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Take My Life And Let It Be, for Viola and Piano
Partitions à imprimer
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1
Take My Life And Let It Be, for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.763669 Composed by H A C Malan. Ar…
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Piano,Viola - Level 3 - Digital Download SKU: A0.763669 Composed by H A C Malan. Arranged by Nigel Williams. Concert,Easter,Instructional,Sacred,World. Score and part. 8 pages. Nigel Williams #6257931. Published by Nigel Williams (A0.763669). This popular and well known hymn tune Hendon arranged for viola and piano is ideal in a service of worship. It is also very good High School student repertoire. Each player has the opportunity to lead as well as to accompany. Enjoy browsing my extensive selection of viola and string solos and duets with piano accompaniment available on SMP.
$4.99
4.61 €
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Alto, Piano
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H A C Malan
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Nigel Williams
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Take My Life And Let It Be, for Viola and Piano
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Nigel Williams
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SheetMusicPlus
TAKE MY LIFE AND LET IT BE - VIOLA SOLO with Piano Accompaniment
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.807016 Composed by Henry A. Cés…
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Piano,Viola - Level 4 - Digital Download SKU: A0.807016 Composed by Henry A. César Malan. Arranged by Glen Poehlmann. Christian,Sacred. Score and part. 12 pages. Arrangements by GPoehlmann #6209691. Published by arrangements by GPoehlmann (A0.807016). TAKE MY LIFE AND LET IT BE - VIOLA SOLO with Piano Accompaniment71 measures. Performance Time approx 3:00. Medium Difficult (Grade 4)Key: G - A. Meter: 4/4 - 6/8. Viola Range (C4=middle C): D3 - A5
$4.95
4.58 €
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Alto, Piano
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Henry A
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Glen Poehlmann
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Meter: 4/4 - 6/8.
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TAKE MY LIFE AND LET IT BE - VIOLA SOLO with Piano Accompaniment
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arrangements by GPoehlmann
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SheetMusicPlus
TAKE MY LIFE AND LET IT BE Hymn Sonata (for Viola and Piano with Score/Part)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.617692 Composed by HENRI A. C. MAL…
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Piano,Viola - Level 3 - Digital Download SKU: A0.617692 Composed by HENRI A. C. MALAN, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 11 pages. The Lanier Company #6011949. Published by The Lanier Company (A0.617692). TAKE MY LIFE AND LET IT BE Hymn Sonata (one movement) is a musical work by Gary Lanier for Viola and Piano of one of our most cherished Hymns. The theme is one of total love and devotion to the Lord Jesus in all aspects of life. Gary uses the term hymn sonata, because of the many uses of the hymn tune such as: motifs, secondary themes, variations, recapitulation and other compositional devices. TAKE MY LIFE AND LET IT BE Hymn Sonata is perfect for Church or any gathering where hymns of love and devotion for the Lord is desired. The score, including cover and instrumental part is 11 pages long.
$8.99
8.31 €
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Alto, Piano
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HENRI A
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Gary Lanier
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TAKE MY LIFE AND LET IT BE Hymn Sonata
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The Lanier Company
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SheetMusicPlus
TAKE MY LIFE AND LET IT BE Hymn Sonata (Piano Accompaniment for Viola)
Piano seul
Piano - Digital Download SKU: A0.1056489 Composed by HENRI A. C. MALAN, GARY LANIER…
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Piano - Digital Download SKU: A0.1056489 Composed by HENRI A. C. MALAN, GARY LANIER. Arranged by Gary Lanier. Sacred. Accompaniment. Duration 214. The Lanier Company #6011951. Published by The Lanier Company (A0.1056489). TAKE MY LIFE AND LET IT BE Hymn Sonata is a musical work for Viola and Piano of one of our most cherished Hymns. This mp3 is the Piano Accompaniment for that work by Gary Lanier.
$4.99
4.61 €
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Piano seul
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HENRI A
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Gary Lanier
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TAKE MY LIFE AND LET IT BE Hymn Sonata
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The Lanier Company
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SheetMusicPlus
Take My Life and Let It Be (Violin & Piano)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.727638 Composed by Frances Haverga…
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Piano,Viola - Level 3 - Digital Download SKU: A0.727638 Composed by Frances Havergal, Louis Herold. Arranged by Carol Troutman Wiggins. Christian,Religious,Sacred,Traditional. Score and part. 4 pages. Carol Troutman Wiggins #6320089. Published by Carol Troutman Wiggins (A0.727638). Based on Romans 12:1, this hymn was written as a song of self-consecration by Frances Havergal and set to the tune Messiah by LouÂis J. HérÂold, 1830. ArÂranged by George KingÂsley, 1838. I urge you, brothers, in view of God’s mercy, to offer your bodies as living sacrifices, holy and pleasing to God-this is your spiritual act of worship. ~ Romans 12:1 Intermediate level piano & easy instrument part Great for preludes, offertories, baptism, and general worship. Key change from F to G Piano Track includes piano & instrumental part combined.
$9.99
9.24 €
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Alto, Piano
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Frances Havergal, Louis Herold
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Carol Troutman Wiggins
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Take My Life and Let It Be
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Carol Troutman Wiggins
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SheetMusicPlus
3 ONE MOVEMENT HYMN SONATAS (for Viola and Piano with Score/Parts)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.617754 Composed by Gary Lanier, Lo…
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Piano,Viola - Level 3 - Digital Download SKU: A0.617754 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier. Sacred. Score and part. 41 pages. The Lanier Company #6049303. Published by The Lanier Company (A0.617754). 3 ONE MOVEMENT HYMN SONATAS is a musical work created by Gary Lanier for Viola and Piano. It includes three of our most cherished Hymns: (1) Amazing Grace, (2) Take My Life and Let It Be, and (3) To God Be the Glory. The theme is one of God's Grace, the Christian's response to what He has done for us, and God's Love, all seen through His Son, Jesus Christ. The word, sonata is used by the composer/arranger because of the many ways the hymn tunes are presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. 3 ONE MOVEMENT HYMN SONATAS is perfect for Church services, recitals or gatherings where hymns of God's grace, His love and our praise to Him is desired. The score, including cover and instrumental parts is 41 pages long. All three for the price of two.
$19.99
18.49 €
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Alto, Piano
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Gary Lanier, Lowell Mason, Traditional, and William H
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Gary Lanier
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3 ONE MOVEMENT HYMN SONATAS
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The Lanier Company
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SheetMusicPlus
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
23.11 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet No 0 SCORE
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938424 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938424 Composed by Colin Bayliss. 20th Century. Score and parts. 46 pages. Colin Bayliss #11309. Published by Colin Bayliss (A0.938424). The work was completed on February 2nd 1970 and is the first piece to be retained by the composer after he had destroyed all his earlier compositions. The parts are available as a separate download. The following is taken from the catalogue of the composer's works:- The photocopy of the MS is marked String Quartet No. 1, but is not regarded by the composer as part of his mature string quartet writing. The MS itself was lost in a fire at the home of Col. Robert Tong, formerly Registrar of Queen Mary College, University of London. A typesetting was made in November 2000 as the photocopy had faded so badly. The composer's sketch books suggest that the movements were written in the order 3,2,4,1. 1. Allegro 2. Scherzo (Allegro energico) Trio I - tempo di menuetto Trio II - no tempo indicated - [andante] 3. Andante con moto 4. Allegro ma non troppo Composer's note:- As the above suggests, I originally had no intention of publishing this early piece. The recording by the Lochrian String Quartet of the six numbered quartets, however , together with sleeve notes admitting the existence of this work, prompted me into revising my opinion and allowing its publication, so that anyone wishing to study this first effort may do so. It shows certain traits that I was to develop in the six quartets and others that I was to discard, and therefore is of musicological interest. It also has a few good, albeit imitative, tunes! Duration: Approx. 25 mins. COLIN BAYLISS was born in Mansfield, Nottinghamshire in 1948. His life-long love of music led him to compose from an early age and he now has a catalogue of over a hundred works including two operas, four symphonies, six string quartets and many other pieces for most instrumental and chamber groupings, over seventy of them published. He is a member of the British Academy of Composers and Songwriters, the North West Composers' Association and the Performing Rights Society. As well as writing music himself, he has also compiled annotated catalogues of the works of Anthony Hedges and Sir Peter Maxwell Davies. CDs of his piano music played by David Martin and complete organ music played by Ronald Frost are available on the New Century Classics label. Please feel free to use these biographical and programme notes in your concert programmes.
$10.00
9.25 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Colin Bayliss
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String Quartet No 0 SCORE
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Colin Bayliss
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SheetMusicPlus
String Quartet No 0 - PARTS
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938426 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938426 Composed by Colin Bayliss. 20th Century. Score and parts. 74 pages. Colin Bayliss #11311. Published by Colin Bayliss (A0.938426). The work was completed on February 2nd 1970 and is the first piece to be retained by the composer after he had destroyed all his earlier compositions. The Score is available as a separate download The following is taken from the catalogue of the composer's works:- The photocopy of the MS is marked String Quartet No. 1, but is not regarded by the composer as part of his mature string quartet writing. The MS itself was lost in a fire at the home of Col. Robert Tong, formerly Registrar of Queen Mary College, University of London. A typesetting was made in November 2000 as the photocopy had faded so badly. The composer's sketch books suggest that the movements were written in the order 3,2,4,1. 1. Allegro 2. Scherzo (Allegro energico) Trio I - tempo di menuetto Trio II - no tempo indicated - [andante] 3. Andante con moto 4. Allegro ma non troppo Composer's note:- As the above suggests, I originally had no intention of publishing this early piece. The recording by the Lochrian String Quartet of the six numbered quartets, however , together with sleeve notes admitting the existence of this work, prompted me into revising my opinion and allowing its publication, so that anyone wishing to study this first effort may do so. It shows certain traits that I was to develop in the six quartets and others that I was to discard, and therefore is of musicological interest. It also has a few good, albeit imitative, tunes! Duration: Approx. 25 mins. COLIN BAYLISS was born in Mansfield, Nottinghamshire in 1948. His life-long love of music led him to compose from an early age and he now has a catalogue of over a hundred works including two operas, four symphonies, six string quartets and many other pieces for most instrumental and chamber groupings, over seventy of them published. He is a member of the British Academy of Composers and Songwriters, the North West Composers' Association and the Performing Rights Society. As well as writing music himself, he has also compiled annotated catalogues of the works of Anthony Hedges and Sir Peter Maxwell Davies. CDs of his piano music played by David Martin and complete organ music played by Ronald Frost are available on the New Century Classics label. Please feel free to use these biographical and programme notes in your concert programmes.
$10.00
9.25 €
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Quatuor à cordes: 2 violons, alto, violoncelle
#
Colin Bayliss
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String Quartet No 0 - PARTS
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Colin Bayliss
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SheetMusicPlus
Almost May Lead Sheet
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.76 €
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Instruments en Do
#
Heidi Savoie
#
Heidi Savoie
#
Almost May Lead Sheet
#
Heidi Savoie
#
SheetMusicPlus
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