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Tell Me One More Time
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24 Favourite Songs of Ireland, for Trombone
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.587941 Composed by Traditional. …
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Trombone Solo - Level 2 - Digital Download SKU: A0.587941 Composed by Traditional. Arranged by David McKeown. Celtic,Folk,Holiday,Patriotic,World. Individual part. 25 pages. David McKeown #5191369. Published by David McKeown (A0.587941). 24 Favourite Songs of Ireland for Trombone contains the best-loved and most-requested traditional Irish songs. They are arranged in simple keys for the Trombone. The music includes chord symbols to provide accompaniment on piano, guitar or accordion. There are also full lyrics for singers who want to join the fun. 24 Favourite Songs of Ireland for Trombone are ideal for playing and singing on St Patrick’s Day, or at any time of year, on stage or at home. Here is the full list of songs· Arthur McBride· The Black Velvet Band· A Bucketful of Mountain Dew· A Bunch of Thyme· Cockles and Mussels· Danny Boy, (The Londonderry Air)· Finnigan's Wake· The Harp that Once through Tara's Halls· I'll Tell Me Ma· The Jolly Beggarman· The Minstrel Boy· The Mountains of Mourne· The Nightingale· The Raggle Taggle Gypsy· The Rocky Road to Dublin· The Rose of Tralee· Rosin the Bow· Sally Gardens· The Sash· The Spanish Lady· The Star of County Down· Waxie's Dargle· Whiskey in the Jar· The Wild RoverI hope you enjoy this collection of songs and that it either brings back happy memories or opens a small window for you onto the Soul of Ireland.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
7.36 €
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Trombone
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Traditional
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David McKeown
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24 Favourite Songs of Ireland, for Trombone
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David McKeown
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SheetMusicPlus
24 Favourite Songs of Ireland, for Alto Saxophone
Saxophone Alto
Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.587939 Composed by Traditi…
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Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.587939 Composed by Traditional. Arranged by David McKeown. Celtic,Folk,Holiday,Patriotic,World. Individual part. 25 pages. David McKeown #5191365. Published by David McKeown (A0.587939). 24 Favourite Songs of Ireland for Alto Saxophone contains the best-loved and most-requested traditional Irish songs. They are arranged in simple keys for the Alto Saxophone. The music includes chord symbols suitably transposed to provide accompaniment on piano, guitar or accordion. There are also full lyrics for singers who want to join the fun. 24 Favourite Songs of Ireland for Alto Saxophone are ideal for playing and singing on St Patrick’s Day, or at any time of year, on stage or at home. Here is the full list of songs· Arthur McBride· The Black Velvet Band· A Bucketful of Mountain Dew· A Bunch of Thyme· Cockles and Mussels· Danny Boy, (The Londonderry Air)· Finnigan's Wake· The Harp that Once through Tara's Halls· I'll Tell Me Ma· The Jolly Beggarman· The Minstrel Boy· The Mountains of Mourne· The Nightingale· The Raggle Taggle Gypsy· The Rocky Road to Dublin· The Rose of Tralee· Rosin the Bow· Sally Gardens· The Sash· The Spanish Lady· The Star of County Down· Waxie's Dargle· Whiskey in the Jar· The Wild RoverI hope you enjoy this collection of songs and that it either brings back happy memories or opens a small window for you onto the Soul of Ireland.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
7.36 €
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Saxophone Alto
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Traditional
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David McKeown
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24 Favourite Songs of Ireland, for Alto Saxophone
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David McKeown
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SheetMusicPlus
24 Favourite Songs of Ireland, for Tenor Saxophone
Saxophone (partie séparée)
Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.587940 Composed by Tradit…
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Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.587940 Composed by Traditional. Arranged by David McKeown. Celtic,Folk,Holiday,Patriotic,World. Individual part. 25 pages. David McKeown #5191367. Published by David McKeown (A0.587940). 24 Favourite Songs of Ireland for Tenor Saxophone contains the best-loved and most-requested traditional Irish songs. They are arranged in simple keys for the Tenor Saxophone. The music includes chord symbols suitably transposed to provide accompaniment on piano, guitar or accordion. There are also full lyrics for singers who want to join the fun. 24 Favourite Songs of Ireland for Tenor Saxophone are ideal for playing and singing on St Patrick’s Day, or at any time of year, on stage or at home. Here is the full list of songs· Arthur McBride· The Black Velvet Band· A Bucketful of Mountain Dew· A Bunch of Thyme· Cockles and Mussels· Danny Boy, (The Londonderry Air)· Finnigan's Wake· The Harp that Once through Tara's Halls· I'll Tell Me Ma· The Jolly Beggarman· The Minstrel Boy· The Mountains of Mourne· The Nightingale· The Raggle Taggle Gypsy· The Rocky Road to Dublin· The Rose of Tralee· Rosin the Bow· Sally Gardens· The Sash· The Spanish Lady· The Star of County Down· Waxie's Dargle· Whiskey in the Jar· The Wild RoverI hope you enjoy this collection of songs and that it either brings back happy memories or opens a small window for you onto the Soul of Ireland.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
7.36 €
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Saxophone (partie séparée)
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Traditional
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David McKeown
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24 Favourite Songs of Ireland, for Tenor Saxophone
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David McKeown
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SheetMusicPlus
24 Favourite Songs of Ireland, for Soprano Saxophone
Saxophone (partie séparée)
Soprano Saxophone Solo - Level 2 - Digital Download SKU: A0.587938 Composed by Trad…
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Soprano Saxophone Solo - Level 2 - Digital Download SKU: A0.587938 Composed by Traditional. Arranged by David McKeown. Celtic,Folk,Holiday,Patriotic,World. Individual part. 25 pages. David McKeown #5191363. Published by David McKeown (A0.587938). 24 Favourite Songs of Ireland for Soprano Saxophone contains the best-loved and most-requested traditional Irish songs. They are arranged in simple keys for the Soprano Saxophone. The music includes chord symbols suitably transposed to provide accompaniment on piano, guitar or accordion. There are also full lyrics for singers who want to join the fun. 24 Favourite Songs of Ireland for Soprano Saxophone are ideal for playing and singing on St Patrick’s Day, or at any time of year, on stage or at home. Here is the full list of songs· Arthur McBride· The Black Velvet Band· A Bucketful of Mountain Dew· A Bunch of Thyme· Cockles and Mussels· Danny Boy, (The Londonderry Air)· Finnigan's Wake· The Harp that Once through Tara's Halls· I'll Tell Me Ma· The Jolly Beggarman· The Minstrel Boy· The Mountains of Mourne· The Nightingale· The Raggle Taggle Gypsy· The Rocky Road to Dublin· The Rose of Tralee· Rosin the Bow· Sally Gardens· The Sash· The Spanish Lady· The Star of County Down· Waxie's Dargle· Whiskey in the Jar· The Wild RoverI hope you enjoy this collection of songs and that it either brings back happy memories or opens a small window for you onto the Soul of Ireland.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
7.36 €
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Saxophone (partie séparée)
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Traditional
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David McKeown
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24 Favourite Songs of Ireland, for Soprano Saxophone
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David McKeown
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SheetMusicPlus
Tell Me A Bedtime Story
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1343670 By Herbie …
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1343670 By Herbie Hancock. By Herbie Hancock. Arranged by John Yao. Instructional,Jazz. 84 pages. Yaotones Music #916776. Published by Yaotones Music (A0.1343670). Arranged by composer, arrannger John Yao, this big band chart features the Flugel (or trumpet 4) on Herbie Hancock's  classic tune Tell Me a Bedtime Story.  This soft-spoken chart stays close to the original song with melody stated by the Flugelhorn who is supported by colorful textures in the brass and saxes.  About two-thirds of the way through when it shifts gears and is energized by a double time vamp providing additional solo space for the flugelhorn and eventually building to the climax of the chart.Tell me a Bedtime Story works well if you're looking to feature a strong solost in your band or you're looking to break up your program with a relaxing straight 8th chart.  This chart is easily adapted to feature any instrument, just contact me at john@johnyao.com to inquire.Trumpet Range - B5Trombone Range - Ab4The YT Link track is performed by NYC based big band John Yao and His 17-piece Instrument and features extraordinary Trumpeter Dave Smith on Flugel.To view other arrangements by John Yao, please visit Sheet Music Plus, Sheet Music Direct, or Ejazzlines.For more info or questions, please visit www.johnyao.com or email me at john@johnyao.com.  Follow me on Instagram, Facebook and subscribe to my You Tube Channel.
$50.00
46.06 €
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Ensemble Jazz
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Herbie Hancock
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John Yao
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Tell Me A Bedtime Story
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Yaotones Music
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SheetMusicPlus
Tell Me One More Time
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.770828 Composed by Kerry B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.770828 Composed by Kerry Baggett. Arranged by Faye Lopez. Christian,Gospel,Sacred,Spiritual. Octavo. 11 pages. Bible Truth Music #3432539. Published by Bible Truth Music (A0.770828). A song urging Christians to share the salvation message to a lost and dying world.
$2.15
1.98 €
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Chorale SATB
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Kerry Baggett
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Faye Lopez
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Tell Me One More Time
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Bible Truth Music
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SheetMusicPlus
Für Elise Boogie Woogie for C Trombone & Piano
Trombone et Piano
Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.746658 Compos…
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Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.746658 Composed by Ludvig van Beethoven Arranged. Arranged by Keith Terrett. 20th Century,Jazz,Romantic Period,World. 22 pages. Keith Terrett #2075729. Published by Keith Terrett (A0.746658). An arrangement of Für Elise Boogie Woogie for C Trombone & Piano. Bagatelle No. 25 in A minor (WoO 59, Bia 515, and OEIS A123456) for solo piano, commonly known as Für Elise or Fuer Elise (German: English: For Elise, sometimes written without the German umlaut mark as Fur Elise), is one of Ludwig van Beethoven's most popular compositions. It is usually classified as a bagatelle, but it is also sometimes referred to as an Albumblatt. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$6.99
6.44 €
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Trombone et Piano
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Ludvig van Beethoven Arranged
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Keith Terrett
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Für Elise Boogie Woogie for C Trombone & Piano
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Keith Terrett
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SheetMusicPlus
Für Elise Boogie Woogie for Bb Tenor Saxophone & Piano
Saxophone Tenor et Piano
Instrumental Duet,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.746655…
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Instrumental Duet,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.746655 Composed by Ludvig van Beethoven. Arranged by Keith Terrett. 20th Century,Jazz,Romantic Period,World. 21 pages. Keith Terrett #2075673. Published by Keith Terrett (A0.746655). An arrangement of Für Elise Boogie Woogie for Bb Tenor Saxophone & Piano. Bagatelle No. 25 in A minor (WoO 59, Bia 515, and OEIS A123456) for solo piano, commonly known as Für Elise or Fuer Elise (German: English: For Elise, sometimes written without the German umlaut mark as Fur Elise), is one of Ludwig van Beethoven's most popular compositions. It is usually classified as a bagatelle, but it is also sometimes referred to as an Albumblatt. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$6.99
6.44 €
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Saxophone Tenor et Piano
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Ludvig van Beethoven
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Keith Terrett
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Für Elise Boogie Woogie for Bb Tenor Saxophone & Piano
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Keith Terrett
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SheetMusicPlus
Tell Me - lead sheet/arrangement - Bing Crosby/Doris Day/Burl Ives/ODJB
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.969101 Composed by J.…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.969101 Composed by J. Will Callahan, Max Kortlander. Arranged by Dan Gabel. Country,Film/TV,Jazz,Pop. Score. 2 pages. Daniel Clayton Gabel #6256093. Published by Daniel Clayton Gabel (A0.969101). A favorite of bands, jazz musicians, and dancers for one hundred years, Whispering has stood the test of time. It is a great tune, and one of great historic importance that deserves a place in your band's library!This is more than a lead sheet: it is an arrangement in Eb, including the lyrics and the rarely-heard verse. This is ready to pass out to your combo: bass, guitar, drums, piano, voice, and some horns, too. The chart is professionally engraved and formatted for ease of reading.This arrangement is based on the stellar recording by Bing Crosby with Bob Scoby's Frisco Jazz Band on:Bing with a Beat (RCA Victor, 1957) - see history below.Tell Me - a brief history:One of the first recordings made by a jazz ensemble, The Original Dixieland 'Jass' Band in 1919. Also a hit recording for tenor Lamber Murphy on Victor Record #45171 on September 18, 1919 (9/18 is arranger Dan Gabel's birthday!).The song experienced renewed interest in the 1950s thanks to the hit recording and movie by Doris Day On Moonlight Bay in 1951. It was also recorded with success by Burl Ives and gained popularity in the folk/country music scene.Revived once again with the original verse, Bing Crosby recorded it on one of the best jazz vocal albums of the 1950s: Bing with a Beat, with Bob Scoby's Frisco Jazz Band.
$4.99
4.6 €
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Piano, Voix et Guitare
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J
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Dan Gabel
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Tell Me - lead sheet/arrangement - Bing Crosby/Doris Day/Burl Ives/ODJB
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Daniel Clayton Gabel
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SheetMusicPlus
How Do You Like Me Now?!
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1256115 By Toby Keith. By Chuck Cannon and Toby Keith. Arranged by Jeff Tincher. Contemporary,Country,Rock. 21 pages. Jeff Tincher #849583. Published by Jeff Tincher (A0.1256115). This is one of Toby Keith's biggest hits. Title cut in the original key, this song is still a staple of his live shows. A great Country Rock song telling the girl you liked in High School but wouldn't give you the time of day look what you could have been a part of A nah-nah-nah-nah-nah song if there ever was one. This arrangement has the live ending from Toby's 2019 Ohio State Fair concert. Note: notes that are marked muted can be played softer and more staccato instead of using a true mute. Duration = 3:51. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.97 €
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Quatuor de Saxophones: 4 saxophones
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Toby Keith
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Jeff Tincher
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How Do You Like Me Now?!
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Jeff Tincher
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SheetMusicPlus
Don't Tell Me
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.930355 Composed by Music: Joel Evan…
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Jazz Combo - Level 3 - Digital Download SKU: A0.930355 Composed by Music: Joel Evans, Lyrics: Jim Bruno. Film/TV,Holiday,Jazz,Love. Score and parts. 4 pages. One Hundred Percent Pub. Co. #3436785. Published by One Hundred Percent Pub. Co. (A0.930355). For lovers of the Great American Songbook who wish to expand their listening and performing repertoire - a delightfully endearing new and original jazz song in the standard style. As sung by Jackie Ryan, this Piano Vocal Arrangement is a companion to the Joel Evans and Friends CD, Cozy Cool, which is available on iTunes, Amazon & CDBaby. Joel’s extensive list of credits includes major Hollywood films, hip indie flicks, network and daytime television dramas, more than 85 big screen credits and 350 television episodes. From Friends to Life in Pieces, Miss Congeniality to Passengers, Joel's music is heard constantly around the world.Jim Bruno is a San Francisco songwriter whose songs have been recorded and released by Shawn Colvin, Chuck Prophet, Thad Cockrell, Mary Lou Lord, Cliff Eberhardt, Maurice Tani and Laurie MacAlister. He has performed with or opened shows for numerous well-known artists, & tours the US & Europe frequently. He played bass, guitar and sang in the Shawn Colvin Band and recently released his own album of all original songs called 'Alright Alright'. Currently, he teaches Songwriting at Foothill College in Los Altos, California and at the Freight and Salvage, a prominent acoustic music venue in Berkeley, California.
$3.99
3.68 €
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Jazz combo
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Music: Joel Evans, Lyrics: Jim Bruno
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CDBaby
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Don't Tell Me
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One Hundred Percent Pub. Co.
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SheetMusicPlus
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.84 €
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugit Velut Umbra
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Matthew Scott Phillips
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SheetMusicPlus
The Sundials: I;Tempus Edax Rerum (Time devours things)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.84 €
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Rerum
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Matthew Scott Phillips
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SheetMusicPlus
Tell Me One More Time by Gareth Gates - Piano/Vocal/Guitar, Singer Pro
Piano, Voix et Guitare
Performed by: Gareth Gates: Tell Me One More Time Digital Sheetmusic plus an interactive, …
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Performed by: Gareth Gates: Tell Me One More Time Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar; 6 pages -- Pop~~Pop Rock~~Vocal Pop
$5.50
5.07 €
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Piano, Voix et Guitare
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Gareth Gates
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Piano/Vocal/Guitar, Singer Pro
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Musicnotes
Tell Me One More Time About Jesus by Vince Gill - Piano/Vocal/Chords, Singer Pro
Piano, Voix
Performed by: Vince Gill: Tell Me One More Time About Jesus Digital Sheetmusic - instantly…
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Performed by: Vince Gill: Tell Me One More Time About Jesus Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano;Backup Vocals; 8 pages --
$5.50
5.07 €
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Piano, Voix
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Vince Gill
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
Take Me Home, Country Roads
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015652 By John Denver. By Bill…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015652 By John Denver. By Bill Danoff, John Denver, and Taffy Nivert. Country. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015652. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015652). ISBN 9780739094877. UPC: 038081456898.Country music fans who play or sing will love this giant songbook, which contains sheet music for more than 40 all-time favorites. Titles: All-American Girl (Carrie Underwood) * Almost Persuaded (David Houston) * Amazed (Lonestar) * American Honey (Lady Antebellum) * Anyway (Martina McBride) * Before He Cheats (Carrie Underwood) * Blown Away (Carrie Underwood) * Crazy Girl (Eli Young Band) * The Dance (Garth Brooks) * Do You Believe Me Now (Jimmy Wayne) * For You (Keith Urban) * Go Rest High on That Mountain (Vince Gill) * Good in Goodbye (Carrie Underwood) * How Do I Live (LeAnn Rimes) * I Could Not Ask for More (Sara Evans) * I Swear (John Michael Montgomery) * I Told You So (Carrie Underwood) * If I Die Young (The Band Perry) * I'll Stand by You (Carrie Underwood) * In My Daughter's Eyes (Martina McBride) * Jesus, Take the Wheel (Carrie Underwood) * Let Me Down Easy (Billy Currington) * Live Like You Were Dying (Tim McGraw) * Love Can Build a Bridge (The Judds) * Mama's Song (Carrie Underwood) * Margaritaville (Jimmy Buffett) * My Heart Can't Tell You No (Sara Evans) * Red Solo Cup (Toby Keith) * Smile (Uncle Kracker) * Some Hearts (Carrie Underwood) * Stand By Your Man (Tammy Wynette) * Take Me Home, Country Roads (John Denver) * Teardrops on My Guitar (Taylor Swift) * Temporary Home (Carrie Underwood) * There You'll Be (Faith Hill) * Undo It (Carrie Underwood) * Walk Me Down the Middle (The Band Perry) * When I Said I Do (Clint Black) * When You Come Back Down (Nickel Creek) * Whenever You Remember (Carrie Underwood) * Whiskey Lullaby (Brad Paisley and Carrie Underwood) * White Horse (Taylor Swift) * Why Wait (Rascal Flatts) * You Light Up My Life (LeAnn Rimes).
$3.99
3.68 €
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Piano, Voix et Guitare
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John Denver
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Take Me Home, Country Roads
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Josquin: 22 Duets for Oboe d'Amore & Bassoon
Bassoon,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1073999…
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Bassoon,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1073999 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678267. Published by jmsgu3 (A0.1073999). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.35 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for Oboe d'Amore & Bassoon
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jmsgu3
#
SheetMusicPlus
Josquin: 22 Duets for Baritone Horn & Bass Trombone
Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1…
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Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678573. Published by jmsgu3 (A0.1074280). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.35 €
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Josquin des Prez
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James M
#
Josquin: 22 Duets for Baritone Horn & Bass Trombone
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jmsgu3
#
SheetMusicPlus
Josquin: 22 Duets for Tenor & Baritone Sax
2 Saxophones (duo)
Baritone Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Download SKU: …
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Baritone Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1074034 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678304. Published by jmsgu3 (A0.1074034). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.35 €
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2 Saxophones (duo)
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Josquin des Prez
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James M
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Josquin: 22 Duets for Tenor & Baritone Sax
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jmsgu3
#
SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Josquin: 22 Duets for French Horn & Bass Trombone
Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 C…
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Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678587. Published by jmsgu3 (A0.1074291). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.35 €
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Josquin des Prez
#
James M
#
Josquin: 22 Duets for French Horn & Bass Trombone
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jmsgu3
#
SheetMusicPlus
Josquin: 22 Duets for Trombone & Tuba
Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 …
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Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678601. Published by jmsgu3 (A0.1074311). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period. Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.35 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trombone & Tuba
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Trumpet & Bass Trombone
Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276
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Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678569. Published by jmsgu3 (A0.1074276). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.35 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trumpet & Bass Trombone
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jmsgu3
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SheetMusicPlus
Your Eyes Tell
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521534 By BTS. …
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521534 By BTS. By Gustav Mared, Jeongguk Jeon, Jun, and Uta. Arranged by Sherry Lewis. Pop. 12 pages. Sherry Lewis Publishing #6197811. Published by Sherry Lewis Publishing (A0.521534). YOUR EYES TELLString Duo, Intermediate Level for violin and celloScore: YesParts: 5 pagesTime: 4'00MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99
4.6 €
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Violon, Violoncelle (duo)
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BTS
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Sherry Lewis
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Your Eyes Tell
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Sherry Lewis Publishing
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SheetMusicPlus
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