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Tannhäuser und der Sängerkrieg auf Wartburg
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Tannhäuser und der Sängerkrieg auf Wartburg
Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete…
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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
50.19 €
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Richard Wagner
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Tannhäuser und der Sängerkrieg auf Wartburg
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Schott Music - Digital
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SheetMusicPlus
Tannhäuser und der Sängerkrieg auf Wartburg
Soloists, choir and orchestra - Digital Download SKU: S9.Q17851 Scenario in 3 ac…
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Soloists, choir and orchestra - Digital Download SKU: S9.Q17851 Scenario in 3 acts. Composed by Richard Wagner. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 185' 0. Ernst Eulenburg & Co. GmbH - Digital #Q17851. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q17851). German.Numerous revisions and adaptations are entangled in the complex history of the work 'Tannhäuser'. After the world premiere in Dresden in 1845 had failed to be well received by the audience, Wagner revised large parts of the opera several times in the following decades. The most comprehensive changes were made for the Paris performance in March 1861, but even after that he made further revisions which superseded some of the previous changes and were performed in Vienna in 1875 among others. The study score is based on the version of 1875 which has misleadingly been published as the 'Paris version' until today and has actually to be referred to as 'Viennese version'. The musical text is identical to that of the critical edition within the Wagner Complete Edition, with the errata discovered since then having been corrected.3 (3. auch Picc.) · 2 · 2 · Bassklar. · 2 - 2 Ventilhr. · 2 Waldhr. · 3 · 3 · 1 - P. S. (Trgl. · Beck. · Schellentr. · gr. Tr. · Kast.) (2 Spieler) - Hfe. - Str. Auf der Bühne: Picc. · 2 · 2 · Engl. Hr. · 3 · 0 - 4 · 12 Waldhr. · 12 · 0 · 0 - S. (Trgl. · Beck. · Schellentr.) - Hfe.
$71.99
66.92 €
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Richard Wagner
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Tannhäuser und der Sängerkrieg auf Wartburg
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
O thou beloved evening star
Piano seul
Piano - advanced to difficult - Digital Download SKU: S9.Q22575 Recitative and R…
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Piano - advanced to difficult - Digital Download SKU: S9.Q22575 Recitative and Romance from Tannhäuser by Richard Wagner. Composed by Richard Wagner. Edited by Wilhelm Ohmen. Arranged by Franz Liszt. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 6 pages. Duration 6 minutes. Schott Music - Digital #Q22575. Published by Schott Music - Digital (S9.Q22575). Arrangements for the piano, transcriptions and opera paraphrases take up a large part in Franz Liszt's complete œuvre. He even arranged scenes from the music dramas of Richard Wagner. The transcription of 'Lied an den Abendstern' comes from the third act of the romantic opera Tannhäuser und der Sängerkrieg auf Wartburg. In his transcription of 1849 Liszt kept exactly to Wagner's original but he divided the scene into 'Recitative' and 'Romance'. He transposed the piece to the keys of G sharp minor and A flat major, which sound warmer on the piano and which also allow for a more easy-to-play romantic piano setting. Liszt uses the cantilena of the violoncellos in Wagner's original as tonal highlight with octaves in the descant. A transcription that is beautiful to listen to for both pianist and audience and perfectly suitable for concert performances and recitals.
$10.99
10.22 €
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Piano seul
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Richard Wagner
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Franz Liszt
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O thou beloved evening star
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Schott Music - Digital
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SheetMusicPlus
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