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Symphony No.5 [percussion parts]
Partitions à imprimer
44 partitions trouvées
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Symphony No.5 [percussion parts]
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.938486 Composed by Colin Bayliss. Co…
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Percussion Ensemble - Digital Download SKU: A0.938486 Composed by Colin Bayliss. Contemporary. Score and parts. 27 pages. Colin Bayliss #25509. Published by Colin Bayliss (A0.938486).
$10.00
9.13 €
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Ensemble de Percussions
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Colin Bayliss
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Symphony No.5 [percussion parts]
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Colin Bayliss
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SheetMusicPlus
Symphony No.5 "Posthumous" [score only]
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.938485 Composed by Colin B…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.938485 Composed by Colin Bayliss. Contemporary. Score and parts. 157 pages. Colin Bayliss #25285. Published by Colin Bayliss (A0.938485). The ironic title is explained in the programme notes on the last pages.
$15.00
13.69 €
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Ensemble de Percussions
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Colin Bayliss
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Symphony No.5 "Posthumous" [score only]
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Colin Bayliss
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SheetMusicPlus
Symphony No. 30 Score and parts
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.862914 Composed by Jordan …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.862914 Composed by Jordan Grigg. Contemporary. Score and parts. 256 pages. Jordan Grigg #2331811. Published by Jordan Grigg (A0.862914).
$95.00
86.7 €
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Ensemble de Percussions
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Jordan Grigg
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Symphony No. 30 Score and parts
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Jordan Grigg
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SheetMusicPlus
Symphony No 32 - Score and parts
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.862933 Composed by Jordan …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.862933 Composed by Jordan Grigg. 20th Century,Contemporary,Romantic Period,Standards. Score and parts. 251 pages. Jordan Grigg #2937519. Published by Jordan Grigg (A0.862933).
$135.00
123.21 €
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Ensemble de Percussions
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Jordan Grigg
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Symphony No 32 - Score and parts
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Jordan Grigg
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SheetMusicPlus
2nd Movement from Beethoven Symphony No.7 for Saxophone Quintet
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1044039 Composed by Ludwig van Beethoven. Arranged by G L Harvey. Classical,Contest,Festival,Instructional,Romantic Period,Wedding. 24 pages. G L Harvey #648757. Published by G L Harvey (A0.1044039). This haunting piece of music from Beethoven's 7th Symphony has been carefully abridged and arranged for Saxophone Quintet, scored for Soprano, 2 Altos, Tenor and Baritone Saxophone. It is sympathetic to the original music and should be easily accessible for intermediate to advanced players. There is also an optional percussion part on Timpani (Bb and F) that can easily be played on old fashioned hand tuned instruments, and will lend a bit more gravitas to any performance. The piece is very musically satisfying to play and will sit well on any concert or recital programme. The duration of the piece is about 4:50 minutes. The PDF is 24 pages long (A4 portrait) containing a full score and parts. Printing guidance - Score (pages1-13 print A4 double sided), all parts p14-24 (with the exception of Timpani p24) are designed to fit 2 x A4 pages on A3). Look out for other similar works and arrangements by the same publisher.
$17.99
16.42 €
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Quintette de Saxophone: 5 saxophones
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Ludwig van Beethoven
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G L Harvey
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2nd Movement from Beethoven Symphony No.7 for Saxophone Quintet
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G L Harvey
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SheetMusicPlus
Ecocycle [Symphony No.4] - score only
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.938447 Composed by Colin B…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.938447 Composed by Colin Bayliss. 20th Century. Score and parts. 84 pages. Colin Bayliss #16627. Published by Colin Bayliss (A0.938447). A setting of 4 ecological poems by a friend of the composer for soprano, mezzo and orchestra. Programme notes on last page.
$16.00
14.6 €
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Ensemble de Percussions
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Colin Bayliss
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Ecocycle [Symphony No.4] - score only
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Colin Bayliss
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (percussion parts – violin and symph
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861957 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861957 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 66 pages. Mark O'Connor Musik International #6209353. Published by Mark O'Connor Musik International (A0.861957). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (percussion parts – violin symphony orchestra) MO152P-RPercussion Parts (score and parts available)Music by Mark O’Connor54 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152P-RCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$50.00
45.63 €
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Orchestre
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
Beethoven's Symphony No 5 with backing track - Western Classical Music Classroom Ensemble: Keyboards
Large Ensemble Bass Guitar,Bassoon,Cello,Double Bass,Flute,Marimba,Piano,Recorder,Tuba,Uku…
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Large Ensemble Bass Guitar,Bassoon,Cello,Double Bass,Flute,Marimba,Piano,Recorder,Tuba,Ukulele,Vibraphone,Violin,Xylophone - Level 2 - Digital Download SKU: A0.563806 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Instructional,Standards. Score and parts. 35 pages. Austin Ralphson #5020881. Published by Austin Ralphson (A0.563806). As an experienced classroom music teacher, two of the main difficulties I have faced have been:* having the time to arrange music for standard classroom instruments such as keyboards, ukuleles, guitars, tuned percussion etc.* finding suitable arrangements of Western Classical pieces to contribute to a broad and balanced curriculumThe Classroom Ensemble Series meets both of these problems head on, providing approachable yet challenging arrangements which are tailor-made for a large classroom ensemble. Each piece includes a score and parts as follows:Melody (treble clef)Melody plus note names (treble clef)Melody (ukulele tab)Melody (guitar tab)Bass part (bass clef)Bass part plus note names (bass clef)Bass part (bass guitar tab)Easy piano part (treble and bass clefs)Standard piano part (treble and bass clefs)Chords (chord shapes with chord names, e.g. Dm)Chords (ukulele tabs and chord shapes)Chords (guitar tabs and chord shapes)This arrangement of Symphony No. 5 enables all students within a classroom, regardless of ability, to make clear progress on one or more of the parts provided. You can use the YouTube video above as a backing track within the classroom, helping the students to play together and freeing you up to teach. Or you can lead the session yourself.Backing tracks for all other pieces in this series can be found at https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhAPrinting and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.Also look out for the associated books, which offer this piece and others at a greatly reduced price.
$4.99
4.55 €
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Ludwig van Beethoven
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Austin Ralphson
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Beethoven's Symphony No 5 with backing track - Western Classical Music Classroom Ensemble: Keyboards
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Austin Ralphson
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SheetMusicPlus
Beethoven Symphony No.5 (1st Movement) for Eleven Brass Ensemble and Timpani
Flûte, Hautbois, Clarinette, Basson
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1014295 Composed by Ludwig van Beethoven. Arranged by Rocco Fasano. Classical. Score and parts. 118 pages. Rocco Fasano #5045495. Published by Rocco Fasano (A0.1014295). Composed by Ludwig van Beethoven (1770-1827).Classical Period. Arrangement for 11 piece Brass Ensemble and Percussion by Rocco Fasano, Year 2011.Orchestration: 1 Piccolo Trumpet, 3 Trumpets, 2 French Horns, 1 Euphonium, 3 Trombones, Tuba, TimpaniDuration: ca. 7.30 min. Full Score 54 pages + individual parts.
$54.99
50.19 €
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Flûte, Hautbois, Clarinette, Basson
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Ludwig van Beethoven
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Rocco Fasano
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Beethoven Symphony No.5
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Rocco Fasano
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
45.63 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.12 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
Symphony No. 9 1st movement for Brass Quintet and Percussion (optional)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.792740 Composed by Dmitri Shost…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792740 Composed by Dmitri Shostakoich. Arranged by Wes Ballenger. 20th Century,Classical. Score and parts. 38 pages. Gordon Cherry #6190513. Published by Gordon Cherry (A0.792740). After the Second World War, Shostakovich was expected to compose a great Ninth Symphony with giant forces to be dedicated to the great leader, Stalin and the greatness of the Russian people. Instead, he wrote an abstract, almost Neoclassical work full of mockery, playfulness, and bombastic gestures.The first movement of this great work is featured in a fantastic arrangement by Wes Ballenger for Brass Quintet with optional Percussion (only one performer needed) and can be performed by advanced artists. The instrumentation is for: 2 Trumpets in C, Horn in F, Trombone, F Tuba or Bass Trombone and Percussion (snare drum and triangle). The arrangement is about 4 1/2 minutes in length.Cherry Classics is indebted to the Shostakovich Estate for giving permission to publish this arrangement.
$35.00
31.94 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dmitri Shostakoich
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Wes Ballenger
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Symphony No. 9 1st movement for Brass Quintet and Percussion
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Gordon Cherry
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SheetMusicPlus
Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holland #4359113. Published by James Nathaniel Holland (A0.730488). INDIVIDUAL INSTRUMENT PARTS only, Full score sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip) maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$42.95
39.2 €
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Orchestre
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James Nathaniel Holland
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Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
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James Nathaniel Holland
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooma…
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Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
59.28 €
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel Holland #4357263. Published by James Nathaniel Holland (A0.730486). FULL SCORE only, Individual instrument parts sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip), maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$18.95
17.29 €
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Orchestre
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James Nathaniel Holland
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Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
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James Nathaniel Holland
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SheetMusicPlus
Finale from Symphony No. 2 in C minor, Op. 17 (A4)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1276066 Composed by Pyotr Tchaiko…
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Concert Band - Level 4 - Digital Download SKU: A0.1276066 Composed by Pyotr Tchaikovsky (1840-1893). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 410 pages. Kasama Music Corporation #867823. Published by Kasama Music Corporation (A0.1276066). [This Publication is in A4 size. Letter size (8/5 x 11) is also available.]The Second Symphony in C minor, Op. 17 by Pyotr Tchaikovsky (1840-1893) is widely known as the “Little Russian†because some Ukrainian folk songs are used in the symphony. The first theme of the finale is the Ukrainian folk song “The Crane†which dominates the movement.This transcription is for concert band with full score (pp. 1–61), piccolo–percussion (pp. 63–301), and transposed parts (pp. 302–410).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.
$28.00
25.55 €
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Orchestre d'harmonie
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Pyotr Tchaikovsky
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Shinji Kasama
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Finale from Symphony No. 2 in C minor, Op. 17
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Kasama Music Corporation
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SheetMusicPlus
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph H…
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Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts. 93 pages. Ted R. Marcus #3368179. Published by Ted R. Marcus (A0.840485). The tonal palette of the modern concert band brings fresh color and variety to the complete second movement of Haydn's Surprise Symphony. The famous theme and one of the variations explore the subtle contrast between bassoon and English horn. The original repeats are opened up and scored differently, using contrasting colors and combinations of solo clarinet, solo flute, piccolo, and soprano saxophone. A repeated section first has a flute and oboe accompanied with clarinets, then a saxophone quartet on the repeat. One variation features a solo piccolo and bells. And a prominent pair of horns recalls the sound of Haydn's divertimenti for wind ensemble. Duration: approx. 6:00. Written for an adult community band, this challenging arrangement is appropriate for a university, college, or community band, or an adventurous high school wind ensemble. The bassoon, English horn, and soprano saxophone parts are all fully cued to allow rehearsal or performance in the absence of any or all of them. Two strong horn players are essential; but the third and fourth horn parts are easier, and cued in trombones and euphonium. The bassoon parts use the tenor clef and ascend to a high B-flat; the second bassoon has only one 8-measure high passage that doubles the horns and can be omitted if necessary. The alternate versions of both bassoon parts use only bass clef but are otherwise identical. All essential bassoon passages are cued in saxophone and bass clarinet parts.Instrumentation: Piccolo / Flute 1-2 / Oboe / English Horn / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Bassoon 1-2 (and alternate parts using only bass clef) / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / Tuba / String Bass / Percussion (snare drum, crash cymbals) / Mallets (xylophone, bells) / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$45.00
41.07 €
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Orchestre d'harmonie
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Franz Joseph Haydn
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Ted R
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Theme and Variations
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Ted R. Marcus
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.68 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Allegretto (from the Symphony No. 7)
Ensemble de saxophones
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopr…
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1262533 Composed by Ludwig van Beethoven. Arranged by Thomas PECHOT. 19th Century,Classical. 23 pages. Thomas PECHOT #855459. Published by Thomas PECHOT (A0.1262533). Saxophone Ensemble 5-parts (+opt. Piano, String Bass & Percussion).(additional parts: Bb Soprano sax. & Bb Bass sax.)Arrangement & Orchestration by Thomas PECHOTTaken from Symphony No. 7 in A Major, Op. 92 by Ludwig van Beethoven (1791-1828), composed between 1811 and 1812, the allegretto theme was used in the soundtrack to Tom Hooper's film A King's Speech (2014). More saxophone ensemble PDF sheet music go to thomaspechot.com
$14.90
13.6 €
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Ensemble de saxophones
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Ludwig van Beethoven
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Thomas PECHOT
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Percussion)
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Allegretto
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Thomas PECHOT
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SheetMusicPlus
Chorale Theme from the Organ Symphony (No.3, Op.78) - sax ensemble
Ensemble de saxophones
Saxophone Ensemble,Woodwind Ensemble Soprano Saxophone - Level 5 - Digital Download SKU…
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Saxophone Ensemble,Woodwind Ensemble Soprano Saxophone - Level 5 - Digital Download SKU: A0.563010 Composed by Camille Saint-Saens. Arranged by Austin Ralphson. Romantic Period,Wedding. 22 pages. Austin Ralphson #506497. Published by Austin Ralphson (A0.563010). Saint-Saens’ 3rd symphony (the Organ Symphony) features a chorale melody in the final movement. This famous piece has been arranged here for saxophone ensemble with optional percussion. Parts are provided for soprano, 3 altos, 4 tenors, baritone and bass saxes. The bass sax part is also provided for baritone sax for instances where no bass is available.
$15.99
14.59 €
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Ensemble de saxophones
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Camille Saint-Saens
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Austin Ralphson
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Chorale Theme from the Organ Symphony
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Austin Ralphson
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SheetMusicPlus
Symphony No. 1 in C Minor, Ferguson
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1031900 Composed by Jeffrey Jos…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1031900 Composed by Jeffrey Joseph Polizzi (ASCAP). 20th Century,Contemporary. Score and parts. 192 pages. Jeffrey Joseph Polizzi #3690441. Published by Jeffrey Joseph Polizzi (A0.1031900). This program symphonic score was dedicated to the city of Ferguson, MO after the racial incident in 2014. It tells the story from the cause to the effect with a resolution pleading for peace. It is scored for a full orchestra with additional percussion instruments to provide the action. It is an inspiration to Pytor Ilyich Tchaikovsky's Symphony No. 2 in C Minor, Little Russia. It is suitable for all ages.The duration of this piece lasts approximately an hour.This is my first time submitting my work.
$50.00
45.63 €
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Orchestre
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Jeffrey Joseph Polizzi
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Symphony No. 1 in C Minor, Ferguson
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Jeffrey Joseph Polizzi
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SheetMusicPlus
Symphony No.28 (for winds, brass and percussion) Score and parts
Large Ensemble Bassoon,Clarinet,Flute,Oboe,Trombone,Trumpet,Tuba - Level 5 - Digital Downl…
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Large Ensemble Bassoon,Clarinet,Flute,Oboe,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.863796 Composed by Jordan Grigg. 20th Century,Concert,Romantic Period,Standards. Score and parts. 221 pages. Jordan Grigg #3395223. Published by Jordan Grigg (A0.863796). Https://www.youtube.com/watch?v=JkbutGcfhJM.
$55.00
50.2 €
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Jordan Grigg
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Symphony No.28
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Jordan Grigg
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, percussion part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533681 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533681 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 6 pages. Musik Fabrik Music Publishing #3037715. Published by Musik Fabrik Music Publishing (A0.533681). This is the percussion part for this work by Carson Cooman
$4.99
4.55 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
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