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Table for Eight
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Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.48 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Table for Eight
Ensemble de Trompettes
By Peter Rauch. For Trumpet Ensemble (8 Trumpets). Large ensemble music. Score and parts. …
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By Peter Rauch. For Trumpet Ensemble (8 Trumpets). Large ensemble music. Score and parts. Published by Cimarron Music Press
$17.00
15.29 €
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Ensemble de Trompettes
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Peter Rauch
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Table for Eight
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Cimarron Music Press
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SheetMusicPlus
EIGHTEEN IN ITALY Movement I, Letters from a Poet in Italy
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1081893 By Francis Osentowsk…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1081893 By Francis Osentowski, music Jerry McElveen, text. By Francis Osentowski, DMA University of North Texas. Arranged by Original composition. Contemporary,Contest,Festival,Instructional,Multicultural,Opera,World. Score. 7 pages. Francis Osentowski #686005. Published by Francis Osentowski (A0.1081893). Eighteen in Italy is song one of a four-part song cycle. 1. Eighteen in Italy 2. Caregiver 3. Colosseum 4. David. The beautiful poems by former Richland College Professor, Jerry McElveen describes a tour of Italy by a group of faculty and families. In a beautiful ballroom in Rome on the last day of the tour, Jerry surprised all of us by reciting poems he had created during the tour. When he began presenting his texts...I immediately knew those words were perfect for a musical setting! Our pieces have been performed often throughout the DFW area. Marsha Anderson is a North Lake College faculty member who was an opera singer in Italy for decades and later taught a student credit trip to Italy. You will her perform at University of Texas Arlington with me at the piano. I now think each of the songs should slow down a few clicks to breath more for the singer. The talented young soprano, Erin Alcorn performed the cycle more recently and both performer and my music received excellent reviews from the Dallas Morning News music critic, Scott Cantrell. Several performers have told me that the songs are very comfortable to perform, and the music is suitable for young singers. All four songs are available to purchase at this site.
$5.99
5.39 €
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Piano, Voix
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Francis Osentowski, music Jerry McElveen, text
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Original composition
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EIGHTEEN IN ITALY Movement I, Letters from a Poet in Italy
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Francis Osentowski
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SheetMusicPlus
Practical Organ Classics for Worship-Digital Download
Eighteen classics from 19th and early 20th centuries. This is a compilation of standar…
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Eighteen classics from 19th and early 20th centuries. This is a compilation of standard organ literature suitable for use in the church service. Selections were taken from composers who lived in the 19th and early 20th centuries. All pieces are registered for organs with two manuals and pedals
Song List: A Hymn on Confidence (Reger) A Hymn of Devotion (Brahms) A Hymn of Penitence (Reger) A Mighty Fortress Is Our God (Reger) A Song of Comfort (Brahms) Adagio (Merkel) Adagio Cantabile (Mendelssohn) Adagio in D Flat (Liszt) Ah, Holy Jesus (Brahms) Cortege (Vierne) Grand Chorus in B Flat (Dubois) Grand Chorus in F (Franck) Hymnus (Liszt) O World, I Now Must Leave You (Brahms) Out of Deepest Woe I Cry to You (Reger) Offertory in E Flat (Dubois) Postlude in C Major (Merkel) Prelude in C (Vierne)
$22.95
20.64 €
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Practical Organ Classics for Worship-Digital Download
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SheetMusicPlus
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: …
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.38 €
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Various
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B
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"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.38 €
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Various
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B
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"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842…
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.38 €
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Various
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B
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"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Sopr…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - Digital Download SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.38 €
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Various
#
B
#
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
#
bl_music
#
SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Clarinet and Trumpet Duet
Clarinette, Trompette (duo)
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: …
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: A0.590106 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168339. Published by David McKeown (A0.590106). He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Clarinet and one Trumpet. He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
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Clarinette, Trompette (duo)
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Traditional
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David McKeown
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He's Got The Whole World in His Hands, Gospel Song for Clarinet and Trumpet Duet
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David McKeown
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SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Flute and Trumpet Duet
Flûte, Trompette (duo)
Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: A0.…
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Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: A0.590113 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168359. Published by David McKeown (A0.590113). He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Flute and one Trumpet. He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
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Flûte, Trompette (duo)
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Traditional
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David McKeown
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He's Got The Whole World in His Hands, Gospel Song for Flute and Trumpet Duet
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David McKeown
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SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Clarinet and Violin Duet
Clarinette, Violon (duo)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.590108 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168343. Published by David McKeown (A0.590108). He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Clarinet and one Violin. He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
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Clarinette, Violon (duo)
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Traditional
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David McKeown
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He's Got The Whole World in His Hands, Gospel Song for Clarinet and Violin Duet
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David McKeown
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SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Flute and Violin Duet
Flûte, Violon
Instrumental Duet Flute,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.590115 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168363. Published by David McKeown (A0.590115). He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Flute and one Violin. He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
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Flûte, Violon
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Traditional
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David McKeown
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He's Got The Whole World in His Hands, Gospel Song for Flute and Violin Duet
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David McKeown
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SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Flute and Viola Duet
Flûte, Alto (duo)
Instrumental Duet Flute,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.59…
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.590114 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168361. Published by David McKeown (A0.590114). He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Flute and one Viola. He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
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Flûte, Alto (duo)
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Traditional
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David McKeown
#
He's Got The Whole World in His Hands, Gospel Song for Flute and Viola Duet
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David McKeown
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SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Flute and Clarinet Duet
Flûte, Clarinette (duo)
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0…
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.590110 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168351. Published by David McKeown (A0.590110). He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Flute and one Clarinet. He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
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Flûte, Clarinette (duo)
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Traditional
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David McKeown
#
He's Got The Whole World in His Hands, Gospel Song for Flute and Clarinet Duet
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David McKeown
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SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 4 - Digital Download SKU: A0.590139 Composed by Traditio…
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Violin Duet Violin - Level 4 - Digital Download SKU: A0.590139 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. 4 pages. David McKeown #6168413. Published by David McKeown (A0.590139). He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for two Violins. He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
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2 Violons (duo)
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Traditional
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David McKeown
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He's Got The Whole World in His Hands, Gospel Song for Violin Duet
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David McKeown
#
SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Trombone Duet
2 Trombones (duo)
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.590127 Composed by Trad…
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Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.590127 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score. 4 pages. David McKeown #6168387. Published by David McKeown (A0.590127). He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for two Trombones. He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
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2 Trombones (duo)
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Traditional
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David McKeown
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He's Got The Whole World in His Hands, Gospel Song for Trombone Duet
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David McKeown
#
SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Trumpet Duet
2 Trompettes (duo)
Trumpet Duet Trumpet - Level 4 - Digital Download SKU: A0.590133 Composed by Tradit…
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Trumpet Duet Trumpet - Level 4 - Digital Download SKU: A0.590133 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score. 4 pages. David McKeown #6168401. Published by David McKeown (A0.590133). He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for two Trumpets. He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
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2 Trompettes (duo)
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Traditional
#
David McKeown
#
He's Got The Whole World in His Hands, Gospel Song for Trumpet Duet
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David McKeown
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SheetMusicPlus
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