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Vous avez sélectionné:
Tell Me Something Good - Trumpet 1
Partitions à imprimer
7 partitions trouvées
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1
Bock's Best - Volume 1
Piano seul
Piano - SMP Level 7 (Late Intermediate) SKU: HL.8738352 Piano Solo. Composed…
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Piano - SMP Level 7 (Late Intermediate) SKU: HL.8738352 Piano Solo. Composed by Fred Bock. Piano Solos. Fred Bock Publications. General Worship, Sacred. 152 pages. Fred Bock Music Company #BG0557. Published by Fred Bock Music Company (HL.8738352). ISBN 9781934596159. UPC: 073999726527. 9.0x12.0x0.374 inches.This tremendous piano collection features 50 of Fred Bock's very best arrangements, including: I Am Loved * Jesus Loves Me (a classic arrangements based on Claude Debussy's Clair De Lune) * A Mighty Fortress Is Our God * My Tribute * Sweet, Sweet Spirit * and more. Spiral bound.This title has selections that range in difficulty from SMP Level 6-7. About SMP Level 7 (Late Intermediate) 4 to 5-note chords in both hands and scales in octaves in both hands.
Song List: All for Jesus (Stainer-Crucifixion) He Lifted Me Great Is Thy Faithfulness Now I Belong To Jesus We Are One In The Bond Of Love Safe Am I Surely Goodness And Mercy The Bell Carol He Is The Way I Believe In Miracles I'll Tell The World One Solitary Life Open Up Your Heart And Let The Sun Shine In Tell All The World About Love To Be Free There Is A Balm In Gilead Because He Lives Christ Of Every Crisis God Gave The Song He's Everything To Me Ivory Palaces A Mighty Fortress Is Our God Precious Lord, Take My Hand (Take My Hand, Precious Lord) Teach Me, Lord, To Wait Jesus Loves Me In Times Like These My Faith Looks Up To Thee Ten Thousand Angels Sweet, Sweet Spirit My Tribute Thou Art Worthy Something Beautiful Room At The Cross For You There's Something About That Name Wondrous Love Revive Us Again Jesus Is Coming Again Even So, Lord Jesus, Come Mansion Over The Hilltop I Will Serve Thee Gentle Shepherd How Long Has It Been Redeeming Love I Just Feel Like Something Good Is About To Happen I Am Loved The Church Triumphant How Big Is God? Were You There? What A Friend We Have In Jesus Oh How He Loves You And Me
$29.95
27.5 €
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Piano seul
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Fred Bock
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Bock's Best - Volume 1
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Fred Bock Music Company
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SheetMusicPlus
Tell Me Something Good - Trombone 1
Trombone (partie séparée)
Level 4 - Digital Download SKU: HX.343413 By Stevie Wonder. Arranged by Mike Tomaro…
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Level 4 - Digital Download SKU: HX.343413 By Stevie Wonder. Arranged by Mike Tomaro. This edition: scorch. Funk,Pop,Soul. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.343413).
$6.00
5.51 €
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Trombone (partie séparée)
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Stevie Wonder
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Mike Tomaro
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Tell Me Something Good - Trombone 1
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Hal Leonard - Digital
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SheetMusicPlus
Tell Me Something Good - Tenor Sax 1
Saxophone (partie séparée)
Level 4 - Digital Download SKU: HX.343406 By Stevie Wonder. Arranged by Mike Tomaro…
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Level 4 - Digital Download SKU: HX.343406 By Stevie Wonder. Arranged by Mike Tomaro. This edition: scorch. Funk,Pop,Soul. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.343406).
$6.00
5.51 €
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Saxophone (partie séparée)
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Stevie Wonder
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Mike Tomaro
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Tell Me Something Good - Tenor Sax 1
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Hal Leonard - Digital
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SheetMusicPlus
Tell Me Something Good - Alto Sax 1
Saxophone (partie séparée)
Level 4 - Digital Download SKU: HX.343404 By Stevie Wonder. Arranged by Mike Tomaro…
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Level 4 - Digital Download SKU: HX.343404 By Stevie Wonder. Arranged by Mike Tomaro. This edition: scorch. Funk,Pop,Soul. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.343404).
$6.00
5.51 €
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Saxophone (partie séparée)
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Stevie Wonder
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Mike Tomaro
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Tell Me Something Good - Alto Sax 1
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Hal Leonard - Digital
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SheetMusicPlus
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Lost Boy
Guitar - Level 2 - Digital Download SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arran…
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Guitar - Level 2 - Digital Download SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
$1.99
1.83 €
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Ruth B
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Brian Streckfus
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Lost Boy
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Brian Streckfus
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SheetMusicPlus
Here I Am - A Graduation Song [full score]
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1007855 Composed by by Austr…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1007855 Composed by by Australian composer Rebecca Summers. Contemporary,Singer/Songwriter. Score. 14 pages. Rebecca Summers #3879235. Published by Rebecca Summers (A0.1007855). A perfect song for a school or college graduation ceremony with lyrics capturing the excitement of breaking into a new chapter of life. Written with a diva in mind who's not afraid to create some drama and excitement on stage. Piano part effective without being out of the reach of most student pianists. Example of lyricsVerse 1Hello world. What you got in store for me?If I prise apart your clenched fist, what would your palm lines tell my future readsIs it you who holds the story? Or is it me who holds the dream?ChorusHere I am, it's time for leaving and I want to say goodbyeHere I am can't wait for providence nothing happens 'less I tryand I know I'm getting misty, but there's something 'bout this placeHello world, here I am I'm yours to take.
$9.99
9.17 €
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Piano, Voix
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by Australian composer Rebecca Summers
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Here I Am - A Graduation Song [full score]
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Rebecca Summers
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SheetMusicPlus
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