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Take On Me - Baritone B.C.
Non classifié
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1
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Vents
Hautbois, Clarinette, Basson (trio d'anches)
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3 Clarinettes (trio)
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Violoncelle, Piano
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Harpe
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Trio à Cordes: violon, alto, violoncelle
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Quatuor à cordes: 2 violons, alto, violoncelle
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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Crtitères actifs :
Take On Me - Baritone B.C.
Partitions à imprimer
40 partitions trouvées
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They Can't Take That Away From Me from THE BARKLEYS OF BROADWAY from SHALL WE DANCE
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Instruments en Do
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Contemporain
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Frank Sinatra
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Mark W
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They Can't Take That Away From
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.808217 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Mark W. Huxhold. 20th Century. Lead Sheet / Fake Book. ...
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C Instrument - SKU: A0.808217 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Mark W. Huxhold. 20th Century. Lead Sheet / Fake Book. 5 pages. Mark Wayne Music, LLC #3520281. Published by Mark Wayne Music, LLC (A0.808217). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$4.99
Baby (you've Got What It Takes)
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Clyde Otis and Murray Stein
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John Fries
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Baby
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.518447 Composed by Clyde Otis and Murray Stein. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. Lead Shee...
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C Instrument - Level 4 - SKU: A0.518447 Composed by Clyde Otis and Murray Stein. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #129146. Published by John Fries (A0.518447). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Originally titled You've Got What It Takes, the song was first recorded by Brook Benton's sister, In August 1959. Brook Benton partnered with Dinah Washington to record the song as BABY, You've Got What It Takes. Their version, released in January 1960, was hugely successful on both the pop and R&B charts, reaching #5 on the Billboard Hot 100 and #1 on the Hot R&B sides chart for ten weeks, becoming one of the most successful R&B singles of the 1960s.
$3.99
You Taught Me How To Speak In Love
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Instruments en Do
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INTERMÉDIAIRE
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Marlena Shaw
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Popnroll 1976
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You Taught Me How To Speak In
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Popnroll 1976
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1311681 By Marlena Shaw. By Art Munson and Molly-ann Leikin. Arranged by Popnroll 1976. 20th Century,Pop. Lead Sheet / ...
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C Instrument - Level 3 - SKU: A0.1311681 By Marlena Shaw. By Art Munson and Molly-ann Leikin. Arranged by Popnroll 1976. 20th Century,Pop. Lead Sheet / Fake Book. 4 pages. Popnroll 1976 #900676. Published by Popnroll 1976 (A0.1311681). You Taught Me How To Speak In Love - Marlena Shaw (Lead Sheet for Vocal & Guitar solo/Chords/Lyrics/Piano Intro)This is the vocal melody score (with lyrics) for the second ballad You Taught Me How To Speak In Love from R&B female vocalist Marina Shaw's 1974 hit album WHO IS THIS BITCH, ANYWAY?The intro piano and the solos of the two guitarists (Larry Carlton & David T. Walker) in the latter half of the song are also copied completely.The melody of the song has also been transcribed as faithfully as possible.PDF format, 4 pages.Lyrics and music by Molly Leikin & Art MunsonSong: Marlena ShawSongs commentary　This song is said to be the motif of Itoshi no Ellie by Southern All Stars, but this song has a simpler structure than Itoshi no Ellie.　The song structure repeats the A part and the B part (chorus) twice, then fades out (F.O.) while repeating the B part.　During this time, there are solos involving the two guitarists in the song. First, Larry Carlton on the left takes the lead in the high register with a clever use of chord tones, and David T. Walker, seated on the right from the third turn, develops a unique and chic phrase.　Marina's singing is free and uninhibited, but her phrasing is full of color as if she is speaking her feelings to the audience.
$9.99
Hymns of Faith for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets)
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Hymns of Faith for 8-note C ma
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Sharon Wilson
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SheetMusicPlus
Small Ensemble Hand Drum,Handpan,Steel Pan,Ukulele - Level 1 - SKU: A0.659353 By Sharon Wilson. By Anna B. Warner, Asa B. Everett, Daniel W. Whittle, El...
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Small Ensemble Hand Drum,Handpan,Steel Pan,Ukulele - Level 1 - SKU: A0.659353 By Sharon Wilson. By Anna B. Warner, Asa B. Everett, Daniel W. Whittle, Elisha Albright Hoffman, James McGranahan, James Montgomery, John H. Stockton, Mary A. Lathbury, Mary Slade, William B. Bradbury, William F. Sherwin, William H. Doane, William J. Kirkpatrick, and etc. Arranged by Sharon Wilson. Children,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 77 pages. Sharon Wilson #267654. Published by Sharon Wilson (A0.659353). This collection contains 10 hymns notated for C major diatonic scale Tongue Drums (suitable for 8, 11, or 13-note drums in the key of C). These hymns can be performed as solos, as rhythmic chord accompaniment for singing, or as duets. Four separate scores are provided for each song to allow maximum flexibility. These scores can be used in numerous ways from solo playing to playing with a partner or as a group. Each song also has an accompanying note and chord reference chart as well as a rhythm pattern chart. Descriptions of each score and chart are detailed on the introduction page and summarized below: Melody Score This score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics are provided below the staff for sing along enjoyment Harmony Score This score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment while someone plays or sings the melody. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments. Grand Staff The Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director using this set of scores in a group setting. If playing with a partner, this score may be easier to use since both players can see what the other person is playing. This score includes Tongue Drum note numbers above the melody staff and below the harmony staff; chord names above the harmony staff for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo Score This score includes both harmony and melody notes to create a fuller sounding solo. Numbers corresponding to the numbers on the Tongue Drum are included above the staff. Note and Chord Chart This chart consists of two separate staff rows. The first staff shows the notes used for the melody and harmony. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm Chart This chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns. Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection: Break Thou the Bread of LifeFootsteps of Jesus Glory to His Name (Down at the Cross)Go to Dark GethsemaneHow Firm a FoundationI Know Whom I Have Believed Jesus Loves MeLead Me to Calvary Only Trust HimTake the Name of Jesus withYouVisit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$15.00
Be Merciful to Me ~ Psalm 57 (for Cello Solo with Piano accompaniment)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Be Merciful to Me ~ Psalm 57
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Sharon Wilson
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.565307 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holiday,Praise & Worship,Sacre...
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Cello,Piano - Level 3 - SKU: A0.565307 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holiday,Praise & Worship,Sacred. Score and part. 8 pages. Sharon Wilson #3872675. Published by Sharon Wilson (A0.565307). This original Scripture song based on Psalm 57 verses 1 and 7-10 is formatted as an instrumental duet (for a bass clef C-instrument with piano accompaniment). This arrangement is in the key of G major with the solo range (CELLO) of one octave; from the second B below middle C to the first B below middle C (B2 to B3). For the CELLO, all notes are playable in the first position making this piece an excellent choice for early-intermediate string players. The purchase price includes a 5-page combined score plus a 2-page solo score. Duration 3:00.This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The beautiful, lyrical style of this instrumental piece creates an atmosphere of worship and is an ideal selection for any church setting. The lyrics (not included on the sheet music) were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me, For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.I’ll sing and give you praises.I’ll wake up at dawn and give you thanks.I’ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.
$4.99
Be Merciful to Me ~ Psalm 57 (for Flute or Violin Solo with Piano accompaniment)
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Violon et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Be Merciful to Me ~ Psalm 57
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet,Piano Flute,Piano - Level 3 - SKU: A0.565308 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holida...
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Instrumental Duet,Piano Flute,Piano - Level 3 - SKU: A0.565308 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holiday,Praise & Worship,Sacred. Score and part. 8 pages. Sharon Wilson #3872677. Published by Sharon Wilson (A0.565308). This original Scripture song based on Psalm 57 verses 1 and 7-10 is formatted as an instrumental duet (for a C-instrument with piano accompaniment). This arrangement is in the key of G major with the solo range (FLUTE or VIOLIN) of one octave; from the first B above middle C to the second B above middle C (B4 to B5). For the VIOLIN, all notes are playable in the first position making this piece an excellent choice for early-intermediate string players. The purchase price includes a 5-page combined score plus a 2-page solo score. Duration 3:00.This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The beautiful, lyrical style of this instrumental piece creates an atmosphere of worship and is an ideal selection for any church setting. The lyrics (not included on the sheet music) were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me, For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.I’ll sing and give you praises.I’ll wake up at dawn and give you thanks.I’ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.
$4.99
Be Merciful to Me ~ Psalm 57 (for Flute and/or Violin Duet with Piano accompaniment)
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Accompagnement Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Be Merciful to Me ~ Psalm 57
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.565310 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. C...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.565310 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Holiday,Praise & Worship,Sacred. Score and parts. 21 pages. Sharon Wilson #3873115. Published by Sharon Wilson (A0.565310). This original Scripture song based on Psalm 57 verses 1 and 7-10 is arranged as an instrumental trio (for FLUTE and/or VIOLIN Duet with PIANO Accompaniment). Though notated with FLUTE on part 1 and VIOLIN on part 2, the ranges are also accessible for other combinations of C instruments (2 violins, 2 flutes, etc.). The range for both parts is identical: B4 to B5 (the first B above middle C to the second B above). For the violin on either part, all notes are playable in the first position making this piece an excellent choice for early intermediate string players. Duration 3:00.The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the FLUTE and VIOLIN (2 pages each) and PIANO (3 pages)3. a combined FLUTE and VIOLIN score (4 pages)This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The beautiful, lyrical style of this instrumental piece creates an atmosphere of worship and is an ideal selection for any church setting. The lyrics (not included on the sheet music) were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me, For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.I’ll sing and give you praises.I’ll wake up at dawn and give you thanks.I’ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.
$5.99
Be Merciful to Me ~ Psalm 57 (for Vocal Duet with Piano accompaniment)
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Voix duo, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Be Merciful to Me ~ Psalm 57
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Sharon Wilson
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.565305 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holiday,Prais...
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Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.565305 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holiday,Praise & Worship,Sacred. 17 pages. Sharon Wilson #3872549. Published by Sharon Wilson (A0.565305). This Scripture song based on Psalm 57 verses 1 and 7-10 is formatted as a vocal duet with piano accompaniment. This arrangement is in the key of G major with the vocal ranges the same for both parts: the first B below middle C to the first B above middle C (B3 to B4). The limited, moderate vocal range makes this song accessible to just about every combination of voices (SA, AA, AB, TB, etc.) It is a very straight-forward arrangement with the SOPRANO (Part 1) carrying the melody throughout and the ALTO (Part 2) adding a non-complex harmony. Duration 3:00.This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The simplicity of the melody allows the vocalists to focus on the words and dynamics as the audience is drawn to the beauty of God's Word expressed musically. The purchase price includes the 9-page combined score with both vocal and piano parts on each page plus a separate VOCALS only score (4 pages) and a PIANO only score (3 pages). To purchase multiple copies for 2-part choral use, this arrangement is available separately at a reduced price.  The lyrics were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me, For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.I’ll sing and give you praises.I’ll wake up at dawn and give you thanks.I’ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
Be Merciful to Me ~ Psalm 57 (for SA or 2-Part Choir with Piano accompaniment)
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Chorale 2 parties
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Be Merciful to Me ~ Psalm 57
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Sharon Wilson
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SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.565306 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holiday,Praise & Worship...
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Choral Choir (SA) - Level 3 - SKU: A0.565306 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holiday,Praise & Worship,Sacred. Octavo. 17 pages. Sharon Wilson #3872557. Published by Sharon Wilson (A0.565306). This Scripture song based on Psalm 57 verses 1 and 7-10 is formatted for a SOPRANO-ALTO or 2-part Choir with piano accompaniment. This 2-part arrangement is in the key of G major with the vocal ranges the same for both parts: the first B below middle C to the first B above middle C (B3 to B4). The limited, moderate vocal range makes this song accessible to just about every combination of voices (SA, AA, AB, TB, etc.). This is a straight-forward arrangement with the SOPRANO (Part 1) carrying the melody throughout and the ALTO (Part 2) adding a non-complex harmony. Duration 3:00.This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The simplicity of the melody allows the vocalists to focus on the words and dynamics as the audience is drawn to the beauty of God's Word expressed musically. The purchase price includes the 9-page combined score with both vocal and piano parts on each page plus a separate VOCALS only score (4 pages) and a PIANO only score (3 pages). For duet use where only one copy is needed, this arrangement is also available as a single purchase.The lyrics were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me, For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.I’ll sing and give you praises.I’ll wake up at dawn and give you thanks.I’ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.
$2.99
Be Merciful to Me ~ Psalm 57 (for Vocal Solo with Piano accompaniment)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Be Merciful to Me ~ Psalm 57
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Sharon Wilson
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.565304 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Praise & Worship,Sacred....
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Piano,Vocal,Voice - Level 3 - SKU: A0.565304 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Praise & Worship,Sacred. Score. 8 pages. Sharon Wilson #3872535. Published by Sharon Wilson (A0.565304). This Scripture song based on Psalm 57 verses 1 and 7-10 is formatted as a vocal solo with piano accompaniment (3 staff piano-vocal score). This solo arrangement is in the key of G major and has a vocal range of one octave, from the first B below middle C to the first B above middle C (B3 to B4). The purchase price includes a 5-page combined score plus a 2-page solo score. Duration 3:00.This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The simplicity of the melody allows the vocalists to focus on the words and dynamics as the audience is drawn to the beauty of God's Word expressed musically. The lyrics were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me, For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.I’ll sing and give you praises.I’ll wake up at dawn and give you thanks.I’ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.
$4.99
Take Me To Your Heart Again
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Trompette
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FACILE
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Jazz
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Edith Piaf
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Bruna T
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Take Me To Your Heart Again
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Bruna T.
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SheetMusicPlus
B-Flat Trumpet Solo,C Trumpet Solo - Level 2 - SKU: A0.730794 By Edith Piaf. By Edith Piaf and Louiguy. Arranged by Bruna T. Jazz,Standards. Individual ...
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B-Flat Trumpet Solo,C Trumpet Solo - Level 2 - SKU: A0.730794 By Edith Piaf. By Edith Piaf and Louiguy. Arranged by Bruna T. Jazz,Standards. Individual part. 1 pages. Bruna T. #339050. Published by Bruna T. (A0.730794). Learn how to play the famous Take me to your heart again (also known as La Vie en Rose) by Edith Piaf on the trumpet with this easy jazz arrangement. Start playing today!
$4.99
Lorelei from Romanzen und Balladen III, op. 53, Low Voice Transposition in C major
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Classique
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Robert Schumann
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Nicole Elyse DiPaolo
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Lorelei from Romanzen und Ball
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse Di...
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Low Voice,Vocal Solo - Level 3 - SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse DiPaolo #3455867. Published by Nicole Elyse DiPaolo (A0.799605). A low-voice-friendly transposition of this relatively little-known Schumann song about the Lorelei (a mythical mermaid-like creature from the Rhine river). It has a one-octave range from C3-C4 as written, so it’s great for an undergraduate singer still sorting out technique. If you would like to commission a customized transposition in another key, please contact me through my website (linked below).About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 National Society of Arts and Letters Vocal Competition (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$4.95
Take A Chance On Me
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Piano seul
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INTERMÉDIAIRE
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Pop musique
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ABBA
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W Paul Pulsipher
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Take A Chance On Me
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W Paul Pulsipher
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1431234 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by W Paul Pulsipher. Pop. Score. 6 pages. W Paul Pulsiphe...
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Piano Solo - Level 3 - SKU: A0.1431234 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by W Paul Pulsipher. Pop. Score. 6 pages. W Paul Pulsipher #1011675. Published by W Paul Pulsipher (A0.1431234). A Piano solo version of Take a Chance On Me by ABBA. B is the original key, but I also have one in C, which you can find on my sheet music page at www.pulsipherproductions.com
$5.99
Hymns for Solo and Duet Instruments Piano Accompaniment Recording
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Piano seul
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Musique Sacrée
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Chris Cooke
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Hymns for Solo and Duet Instru
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Chris Cooke
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SheetMusicPlus
Piano - SKU: A0.1071368 Arranged by Chris Cooke. Christian,Praise & Worship,Sacred. Accompaniment. Duration 4241. Chris Cooke #3004317. Published by Chr...
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Piano - SKU: A0.1071368 Arranged by Chris Cooke. Christian,Praise & Worship,Sacred. Accompaniment. Duration 4241. Chris Cooke #3004317. Published by Chris Cooke (A0.1071368). This book is a recording of the printed piano accompaniment book in this series. Besides accompanying solo or duet instruments, these recordings may also be used for group singing. There is a short introduction, and enough repeats of the verses in case you would like to play or sing them all! While these recordings contain multiple verses, the print version (also available on Sheet Music Plus) contains only one verse with no introduction. All hymns are in a good vocal range except Christ the Lord is Risen Today which is in F to accommodate a more accessible playing range. The only hymn not included in this recording (that occurs in the print book) is Great is Thy Faithfulness, since I only have print publication rights to this piece. This is one large file, containing all 34 accompaniments. For this reason, I have notated the cue point, i.e. the time in the recording when each hymn occurs so they can be located more easily within this one-hour and 10-minute recording. For instance, the second hymn would be found at the 2-minute and 17-second time point. The full list of hymns, with their concert keys, cue points, and length of the introduction, is below: Abide with Me, C; 4-measure intro All Hail the Power of Jesus’ Name, E-flat; cue point: 0:2:17; 4-measure intro Am I A Soldier of the Cross; E-flat; cue point: 0:4:18; 4-measure intro Amazing Grace, E-flat; cue point: 0:5:33; 4-measure intro Blessed Assurance, B-flat; cue point: 0:8:11; 2-measure intro Blest Be the Tie That Binds, E-flat; cue point 0:10:19; 3-measure intro Christ the Lord is Risen Today, F; cue point: 0:12:12; 2-measure intro Come Thou Almighty King, E-flat; cue point: 0:14:36; 4-measure intro Come Thou Fount of Ev’ry Blessing, B-flat; cue point: 0:16:21;4-measure intro Count Your blessings, B-flat; cue point: 0:18:01; 4-measure intro Crown Him With Many Crowns, B-flat; cue point: 0:20:36; 4-measure intro Doxology, E-flat; cue point: 0:22:55; 4-measure intro For the Beauty of the Earth, C; cue point: 0:23:14; 4-measure intro God of Grace and God of Glory, F; cue point: 0:25:49; 2-measure intro Holy, Holy, Holy, B-flat; cue point: 0:27:39; 4-measure intro I Surrender All, C; cue point: 0:30:34; 2-measure intro In Christ There is No East or West, B-flat; cue point: 0:33:26;2-measure intro It is Well with My Soul, B-flat; cue point: 0:35:33; 3-measure intro Jesus Loves Me, B-flat; cue point: 0:36:50; 4-measure intro Jesus the Very Thought of Thee, F; cue point: 0:39:08; 2.75 measure intro Joyful, Joyful, We Adore Thee, C; cue point: 0:40:35; 4-measure intro Love Divine, All Loves Excelling, E-flat; cue point: 0:43:11; 4-measure intro My Country Tis of Thee, E-flat; cue point: 0:45:51; 4-measure intro O Sacred Head, Now Wounded, E-minor; cue point: 0:47:45; 4-measure intro O For A Thousand Tongues to Sing, F; cue point: 0:49:58; 4-measure intro Oh God, Our Help in Ages Past, B-flat; cue point: 0:51:00; 4-measure intro Onward Christian Soldiers, B-flat; cue point: 0:52:46; 4-measure intro Praise Him, Praise Him All Ye Little Children, B-flat; cue point:0:56:08; 4-measure intro Praise to the Lord, the Almighty, E-flat; cue point: 0:57:07; 4-measure intro Sweet Hour of Prayer, B-flat; cue point: 0:59:12; 4-measure intro Take My Life and Let It Be, E-flat; cue point: 1:02:22; 8-measure intro The Battle Hymn of the Republic, B-flat; cue point: 1:04:15; 2-measure intro What a Friend We Have in Jesus, C; cue point: 1:06:33; 4-measure intro Whisper a Prayer, E-flat; cue point: 1:09:12; 4-measure intro
$9.97
Partituras - 50 Melodias com cifra - Livro 4
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Israel Pessoa
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Israel Pessoa
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Partituras - 50 Melodias com c
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Israel Pessoa
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SheetMusicPlus
Acoustic Guitar,Alto Flute,C Instrument,Electric Violin,Electronic Keyboard,Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.1150809 By Israel P...
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Acoustic Guitar,Alto Flute,C Instrument,Electric Violin,Electronic Keyboard,Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.1150809 By Israel Pessoa. By Diversos. Arranged by Israel Pessoa. 20th Century,Broadway,Film/TV,Folk,Musical/Show,Wedding. Score and individual part. 71 pages. Israel Pessoa #750992. Published by Israel Pessoa (A0.1150809). Livro com 50 partituras. Melodias com cifra das principais musicas tocadas nos eventos em geral. Para você que quer começar ou expandir seu repertório. Todas as partituras foram escritas e revisadas com extremo cuidado para que você possar baixar e tocar. 1. Anjo Guardião - Banda da Graça 2. Beautiful Day - U2 3. Because You Loved Me - Celine Dion 4. Better Together - Jack Johnson 5. Blinding Lights - The Weeknd 6. Cheia de Manias - Raça Negra 7. Coffin Dance - Tabut Dansi 8. Como é lindo o canto de Iemanjá 9. Corre Pro Meu Mar - Maneva 10. Dandelions - Ruth B 11. De Janeiro a Janeiro - Nando Reis 12. Deixa Tudo Como Tá - Thiaguinho 13. Don’t Give Up On Me - Andy Grammer 14. Era uma Vez - Kell Smith 15. Espumas ao Vento - Lara Amélia 16. Eu Juro - Armandinho 17. Garota de Ipanema- VinÃcius de Moraes 18. Gratidão - Gabriela Rocha 19. Harvest Moon - Neil Young 20. Here comes the sun - The Beatles 21. História Infinita - Esdras Gondim 22. How Far I'll Go - Moana 23. I See The Light - Enrolados 24. Karma Chameleon - Culture Club 25. Like My Father -Jax 26. Locked Out Of Heaven - Bruno Mars 27. Monte Castelo - Legião Urbana 28. One Way Or Another - Blondie 29. Oxalá criou a Terrra, Oxalá criou o mar 30. Oxalá, nosso pai lá no céu 31. Pé na Areia - Diogo Nogueira 32. Pretexto - Imaginasamba 33. Primeiros Erros - Capital Inicial 34. Razão da Minha Vida - Belo 35. Señorita - Shawn Mendes - Camila Cabello 36. Simplesmente Jose - Eugênio Jorge 37. SÃtio do Pica-pau-amarelo - Gilberto Gil 38. Sugar - Maroon 5 39. Sweet Child O'Mine - Guns N' Roses - Com solos do Slash 40. Take On Me - A-Ha 41. Thank You - Led Zeppelin 42. That's How You Know - Encantada 43. Time After Time - Cyndi Lauper 44. Total Eclipse Of My Heart - Bonnie Tyler 45. True Colors - Cyndi Lauper 46. Vi Amor no Seu Olhar - Belo 47. Wave - Tom Jobim 48. When You Believe - O principe do Egito 49. Why Worry - Dire Straits 50. Yeshua - Casa Worship.
$10.00
Everybody Deserves Somebody to Love
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Rock
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Dalva R
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A
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Everybody Deserves Somebody to
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Dalva Regina Ribeiro Barbosa
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1131811 Composed by Dalva R. R. Barbosa. Film/TV,Pop,Rock. Score. 6 pages. Dalva Regina Ribeiro Barbosa #732042. Publishe...
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Piano Solo - Level 4 - SKU: A0.1131811 Composed by Dalva R. R. Barbosa. Film/TV,Pop,Rock. Score. 6 pages. Dalva Regina Ribeiro Barbosa #732042. Published by Dalva Regina Ribeiro Barbosa (A0.1131811). Everybody Deserves Somebody to Love is a musical story in which two characters, who work together, are at a joyful party, with lots of dancing and drinking. Both are in love with each other but social, family, and professional issues prevent them from getting together. However, one of the characters absorbed by the joy of the party (too much to drink, maybe) decides to insist in the relationship. The other character is hesitant and afraid to face such challenge. At the end of the song they decide to take the chance. The piece is structured in a rondó form with the following parts that I called: Introduction (I); A; B; C; I; A; D; A; C; I; A. Imagine a rock and habanera cake with Scarlatti syrup. The layers are: A: An invitation. They say phrases like: “Come to me because I need you nowâ€. B: Expression of pure desire with phrases such as: Hey! I can Ìt control myself now. B could be called A’. C: In a syncopated rhythm is argumentation. One party is trying to convince the other about assuming their relationship singing like that: “Everybody deserves somebody to love. I can help you to carry on. Just give your life a second chanceâ€. D: Is a moment of reflection. One of the characters is at greater risk and says: I´m afraid, love hurts sometimes. It won´t be so easy to start a new life now.â€.
$3.00
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Southwest Sunrise Trumpet Solo with Piano
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Trompette, Piano
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DÉBUTANT
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Alex Lewis and Eddie Lewis
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Southwest Sunrise Trumpet Solo
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Tiger Music
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - SKU: A0.1080679 Composed by Alex Lewis and Eddie Lewis. Classical,Multicultural,World. Score and part. 9 pages. Tiger M...
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B-Flat Trumpet,Piano - Level 1 - SKU: A0.1080679 Composed by Alex Lewis and Eddie Lewis. Classical,Multicultural,World. Score and part. 9 pages. Tiger Music #684898. Published by Tiger Music (A0.1080679). Southwest Sunrise Trumpet Solo Eddie Lewis and Alex Lewis MTR P111 4137 Southwest Sunrise is a trumpet solo for beginner trumpet students that has a more complicated piano part. I often get requests for music for students of different skill levels. And in fact, that’s what of my strengths as a writer, is that I can blend parts across skill levels that way. In this case, Alex and I were striving for something that would be interesting for the pianist, but not overly challenging for the beginner trumpet student. The Process The inspiration for this piece came to me on a morning walk in Chandler, Arizona. Chandler is a suburb of Phoenix. I was walking east, into the rising sun. It was a very simple melody. It was a very simple blues melody that I immediately recognized as something that would work in our series for beginner trumpet students. This was during a time when my son, Alex, and I were already collaborating on some other projects. For this piece, I gave Alex the melody and gave him a general description of what I was hearing. Then I gave him his space to create what sounded good to him. The next stage was me editing some of his creativity. At this point we went back and forth on a few issues until we agreed on the final results. SKILL LEVEL The skill level for Southwest Sunrise is Trumpet Pioneer (we don’t have skill levels for piano parts yet on this website). Trumpet Pioner is the first of seven levels in our system. These are absolute beginners who have only been playing the trumpet for a few months. Our Trumpet Pioneer level limits the range to C in the staff. We also limit rhythms to nothing smaller than quarter-notes, and key signatures are limited to one flat or sharp. Practice Recommendations While it is obvious and I don’t normally list it as a point in this practice recommendations, but the rhythms are very different between the trumpet part and the trumpet part. So it is even MORE important to spend time listening to the composition long before you begin practicing it. As I said, this is a good habit for working on all performance pieces. There is research that proves that students learn their music best when they recognize their mistakes soonest. When you listen to the music repeatedly before you practice, it goes a long way towards helping you recognize your mistakes. This is one of the most important reasons for listening, but there are others that I won’t go into here. Assuming the pianist is far more advanced than the trumpeter, the pianist should assume a patient, educational role.
$6.72
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Rory Dall's Sister's Lament (Cuhm Peathar Ruari) for Intermediate Harp
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Harpe
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INTERMÉDIAIRE
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Stephanie Claussen
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Stephanie Claussen
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Rory Dall's Sister's Lament
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Stephanie Claussen
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SheetMusicPlus
Harp - Level 3 - SKU: A0.1044384 By Stephanie Claussen. By Possibly written by Roderick Morison. Arranged by Stephanie Claussen. Celtic,Folk,Irish,Multi...
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Harp - Level 3 - SKU: A0.1044384 By Stephanie Claussen. By Possibly written by Roderick Morison. Arranged by Stephanie Claussen. Celtic,Folk,Irish,Multicultural,Renaissance,Traditional,World. Score. 3 pages. Stephanie Claussen #649119. Published by Stephanie Claussen (A0.1044384). A meditative and unexpected lament, for times of grieving. We don't know exactly who wrote this melody, but it was almost certainly written by a harper, possibly Roderick Morison. I've arranged it here quite simply, allowing the melody to take center stage. For lever or pedal harp Chord symbols and some fingerings included. Intermediate The lowest note is the C two octaves below middle C. The highest note is the B two octaves above middle C. ✦Sign up for my newsletter - https://www.stephanieclaussen.com/albums/free-mp3/ ✦Join me on Facebook - https://www.facebook.com/stephanieclaussenharpist/ ✦And Instagram - https://www.instagram.com/stephanieclaussenharp/ ✦Send me a tip - https://www.buymeacoffee.com/StephanieHarp.
$4.99
Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 1
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Sharon Wilson
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Sharon Wilson
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Folk Songs for 13-note Bells a
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Handbell,Handchime,Voice,Xylophone - Level 1 - SKU: A0.565251 By Sharon Wilson. By Various. Arranged by Sharon Wilson....
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Large Ensemble Bells,Boomwhackers,Handbell,Handchime,Voice,Xylophone - Level 1 - SKU: A0.565251 By Sharon Wilson. By Various. Arranged by Sharon Wilson. 20th Century,Children,Folk,Instructional,Traditional. Score and parts. 176 pages. Sharon Wilson #3626293. Published by Sharon Wilson (A0.565251). This sheet music collection of 20 folk songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord reference chart is also provided for each song.The songs in this digital book are ordered by difficulty with the easiest songs presented first. The songs progressively incorporate more challenging rhythms, some requiring rapid chord changes. Many of the songs include two verses. The first verse is “easy†with fewer notes. The second verse is “intermediate†and expands the melody by adding more notes (sometimes including harmony notes). If you want to learn (practice) only the “easy†verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. Instrument assignment suggestions are provided for each song. Each of the 20 arrangements in this collection is also available separately with accompanying preview pages and audio samples. Titles included in this collection: Alphabet SongBe Kind to Your Loved OnesB-I-N-G-ODoo-dah-day! Good Morning, Merry SunshineHe’s Got the Whole World in His HandsHickory Dickory DockHokey PokeyHot Cross BunsI Love the MountainsItsy Bitsy SpiderLittle Robin Red-breastOld MacDonaldOn Top of Old SmokeyRain, Rain, Go AwayRow, Row, Row Your BoatSimple GiftsSkip to My LouTake Me Out to the Ball GameThe Water Is WideBoomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$25.00
Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
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James Smith
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Next Level Bassoon: Etudes, Ex
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Ensemble Llama Music
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SheetMusicPlus
Bassoon - Level 1 - SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Metho...
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Bassoon - Level 1 - SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Method. 44 pages. Ensemble Llama Music #1051737. Published by Ensemble Llama Music (A0.1474103). I’m a bassoonist, and I don’t like the teaching materials for bassoon that are out there. There’s not enough depth and engagement in them, and nothing that supports the everyday music teacher. So I set out to create something that I would feel comfortable giving to my private students to help them grow as musicians. There are many types of music in the book: etudes, exercises, warm-ups, backwards and upside down duets (one person plays normally, the other person reads the music in an unusual way), improvised music, and composition. Musical styles range across a variety of cultures and genres such as classical, blues, fiddle tunes, marches, contemporary, musicals, and more. Using carefully crafted etudes, exercises, and songs in a variety of styles, your bassoon students are going to to find immediate success. The bite-sized examples encourage students to focus on tone, as they extend their technique and range on this wonderful instrument. Examples from the book:1.1 - Memories1.2 - Can-Can1.3 - Baby-Back Blues1.4 - Somewhere Nice1.5 - Go Down, Moses1.6 - Magenta Sky (A Backwards Duet)1.7 - Cakewalk1.8 - Red River Valley1.9 - Symphony No. 6, Mvt. 2 (Tchaikovsky)1.10 - Arkansas Traveler1.11 - Give My Regards to Broadway (key of B Flat Major)1.12 - In The Hall of the Mountain King1.13 - Landlord Fill The Flowing Bowl1.14 - It Ain't Gonna Rain No Mo'1.15 - Shalom Chaverim1.16 - Londonderry Air1.17 - Theme & Variations, Für Elise1.18 - Ominous (A Backwards Duet)Create & Improvise: St. Louis Blues (W.C. Handy)1.19 - Interlude1.20 - L'Adieu Des Bergers1.21 - Washington Post March1.22 - The Sea Monster - A Short Improvised Piece1.23 - Give My Regards to Broadway (key of G Major)1.24 - Anna Lisle (The Alma Mater Song)Critical Hit - Bassoon Concert Piece2.1 - More Memories2.2 & 2.3 - Ten Little Indians2.4 - Parliament (An Upside-Down Duet)2.5 - Bassoon Warm-Up2.6 - F Major Studies2.7 - Airang2.8 - Arpeggio In Blue2.9 - C Major Studies2.10 - Mazurka in A-flat Major2.11 - Etudes With Flats2.12 - Take Me Out To The Ball Game2.13 - Arpeggios (Part 1)2.14 - Etudes With Arpeggios2.15 - The Sar Spangled Banner2.16 - Arpeggios (Part 2)2.17 - More Arpeggio Studies2.18 - Battle Hymn of the Republic2.19 - Arpeggios (Part 3)2.20 - Kolme Varista2.21 - Swallowtail Jig2.22 - Jesu, Joy of Man's Desiring2.23 - St. Anne's Reel2.24 - Dear Old Stockholm2.25 - Esprit De CorpsSketch On a Theme From The Sorceror's Apprentice - Bassoon Concert Piece.
$29.99
Three Blessings, Op. 14
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Tyler J
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Three Blessings, Op. 14
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TJHoltMusic
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1021621 Composed by Tyler J. Holt. 20th Century,Christian,Praise & Worship,Sacred. Score. 31 pages. TJHoltMusic #6137171....
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Piano Solo - Level 4 - SKU: A0.1021621 Composed by Tyler J. Holt. 20th Century,Christian,Praise & Worship,Sacred. Score. 31 pages. TJHoltMusic #6137171. Published by TJHoltMusic (A0.1021621). Three Blessings, Op. 14 is a suite in three movements for solo piano. Each movement is based on a verse in the bible as well as the doxology. The first movement, in G major, is based on Psalm 34:8, blessed is the one who takes refuge in him, which commands the disciple to trust the Lord and see that the Lord is good rather than fear him. A dialogue between the disciple and the Lord takes place in each section of the piece, as the motives are based on call and response. The second movement, in B major, is based on the text from the doxology, Praise God, from whom all blessings flow, which is represented through the use of the pedal and melodic content, as well as the peaceful mood. The third movement, in C major, is based on Philippians 4:4, Rejoice in the Lord always, and again I say, Rejoice! A recurring theme in the form of a minuet, a dance in 3, conveys the feeling of joy in the Lord, and to have complete faith in him.This piece is dedicated to my church family at Severna Park United Methodist Church, who have helped me find myself once again through love and Christ. They have blessed me, so it is only natural that Jesus allows me to give my blessings unto him and unto you. In his gracious name, amen.I. ...blessed is the one who takes refuge in himII. ...from whom all blessings flowIII. Rejoice in the Lord alwaysComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer
$20.00
I Dream of You, to Wake (Soprano or Tenor and Piano)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hu...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hunter A. Brown (A0.1013578). I Dream of You, to Wake (soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept soprano, and would be ideal for a solo and ensemble contest or college recital.Key: B major, F-sharp minorRange: C#4 - G#5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99
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Take On Me - Baritone B.C.
