English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Top 100
Portées musicales
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
181
Partitions
Numériques
16
Librairie
Musicale
303
Matériel
de Musique
2
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1
PIANO & CLAVIERS
Piano seul
8
Piano Facile
1
GUITARES
Guitare
2
Guitare notes et tablatures
1
VOIX
VENTS
CUIVRES
2 Tubas (duo)
1
2 Trombones (duo)
1
CORDES
PERCUSSIONS & ORCHESTRES
Marimba
1
AUTRES
Vous avez sélectionné:
Ten Etudes No.11
Partitions à imprimer
16 partitions trouvées
<
1
Ten Etudes No.8
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.491338 By Dubiell De Zarraga Lago. …
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.491338 By Dubiell De Zarraga Lago. By Dubiell De Zarraga Lago. 20th Century. Score. 11 pages. Dubiell A De Zarraga lago #106877. Published by Dubiell A De Zarraga lago (A0.491338).
$2.99
2.73 €
#
Piano seul
#
Dubiell De Zarraga Lago
#
Ten Etudes No.8
#
Dubiell A De Zarraga lago
#
SheetMusicPlus
Impromptu No.11 For Marimba
Marimba
Marimba Solo - Digital Download SKU: A0.955423 Composed by Neal Fitzpatrick. Arrang…
(+)
Marimba Solo - Digital Download SKU: A0.955423 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6039309. Published by Neal Fitzpatrick Editions (A0.955423). This is Impromptu No.11 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
1.82 €
#
Marimba
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
Impromptu No.11 For Marimba
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Impromptu No.11 For Piano
Piano seul
Piano Solo - Digital Download SKU: A0.955402 Composed by Neal Fitzpatrick. Contempo…
(+)
Piano Solo - Digital Download SKU: A0.955402 Composed by Neal Fitzpatrick. Contemporary,Standards,World. Score. 3 pages. Neal Fitzpatrick Editions #6021083. Published by Neal Fitzpatrick Editions (A0.955402). This is Impromptu No.11 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
1.82 €
#
Piano seul
#
Neal Fitzpatrick
#
Impromptu No.11 For Piano
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Ten Etudes No.11
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.491341 By Dubiell De Zarraga Lago. …
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.491341 By Dubiell De Zarraga Lago. By Dubiell De Zarraga Lago. 20th Century. Score. 10 pages. Dubiell A De Zarraga lago #106880. Published by Dubiell A De Zarraga lago (A0.491341).
$2.99
2.73 €
#
Piano seul
#
Dubiell De Zarraga Lago
#
Ten Etudes No.11
#
Dubiell A De Zarraga lago
#
SheetMusicPlus
Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
Bassoon - Level 1 - Digital Download SKU: A0.1474103 Composed by James Smith. Class…
(+)
Bassoon - Level 1 - Digital Download SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Method. 44 pages. Ensemble Llama Music #1051737. Published by Ensemble Llama Music (A0.1474103). I’m a bassoonist, and I don’t like the teaching materials for bassoon that are out there. There’s not enough depth and engagement in them, and nothing that supports the everyday music teacher. So I set out to create something that I would feel comfortable giving to my private students to help them grow as musicians. There are many types of music in the book: etudes, exercises, warm-ups, backwards and upside down duets (one person plays normally, the other person reads the music in an unusual way), improvised music, and composition. Musical styles range across a variety of cultures and genres such as classical, blues, fiddle tunes, marches, contemporary, musicals, and more. Using carefully crafted etudes, exercises, and songs in a variety of styles, your bassoon students are going to to find immediate success. The bite-sized examples encourage students to focus on tone, as they extend their technique and range on this wonderful instrument. Examples from the book:1.1 - Memories1.2 - Can-Can1.3 - Baby-Back Blues1.4 - Somewhere Nice1.5 - Go Down, Moses1.6 - Magenta Sky (A Backwards Duet)1.7 - Cakewalk1.8 - Red River Valley1.9 - Symphony No. 6, Mvt. 2 (Tchaikovsky)1.10 - Arkansas Traveler1.11 - Give My Regards to Broadway (key of B Flat Major)1.12 - In The Hall of the Mountain King1.13 - Landlord Fill The Flowing Bowl1.14 - It Ain't Gonna Rain No Mo'1.15 - Shalom Chaverim1.16 - Londonderry Air1.17 - Theme & Variations, Für Elise1.18 - Ominous (A Backwards Duet)Create & Improvise: St. Louis Blues (W.C. Handy)1.19 - Interlude1.20 - L'Adieu Des Bergers1.21 - Washington Post March1.22 - The Sea Monster - A Short Improvised Piece1.23 - Give My Regards to Broadway (key of G Major)1.24 - Anna Lisle (The Alma Mater Song)Critical Hit - Bassoon Concert Piece2.1 - More Memories2.2 & 2.3 - Ten Little Indians2.4 - Parliament (An Upside-Down Duet)2.5 - Bassoon Warm-Up2.6 - F Major Studies2.7 - Airang2.8 - Arpeggio In Blue2.9 - C Major Studies2.10 - Mazurka in A-flat Major2.11 - Etudes With Flats2.12 - Take Me Out To The Ball Game2.13 - Arpeggios (Part 1)2.14 - Etudes With Arpeggios2.15 - The Sar Spangled Banner2.16 - Arpeggios (Part 2)2.17 - More Arpeggio Studies2.18 - Battle Hymn of the Republic2.19 - Arpeggios (Part 3)2.20 - Kolme Varista2.21 - Swallowtail Jig2.22 - Jesu, Joy of Man's Desiring2.23 - St. Anne's Reel2.24 - Dear Old Stockholm2.25 - Esprit De CorpsSketch On a Theme From The Sorceror's Apprentice - Bassoon Concert Piece.
$29.99
27.42 €
#
James Smith
#
Variations, Für Elise
1
#
Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
#
Ensemble Llama Music
#
SheetMusicPlus
Alla Maniera Ungherese No.11
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1041549 By Jozsef Ludvig. By Jozse…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1041549 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646303. Published by Koncert 1234 Kft (A0.1041549). Alla Maniera Ungherese No.11 ISRC HU-D26-14-00306 The performer of guitar duets is the composer: Jozsef Ludvig In 2009, I released 35 classical guitar duo etudes with sheet music and CD attachments. Of these, I now publish 16 pieces written for classical guitar. The melody and rhythm of the guitar duos are soldered together by the sweet atmosphere of Hungarian European music. This music is not like any other music, but it can give new inspiration to everyone who does is engaged in composition.
$3.00
2.74 €
#
Guitare
#
Jozsef Ludvig
#
Alla Maniera Ungherese No.11
#
Koncert 1234 Kft
#
SheetMusicPlus
John McCabe: Epithalamium (Homage To Mussorgsky - Study No.11) For Piano - piano solo
Piano seul
Instantly printable sheet music by John McCabe for piano solo of MEDIUM skill level. Conte…
(+)
Instantly printable sheet music by John McCabe for piano solo of MEDIUM skill level. Contents: etude, etudes, studies, exercises / classical,instructional
$8.97
8.2 €
#
Piano seul
#
John McCabe
#
Virtualsheetmusic
Friedrich Johann Franz Burgmuller: Celtic Harp, Op. 105 No. 11 - piano solo
Piano seul
Instantly printable sheet music by Friedrich Johann Franz Burgmuller for piano solo of MED…
(+)
Instantly printable sheet music by Friedrich Johann Franz Burgmuller for piano solo of MEDIUM/HIGH skill level. Contents: 12 Brilliant and Melodious Studies,etude, etudes, study, exercises / classical,instructional
$4.99
4.56 €
#
Piano seul
#
Friedrich Johann Franz Burgmuller
#
Virtualsheetmusic
Ludvig Schytte: Study, Op. 108 No. 11, Repetitions - piano solo
Piano seul
Instantly printable sheet music by Ludvig Schytte for piano solo of EASY/MEDIUM skill leve…
(+)
Instantly printable sheet music by Ludvig Schytte for piano solo of EASY/MEDIUM skill level. Contents: The Great Book of Studies, 100 beautiful studies for Piano,etude, etudes, studies, exercises, study / classical,instructional
$4.99
4.56 €
#
Piano seul
#
Ludvig Schytte
#
Virtualsheetmusic
Stephen Heller: Study, Op. 125 No. 11, Chords and broken chords - piano solo
Piano seul
Instantly printable sheet music by Stephen Heller for piano solo of EASY/MEDIUM skill leve…
(+)
Instantly printable sheet music by Stephen Heller for piano solo of EASY/MEDIUM skill level. Contents: The Great Book of Studies, 100 beautiful studies for Piano,etude, etudes, studies, exercises, study / classical,instructional
$4.99
4.56 €
#
Piano seul
#
Stephen Heller
#
Virtualsheetmusic
Stephen Heller: Bagpipe Etude, Op. 47, No. 11 - piano solo (elementary)
Piano Facile
Instantly printable sheet music by Stephen Heller for piano solo (elementary) of VERY EASY…
(+)
Instantly printable sheet music by Stephen Heller for piano solo (elementary) of VERY EASY skill level. Contents: study, studies, etudes, exercises / classical,instructional,children
$5.97
5.46 €
#
Piano Facile
#
Stephen Heller
#
Virtualsheetmusic
Fifteen Safari Duets for Tubas
2 Tubas (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
(+)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.<br> <br> In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.<br> <br> 1. Elephants at Stave<br> <br> This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.<br> <br> 2. Gallop – Thompson Gazelle at Amboseli<br> <br> This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. <br> <br> 3. Rhinos at Nairobi Game Park<br> <br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.<br> <br> 4. Giraffes at Nairobi Twiga Park<br> <br> This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.<br> <br> 5. Warthogs at Ngulia<br> <br> Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.<br> <br> 6. Baboons at Kiliguni<br> <br> This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. <br> <br> 7. Pastoral – Cape Buffalo at Samburu<br> <br> The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.<br> <br> 8. Song - Hippos at Mzima Springs<br> <br> This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.<br> <br> 9. Leopards at Kimana Lodge<br> <br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. <br> <br> 10. Colobus Monkeys at the Ark<br> <br> This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. <br> <br> 11. Zebra Migration at Masai Mara<br> <br> This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.<br> <br> 12. Ostrich at Samburu<br> <br> This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.<br> <br> 13. Cheetah at Voi<br> <br> This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.<br> <br> 14. Gallop – Gerenuk at Buffalo Springs<br> <br> This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.<br> <br> 15. Lions at Mara Sopa<br> <br> This duet is in the style of a fanfare. The lion is considered the king of the savanna. <br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. <br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.<br> <br> In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.<br> <br> 1. Elephants at Stave<br> <br> This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.<br> <br> 2. Gallop – Thompson Gazelle at Amboseli<br> <br> This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. <br> <br> 3. Rhinos at Nairobi Game Park<br> <br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.<br> <br> 4. Giraffes at Nairobi Twiga Park<br> <br> This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.<br> <br> 5. Warthogs at Ngulia<br> <br> Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.<br> <br> 6. Baboons at Kiliguni<br> <br> This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. <br> <br> 7. Pastoral – Cape Buffalo at Samburu<br> <br> The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.<br> <br> 8. Song - Hippos at Mzima Springs<br> <br> This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.<br> <br> 9. Leopards at Kimana Lodge<br> <br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. <br> <br> 10. Colobus Monkeys at the Ark<br> <br> This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. <br> <br> 11. Zebra Migration at Masai Mara<br> <br> This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.<br> <br> 12. Ostrich at Samburu<br> <br> This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.<br> <br> 13. Cheetah at Voi<br> <br> This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.<br> <br> 14. Gallop – Gerenuk at Buffalo Springs<br> <br> This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.<br> <br> 15. Lions at Mara Sopa<br> <br> This duet is in the style of a fanfare. The lion is considered the king of the savanna. <br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. <br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.28 €
#
2 Tubas (duo)
#
Gregory Fritze
#
Fifteen Safari Duets for Tubas
#
Musica Nova USA
#
SheetMusicPlus
Music Essences Vol.2 - Romantic Piano Ballads
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Alexander Holz. Movies, Etud…
(+)
Piano Solo - Intermediate - Digital Download Composed by Alexander Holz. Movies, Etudes and Exercises, Repertoire, Technique Training, Wedding. 28 pages. Published by Alexander Holz
ISBN 9783750256606, 8.3 x 11.7 inches, English, German.<br> <br> Music essences were inspired by the idea of developinga piano book that is not a piano school but offers new pieces next to the oldclassics. So you can expand your repertoire for every occasion.<br> <br> The title describes the pieces as very compressedmusic ideas, or even impressions. They can be musically developed and expandedin mind. Even extended interpretations are conceivable, both in playing and interms of instrumental arrangement.<br> <br> Waltz No. 1 <br> <br> This Piano Sonata in G major has a light, liltingmelody and a midsection that underscores the style of a waltz. It is a verylively and dynamic piece. The mood is enhanced by a few diffuse moments, whichsupports the arc of suspense.<br> <br> Impromptu<br> <br> Based on Franz Schubert, this impromptu is inspired bythe trio of the fourth part of Opus 90 from 1827. The style has been expandedand reinterpreted with modern elements. The theme increases to the upperoctaves and culminates in a new theme in the midsection. It ends with a solemnmood.<br> <br> Summer<br> <br> Originally it is the theme of my first symphony forchorus and orchestra, third Movement. In this arrangement for piano, it is themelody that is intensively underlined and expressed.<br> <br> 2nd Intermezzo <br> <br> In the beginning this piece is like a nocturne byFrederic Chopin, But the midsection is based on the midsection of the secondintermezzo, opus 118 by Johannes Brahms from 1893. Mood, harmony and style ofthe midsection are also inspired by the soundtrack from "PearlHarbor" by Hans Zimmer.ISBN 9783750256606, 8.3 x 11.7 inches, English, German.<br> <br> Music essences were inspired by the idea of developinga piano book that is not a piano school but offers new pieces next to the oldclassics. So you can expand your repertoire for every occasion.<br> <br> The title describes the pieces as very compressedmusic ideas, or even impressions. They can be musically developed and expandedin mind. Even extended interpretations are conceivable, both in playing and interms of instrumental arrangement.<br> <br> Waltz No. 1 <br> <br> This Piano Sonata in G major has a light, liltingmelody and a midsection that underscores the style of a waltz. It is a verylively and dynamic piece. The mood is enhanced by a few diffuse moments, whichsupports the arc of suspense.<br> <br> Impromptu<br> <br> Based on Franz Schubert, this impromptu is inspired bythe trio of the fourth part of Opus 90 from 1827. The style has been expandedand reinterpreted with modern elements. The theme increases to the upperoctaves and culminates in a new theme in the midsection. It ends with a solemnmood.<br> <br> Summer<br> <br> Originally it is the theme of my first symphony forchorus and orchestra, third Movement. In this arrangement for piano, it is themelody that is intensively underlined and expressed.<br> <br> 2nd Intermezzo <br> <br> In the beginning this piece is like a nocturne byFrederic Chopin, But the midsection is based on the midsection of the secondintermezzo, opus 118 by Johannes Brahms from 1893. Mood, harmony and style ofthe midsection are also inspired by the soundtrack from "PearlHarbor" by Hans Zimmer.
$10.95
10.01 €
#
Piano seul
#
Alexander Holz
#
Music Essences Vol.2 - Romantic Piano Ballads
#
Alexander Holz
#
SheetMusicPlus
Selected Works by Matteo Carcassi (for Solo Guitar)
Guitare notes et tablatures
Guitar Tab, Classical guitar - Intermediate - Digital Download Composed by Matteo Car…
(+)
Guitar Tab, Classical guitar - Intermediate - Digital Download Composed by Matteo Carcassi (1792-1853). Arranged by Kenneth Pasciak. Etudes and Exercises, Repertoire, Recital. Individual Part, Score, Tablature. 27 pages. Published by Kenneth Pasciak
Selected Works by Matteo Carcassi features five pieces (plus one recomposed piece) by Italian guitarist and composer Matteo Carcassi. The melodic, harmonic and textural elements of these particular pieces foreshadow many features of his most famous work, 25 Progressive Studies, Op. 60. Score with tablature plus individual guitar part without tabs included for each title. (Each title also available separately, search item number below.)<br> <br> Contents:<br> <br> Siciliano, Op. 59, No 22 (S0.1015363)<br> Valse, Op. 11, No. 7 (S0.1041843)<br> Andantino Grazioso, Op. 59, No. 25 (S0.1021513)<br> Allegretto, Op. 5, No. 12 (S0.1015759)<br> Larghetto, Op.1, No. 2 and Larghetto recomposed (S0.1043249)<br> <br> Kenneth Pasciak Music Publishing, ASCAP<br> kenpasciak.comSelected Works by Matteo Carcassi features five pieces (plus one recomposed piece) by Italian guitarist and composer Matteo Carcassi. The melodic, harmonic and textural elements of these particular pieces foreshadow many features of his most famous work, 25 Progressive Studies, Op. 60. Score with tablature plus individual guitar part without tabs included for each title. (Each title also available separately, search item number below.)<br> <br> Contents:<br> <br> Siciliano, Op. 59, No 22 (S0.1015363)<br> Valse, Op. 11, No. 7 (S0.1041843)<br> Andantino Grazioso, Op. 59, No. 25 (S0.1021513)<br> Allegretto, Op. 5, No. 12 (S0.1015759)<br> Larghetto, Op.1, No. 2 and Larghetto recomposed (S0.1043249)<br> <br> Kenneth Pasciak Music Publishing, ASCAP<br> kenpasciak.com
$3.99
3.65 €
#
Guitare notes et tablatures
#
Matteo Carcassi (1792-1853)
#
Kenneth Pasciak
#
Selected Works by Matteo Carcassi
#
Kenneth Pasciak
#
SheetMusicPlus
Nineteen Skeletal Duets for Trombones
2 Trombones (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
(+)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.<br> <br> 1. Cranium<br> This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.<br> <br> 2. Stirrup<br> This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets.<br> 3. Humerus<br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.<br> 4. Vertebra<br> This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.<br> 5. Axis<br> Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.<br> 6. Tibia<br> This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important.<br> 7. Clavicle<br> The key of A for this duet provides variation for the students.<br> 8. Fibula nd<br> This duet uses the easiest of rhythms and range, especially for the 2<br> 9. Scapula<br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.<br> 10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.<br> <br> (student) part.<br> <br> 11. Radius<br> This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet.<br> 12. Femur<br> This duet works on double time and half time tempo changes.<br> 13. Patella<br> This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used.<br> 14. Anvil<br> This gallop displays different types of articulation.<br> 15. Hammer<br> This duet is in the style of a fanfare.<br> 16. Rib<br> This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.<br> 17. Sacrum<br> This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”.<br> 18. Ulna<br> This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”.<br> 19. Ilium<br> This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.<br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.<br> <br> 1. Cranium<br> This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.<br> <br> 2. Stirrup<br> This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets.<br> 3. Humerus<br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.<br> 4. Vertebra<br> This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.<br> 5. Axis<br> Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.<br> 6. Tibia<br> This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important.<br> 7. Clavicle<br> The key of A for this duet provides variation for the students.<br> 8. Fibula nd<br> This duet uses the easiest of rhythms and range, especially for the 2<br> 9. Scapula<br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.<br> 10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.<br> <br> (student) part.<br> <br> 11. Radius<br> This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet.<br> 12. Femur<br> This duet works on double time and half time tempo changes.<br> 13. Patella<br> This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used.<br> 14. Anvil<br> This gallop displays different types of articulation.<br> 15. Hammer<br> This duet is in the style of a fanfare.<br> 16. Rib<br> This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.<br> 17. Sacrum<br> This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”.<br> 18. Ulna<br> This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”.<br> 19. Ilium<br> This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.<br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.28 €
#
2 Trombones (duo)
#
Gregory Fritze
#
Nineteen Skeletal Duets for Trombones
#
Musica Nova USA
#
SheetMusicPlus
Mauro Giuliani: Progressive Exercises, 18 - Op.51 for guitar solo
Guitare
Instantly downloadable sheet music by Mauro Giuliani for guitar solo of EASY/MEDIUM skill …
(+)
Instantly downloadable sheet music by Mauro Giuliani for guitar solo of EASY/MEDIUM skill level. Contents: opus 11, op. 11, capriccio,[no.1-18],etude, etudes, studies, study / classical,instructional
$4.99
4.56 €
#
Guitare
#
Mauro Giuliani
#
Virtualsheetmusic
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale