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Vous avez sélectionné:
Taki Rari
Partitions à imprimer
4 partitions trouvées
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Taki Rari
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Orchestre
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INTERMÉDIAIRE
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Moises Vivanco
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arrange by Oleksiy Bazhenov
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Taki Rari
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Oleksiy Bazhenov
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1278813 Composed by Moises Vivanco. Arranged by arrange by Oleksiy Bazhenov. Folk,Latin. Score and Parts. 43 pages. O...
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Full Orchestra - Level 3 - SKU: A0.1278813 Composed by Moises Vivanco. Arranged by arrange by Oleksiy Bazhenov. Folk,Latin. Score and Parts. 43 pages. Oleksiy Bazhenov #870378. Published by Oleksiy Bazhenov (A0.1278813). Yma Sumak - TAKI-RARI by Moises Vivanco (Score and Parts)Arranged for voice with symphonic orchestra by Oleksiy Bazhenov.
$50.00
Fifth Book of Madrigals ("I Tatti")
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Gavin Bryars
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Fifth Book of Madrigals
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Schott Music - Digital
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SheetMusicPlus
Mixed voices (STTTBarB) - SKU: S9.Q42747 (The I Tatti Madrigals). Composed by Gavin Bryars. Choral Music of Our Time. Downloadable, Choral score....
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Mixed voices (STTTBarB) - SKU: S9.Q42747 (The I Tatti Madrigals). Composed by Gavin Bryars. Choral Music of Our Time. Downloadable, Choral score. Schott Music - Digital #Q42747. Published by Schott Music - Digital (S9.Q42747). Italian.The choice of 16th century texts, by Bronzino and Battiferri, reflects the interests of the dedicatee of these sonnets - Craig Hugh Smyth, a fine art historian and former director of the Villa I Tatti, who was a specialist in Bronzino and Pontormo. Bronzino's sonnet is a lament on the death of Pontormo, his teacher; Laura Battiferri's poem is a direct response to that of Bronzino. As I was also asked to set sonnets by Petrarca, I chose two of his closely linked sonnets, numbers 229 and 230 in the Rime Sparse. I had written a work for I Tatti some five years earlier setting Petrarca (A qualunque animale, the first in my Fourth Book of Madrigals) and was familiar with the context. However, through correspondence with Kathryn Bosi, Music Librarian at I Tatti and, through her, Craig Smyth's family, I became increasingly aware of his unusual and quite special character. From his undergraduate days at Princeton and indeed throughout his life, although a great scholar and writer, he was at the same time an aficionado of jazz, loving above all Louis Armstrong, being photographed with Duke Ellington, taking his children to see Thelonious Monk, listening to Ben Webster and playing the tenor saxophone himself. Indeed, he had told Kathryn Bosi that he had been proud to walk in procession at the funerals of black musicians in New Orleans. In some ways his life was almost an obverse mirror image of parts of my own - I was a professional jazz musician but found myself teaching art history for a time. As Fiorella Superbi of I Tatti has said: Craig was a maestro di vita. I raise a glass in his memory and dedicate these sonnets to him. Gavin Bryars.
$16.99
Text: Music for Brass Trio, a Comprehensive Bibliography
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Richard Decker
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Text: Music for Brass Trio, a
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Charles Decker Music Press
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet - SKU: A0.817156 Composed by Richard Decker. 20th Century,Standards. 95 pages. Charles Decker Music Press #6050913. Publ...
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Euphonium,Horn,Trombone,Trumpet - SKU: A0.817156 Composed by Richard Decker. 20th Century,Standards. 95 pages. Charles Decker Music Press #6050913. Published by Charles Decker Music Press (A0.817156). Professional journal reviews for Richard Decker's Music for Brass Trio, A Comprehensive Bibliography The Horn Call: Mr. Decker . . . has brought a practical tone to this highly documented and valuable reference book. (Douglas Hill)Woodwind World – Brass & Percussion  Highly Recommended (Jean G. Ressum)School Music News: The book is a very worthwhile undertaking and should be in every school and public library (Harwood Simmons)International Trombone Journal The repertoire is extensive and varied, and we can appreciate the author for bringing so much of it to view.(Hugh Magliocco)This reissue of Music for Brass Trio, A Comprehensive Bibliography has 80 pages listing 544 original and transcribed works for three brass up to 1976 with most of the 544 works cited still available today. Included are 169 works for the Trumpet, Horn, and Trombone trio with detailed performance annotations and 63 works for the Two Trumpets and Trombone trio. An additional 312 original and transcribed works are listed for three heterogeneous brass instruments with keyboard, in chamber ensembles of up to nine performers, and with small orchestra using only three brass. This important brass literature resource was adopted by university libraries and distributed by major music companies including Robert King Music. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$9.95
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven, Cees Nie
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Fantasia Sonata in D Major for
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Upstream Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Publishe...
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Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
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