1293115 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Amadeus Mozart. Chamber,Classical. 20 pages. Woods Only, Arrangements #883749. Published by Woods Only, Arrangements (A0.1293115). Introducing the sheet music for an arrangement of the first movement of Mozart’s Symphony No. 40 for Bassoon Quartet. This arrangement has been carefully reduced to a duration of approximately 2 minutes and 20 seconds, retaining the essence of the original theme while providing practicality in performance. Intended for performance groups with musical experience, this arrangement can also be used as educational material for music students, suitable for academic recitals, concerts and ceremonies. Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788 and is one of only two symphonies he wrote in a minor key, also referred to as the “Great G minor symphonyâ€.
$7.99
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Symphony No. 5, Second Movement Theme