Technician - Partitions musicales à imprimer - Mondial de la partition numérique

Technician

The Technician

The Technician
Trompette

Cornet; Trumpet - Grade 2 SKU: HL.4477644 Bb Trumpet/Cornet Solo with Piano - Gr…(+)

Cornet; Trumpet - Grade 2 SKU: HL.4477644 Bb Trumpet/Cornet Solo with Piano - Grade 2. Composed by R.M. Endresen. Rubank Solo/Ensemble Sheet. Contest. 8 pages. Rubank Publications #RUBX111. Published by Rubank Publications (HL.4477644). UPC: 073999776447. 9.0x12.0x0.018 inches.
Song List: Technician (Endresen) Song List: Technician (Endresen)
$6.99 6.43 € #Trompette #R #Trumpet - Grade 2
SKU: HL #The Technician #Rubank Publications #SheetMusicPlus

#The Technician

#Technician

Rubank Book of Trumpet Solos – Intermediate Level
Trompette

Trumpet - Grade 3 SKU: HL.160728 Book with Online Audio (stream or download)…(+)

Trumpet - Grade 3 SKU: HL.160728 Book with Online Audio (stream or download). Composed by Various. Rubank Book/Audio Products. Classical, Contest, Festival. Softcover Media Online. 16 pages. Published by Rubank Publications (HL.160728). ISBN 9781495065071. UPC: 888680623838. 9.0x12.0x0.056 inches.This compilation of 11 trumpet solos from the legendary Rubank educational library now includes online access to: â€¢ Full-performance and accompaniment-only audio tracks â€¢ PDF piano accompaniment files â€¢ PLAYBACK+ A multi-functional audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Contents: (by VanderCook unless noted) Andante from Concerto in Eb (Haydn) â€¢ Ballade (Shelukov) â€¢ Bonita (Valse Brilliante) â€¢ Carnival of Venice (Davis) â€¢ The Cavalier (Shelukov) â€¢ Debonnaire â€¢ The Executant (Endresen) â€¢ Fanfare March (Shelukov) â€¢ Premier Solo de Coucours (Maniet) â€¢ Punchinello â€¢ The Technician (Endresen).
Song List: Ballade Punchinello (Vander Cook) Cavalier (Shelukov) Technician (Endresen) Andante (Concerto In E Flat) Haydn Prem.Solo De Concours (Maniet) Executant, The (Endresen) Bonita (Valse Bril)vandercook Fanfare March (Shelukov) Carnival Of Venice Debonnaire Song List: Ballade Punchinello (Vander Cook) Cavalier (Shelukov) Technician (Endresen) Andante (Concerto In E Flat) Haydn Prem.Solo De Concours (Maniet) Executant, The (Endresen) Bonita (Valse Bril)vandercook Fanfare March (Shelukov) Carnival Of Venice Debonnaire
$14.99 13.8 € #Trompette #Various #Rubank Book of Trumpet Solos – Intermediate Level #Rubank Publications #SheetMusicPlus

Instrumental Duet,Synthesizer,Vibraphone - Level 4 - Digital Download SKU: A0.1235343 By Paul Emmett. By Paul Emmett. 21st Century,Contemporary. 8 pages. Paul Emmett #830880. Published by Paul Emmett (A0.1235343). Momentum takes us on a journey to explore the hidden potential of the fixed metallic bars of the vibraphone in a live electroacoustic performance. Composed for the extraordinarily talented multi-percussionist Rosie Clark, currently studying performance at the University of Nottingham, and in demand across the country with a variety of ensembles and collaborating with Rosie to bring this composition to life has been an exciting and educational experience.The inspiration for Momentum came while watching a video of the Frankfurt based percussionist, composer, and lecturer, Max Gaertner. In the footage, Gaertner demonstrated the art of pitch bending a note on a vibraphone, and in that moment the idea for this composition was born.In Momentum, we delve into the intriguing concept that seemingly static metallic bars possess the ability to move and transform within this musical context. This can occur either through the physical manipulation of the performer, or by the technical wizardry of the technician. These bars which are often viewed as fixed entities thus reveal their hidden dynamism, allowing for a world of musical possibilities.Enhancing this idea of motion, Momentum incorporates a further extended technique of bowing causing the bars to resonate with an ethereal vibrancy. Pairing this effect with spectral effects through plugins by Michael Norris in Ableton Live amplify the kinetic energy of the composition. The performer also moves a handheld microphone over the bars, capturing their sounds in real-time motion.Paul Emmett - May 2023.

Secondo Carnavale de Venezia
Flûte traversière et Piano

Flute,Piano - Digital Download SKU: A0.1035227 Composed by Giulio Briccialdi. Arran…(+)

Flute,Piano - Digital Download SKU: A0.1035227 Composed by Giulio Briccialdi. Arranged by James Strauss. Romantic Period. Score and part. 15 pages. James Strauss #5828879. Published by James Strauss (A0.1035227). Giulio Briccialdi was an Italian virtuoso flutist, professor of flute, composer and flute technician and innovator who made significant contributions to the modern-day flute. In particular, he invented the Bb thumb key for the Boehm system flute.The famous folk tune is known as Il Carnevale di Venezia or The Carnival of Venice has been the subject of many different arrangements and transcriptions, but none more virtuosic than Giulio Briccialdi's version for flute and piano. He did the first set of Variations in f major op.78 very famous, but he did a second Canavale de Venezia in 1880 in e major, much more interesting, this piece is a real technical workout, and is best suited to advanced players!
$11.99 11.03 € #Flûte traversière et Piano #Giulio Briccialdi #James Strauss #Secondo Carnavale de Venezia #James Strauss #SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.742752 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 15 pages. Juan Maria Solare #350886. Published by Juan Maria Solare (A0.742752). Colores de un otoÃ±o incipiente -- Colors of an incipient autumn seven somewhat abstract pieces for piano Recording of Colores de un otoÃ±o incipiente - piano in several platforms Colores de un otoÃ±o incipiente -- on Spotify In this work, an idea that has haunted me for a long time crystallizes: that the titles of the individual pieces are read like lines of a poem. Colores de un otoÃ±o incipiente Declina el dÃa. Cobriza de hojarasca, la tierra aguarda. Inocencia Apergaminada por las largas vigilias. Frugal ante la desmesura, Se resignÃ³ a lo inconcluso Y dejÃ³ un hueco de luz en esta nada. Colors of an incipient autumn The day declines. Coppery with old leaves, the earth awaits. Innocence Parched by the long vigils. Frugal in the face of excess, He resigned himself to the unfinished And he left a hole of light in this nothingness. Such a poem alludes without great subtlety to decadence and aging. The title Apergaminada por las largas vigilias is taken from a poem by Pedro Lastra. Y dejÃ³ un hueco de luz en esta nada comes from a micropoem attributed to Alejandro GÃ¼erri, written in memory of Javier AdÃºriz. This seventh piece, transparent and delicate, pictures a being definitively transformed into light. The idea of desmesura (excess) arises from the prologue by Javier AdÃºriz to his book Solos de conciencia (1985): Faced with the excess of death, consciousness perceives the weakness of its willful affirmation, the one for which it feels itself unique and safe from all decrepitude. AdÃºriz was one of the fundamental figures in my artistic training. And apparently he still is. Musically, this cycle of works abounds in harmony of chords by fourths in a minimalist neoclassical aesthetic. The way of working texturally with the piano as an instrument - my instrument - highlights the pedal, the resonances, the third dimension of sound. These seven somewhat abstract pieces were composed at the end of 2019 in and around Bremen, in several cases with my new-born daughter Laura in my arms, trying to put her at to sleep and staying asleep. This explains the cautious nature of the music and its prudent dynamics that never reach a mezzoforte. There were several unsuccessful attempts to release this recording (initially planned for September 2020, at the beginning of autumn in the northern hemisphere). Finally, the album will be released (on Spotify and other streaming platforms) on 22 April 2022, coinciding with what would be my father's 103rd birthday. It is also autumn but in the southern hemisphere. Recorded on a Steinway B grand piano (serial number: 568208) at the Musikschule Bremen (Germany) with two Neumann KM-184 microphones. Recording and mastering technician: Alexander Derben. For the artwork, the impressive photographer and visual storyteller Leon Drago, from London, has kindly authorised the use of his photograph Pathway, The Garden House and Pergola, Hampstead Heath extension, London. The recording of Colores de un otoÃ±o incipiente (with the composer on piano) can be found here: Colores de un otoÃ±o incipiente - piano

Leaning On A Lamp Post
Ensemble de cuivres

Brass Ensemble - Level 3 - Digital Download SKU: A0.790938 Composed by Noel Gay. Ar…(+)

Brass Ensemble - Level 3 - Digital Download SKU: A0.790938 Composed by Noel Gay. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 15 pages. Kevin P Holdgate #4320305. Published by Kevin P Holdgate (A0.790938). The Versatile Brass Sextet CollectionSuitable for players of all levels (includes treble clef parts for Eb Horn, Trombone and Eb Bass)Suitable as a light concert item or as part of a Beer Keller SetLeaning on a Lamp-post is a popular song written by Noel Gay and best known in the version by George Formby.It was first performed in the 1937 film Feather Your Nest, in contrasting styles by Val Rosing and George Formby. The film's plot revolves around Formby, a gramophone record technician, hearing Rosing record the song but then breaking the master disc and substituting his own voice.[1] Formby recorded the song for Regal Zonophone Records on 5 September 1937, and it became one of his most popular and best-remembered songs.
$12.99 11.95 € #Ensemble de cuivres #Noel Gay #Kevin P Holdgate #Leaning On A Lamp Post #Kevin P Holdgate #SheetMusicPlus

Leaning On A Lamp Post
Ensemble de cuivres

Brass Ensemble - Digital Download SKU: A0.791034 Composed by Noel Gay. Arranged by …(+)

Brass Ensemble - Digital Download SKU: A0.791034 Composed by Noel Gay. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 27 pages. Kevin P Holdgate #4889983. Published by Kevin P Holdgate (A0.791034). Versatile Brass 'Old Time Favourites' CollectionLeaning on a Lamp-post is a popular song written by Noel Gay and best known in the version by George Formby.It was first performed in the 1937 film Feather Your Nest, in contrasting styles by Val Rosing and George Formby. The film's plot revolves around Formby, a gramophone record technician, hearing Rosing record the song but then breaking the master disc and substituting his own voice. Formby recorded the song for Regal Zonophone Records on 5 September 1937, and it became one of his most popular and best-remembered songs. The sheet music for the song was published by Cinephonic Music Co Ltd. of London, at two shillings.A version by Herman's Hermits, credited as Leaning on the Lamp Post, reached No. 9 on the US Hot 100 in 1966. The song was added into the 1985 production of Me and My Girl, but was not in the original 1937 version of the musicalThis is a simple arrangement of the song that can be used with a vocal if required. Part included
$12.99 11.95 € #Ensemble de cuivres #Noel Gay #Kevin P Holdgate #vocal if required #Leaning On A Lamp Post #Kevin P Holdgate #SheetMusicPlus

Gymnopedie Erik Satie
Quatuor de Clarinettes: 4 clarinettes

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.793415…(+)

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.793415 Composed by Alexandre Palmeria Cunha and Alexandre Pereira De Faria. Arranged by Hadley Hazen. Contemporary. 21 pages. Hadley Hazen #5023521. Published by Hadley Hazen (A0.793415). Ã‰ric Alfred Leslie Satie (UK: /ËˆsÃ¦ti, ËˆsÉ‘Ëti/, US: /sÃ¦ËˆtiË, sÉ‘ËËˆtiË/,[1][2] French: [eÊik sati]; 17 May 1866 â€“ 1 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.[3]An eccentric, Satie was introduced as a gymnopedist in 1887, shortly before writing his most famous compositions, the GymnopÃ©dies. Later, he also referred to himself as a phonometrician (meaning someone who measures sounds), preferring this designation to that of musician,[4] after having been called a clumsy but subtle technician in a book on contemporary French composers published in 1911. This arrangement is for Clarinet Quartet and is in one volume. Enjoy!
$12.99 11.95 € #Quatuor de Clarinettes: 4 clarinettes #Alexandre Palmeria Cunha and Alexandre Pereira De Faria #Hadley Hazen #Gymnopedie Erik Satie #Hadley Hazen #SheetMusicPlus

Längtans Hamn
Accordéon

Accordion - Digital Download SKU: A0.1068896 Composed by Lars Ek. Folk,World. Full …(+)

Accordion - Digital Download SKU: A0.1068896 Composed by Lars Ek. Folk,World. Full Performance. Duration 203. Lars Ek Cosmos Music c/o Musik & UnderhÃ¥llningsskrÃ¤dderiet AB #1921555. Published by Lars Ek Cosmos Music c/o Musik & UnderhÃ¥llningsskrÃ¤dderiet AB (A0.1068896). Accordion: Lars Ek Studio: AV Elektronik Studio, 30 april 1986 Technician: Torkel Odeen Producent: Lars Ek.
$1.99 1.83 € #Accordéon #Lars Ek #Längtans Hamn #Lars Ek Cosmos Music c/o Musik & UnderhÃ¥llningsskrÃ¤dderiet AB #SheetMusicPlus

Piano Solo - Digital Download SKU: A0.982538 Composed by William Grosvenor Neil. Contemporary. Score. 50 pages. TheComposerStudio.Com, LLC #6709495. Published by TheComposerStudio.Com, LLC (A0.982538). Program Notes: At the Edge of the Bodyâ€™s Night (2008) for piano and digital acoustics is a setting of Seven Poems by the late poet, Mark Strand. These poems intrigued me with their potent brevity and mysterious symbolism. I found in their riddle-like form a concise emotional message, ideal for creating short melodic themes and inspiring fantastic piano music. When I recorded Markâ€™s voice reading the poems, I knew that his recitation would be part of the compositional resources for the piece. His resonant voice, enhanced by the audio editing process, provided a powerful context for the musical interpretation of his words. The addition of a soprano voice (Ashley Parker) in the digital landscape alludes to the traditional art song setting of poems. and her siren-call voice recalls the female muse that I imagined inspired the poet in writing his words. The piano music guides the listener throughout this fantastic journey of sound and music reflecting on the meaning and character of the poems and driving the dream-like narrative forward. Performance of the digital acoustic: Each of the six movements (I & II are combined) for piano are accompanied by a digital audio landscape as part of the performance. At the beginning of each section, a cue is notated in the score to start the audio wave file. It is recommended that a high fidelity audio play back system be employed in the recital hall or performance space. The sound system could be interfaced with a laptop computer or iPad operated by the pianist using a foot pedal similarly used with iPads supporting a digital part or it could be executed during the performance by a technician. The rental of the digital acoustic files includes a Key File license from Qlab that TheComposerStudio will email to be uploaded to a PC or Mac laptop computer for the duration of the rental. The uploaded software will ensure that the files are executed during a performance with ease and accuracy. The rental agreement also includes support from TheComposerStudio.Com, LLC from the time of rental through the performance of the piece. Duration: ca. 24 mins. www.williamneil.net www.thecomposerstudio.com for more info: thecomposerstudio@gmail.com

Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed by Pierce, Alan. 21st Century, Romantic Period, Contemporary Classical, Post-Romantic. Solo Part. 31 pages. Published by Cherry Classics Music
My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)

"Solemn Dance & Fugue" Adapted for Clarinet Sextet by Stephen Davies
Ensemble de Clarinettes

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Downloa…(+)

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1329407 Composed by Cyril Scott. Arranged by Stephen Davies. 20th Century,Chamber,Classical,Contemporary,Multicultural,World. 67 pages. Stephen Davies #917388. Published by Stephen Davies (A0.1329407). This piece has been arranged and adapted for Clarinet Sextet, wildly ignoring the original articulation and dynamics to suit an ensemble of Clarinet technicians playing at their best!!Â SOLEMN DANCETypical of Scott's style, the time signature is not a constant throughout, the added articulation is meant to bring out the extraordinary harmonies he employs, a particularly lush piece best performed in a generous acoustic.Â FUGUEPossibly the most bizarre fugue that I've ever heard, in the original there is an Adagio beginning and coda, which is omitted here simply to get to the 'nuts and bolts' of this unusual fugue. Scott uses chromaticism in both the melody and the harmony, interspersed with soft landings, and hard tranches of vertical and horizontal passages that grow deeper and deeper. As usual the time signatures are, at times, random.Â
$19.99 18.4 € #Ensemble de Clarinettes #Cyril Scott #Stephen Davies #"Solemn Dance & Fugue" Adapted for Clarinet Sextet by Stephen Davies #Stephen Davies #SheetMusicPlus