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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Tai chi
Non classifié
2 144
Piano & claviers
Piano grosses notes
3 508
Piano, Voix et Guitare
1 749
Piano seul
1 637
Orgue
1 586
Piano Facile
1 363
Piano, Voix
1 221
1 Piano, 4 mains
147
Instruments en Do
75
Clavier
59
2 Pianos, 4 mains
29
Accompagnement Piano
23
Piano Trio: piano, violon, violoncelle
20
Instrument seul et Orgue
19
Accordéon, Voix
13
Piano Quatuor: piano, violon, alto, violoncelle
6
Accordéon
5
Piano (partie séparée)
4
Ligne De Mélodie, Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Piano (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
1 Piano, 6 mains
2
2 Pianos, 8 mains
1
+ 18 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
706
Guitare notes et tablatures
398
Guitare
228
Ukulele
158
Basse electrique
81
2 Guitares (duo)
21
Piano, Guitare (duo)
21
Dulcimer
21
Paroles et Accords
17
Mandoline
11
4 Guitares (Quatuor)
7
Banjo
5
3 Guitares (trio)
3
Guitare (partie séparée)
3
Ensemble de guitares
2
Basse électrique (partie séparée)
2
Dobro
1
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
2 Ukuleles
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
353
Chorale 2 parties
156
Chorale 3 parties
149
Chorale Unison
101
Pack Instrumental pour Chorale
50
Chorale TTBB
47
Voix Soprano, Piano
38
Chorale SSAA
35
Voix Tenor, Piano
32
Voix Baryton, Piano
31
Voix duo, Piano
30
Voix Alto, Piano
28
Voix duo
6
Voix haute
6
Chorale
5
Voix moyenne, Piano
4
Chorale SSAATTBB
4
Soli, choeur mixte et accompagnement
2
Voix, Guitare
2
Voix Soprano
1
Chorale SSATB
1
Chorale SSAB a cappella
1
Chorale SSAB, Piano
1
Voix basse, Piano
1
Voix seule
1
Chorale SSATTB
1
+ 21 instrumentations
Retracter
Vents
Flûte traversière et Piano
280
Clarinette et Piano
258
Clarinette
225
Flûte traversière
188
2 Saxophones (duo)
183
Saxophone Alto
166
Hautbois, Piano (duo)
137
Saxophone Tenor
128
Quatuor de Saxophones: 4 saxophones
126
Saxophone Alto et Piano
112
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
101
Flûte, Hautbois, Clarinette, Basson
99
2 Flûtes traversières (duo)
94
Saxophone Tenor et Piano
90
Saxophone Soprano et Piano
87
Saxophone (partie séparée)
85
Quintette de Saxophone: 5 saxophones
82
2 Clarinettes (duo)
81
Saxophone Baryton, Piano
67
3 Saxophones (trio)
50
Hautbois (partie séparée)
44
Flûte, Clarinette (duo)
41
2 Hautbois (duo)
40
Quatuor de Clarinettes: 4 clarinettes
40
2 Flûte à bec (duo)
37
Hautbois
37
Quatuor de Flûtes : 4 flûtes
36
Saxophone Soprano
33
Saxophone Baryton
32
Clarinette (partie séparée)
32
Hautbois, Basson (duo)
32
Hautbois, Clarinette (duo)
29
Flute (partie séparée)
27
Flûte à bec Soprano
25
Clarinette, Basson (duo)
24
Cor anglais, Piano
23
Clarinette, Violon (duo)
22
3 Clarinettes (trio)
22
Flûte à Bec
20
Trio de Flûtes: 3 flûtes
19
Ensemble de Clarinettes
18
Ensemble de saxophones
17
Flûte et Guitare
16
Saxophone, Clarinette (duo)
15
Flûte à bec Alto
15
Ensemble de Flûtes
15
Clarinette Basse, Piano
13
Flûte, Alto (duo)
13
Harmonica
12
Quintette de Flûte : 5 flûtes
12
Flûte, Violon
12
Flûte, Violoncelle
11
Clarinette, Violoncelle (duo)
11
Hautbois, Violoncelle
10
Flûte, Clarinette et Basson
10
Flûte, Hautbois (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Clarinette et Alto
10
Flûte, Hautbois, Basson
9
Hautbois, Flûte
9
Clarinette, Trompette (duo)
9
Clarinette, Guitare (duo)
9
Quatuor de Flûtes à bec
8
5 Flûtes à bec
8
Flûte, Hautbois, Clarinette (trio)
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte, Violon, Piano
8
Cor Anglais
7
Hautbois et alto (duo)
7
Hautbois, violon (duo)
7
Flûte, Trompette (duo)
7
Piccolo, Piano
6
Flûte à bec Alto, Piano
6
Flûte, Saxophone (duo)
5
Flûte à bec Tenor
5
Ensemble De Flûte à bec
5
3 Flûtes à bec (trio)
5
Flûte à bec Soprano, Piano
4
Flûte, Hautbois, Piano (trio)
4
Hautbois, Guitare (duo)
3
Saxophone et Piano
3
Instruments en Mib
3
Flûte, Violoncelle, Guitare
3
Clarinette Basse
3
Clarinette, Contrebasse (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Basson et Piano
2
Flûte, Alto et Piano
2
Flute, harpe et violon
2
4 Hautbois
2
Piccolo
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Trombone (duo)
1
Saxophone, Tuba (duo)
1
Flûte, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violon, Piano
1
Saxophone et Guitare
1
Flûte à bec, Guitare (duo)
1
2 Flûtes traversières, Piano
1
Flûte, Clarinette, Violon (trio)
1
2 Clarinettes, Piano
1
Cornemuse
1
Saxophone
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
+ 102 instrumentations
Retracter
Cuivres
Trompette
201
Trombone
154
Cor
136
Trompette, Piano
123
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
118
Trombone et Piano
108
Cor et Piano
97
Tuba et Piano
68
Quatuor de Cuivres : 2 trompettes, trombone, tuba
63
Tuba
56
2 Trompettes (duo)
54
2 Trombones (duo)
51
Quatuor de Cuivres: 2 trompettes, Cor, trombone
50
2 Cors (duo)
39
Trompette, Trombone (duo)
37
Trompette (partie séparée)
34
Cor anglais, Piano
23
Trombone (partie séparée)
22
Euphonium, Piano (duo)
22
Quatuor de cuivres: 4 trombones
18
Quatuor de cuivres: 4 trompettes
16
2 Tubas (duo)
14
Cor (partie séparée)
14
Trompette, Saxophone (duo)
13
Quatuor de cuivres: 4 cors
13
Trombone, Cor (duo)
13
Quatuor de Cuivres
12
Trompette, Cor (duo)
11
Ensemble de Trompettes
10
Euphonium
9
Bass Clef Instruments
9
3 Trombones (trio)
9
Trombone, Tuba (duo)
9
Trompette, Tuba (duo)
8
Cor Anglais
7
3 Tubas (trio)
7
Tuba (partie séparée)
7
Ensemble de Trombones
7
Ensemble de Cors
7
4 Tubas
5
Cor, Tuba (duo)
5
Trombone basse
4
Trombone basse et Piano
4
Tuba et Orgue
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Cor, Violoncelle (duo)
3
3 Cors (trio)
3
Cor et Basson (duo)
3
Trompette, Basson (duo)
3
Instruments en Sib
3
Trio de Cuivres
2
Trombone, Violon (duo)
2
2 Euphoniums et 2 Tubas
2
Trompette, Violoncelle (duo)
2
Euphonium, Tuba (duo)
2
Cor anglais, Guitare (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Ensemble de Tubas
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
3 Euphoniums
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 56 instrumentations
Retracter
Cordes
Violon et Piano
285
Violon
268
Quatuor à cordes: 2 violons, alto, violoncelle
249
Violoncelle, Piano
239
Alto, Piano
236
Violoncelle
194
Alto seul
155
Violon, Violoncelle (duo)
121
2 Violons (duo)
104
2 Violoncelles (duo)
74
2 Altos (duo)
71
Quintette à cordes: 2 violons, alto, violoncelle, basse
62
Harpe
62
Trio à Cordes: violon, alto, violoncelle
61
Violon, Alto (duo)
58
Contre Basse
48
Alto, Violoncelle (duo)
47
Contrebasse, Piano (duo)
46
Alto (partie séparée)
40
Trio à Cordes: 2 violons, violoncelle
22
Violon (partie séparée)
19
4 Violoncelles
18
Violoncelle, Contrebasse (duo)
16
Quatuor à cordes: 4 violons
13
Quatuor à cordes : 4 altos
13
Trio à cordes: 3 violins
12
2 Contrebasses (duo)
12
Violoncelle (partie séparée)
12
Violon, Guitare (duo)
11
Violon, Basson (duo)
10
Trio à Cordes: 3 violoncelles
10
Violoncelle , Guitare (duo)
10
Contrebasse (partie séparée)
7
Alto et Basson
6
Flûte, Contrebasse (duo)
6
Piano Trio: Violon, Alto, Piano
5
Trio à cordes: 3 altos
5
Harpe, Voix
4
Harpe, Violoncelle (duo)
2
Alto, Guitare (duo)
2
Ensemble de Violons
2
Violon, Basse continue
2
Ensemble d'Altos
2
Violon, Tuba (duo)
2
Harpe, Violon, Violoncelle
2
Trio à cordes
1
Violon, Violoncelle, Clarinette
1
2 Violons et Basse continue
1
2 Violons, Piano
1
2 Harpes (duo)
1
Harpe et Piano
1
Autoharp
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violoncelles, Piano
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon (duo)
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
403
Fanfare
349
Orchestre
134
Orchestre à Cordes
131
Cloches
108
Orchestre de chambre
54
Ensemble de cuivres
37
Ensemble Jazz
32
Ensemble de Percussions
23
Percussion (partie séparée)
20
Batterie
16
Marimba
15
Xylophone, Piano
11
Jazz combo
11
Xylophone
11
Vibraphone
7
2 Xylophones
5
Batterie (partie séparée)
4
Percussion
3
3 Marimbas
1
Ensemble d'École
1
Timbales (partie séparée)
1
Piano et Orchestre
1
2 Marimbas
1
+ 19 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
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BASSON
BATTERIE
BOUZOUKI
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CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
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SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Vous avez sélectionné:
Tai chi
Partitions à imprimer
26 082 partitions trouvées
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9976
Republic of China Anthem (Taiwan) for Voice & Piano
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE
#
Keith Terrett
#
Keith Terrett
#
sānmín zhǔyì
#
Republic of China Anthem
#
Keith Terrett
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1485065 By Keith Terrett. By Cheng Maoyun. Arranged by Keith Terrett. 20th Century,Historic,Multicultural,P...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1485065 By Keith Terrett. By Cheng Maoyun. Arranged by Keith Terrett. 20th Century,Historic,Multicultural,Praise & Worship,Traditional,World. Score. 4 pages. Keith Terrett #1062146. Published by Keith Terrett (A0.1485065). The National Anthem of the Republic of China, also known by its incipit Three Principles of the People, is the national anthem of the Republic of China, commonly called Taiwan, as well as the party anthem of the Kuomintang. It was adopted in 1930 as the national anthem and was used as such in mainland China until 1949, when the Republic of China central government relocated to Taiwan following its defeat by the Chinese Communist Party in the Chinese Civil War. It replaced the Song to the Auspicious Cloud, which had been used as the Chinese national anthem before. The national anthem was adopted in Taiwan on October 25, 1945 after the surrender of Imperial Japan. Mainland China, being governed by the People's Republic of China today, discontinued this national anthem for March of the Volunteers.The national anthem's words are adapted from a 1924 speech by Sun Yat-sen in 1937. The lyrics relate to how the vision and hopes of a new nation and its people can be achieved and maintained. Informally, the song is sometimes known as San Min Chu-i from its opening line, which references the Three Principles of the People (三民主義; sānmín zhǔyì; san1-min2 chu3-i4), but this name is never used on formal or official occasions. During flag-raising ceremonies, the national anthem is played at the start prior to flag-raising followed by the National Flag Anthem of the Republic of China during actual flag-raising.
$8.99
Captain America March (22-Piece Digital Pack)
#
Fanfare
#
INTERMÉDIAIRE
#
Film/TV
#
Alan Silvestri
#
Paul Murtha
#
Captain America March
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching band Multiple Bass Drums - Level 3 - SKU: HX.201456 Composed by Alan Silvestri. Arranged by Paul Murtha. Film/TV. Individual instrument part. 1...
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Marching band Multiple Bass Drums - Level 3 - SKU: HX.201456 Composed by Alan Silvestri. Arranged by Paul Murtha. Film/TV. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.201456).
Digital Pack includes
:
Captain America March - Full Score
Captain America March - Flute/Piccolo
Captain America March - Bb Clarinet
Captain America March - Eb Alto Sax
Captain America March - Bb Tenor Sax
Captain America March - Eb Baritone Sax
Captain America March - 1st Bb Trumpet
Captain America March - 2nd Bb Trumpet
Captain America March - 3rd Bb Trumpet
Captain America March - F Horn
Captain America March - Bb Horn/Flugelhorn
Captain America March - 1st Trombone
Captain America March - 2nd Trombone
Captain America March - Baritone B.C.
Captain America March - Baritone T.C.
Captain America March - Tuba
Captain America March - Electric Bass
Captain America March - Bells/Xylophone
Captain America March - Snare Drum
Captain America March - Cymbals
Captain America March - Quad Toms
Captain America March - Multiple Bass Drums
$65.00
Mountain Song (Downloadable)
#
Chorale SSAATTBB
#
INTERMÉDIAIRE
#
Robert Kyr
#
Mountain Song
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SSAATTBB choir unaccompanied - Medium - SKU: MQ.8366-E Composed by Robert Kyr. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Octavo. 16 p...
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SSAATTBB choir unaccompanied - Medium - SKU: MQ.8366-E Composed by Robert Kyr. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Octavo. 16 pages. E. C. Schirmer Music Company - Digital #8366-E. Published by E. C. Schirmer Music Company - Digital (MQ.8366-E). English.This setting of words by Chinese poet Tu Fu as translated and adapted by Robert Kyr features harmonies and melodies that invoke a mountainous landscape. The lyrics also deal with nature and the human condition. Duration: 5:00.
$2.85
Ain't No Mountain High Enough (23-Piece Digital Pack)
#
Fanfare
#
INTERMÉDIAIRE
#
Pop musique
#
Nickolas Ashford and Valerie S
#
Jay Bocook
#
Ain't No Mountain High Enough
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching band Aux Percussion - Level 3 - SKU: HX.133476 Composed by Nickolas Ashford and Valerie Simpson. Arranged by Jay Bocook. Pop. Individual instru...
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Marching band Aux Percussion - Level 3 - SKU: HX.133476 Composed by Nickolas Ashford and Valerie Simpson. Arranged by Jay Bocook. Pop. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.133476).
Digital Pack includes
:
Ain't No Mountain High Enough - Full Score
Ain't No Mountain High Enough - Flute/Piccolo
Ain't No Mountain High Enough - Bb Clarinet
Ain't No Mountain High Enough - Eb Alto Sax
Ain't No Mountain High Enough - Bb Tenor Sax
Ain't No Mountain High Enough - Eb Baritone Sax
Ain't No Mountain High Enough - 1st Bb Trumpet
Ain't No Mountain High Enough - 2nd Bb Trumpet
Ain't No Mountain High Enough - 3rd Bb Trumpet
Ain't No Mountain High Enough - F Horn
Ain't No Mountain High Enough - Bb Horn/Flugelhorn
Ain't No Mountain High Enough - 1st Trombone
Ain't No Mountain High Enough - 2nd Trombone
Ain't No Mountain High Enough - Baritone B.C.
Ain't No Mountain High Enough - Baritone T.C.
Ain't No Mountain High Enough - Tuba
Ain't No Mountain High Enough - Electric Bass
Ain't No Mountain High Enough - Bells/Xylophone
Ain't No Mountain High Enough - Snare Drum
Ain't No Mountain High Enough - Cymbals
Ain't No Mountain High Enough - Quad Toms
Ain't No Mountain High Enough - Multiple Bass Drums
Ain't No Mountain High Enough - Aux Percussion
$65.00
Ain't No Mountain High Enough (arr. Michael Brown) (22-Piece Digital Pack)
#
Fanfare
#
FACILE
#
Rock
#
Marvin Gaye, Marvin Gaye and T
#
Michael Brown
#
Ain't No Mountain High Enough
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Hal Leonard - Digital
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SheetMusicPlus
Marching Band - Level 2-3 - SKU: HX.461502 By Marvin Gaye, Marvin Gaye and Tammi Terrell, and Tammi Terrell. Arranged by Michael Brown. This edition: sc...
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Marching Band - Level 2-3 - SKU: HX.461502 By Marvin Gaye, Marvin Gaye and Tammi Terrell, and Tammi Terrell. Arranged by Michael Brown. This edition: scorch. Oldies,Standards. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.461502).
Digital Pack includes
:
Ain't No Mountain High Enough (arr. Michael Brown) - Conductor Score (Full Score)
Ain't No Mountain High Enough (arr. Michael Brown) - Bb Clarinet
Ain't No Mountain High Enough (arr. Michael Brown) - Bb Tenor Sax
Ain't No Mountain High Enough (arr. Michael Brown) - Trombone
Ain't No Mountain High Enough (arr. Michael Brown) - Flute/Piccolo
Ain't No Mountain High Enough (arr. Michael Brown) - Eb Baritone Sax
Ain't No Mountain High Enough (arr. Michael Brown) - Tuba
Ain't No Mountain High Enough (arr. Michael Brown) - 3rd Bb Trumpet
Ain't No Mountain High Enough (arr. Michael Brown) - Baritone B.C. (Opt. Tbn. 2)
Ain't No Mountain High Enough (arr. Michael Brown) - Electric Bass
Ain't No Mountain High Enough (arr. Michael Brown) - Eb Alto Sax
Ain't No Mountain High Enough (arr. Michael Brown) - Bb Horn/Flugelhorn
Ain't No Mountain High Enough (arr. Michael Brown) - 1st Bb Trumpet
Ain't No Mountain High Enough (arr. Michael Brown) - Baritone T.C.
Ain't No Mountain High Enough (arr. Michael Brown) - 2nd Bb Trumpet
Ain't No Mountain High Enough (arr. Michael Brown) - Cymbals
Ain't No Mountain High Enough (arr. Michael Brown) - Quad Toms
Ain't No Mountain High Enough (arr. Michael Brown) - Bells/Xylophone
Ain't No Mountain High Enough (arr. Michael Brown) - Snare Drum
Ain't No Mountain High Enough (arr. Michael Brown) - F Horn
Ain't No Mountain High Enough (arr. Michael Brown) - Aux Percussion
Ain't No Mountain High Enough (arr. Michael Brown) - Multiple Bass Drums
$60.00
Achieving Guitar Artistry - Linear Guitar Etudes
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Methodes Etudes
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William Bay
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Achieving Guitar Artistry - Li
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by William Bay. Solos. Achieving Guitar Artistry. Style. E-book. 104 pages. Mel Bay Publications - Digital Sheet Music #WBM23EB. Published by...
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Composed by William Bay. Solos. Achieving Guitar Artistry. Style. E-book. 104 pages. Mel Bay Publications - Digital Sheet Music #WBM23EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117143.
This is the flagship book in Mel Bay's Achieving Guitar Artistry series. Herein you will find an extensive collection of linear pieces with interesting melodic content. Frequent performance of these etudes will not only enhance technique, but offer the guitarist a wonderful opportunity to improve tone, touch and lyrical phrasing.We suggest playing each etude at a slow tempo at first, the goal being to achieve a clear and beautiful tone on every note. The next objective is to develop a sense of lyrical completeness to each musical phrase. Make the phrases sing! Once you have achieved the desired quality of tone and expression, increase the tempo to work on the technique.Mel Bay's Guitar Journals - Mastering the Fingerboard: The Reading Book (MB20903) would make an ideal supplement to Linear Guitar Etudes as it presents etudes in all keys and positions.The pieces in Linear Guitar Etudes are multi-positional. That is, the player will be required to move from position to position on the fingerboard. The music is presented in standard notation only, with left-hand fingering included on the more complex passages, and circled numbers to indicate the strings where certainnotes and passages are to be played.These etudes sound good on both nylon and steel-string guitars, and will be a valuable addition to the music library of any guitarist, enhancing their abilities regardless of the style of music played.
$17.99
Ju Hua Tai
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jay Zhou
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Gavin Koh
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Ju Hua Tai
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Gavin Koh
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1238849 By Jay Zhou. By Chieh-lun Chou and Wen-shan Fang. Arranged by Gavin Koh. Film/TV,Multicultural,Pop,...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1238849 By Jay Zhou. By Chieh-lun Chou and Wen-shan Fang. Arranged by Gavin Koh. Film/TV,Multicultural,Pop,World. Score. 5 pages. Gavin Koh #834109. Published by Gavin Koh (A0.1238849). This is the piano solo arrangement of the lovely piece - Ju Hua Tai èŠèŠ±å°, literally Chrysanthemum Terrace - by Taiwanese singer-songwriter Jay Chou, Zhou Jie Lun 周æ°ä¼¦. The music was featured in the 2006 movie Curse of the Golden Flower 满城尽带黄金甲. This version has a tempo of 69 bpm and is in F Major (before modulating to G Major at the end). More importantly, it includes the part for the Gu Zheng å¤ç (chinese zither) integrated into the piece. Guitar chords and original chinese lyrics can also be found in the piece. If you wish for the Chinese literals, you can easily find this online via a Google Search. Thank you for considering this arrangement and enjoy learning and playing it!
$4.99
CHIN JING (I WANT TO BE NEAR YOU)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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CHIN JING
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1415781 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...
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Piano Solo - Level 4 - SKU: A0.1415781 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 6 pages. White Piano International Publishing #993621. Published by White Piano International Publishing (A0.1415781). CHIN JING (I WANT TO BE NEAR YOU) (Original Piano Music) from “CHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo6 pagesDuration approximately 4:30CHIN JING (I WANT TO BE NEAR YOU) stands out as the sole composition in the CHINA LOVE album not originating from Singapore. Upon my return to California in 1989, I felt compelled to add one more piece to complete the collection of ten. My aim was to curate an album featuring ten piano compositions in the evocative style of Chinese music, aptly named “CHINA LOVE.â€The term CHIN JING, when spoken phonetically in Mandarin with the appropriate accents, translates to I Want To Be Near You. This invented phrase seemed fitting as the title for this particular piece, drawing inspiration from the theme of romantic love prevalent in many traditional Chinese melodies.CHIN JING (I WANT TO BE NEAR YOU) employs open fifths introducing the sostenuto pedal for an echoing effect, followed by a pentatonic melody that infuses the piece with its essence.The sheet music is meticulously notated, providing clear instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.Suitable for advanced intermediate students, professional pianists, and piano instructors alike, this arrangement offers a rewarding musical experience.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of CHIN JING (I WANT TO BE NEAR YOU) can be enjoyed on Robert’s “CHINA LOVE†album.For those interested in an EARLY INTERMEDIATE PIANO arrangement of the entire collection TEN MUSICAL THEMES FROM ‘CHINA LOVE  can be obtained through:SHEET MUSIC PLUSSHEET MUSIC DIRECTPublished by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$2.99
Mist-Covered Mountains (Chì mi na mòrbheanna)
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Chorale SATB
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FACILE
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John Cameron, 1856
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Sheena Phillips
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Mist-Covered Mountains
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Sheena Phillips
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1476839 Composed by John Cameron, 1856. Arranged by Sheena Phillips. 19th Century,Celtic,Folk,Irish,...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1476839 Composed by John Cameron, 1856. Arranged by Sheena Phillips. 19th Century,Celtic,Folk,Irish,Multicultural,World. 14 pages. Sheena Phillips #1054352. Published by Sheena Phillips (A0.1476839). Mist-Covered Mountains is a very accessible SATB choral arrangement of the gorgeous 19th century Gaelic song Chì Mi Na Mòrbheanna (usually translated as The Mist-Covered Mountains of Home). The original song was written in 1856 by John Cameron, and since then has entered the folk tradition. It was made famous by The Rankin Family in the 1970s, and many other folk artists have covered it. This arrangement was written for Belsize Community Choir in London, and is well-suited to community choirs. The refrain is in the original Gaelic, but the verses are in English.The Gaelic refrain is easily learned and a pronunciation guide is included. The tune passes among different voice parts, and is sometimes sung in unison. The (optional) piano gives solidity and depth – like the mountains themselves. There is also a part for soprano recorder. If performing the song a cappella, start at bar 7, end at bar 86, and leave out the third beat of bars 38, 54, 70 and 78.
$2.00
Epic Stadium - for Marching Band or Pep Band
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Fanfare
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INTERMÉDIAIRE
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Sport
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John McAllister
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Epic Stadium - for Marching Ba
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John McAllister
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SheetMusicPlus
Marching Drum Line, Concert Band, Marching Band - Intermediate - Digital Download Composed by John McAllister. Hip-Hop. Score, Set of Parts. 20 pages. Publ...
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Marching Drum Line, Concert Band, Marching Band - Intermediate - Digital Download Composed by John McAllister. Hip-Hop. Score, Set of Parts. 20 pages. Published by John McAllister
Epic Stadium is a stands tune for marching band, pep band, or other group seeking to entertain. This tune begins and ends strongly, with a hip-hop groove feel throughout. Definitely a great tune to pump up the team and add some great ambiance to the game!
$30.00
Rocky Mountain Vista
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Orchestre d'harmonie
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FACILE
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Folklorique/Traditionel
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Stephen R Dalrymple
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Stephen R Dalrymple
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Rocky Mountain Vista
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.818279 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages....
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Concert Band - Level 2 - SKU: A0.818279 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages. Stephen R Dalrymple #4854631. Published by Stephen R Dalrymple (A0.818279). Rocky Mountain Vista ♫ American Folk Song ♫ “Rocky Mountain High†with “Down in the Valley†and “Home on the Range†♫ arranged for concert band by Stephen R Dalrymple ♫ What would you see if you climbed to the rim of the Rocky Mountains (or the Appalachians)? I arranged 2 American folk songs of unknown authorship, Rocky Mountain and Down in the Valley, plus Home on the Range (by Brewster Higley (lyrics 1874) and Daniel Kelly (melody pre 1905) to portray our western mountains and range land. ♫ [2021 Update: Actually, modern theory says Rocky Mountain came from the Appalachian Mountains and describes the rocky mountains of the Appalachians, not the Rockies. But for many the song evokes memories of the Rocky Mountains. So if you look to the west or the east for high mountains, you're covered.] ♫ Rocky mountain, rocky mountain, rocky mountain high, When you’re on that rocky mountain, hang your head and cry. Loo, loo, loo, loo, Do remember me. Loo, loo, loo, loo, Do remember me. ♫ Down in the valley the valley so low, Hang your head over; hear the wind blow. Hear the wind blow dear; hear the wind blow. Hang your head over; hear the wind blow. ♫ Oh, give me a home where the buffalo roam, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ Home, home on the range, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ How often at night, when the heavens were bright, With the light of the twinkling stars, Have I stood here amazed, and asked as I gazed, If their glory exceeds that of ours! ♫ sequenced by the arranger ♫ arrangement © 2001, 2019 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute/Oboe, Clarinet 1, Clarinet 2, Clarinet 3, Bass Clarinet, Alto Clarinet/Alto Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, French Horn, Trombone/Bass Clef Baritone/Bassoon, Treble Clef Baritone, Tuba, Electric Bass, Snare Drum/Bass Drum, Triangle/Cymbal, and Bells. ♫ The YouTube video contains the full recording.
$19.00
Schiarazula Marazula & Ballo Anglese (1583)
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Renaissance
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Schiarazula Marazula & Bal
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1039005 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Co...
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String Ensemble - Level 2 - SKU: A0.1039005 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #644005. Published by Colin Kirkpatrick Publications (A0.1039005). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of danceâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Schiarazula Marazula appears towards the end of the collection and is rather a curious addition because it evokes the sound of street music rather than that of the court. However, it was an immensely popular dance during the 16th century and possibly written by Giorgio Mainerio, an Italian musician and composer. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, Schiarazula Marazula is paired with Ballo Anglese which appears near the beginning of the original publication. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
賞月舞 弦樂四重奏 DANCE FOR MOON WATCHING for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Taiwan Indigenous Archaic Tune
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Diau-Hua Lim 林肇華
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賞月舞 弦樂四重奏 DANC
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Diau-Hua Lim ,林肇華 ,故鄉名曲樂譜 ,Homeland Famous Music Scores
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1442865 Composed by Taiwan Indigenous Archaic Tune 台灣原住民古調. Arranged ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1442865 Composed by Taiwan Indigenous Archaic Tune 台灣原住民古調. Arranged by Diau-Hua Lim 林肇華. Chamber,Contest,Festival,Folk. 16 pages. Diau-Hua Lim ,林肇華 ,故鄉名曲樂譜 ,Homeland Famous Music Scores #1022800. Published by Diau-Hua Lim ,林肇華 ,故鄉名曲樂譜 ,Homeland Famous Music Scores (A0.1442865). There are 16 nationally recognized indigenous ethnic groups containing about 580,000 indigenous peoples in Taiwan. It was academically suggested that their ancestors have been living on Taiwan for 15,000 years.The archaic tune,Dance for Moon Watching,has been sung for a long time. It was arranged for string quartet by Diau-Hua Lim in 2001 and was performed atNational Recital Hall in Taipei in 2002.The string quartet starts with successive perfect fourth interval and through modulations later to create a feeling of wildness.It was performed by The Heritage String Quartet with great success in the 7th annual Taiwanese Music Festival Honor Concert in Ann Arbor, Michigen, USA in Oct. 2009.
$16.99
Music for Children
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q42466 Pentatonic. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff-S...
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Voice, recorder and percussion - SKU: S9.Q42466 Pentatonic. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff-Schulwerk - Rhythmusübungen - Kinderreime. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q42466. Published by Schott Music - Digital (S9.Q42466). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this first volume: speech and rhythmic exercises, nursery rhymes, songs, instrumental pieces and melodic exercises using only the five note scale, with instructions and notes. Illustrated.
$21.99
Music for Children
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q53825 Major: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voic...
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Voice, recorder and percussion - SKU: S9.Q53825 Major: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orchestration - Orff Schulwerk - keys. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 3. Schott Music - Digital #Q53825. Published by Schott Music - Digital (S9.Q53825). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this third volume: The instrumentation and range of keys are inceased. The settings include the chords on the fourth and fifth notes of the major scale.
$21.99
Music for Children
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q47192 Minor: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for voice and/or instr...
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Voice, recorder and percussion - SKU: S9.Q47192 Minor: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Songs - Orff Schulwerk - pieces. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 4. Schott Music - Digital #Q47192. Published by Schott Music - Digital (S9.Q47192). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this fourth volume: Songs and pieces using the full range of the aeolian, dorian and phrygian modes. Accompaniements are founded on drone bass with the later addition of simple chords.
$21.99
Music for Children
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q47388 Major: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for voice and/or instr...
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Voice, recorder and percussion - SKU: S9.Q47388 Major: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Songs - Orff Schulwerk - pieces. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 2. Schott Music - Digital #Q47388. Published by Schott Music - Digital (S9.Q47388). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this second volume: Songs and pieces using the full major scale. Accompaniments are founded on drone bass with the later addition of simple chords.
$21.99
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitat
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thomp...
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
感動的回憶 Touching Memories for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Diau-Hua Lim
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感動的回
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Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1323168 By Diau-Hua Lim. By Diau-Hua Lim 林肇è¯. 21st Century,Chamber. 7 pages. Diau-Hua Lim ,æž—è...
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Piano,Violin - Level 3 - SKU: A0.1323168 By Diau-Hua Lim. By Diau-Hua Lim 林肇è¯. 21st Century,Chamber. 7 pages. Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores #911431. Published by Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores (A0.1323168). Touching Memories is an original violin solo piece with beautiful melody composed by Diau-Hua Lim in 2014. It was firstly performed by violinist I-Ching Li and pianist Pei-Yao Wang at National Concert Hall in Taipei, Taiwan in 2014. Then many excellent musicians performed this work successively at Tokyo Hamarikyu Asahi Hall in Japan,Chung Shan Hall in Taichung and eslite Performance Hall in Taipei in the following years with critical acclaim.
$18.99
Moon Over the Mountain Pass (Guan Shan Yue) - solo guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Asie
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Chinese traditional
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Jack Evans
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Moon Over the Mountain Pass
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Jack Stanley Evans
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SheetMusicPlus
Guitar Tab - Intermediate - Composed by Chinese traditional. Arranged by Jack Evans. World, Folk, Asian. Score, Solo Part, Tablature. 2 pages. Published b...
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Guitar Tab - Intermediate - Composed by Chinese traditional. Arranged by Jack Evans. World, Folk, Asian. Score, Solo Part, Tablature. 2 pages. Published by Jack Stanley Evans
The guqin is an ancient Chinese instrument with seven strings and a warm, sonorous low register; Moon Over the Mountain Pass is a traditional guqin composition based on a poem by the Chinese poet, Li Bai. It represents soldiers on the battlefield longing for the comforts of their home and family.
In order to play this piece in the same key as the original, and more accurately achieve a guqin-like sound, the guitar should be tuned to drop C: CGCFAD, however, it has been notated in drop D tuning for ease of reading. Make sure the harmonics and open strings ring clearly, and perform all of the slides with attitude; this is an important part of the guqin sound.
$4.99
12. Curtain Call (from The Heart of Growth, a musical)
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Piano, Voix et Guitare
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Siu Tin Chi
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Frankie Ho
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12. Curtain Call
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Musical Trio Ltd.
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.1477879 Composed by Siu Tin Chi. Arranged by Frankie Ho. Broadway,Comedy,Multicultural,Musical/Show,Pop,World. Score....
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Guitar,Piano,Vocal,Voice - SKU: A0.1477879 Composed by Siu Tin Chi. Arranged by Frankie Ho. Broadway,Comedy,Multicultural,Musical/Show,Pop,World. Score. 2 pages. Musical Trio Ltd. (HK) #1055261. Published by Musical Trio Ltd. (HK) (A0.1477879). The Heart of Growth, a musicalChildren's literary author A Nong's work The Heart of Growth has accompanied an entire generation of Hong Kong people as they grew up and is a treasure of local cultural and artistic heritage! His works are filled with deep and sincere emotions, exuding the nostalgic atmosphere of youthful school days and showcasing a positive and proactive attitude towards life.The theatrical version adapted six of his short stories: Listen, the Cicadas Sing!, A Thread of Love, The Shoe-Shining Gang, The Story on the Bus, Tales on a Rainy Day, and Mom, You Should Give Him a Good Scolding!. With live musical accompaniment and dance, these stories were transformed into a musical collection that vividly recreates the people and emotions of old Hong Kong.The Heart of Growth, a musical premiered in the Hong Kong International Arts Carnival (HKIAC) in 2019 as a community and school touring production and an extended theatrical version was staged at the Sai Wan Ho Civic Centre Theatre in 2021, also as a programme of the HKIAC. The two productions were produced by Musical Trio, a Hong Kong Arts Group. 2019 Community and School Touring ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director & Accompanist: Janice TsuiCast: Judy Or, Tony Li, Suet Ip Wong & Seth Chan (Replacement: Vince Lau & Ariel Cheung)Producer: Cheryl Li 2021 Sai Wan Ho Civic Centre Theatre ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director: Frankie HoAccompanist: Janice TsuiCast: Ariel Cheung, Judy Or, Luk Pang-yue, Rick Cheung & Vince Lau Set and Costume Designer: Bill CheungLighting Designer: Leo SiuSound Designer: Martin LaiIllustrator: A Day A LoneStage Manager: Win LeungDeputy Stage Manager: Nancy LeeProducer: Cheryl Li Complete Song List1. Overture: Listen, the Cicadas Sing!2. Disconnected3. No more Dating!4. Tales on a Rainy Day: Green Mist5. Tales on a Rainy Day: Passerby6. Tales on Rainy Day: Love Fraud7. Prestigious School Girls8. The Distance Between Two Hearts9. Denouement10. Apart for You11. Finale: Listen, the Cicadas Sing!12. Curtain Call13. Apart for You (Solo Version)More information: www.musicaltrio.hkMusical Trio is financially supported by HKADC.
$1.99
Childhood
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Contemporain
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Sally Yeh
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Evzen Burda
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Childhood
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EBTunes
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SheetMusicPlus
Guitar Tab - Intermediate - Composed by Sally Yeh. Arranged by Evzen Burda. Repertoire, Asian, Pop, Children's Music, Recital. Score, Tablature...
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Guitar Tab - Intermediate - Composed by Sally Yeh. Arranged by Evzen Burda. Repertoire, Asian, Pop, Children's Music, Recital. Score, Tablature. 4 pages. Published by EBTunes
Song Tongnian (童年) by Sally Yeh (born 30 September 1961), sometimes credited as Sally Yip or Yip Sin-Man, a Taiwanese-Canadian Cantopop singer and actress. The song was also performed by many singers including a well-known and famous Chinese singer Cheng Fang-Yuan (成方圆). I made the song into a classical / solo guitar instrumental piece and added an original bridge to the middle section of the song.
$3.49
The Bear Went Over the Mountain - Childrens Song for Beginner Harp
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Harpe
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DÉBUTANT
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Sally Beaumont
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No levers required.
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The Bear Went Over the Mountai
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Sally Beaumont
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SheetMusicPlus
Harp - Level 1 - SKU: A0.731567 Arranged by Sally Beaumont. Children,Folk,Instructional. Score. 2 pages. Sally Beaumont #5800613. Published by Sally Bea...
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Harp - Level 1 - SKU: A0.731567 Arranged by Sally Beaumont. Children,Folk,Instructional. Score. 2 pages. Sally Beaumont #5800613. Published by Sally Beaumont (A0.731567). Childrens song for beginner harp in the key of C major. No levers required. All fingering and note groupings notated in the score. .
$1.99
Broom, Shovel, Poker and Tongs (SATB with optional childrens' choir)
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Chorale SATB
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INTERMÉDIAIRE
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Alan Bullard
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Broom, Shovel, Poker and Tongs
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1178796 Composed by Alan Bullard. Children,Comedy. Octavo. 12 pages. Colne Edition / BullardMusic #778761. Publi...
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Choral Choir (SATB) - Level 3 - SKU: A0.1178796 Composed by Alan Bullard. Children,Comedy. Octavo. 12 pages. Colne Edition / BullardMusic #778761. Published by Colne Edition / BullardMusic (A0.1178796). Rediscover the magical world of Edward Lear through this musical picture of the quirky below-stairs world in the Lear household. The four companions go for a carriage ride in the park on their afternoon holiday – but Mr. Poker gets a bit too friendly with Miss Shovel, and Mr. Tongs’ amorous approaches to Mrs Broom only meet with laughter, and then anger, from the two ladies. However, on their return home, a cup of tea soon calms everyone down and puts matters right again! Broom, Shovel, Poker and Tongs is published by Colne Edition and is a movement from Mr Lear, an entertainment for SATB choir with optional childrens’ choir and narrator, with piano or brass quintet. Three of the songs (including this one) are also available togther as Three Nonsense Songs, all from this site.Alan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.ukÂ
$1.99
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