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9 partitions trouvées
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1
TIMES GET SHORTER (LOS TIEMPOS SE ACORTAN)
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Guitare
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INTERMÉDIAIRE
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Claudio Amadeo Viggiano
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TIMES GET SHORTER
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claudio viggiano
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1101869 Composed by Claudio Amadeo Viggiano. Folk,Latin,Multicultural,World. Individual part. 4 pages. Claudio viggiano ...
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Solo Guitar - Level 3 - SKU: A0.1101869 Composed by Claudio Amadeo Viggiano. Folk,Latin,Multicultural,World. Individual part. 4 pages. Claudio viggiano #705257. Published by claudio viggiano (A0.1101869). An original work for classic guitar. My email contact: clavi10@hotmail.com.
$3.00
Please, Please, Please, Let Me Get What I Want
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2 Guitares (duo)
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FACILE
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Pop musique
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The Smiths
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Derek Hasted
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Please, Please, Please, Let Me
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Derek Hasted
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SheetMusicPlus
Guitar,Instrumental Duet - Level 2 - SKU: A0.1345389 By The Smiths. By Johnny Marr and Steven Morrissey. Arranged by Derek Hasted. Pop. 14 pages. Derek ...
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Guitar,Instrumental Duet - Level 2 - SKU: A0.1345389 By The Smiths. By Johnny Marr and Steven Morrissey. Arranged by Derek Hasted. Pop. 14 pages. Derek Hasted #930328. Published by Derek Hasted (A0.1345389). PLEASE PLEASE PLEASE (The Smiths) - accessible piece for 2 GUITARSIntended for classical guitar, though sometimes it gets listed erroneously under electric guitar.Both parts are supplied in “Notation only†and “Notation + TABâ€Derek Hasted writes This song burst back into my consciousness when it was played as a Viennese Waltz in the BBC TV program “Strictly Come Dancingâ€.The ponderous, downbeat, original became light, inspiring, uplifting and very beautiful.Here’s the version that was on TV - the same key as the original but slightly shorter.One guitar takes the tune, the other (with the bottom string tuned to D) takes the accompaniment - there is really no seamless way to swap roles partway through, so as well as a concert piece it’s an excellent Student/Teacher duet to teach some rhythms that are unexpected.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
Please, Please, Please, Let Me Get What I Want
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Flûte et Guitare
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FACILE
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Pop musique
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The Smiths
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Derek Hasted
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Please, Please, Please, Let Me
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Derek Hasted
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SheetMusicPlus
Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.1345929 By The Smiths. By Johnny Marr and Steven Morrissey. Arranged by Derek Hasted. Pop. 12 pages. ...
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Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.1345929 By The Smiths. By Johnny Marr and Steven Morrissey. Arranged by Derek Hasted. Pop. 12 pages. Derek Hasted #930830. Published by Derek Hasted (A0.1345929). PLEASE PLEASE PLEASE (The Smiths) - accessible piece for FLUTE and GUITARIntended for classical or acoustic guitar, though sometimes it gets listed erroneously under electric guitar.The guitar part is supplied in “Notation only†and “Notation + TABâ€Derek Hasted writes This song burst back into my consciousness when it was played as a Viennese Waltz in the BBC TV program “Strictly Come Dancingâ€.The ponderous, downbeat, original became light, inspiring, uplifting and very beautiful.Here’s the version that was on TV - the same key as the original but slightly shorter.The flute takes the tune, the guitar (with the bottom string tuned to D) takes the accompaniment.It’s ideal for an inexperienced duo - the tune, believe it or not, only uses 5 different notes!The use of 6=D tuning for the guitar dramatically reduces the number of barré chords and makes the guitar part much easier on the left hand.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
I Will Rise
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Musique Sacrée
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Chris Tomlin
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Brian Buda
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I Will Rise
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budaful music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1386282 By Chris Tomlin. By Chris Tomlin, Jesse Reeves, Louis Giglio, and Matt Maher. Arranged by Brian Buda. Christian,C...
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Piano Solo - Level 3 - SKU: A0.1386282 By Chris Tomlin. By Chris Tomlin, Jesse Reeves, Louis Giglio, and Matt Maher. Arranged by Brian Buda. Christian,Contemporary,Easter,Lent,Praise & Worship. Score. 25 pages. Budaful music #970202. Published by budaful music (A0.1386282). This is a gorgeous intermediate to moderately-advanced level piano setting of 'I Will Rise'. Overall, it's a meditative and simple setting that follows the basic structure of Chris Tomlin's worship song. Perfect for times of prayer, mourning, or offertory. There are 2 ending options provided. The first is shorter and more intermediate whereas the second is longer and is more advanced in nature, the bridge does get pretty big but the rest of the song is more subdued. See the first page of music for more details on the performance options. Available in 4 transpositions: C, B, Bb, and A.
$6.99
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
'Type A' aka Tetris Theme
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Fanfare
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FACILE
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Nikolay Nekrasov, Hirokazu Tan
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Alex Hales
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'Type A' aka Tetris Theme
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Alex Hales Music Co.
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SheetMusicPlus
Marching Band - Level 2 - SKU: A0.1248029 Composed by Nikolay Nekrasov, Hirokazu Tanaka. Arranged by Alex Hales. 19th Century,Video Game. Score and Part...
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Marching Band - Level 2 - SKU: A0.1248029 Composed by Nikolay Nekrasov, Hirokazu Tanaka. Arranged by Alex Hales. 19th Century,Video Game. Score and Parts. 22 pages. Alex Hales Music Co. #842593. Published by Alex Hales Music Co. (A0.1248029). Originally a 19th century Russian folk song called Korobeiniki, Type A is the main theme from the popular video game 'Tetris.' Â It's designed to be a shorter tune that can loop as many times as needed while gradually getting faster during breaks between the games!
$50.00
Schubert: Moment Musicaux for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549032 Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 9 pages. Jmsgu3 #3...
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Piano,Viola - Level 2 - SKU: A0.549032 Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 9 pages. Jmsgu3 #3447483. Published by jmsgu3 (A0.549032). Schubert's Moment Musicaux is a collection of six short pieces for solo piano composed by Franz Schubert. They are among the most frequently played of Schubert's piano music and have been recorded many times. The Moments Musicaux are supreme examples of Schubert's ability to suggest the subtlest nuances of emotion, which shift and alter literally in a moment. The composition of the Moments was quite sporadic, with the third and sixth movements appearing in various collections of works compiled by publishers in 1823/24 and the complete collection appearing in 1828, the year of Schubert's death. The Moments Musicaux are short pieces, shorter than his Impromptus, and are collected under the opus number 94. They encompass various moods and moderate difficulty, showcasing Schubert's skill in touching different tonal areas within a single movement. Schubert's Moment Musicaux No. 3 is a significant and popular piece. It is described as energetic, playful, and lyrical. The Moments Musicaux are among Schubert's best-loved works, and No. 3 is known for its whimsical merriment.
$32.95
Schubert: Moment Musicaux for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.549055 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Instructional,Romantic...
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String Quartet String Quartet - Level 3 - SKU: A0.549055 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Instructional,Romantic Period,Standards. 11 pages. Jmsgu3 #3448703. Published by jmsgu3 (A0.549055). Schubert's Moment Musicaux is a collection of six short pieces for solo piano composed by Franz Schubert. They are among the most frequently played of Schubert's piano music and have been recorded many times. The Moments Musicaux are supreme examples of Schubert's ability to suggest the subtlest nuances of emotion, which shift and alter literally in a moment. The composition of the Moments was quite sporadic, with the third and sixth movements appearing in various collections of works compiled by publishers in 1823/24 and the complete collection appearing in 1828, the year of Schubert's death. The Moments Musicaux are short pieces, shorter than his Impromptus, and are collected under the opus number 94. They encompass various moods and moderate difficulty, showcasing Schubert's skill in touching different tonal areas within a single movement. Schubert's Moment Musicaux No. 3 is a significant and widespread piece. It is described as energetic, playful, and lyrical. The Moments Musicaux are among Schubert's best-loved works, and No. 3 is known for its whimsical merriment.
$49.95
Sri Lanka National Anthem: Sri Lanka Matha
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Patriotique
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Ananda Samarakoon
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Colin Kirkpatrick
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Sri Lanka National Anthem: Sri
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band,Large Ensemble - Level 3 - SKU: A0.522164 Composed by Ananda Samarakoon (1911-1962). Arranged by Colin Kirkpatrick. Contemporary. Score and...
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Concert Band,Large Ensemble - Level 3 - SKU: A0.522164 Composed by Ananda Samarakoon (1911-1962). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 35 pages. Colin Kirkpatrick Publications #4286175. Published by Colin Kirkpatrick Publications (A0.522164). This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band,clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This is the full version of the anthem (41 measures) which is used on formal, official occasions. Shorter versions are sometimes heard.This arrangement is in five independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a five-page score with six instrumental staves (including timpani) and three one-line percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file.Part1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin)and Part 1a in E flat (E flat cornet in British-style brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone,bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium,bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn).Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon, tuba, double bass.There’s also a part for timpani, percussion (3 players) and a piano reduction.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$11.99
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